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El soldat fanfarró
by PlauteEl soldat pagat de sí mateix i l’esclau murri còmplice del seu amo, protagonistes d’aquesta obra, són dos dels caràcters de Plaute amb més influència en la comèdia europea de tots els temps. A Efes, Pirgopolinices, soldat fanfarró i vanitós, ha segrestat l’amant de Plèusicles, Filocomàsia. Per alliberar-la, Palestrió, esclau de Plèusicles, li para una trampa: fa veure que la cortesana Acrotelèucia, que fingeix ser l’esposa del veí ancià del soldat, Periplectomen, se n’ha enamorat perdudament de Pirgopolinices. Aquest, convençut d’haver fet una bona conquesta, es desempallega de Filocomàsia. Mentrestant, Periplectomen, fingint indignació per la gosadia del soldat, li prepara una bona pallissa.
The Elaborate Entrance Of Chad Deity
by Kristoffer DiazDramatic Comedy CHaracters: 5 male (1 non-speaking) Single Set Finalist for the 2010 Pulitzer Prize for Drama Winner! 2011 Obie Award for Best New American Play Winner! 2011 New York Times Outstanding Playwright Awards Winner! 2008 National Latino Playwriting Award Mace is a professional wrestler. He's a really good professional wrestler. He's not the champion though - that's the impossibly charismatic Chad Deity. When Mace discovers a young India
Electoral Guerrilla Theatre: Radical Ridicule and Social Movements
by L.M. BogadPraise for the First Edition: 'A major contribution to performance studies. If cynicism and political quietism have quelled your impulse to rage against this sorry state of affairs, Bogad demonstrates, with wit and verve, that it is possible to expose the sham and, through a variety of performative tactics, make a meaningful contribution to democracy.' Modern Drama 'A compelling and urgent read. Bogad’s passion for the topic reminds the reader of the exhilaration of live performance and the importance of engagement in democratic life.' Theatre Journal 'Delightfully written and wonderfully provocative ... Valuable reading for any scholar of social movements.' Mobilization 'As a guide to both theory and action, it is insightful, entertaining and indispensable.' Andrew Boyd, Wrangler-in-Chief, Beautiful Trouble 'Beautifully contextualized within social movement theory, this book enlivens the debate about performative interventions into power.'Jan Cohen-Cruz, Editor, Public, A Journal of Imagining America 'Electoral Guerrilla Theatre deals a refreshing wild card in the repertoire of resistance.' Baz Kershaw, Emeritus Professor, University of Warwick, and author of The Radical In Performance. In liberal democracies across the globe, where the right to vote is framed as both civil right and civic duty, disillusioned creative activists run for public office on satiric, ironic and iconoclastic platforms. With little intention of "winning" in the conventional sense, they use drag, camp and stand-up comedy to undermine the legitimacy of their opponents and sometimes the electoral system itself. This revised and updated edition of Electoral Guerrilla Theatre explores the phenomenon of the satirical election campaign, and questions the purpose of such public political performances. Drawing on extensive archival and ethnographic research, this is an entertaining and illuminating read that will be invaluable to students and scholars working across a variety of disciplines, including performance studies, the social sciences, cultural studies and politics. New case studies for this edition include: Reverend Billy’s run for Mayor of New York City in 2009; Stephen Colbert’s run for President in 2012; Candidates including Superbarrio, the Best Party, Antanas Mockus, and Einstein the Dog.
Electra
by SophoclesSet in the city of Argos a few years after the Trojan war, 'Electra' recounts the tale of Electra and the vengeance that she and her brother Orestes take on their mother Clytemnestra and step father Aegisthus for the murder of their father, Agamemnon.
Electra
by SophoclesMasterpiece of drama concerns the revenge Electra takes on her mother for the murder of her father. One of the best-known heroines of all drama and a towering figure of Greek tragedy.
Electra and Other Plays
by EuripidesWritten during the fierce struggle for supremacy between Sparta and Euripides' native Athens, these five plays are haunted by the shadow of war - and in particular its impact on women. In Electra, the children of Agamemnon take bloody revenge on their mother for murdering their father after his return from Troy, and Suppliant Women depicts the grieving mothers of those killed in battle. The other plays deal with the aftermath of the Trojan War for the defeated survivors, as Andromache shows Hector's widow as a trophy of war in the house of her Greek captor, and Hecabe portrays a defeated queen avenging the murder of her last-remaining son, while Trojan Women tells of the plight of the city's women in the hands of the victors. Translated by John Davie and with an introduction and notes by Richard Rutherford
Electra and Other Plays: Ajax, Women Of Trachis, Electra, And Philoctetes
by SophoclesSophocles’ innovative plays transformed Greek myths into dramas featuring complex human characters, through which he explored profound moral issues. Electra portrays the grief of a young woman for her father Agamemnon, who has been killed by her mother’s lover. Aeschylus and Euripides also dramatized this story, but the objectivity and humanity of Sophocles’ version provides a new perspective. Depicting the fall of a great hero, Ajax examines the enigma of power and weakness combined in one being, while the Women of Trachis portrays the tragic love and error of Heracles’ deserted wife Deianeira, and Philoctetes deals with the conflict between physical force and moral strength.
Electra and the Empty Urn: Metatheater and Role Playing in Sophocles
by Mark RingerMetatheater, or "theater within theater," is a critical approach often used in studies of Shakespearian or modern drama. Breaking new ground in the study of ancient Greek tragedy, Mark Ringer applies the concept of metatheatricality to the work of Sophocles. His innovative analysis sheds light on Sophocles' technical ingenuity and reveals previously unrecognized facets of fifth-century performative irony. Ringer analyzes the layers of theatrical self-awareness in all sevenSophoclean tragedies, giving special attention to Electra, theplaywright's most metatheatrical work. He focuses on plays within plays,characters who appear to be in rivalry with their playwright in "scripting"their dramas, and the various roles that characters assume in their attempts to deceive other characters or even themselves. Ringer also examines instances of literal role playing, exploring the implications of the Greek convention of sharing multiple roles among only three actors.Sophocles has long been praised as one of the masters of dramaticirony. Awareness of Sophoclean metatheater, Ringer shows, deepens our appreciation of that irony and reveals the playwright's keen awareness of his art.Originally published in 1998.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Electra, Phoenician Women, Bacchae, and Iphigenia at Aulis
by Euripides Cecelia Eaton Luschnig Paul WoodruffThe four late plays of Euripides collected here, in beautifully crafted translations by Cecelia Eaton Luschnig and Paul Woodruff, offer a faithful and dynamic representation of the playwright’s mature vision.
The Electra Plays
by Cecelia Eaton Luschnig Paul Woodruff Peter MeineckAeschylus: The Libation Bearers; Euripides: Electra; Sophocles: Electra
Electricity for the Entertainment Electrician & Technician
by Richard CadenaThe application of electricity for the theatre or a concert stage is not the same as for a residence or commercial building. Electricity for the Entertainment Electrician & Technician provides you with the fundamentals of theory of electricity as well as the latest guidelines and tips for how to stay safe, current and meet the needs of the entertainment industry. Written by an ETCP (Entertainment Technician Certification Program) trainer this reference supports practicing technicians and provides new technicians the assistance needed for a successful career in the entertainment industry. * The only reference on electricity for the entertainment industry professional!* Written by an ETCP (Entertainment Technician Certification Program) trainer and seasoned professional* Free additional practice problems and animations at www.electricityentertainmenttech.com
Electricity for the Entertainment Electrician & Technician: A Practical Guide for Power Distribution in Live Event Production
by Richard CadenaNow in its third edition, Electricity for the Entertainment Electrician & Technician is a comprehensive, practical study guide for aspiring and working professionals in live event production. The book covers every aspect of power distribution from the fundamentals, like basic circuits, to 3-phase power, power calculations, grounding and bonding, electrical safety, portable power generators, and battery power. With ample photographs and illustrations, practice problems and solutions, and real-world examples from experience and first-hand accounts, it provides readers with the knowledge to safely design, set up, and monitor power distribution systems. The third edition expands on grounding and bonding, portable power generators, balanced and unbalanced 3-phase power calculations, battery power, and more. The last chapter walks readers through the process of prepping for a show, setting up a portable power distribution system, and monitoring every aspect of the system, including voltage, current, and heat using an infrared camera, explaining in detail best practices and the logic behind them. Covering topics that are listed in the content outline for the ETCP Entertainment Electrician Certification exam as well as the ETCP Portable Power Distribution Technician Certification exam, this reference supports practicing technicians and provides new technicians the assistance they need for a successful career in the entertainment industry. Additional resources, including conversion tables, voltage spreadsheets, articles from Lighting & Sound International, Lighting & Sound America, and Protocol, and animations and illustrations depicting electricity and electric power distribution developed for the author’s workshops, can be found on the companion website www.electrics.tech.
Electricity for the Entertainment Electrician & Technician: A Practical Guide for Power Distribution in Live Event Production
by Richard CadenaNow in its third edition, Electricity for the Entertainment Electrician & Technician is a comprehensive, practical study guide for aspiring and working professionals in live event production.The book covers every aspect of power distribution from the fundamentals, like basic circuits, to 3-phase power, power calculations, grounding and bonding, electrical safety, portable power generators, and battery power. With ample photographs and illustrations, practice problems and solutions, and real-world examples from experience and first-hand accounts, it provides readers with the knowledge to safely design, set up, and monitor power distribution systems. The third edition expands on grounding and bonding, portable power generators, balanced and unbalanced 3-phase power calculations, battery power, and more. The last chapter walks readers through the process of prepping for a show, setting up a portable power distribution system, and monitoring every aspect of the system, including voltage, current, and heat using an infrared camera, explaining in detail best practices and the logic behind them.Covering topics that are listed in the content outline for the ETCP Entertainment Electrician Certification exam as well as the ETCP Portable Power Distribution Technician Certification exam, this reference supports practicing technicians and provides new technicians the assistance they need for a successful career in the entertainment industry.Additional resources, including conversion tables, voltage spreadsheets, articles from Lighting & Sound International, Lighting & Sound America, and Protocol, and animations and illustrations depicting electricity and electric power distribution developed for the author’s workshops, can be found on the companion website www.electrics.tech.
Elektra
by SophoclesAmong the most celebrated plays of ancient Athens, Elektra is one of seven surviving dramas by the great Greek playwright, Sophocles, now available from Harper Perennial in a vivid and dynamic new translation by award-winning poet Robert Bagg. Elektra masterfully explores the consequences of revenge—both for those who bear the brunt of violence and for those who become obsessed by hatred under its influence—as it focuses on the cycle of bloodshed that consumes a royal family. This is Sophocles, vibrant and alive, for a new generation.
The Elements of Academic Style: Writing for the Humanities
by Eric HayotEric Hayot teaches graduate students and faculty in literary and cultural studies how to think and write like a professional scholar. From granular concerns, such as sentence structure and grammar, to big-picture issues, such as adhering to genre patterns for successful research and publishing and developing productive and rewarding writing habits, Hayot helps ambitious students, newly minted Ph.D.'s, and established professors shape their work and develop their voices.Hayot does more than explain the techniques of academic writing. He aims to adjust the writer's perspective, encouraging scholars to think of themselves as makers and doers of important work. Scholarly writing can be frustrating and exhausting, yet also satisfying and crucial, and Hayot weaves these experiences, including his own trials and tribulations, into an ethos for scholars to draw on as they write. Combining psychological support with practical suggestions for composing introductions and conclusions, developing a schedule for writing, using notes and citations, and structuring paragraphs and essays, this guide to the elements of academic style does its part to rejuvenate scholarship and writing in the humanities.
Elements of Performance: A Guide for Performers in Dance, Theatre and Opera (Choreography and Dance Studies Series)
by Pauline KonerFirst Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
The Elements of Theatrical Expression
by Brian KulickThe Elements of Theatrical Expression puts forward 14 essential elements that make up the basic building blocks of theatre. Is theatre a language? Does it have its own unique grammar? And if so, just what would the elements of such a grammar be? Brian Kulick asks readers to think of these elements as the rungs of a ladder, scaling one after the other to arrive at an aerial view of the theatrical landscape. From such a vantage point, one can begin to discern a line of development from the ancient Greeks, through Shakespeare and Chekhov, to a host of our own contemporary authors. He demonstrates how these elements may be transhistorical but are far from static, marking out a rich and dynamic theatrical language for a new generation of theatre makers to draw upon. Suitable for directors, actors, writers, dramaturges, and all audiences who yearn for a deeper understanding of theatre, The Elements of Theatrical Expression equips its readers with the knowledge that they need to see and hear theatre in new and more daring ways.
The Elephant Man
by Bernard PomeranceDramaCharacters: 6 male, 2 female w/ doubling. Unit set / . The Elephant Man is based on the life of John Merrick, who lived in London during the latter part of the nineteenth century. A horribly deformed young man, victim of rare skin and bone diseases, he has become the star freak attraction in traveling side shows. Found abandoned and helpless, he is admitted to London's prestigious Whitechapel hospital. Under the care of celebrated young physician Frederick Treves, Merrick is introduced to London society and slowly evolves from an object of pity to an urbane and witty favorite of the aristocracy and literati only to be denied his ultimate dream, to become a man like any other. Winner of numerous Tony Awards including Best Play. . "Ravishing theatre....Utterly fascinating...A distinguished piece of work."-New York Daily News . "An enthralling and luminous play. Haunting, splendid..."-The New York Times. Wonderful, moving and purely theatrical. A giant of a play!"-New York Post. "A moving drama, lofted on poetic wings, it nests in the human heart."-Time
Elephant Man: A Play (Books That Changed the World)
by Bernard Pomerance&“An enthralling and luminous play&” about the nineteenth-century man whose physical deformity doomed him to the life of an outcast: &“haunting [and] splendid&” (The New York Times). The Elephant Man is based on the life of John Merrick, who lived in London during the latter part of the nineteenth century. A horribly deformed young man, a freak attraction in traveling side shows, is found abandoned and helpless and is admitted for observation to Whitechapel, a prestigious London hospital. Under the care of a famous young doctor who educates him and introduces him to London society, Merrick changes from a sensational object of pity to the urbane and witty favorite of the aristocracy and literati. But his belief that he can become a man like any other is a dream never to be realized. After premiering in London, The Elephant Man went on to Broadway where it won the Tony for Best Play in 1979. It was later revived in a Broadway production starring Bradley Cooper. &“TheElephant Man is a moving drama. Lofted on poetic wings, it nests on the human heart.&” —Time Magazine
The Elephant Song
by Nicolas BillonAn eminent psychiatrist has vanished from his office. The last person to have seen him is Michael, a troubled patient. Dr. Greenberg, the hospital director, is determined to question Michael, ignoring the head nurse's cryptic warnings. Michael speaks of elephants and opera—with the occasional hint of murder and foul play. Fraught with mind games and verbal tugs-of-war, The Elephant Song is a cat-and-mouse game that will keep you guessing until its haunting conclusion.
Elephant's Graveyard
by George BrantWinner of the 2008 Keene Prize for Literature Winner of the 2008 David Mark Cohen National Playwriting Award Characters: 10m, 3f, flexible casting (Roles may be played by any race or gender except when specified.) / Drama Elephant's Graveyard is the true tale of the tragic collision of a struggling circus and a tiny town in Tennessee, which resulted in the only known lynching of an elephant. Set in September of 1916, the play combines historical fact and legend, exploring the deep-seated American craving for spectacle, violence and revenge. "The script-based on a true story about a traveling circus that, in 1916, stumbled into gory disaster in a muddy Tennessee town-is, like the best art, microscopically specific with echoes that radiate outward across time. It conjures a world with its own atmosphere and terrible internal logic. It's mesmerizing... symphonic in its emotional variations on a tragic theme. Elephant's Graveyard buzzes with truth about the consequences of misunderstanding, the invisible but enormous gap between artists and their audiences, and the infernal beauty of vaudeville." -The Stranger, Seattle "A theatrical masterpiece." - Columbia City Paper "The most striking production in the (NSDF) festival." - Times of London "Deeply moving...has the audience in stitches at the open and tears at the close." - TheSunCoast.com
Elephant’s Graveyard – Abridged Version
by George BrantDrama / 10m, 3f -casting may vary / Simple Set Winner of the 2008 Keene Prize for Literature Winner of the 2008 David Mark Cohen National Playwriting Award Elephant's Graveyard is the true tale of the tragic collision of a struggling circus and a tiny town in Tennessee, which resulted in the only known lynching of an elephant. Set in September of 1916, the play combines historical fact and legend, exploring the deep-seated American craving for spectacle, violence and revenge. This abridged version, which runs about 40 minutes in length, is perfect for high schools looking to perform the play at theatre competitions or for producers looking for a shorter version of the original script. Adapted by the author, it maintains the haunting drama of the award-winning full length play. "The script is, like the best art, microscopically specific with echoes that radiate outward across time. Elephant's Graveyard buzzes with truth about the consequences of misunderstanding, the invisible but enormous gap between artists and their audiences, and the infernal beauty of vaudeville." -The Stranger, Seattle "A theatrical masterpiece." -Columbia City Paper "The most striking production in the (NSDF) festival." -Times of London "Deeply moving...has the audience in stitches at the open and tears at the close." -TheSunCoast.com
The Elevator
by William Dean HowellsWilliam Dean Howells (1837-1920) was an American realist author and literary critic. He wrote his first novel, Their Wedding Journey, in 1871, but his literary reputation really took off with the realist novel A Modern Instance, published in 1882, which describes the decay of a marriage. His 1885 novel The Rise of Silas Lapham is perhaps his best known, describing the rise and fall of an American entrepreneur in the paint business. His social views were also strongly reflected in the novels Annie Kilburn (1888) and A Hazard of New Fortunes (1890). While known primarily as a novelist, his short story "Editha" (1905) - included in the collection Between the Dark and the Daylight (1907) - appears in many anthologies of American literature. Howells also wrote plays, criticism, and essays about contemporary literary figures such as Ibsen, Zola, Verga, and, especially, Tolstoy, which helped establish their reputations in the United States. He also wrote critically in support of many American writers. It is perhaps in this role that he had his greatest influence.
Elia Kazan: A Life
by Elia Kazan"This is the best autobiography I've read by a prominent American in I don't know how many years. It is endlessly absorbing and I believe this is because it concerns a man who is looking to find a coherent philosophy that will be tough enough to contain all that is ugly in his person and his experience, yet shall prove sufficiently compassionate to give honest judgment on himself and others. Somehow, the author brings this off. Elia Kazan: A Life has that candor of confession which is possible only when the deepest wounds have healed and honesty can achieve what honesty so rarely arrives at--a rich and hearty flavor. By such means, a famous director has written a book that offers the kind of human wealth we find in a major novel." --Norman Mailer. In this amazing autobiography, Kazan at seventy-eight brings to the undiluted telling of his story--and revelation of himself--all the passion, vitality, and truth, the almost outrageous honesty, that have made him so formidable a stage director (A Streetcar Named Desire, Death of a Salesman, All My Sons, Cat on a Hot Tin Roof, Tea and Sympathy), film director (On the Waterfront, East of Eden, Gentleman's Agreement, Splendor in the Grass, Baby Doll, The Last Tycoon, A Face in the Crowd), and novelist (the number-one best-seller The Arrangement.) Kazan gives us his sense of himself as an outsider (a Greek rug merchant's son born in Turkey, an immigrant's son raised in New York and educated at Williams College). He takes us into the almost accidental sojourn at the Yale Drama School that triggered his commitment to theatre, and his edgy, exciting apprenticeship with the new and astonishing Group Theatre, as stagehand and stage manager--and as actor (Waiting for Lefty, Golden Boy) ... his first nervous and then successful attempts at directing for theatre and movies (The Skin of Our Teeth, A Tree Grows in Brooklyn) ... his return to New York to co-found the Actors Studio (and his long and ambivalent relationship with Lee Strasberg) ... his emergence as premier director on both coasts. With his director's eye for the telling scene, Kazan shares the joys and complications of production, his unique insights on acting, directing, and producing. He makes us feel the close presence of the actors, producers, and writers he's worked with--James Dean, Marlon Brando, Tennessee Williams, Vivien Leigh, Tallulah Bankhead, Sam Spiegel, Darryl Zanuck, Harold Clurman, Arthur Miller, Budd Schulberg, James Baldwin, Clifford Odets, and John Steinbeck among them. He gives us a frank and affectionate portrait of Marilyn Monroe. He talks with startling candor about himself as husband and--in the years where he obsessively sought adventure outside marriage--as lover. For the first time, he discusses his Communist Party years and his wrenching decision in 1952 to be a cooperative witness before HUAC. He writes about his birth as a writer. The pace and organic drama of his narrative, his grasp of the life and politics of Broadway and Hollywood, the keenness with which he observes the men and women and worlds around him, and, above all, the honest with which he pursues and captures his own essence, make this one of the most fascinating autobiographies of our time.