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En otro lugar
by Susan MailerUn libro conmovedor y de hondo calado sicológico sobre lo que implicó para descubrir su propio camino ser la hija de uno de los escritores más polémicos y controversiales del siglo XX. En otro lugar es la historia de una hija y de su padre, del vínculo de ambos. Pero no es cualquier padre. Se trata de uno de los más destacados, talentosos y controversiales escritores del siglo XX: Norman Mailer. Conocido por ser un hombre combativo y egoísta, que disfrutaba pelear tanto en lo físico como en lo verbal, estuvo al centro de los grandes debates y discusiones culturales de Estados Unidos durante más de cincuenta años. Se casó seis veces y fue padre de nueve hijos. Susan, nacida en 1949, es la mayor. Sus padres se separaron cuando era bebé, por lo que creció viajando entré México y Nueva York, hasta que se radica en Chile, donde ha vivido gran parte de su vida adulta. Este libro de memorias y recuerdos reconstruye la relación con su padre, intensa y compleja, con sus cinco madrastras y sus 8 hermanos. Cuenta las alegrías y dolores que ha significado para ella ser parte del clan Mailer. Una historia de separación, de las luchas de vivir en dos culturas muy diferentes, un libro sobre el desarraigo y las implicancias de pertenecer a todas partes y a ninguna.
Enacting History: A Practical Guide to Teaching the Holocaust through Theater
by Mira Hirsch Janet E. Rubin Arnold MittelmanEnacting History is a practical guide for educators that provides methodologies and resources for teaching the Holocaust through a variety of theatrical means, including scripted texts, verbatim testimony, devised theater techniques and process-oriented creative exercises. A close collaboration with the USC Shoah Foundation I Witness program and the National Jewish Theater Foundation Holocaust Theater International Initiative at the University of Miami Miller Center for Contemporary Judaic Studies resulted in the ground-breaking work within this volume. The material facilitates teaching the Holocaust in a way that directly connects students to individual people and historical events through the art of theater. Each section is designed to help middle and high school educators meet curricular goals, objectives and standards and to integrate other educational disciplines based upon best practices. Students will gain both intellectual and emotional understanding by speaking the words of survivors, as well as young characters in scripted scenes, and developing their own performances based on historical primary sources. This book is an innovative and invaluable resource for teachers and students of the Holocaust; it is an exemplary account of how the power of theater can be harnessed within the classroom setting to encourage a deeper understanding of this defining event in history.
Enacting Lecoq: Movement In Theatre, Cognition, And Life (Cognitive Studies In Literature And Performance Ser.)
by Maiya MurphyThis book examines the theatrical movement-based pedagogy of Jacques Lecoq (1921-1999) through the lens of the cognitive scientific paradigm of enaction. The conversation between these two both uncovers more of the possible cognitive processes at work in Lecoq pedagogy and proposes how Lecoq’s own practical and philosophical approach could have something to offer the development of the enactive paradigm. Understanding Lecoq pedagogy through enaction can shed new light on the ways that movement, key to Lecoq’s own articulation of his pedagogy, might cognitively constitute the development of Lecoq’s ultimate creative figure – the actor-creator. Through an enactive lens, the actor-creator can be understood as not only a creative figure, but also the manifestation of a fundamentally new mode of cognitive selfhood. This book engages with Lecoq pedagogy’s significant practices and principles including the relationship between the instructor and student, identifications, mime, play, mask work, language, improvisation, and movement analysis.
Enchanted Journey
by Cristina L. WhiteTYA, Children's Theatre \ 4m, 4f \ Simple Set \ A prediction warning Prince Gustav of giants, witches, and danger does not prevent him from traveling to the faraway Kingdom of Lira when he learns his help is needed. He begins a journey which is indeed enchanted, for in the midst of danger he finds unexpected friendship and laughter. Before he reaches Lira, Gustav meets two witches, whose charm makes them unlike any ever encountered, and befriends a coward named Alakazam who travels with him to the dark garden of Gothar the Giant. The journey ends when the surprising and secret ambition of Gothar is learned, and Alakazam achieves his deepest wish through an act of courage.
A Enchanted Land
by Dale WassermanDrama / 8m, 5f / This steamy, tragic tale of love, jealousy, revenge and betrayal in Haiti is by the author of One Flew Over the Cuckoo's Nest.
The Enchanted Loom
by Suvendrini LenaThe Sri Lankan civil war has left many scars on Thangan and his family, most noticeably the loss of his eldest son and the crippling epileptic seizures brought on by his torture. As the final days of the war play out, the family bears witness from their new home of Toronto. Thangan’s other son Kanan comes home from a protest, shaken that someone referred to him by his brother’s name. His young daughter Kavitha innocently dances around with a mysterious pair of anklets that she found. And Thangan’s wife Sevi is consumed with feeling responsible for her broken family. Amidst the ongoing trauma, the family is faced with the possibility of Thangan undergoing neurological surgery. Will the surgery give them a chance to heal, or will it cause even more pain?Presented in both English and Tamil, this poetic play is both medical and mystical, drawing a connection between trauma and memory that creates a stark reminder of loss, hope, family, and freedom.
Enchanted Shows: Vision and Structure in Elizabethan and Shakespearean Comedy about Magic (Routledge Library Editions: Renaissance Drama)
by Elissa HareThe book, first published in 1988, examines the role of magic in Elizabethan and Shakespearean theatre. The author observes how certain plays, including Shakespeare’s A Midsummer Night’s Dream and The Tempest, rationalise the unrealism and improbabilities typical of romantic comedy as miracles wrought by specifically magical intervention. The author also explores the ways in which playwrights justify structural discontinuity by the working of magic. This title will be of interest to students of English Literature, Drama and Performance.
Enchantment and Dis-enchantment in Shakespeare and Early Modern Drama: Wonder, the Sacred, and the Supernatural (Routledge Studies in Renaissance Literature and Culture)
by Nandini Das Nick DavisThis volume addresses dealings with the wondrous, magical, holy, sacred, sainted, numinous, uncanny, auratic, and sacral in the plays of Shakespeare and contemporaries, produced in an era often associated with the irresistible rise of a thinned-out secular rationalism. By starting from the literary text and looking outwards to social, cultural, and historical aspects, it comes to grips with the instabilities of ‘enchanted’ and ‘disenchanted’ practices of thinking and knowledge-making in the early modern period. If what marvelously stands apart from conceptions of the world’s ordinary functioning might be said to be ‘enchanted’, is the enchantedness weakened, empowered, or modally altered by its translation to theatre? We have a received historical narrative of disenchantment as a large-scale early modern cultural process, inexorable in character, consisting of the substitution of a rationally understood and controllable world for one containing substantial areas of mystery. Early modern cultural change, however, involves transpositions, recreations, or fresh inventions of the enchanted, and not only its replacement in diminished or denatured form. This collection is centrally concerned with what happens in theatre, as a medium which can give power to experiences of wonder as well as circumscribe and curtail them, addressing plays written for the popular stage that contribute to and reflect significant contemporary reorientations of vision, awareness, and cognitive practice. The volume uses the idea of dis-enchantment/re-enchantment as a central hub to bring multiple perspectives to bear on early modern conceptualizations and theatricalizations of wonder, the sacred, and the supernatural from different vantage points, marking a significant contribution to studies of magic, witchcraft, enchantment, and natural philosophy in Shakespeare and early modern drama.
Encore! Theater in Eighteenth Century America
by Tara GilboyLewis Hallam Jr. was a theater manager and one of the stars of the early American stage. But it wasn't always easy for theater troupes during this time.
Encounterism: The Neglected Joys of Being In Person
by Andy FieldA playful, analytical, informed, and poetic exploration of the delight and transformative power of real-life encounters. The light touch of a hairdresser’s hands on one’s scalp, the euphoric energy of a nightclub, huddling with strangers under a shelter in the rain, a spontaneous snowball fight in the street, a daily interaction with a homeless man—such mundane connections, when we closely inhabit the same space, and touch or are touched by others, were nearly lost to “social distancing.” Will we ever again shake hands without a thought? In this deeply rewarding book, Andy Field brings together history, science, psychology, queer theory, and pop culture with his love of urban life and his own experiences—both as a city-dweller and as a performance artist—to forge creative connections: walking hand-in-hand with strangers, knocking on doors, staging encounters in parked cars. In considering twelve different kinds of encounters, from car rides to video calls to dog-walker chats in the park, Field argues “that in the spontaneity and joy of our meetings with each other, we might find the faint outline of a better future.”
Encounters in Performance Philosophy
by Laura Cull Alice LagaayEncounters in Performance Philosophy is a collection of 14 essays by international researchers which demonstrates the vitality of the field of Performance Philosophy. The essays address a wide range of concerns common to performance and philosophy including: the body, language, performativity, mimesis and tragedy.
Encounters in Theatre and Liberature: B.S. Johnson and Zenkasi (Topographies of (Post)Modernity: Studies in 20th and 21st Century Literature in English)
by Katarzyna BielaIn his essay-manifesto of 1999, Zenon Fajfer defined liberature – a literary genre encompassing works whose authors intentionally design the shape of the book, so that it matches their textual message. Extending beyond the growing literary research on liberature, this book presents the theatrical contexts of the genre. Grounded in original archival research, it discusses the theatre practice of Zenon Fajfer and Katarzyna Bazarnik (Zenkasi), as well as the post-war British avant-garde author, B.S. Johnson, whom they see as as a liberatic author avant la lettre. Tracking the connections between their work work in different media, the monograph considers how their theatrical experience may be related to the invention of unconventional aesthetic solutions in literature.
Encounters with Tadeusz Kantor (Routledge Harwood Polish And East European Theatre Archive Ser.)
by Krzysztof MiklaszewskiAn invaluable collection of documents and discussions of the work of one of the most significant theatre practitioners of the last fifty years.This unique set of reminiscences, written by one of the actors who worked closely with Kantor over a long period of time, ranges from the anecdotal to the theoretical. Kantor's work offers some of the most disconcerting allegories of Modernism and a quintessential expression of the unconscious during a bitter period of human history. Kantor's stern but affectionate guardianship of his troupe of travelling players comes off Miklaszewski's pages with warmth, humanity and humour.
Encyclopedia of Erotic Literature
by Ga John PhillipsThe Encyclopedia of Erotic Literature is a two-volume work that contains some 540 entries on erotic literature on an international scale. The Encyclopedia has an unprecedented scope, the first scholarly reference resource to bring the field together in all its fascinating variety. The entries examine the history of the literature in different countries and languages from classical antiquity to the present day, individual writers from around the world (not all of them necessarily known as specialist writers of erotic literature), significant works, genres and critical approaches, and general themes pertinent to erotic literature (nudity, prostitution, etc.). The definition of erotic literature is broad, encompassing all the material recognized in the study of the field: not just fiction in all genres (novels, poetry, short stories, drama), but also essays, autobiographies, treatises and sex manuals from different cultures. This Encyclopedia deals with sexually explicit texts characterized by sexual representations and suggestions. All types of sexuality are included. For more information about the title and the editors, go to: http://www.londonmet.ac.uk/news/latest-news/erotic-encyclopedia-edited-by-london-met-professor.cfm/
Encyclopedia of Nineteenth Century Thought
by Gregory ClaeysEncyclopedia of Nineteenth Century Thought provides essential information on, and a critical interpretation of, nineteenth-century thought and nineteenth-century thinkers. The project takes as its temporal boundary the period 1789 to 1914. Encyclopedia of Nineteenth Century Thought primarily covers social and political thinking, but key entries also survey science, religion, law, art, concepts of modernity, the body and health, and so on, and thereby take into account all of the key developments in the intellectual history of the period. The encyclopedia is alphabetically organized, and consists of:* principal entries, divided into ideas (4000 words) and persons (2500 words)* subsidiary entries of 1000 words, which are entirely biographical* informational entries of 500 words, which are also biographical.
The Encyclopedia of Vaudeville
by Anthony SlideThe Encyclopedia of Vaudeville provides a unique record of what was once America's preeminent form of popular entertainment from the late 1800s through the early 1930s. It includes entries not only on the entertainers themselves, but also on those who worked behind the scenes, the theatres, genres, and historical terms. Entries on individual vaudevillians include biographical information, samplings of routines and, often, commentary by the performers. Many former vaudevillians were interviewed for the book, including Milton Berle, Block and Sully, Kitty Doner, Fifi D'Orsay, Nick Lucas, Ken Murray, Fayard Nicholas, Olga Petrova, Rose Marie, Arthur Tracy, and Rudy Vallee. Where appropriate, entries also include bibliographies. The volume concludes with a guide to vaudeville resources and a general bibliography. Aside from its reference value, with its more than five hundred entries, The Encyclopedia of Vaudeville discusses the careers of the famous and the forgotten. Many of the vaudevillians here, including Jack Benny, George Burns and Gracie Allen, Jimmy Durante, W. C. Fields, Bert Lahr, and Mae West, are familiar names today, thanks to their continuing careers on screen. At the same time, and given equal coverage, are forgotten acts: legendary female impersonators Bert Savoy and Jay Brennan, the vulgar Eva Tanguay with her billing as “The I Don't Care Girl,” male impersonator Kitty Doner, and a host of “freak” acts.
Encyclopedia of Warfare: From the Earliest Times to the Present Day
by Adrian GilbertThe Encyclopedia of Warfare is a chronological account of the development of warfare since the beginnings of recorded history. The book is organized in 10 chapters, each of which looks at a particular era in warfare from the ancient world to the present. Each chapter includes color maps of key campaigns, as well as commentary on battles, personalities, troops, and equipment. Sidebars throughout the main narrative focus on noteworthy aspects of the history of conflict. Through its chronological organization and ample use of maps, the Encyclopedia also clearly conveys the link between war and world geographical history. A thorough yet concise exploration of combat throughout human history, this fascinating and informative reference work is an outstanding addition to any library collection.
The End of Satisfaction: Drama and Repentance in the Age of Shakespeare
by Heather HirschfeldIn The End of Satisfaction, Heather Hirschfeld recovers the historical specificity and the conceptual vigor of the term “satisfaction” during the sixteenth and early seventeenth centuries. Focusing on the term’s significance as an organizing principle of Christian repentance, she examines the ways in which Shakespeare and his contemporaries dramatized the consequences of its re- or de-valuation in the process of Reformation doctrinal change. The Protestant theology of repentance, Hirschfeld suggests, underwrote a variety of theatrical plots “to set things right” in a world shorn of the prospect of “making enough” (satisfacere).Hirschfeld’s semantic history traces today’s use of “satisfaction”—as an unexamined measure of inward gratification rather than a finely nuanced standard of relational exchange—to the pressures on legal, economic, and marital discourses wrought by the Protestant rejection of the Catholic sacrament of penance (contrition, confession, satisfaction) and represented imaginatively on the stage. In so doing, it offers fresh readings of the penitential economies of canonical plays including Dr. Faustus, The Revenger’s Tragedy, The Merchant of Venice, and Othello; considers the doctrinal and generic importance of lesser-known plays including Enough Is as Good as a Feast and Love’s Pilgrimage; and opens new avenues into the study of literature and repentance in early modern England.
Un enemigo del pueblo
by Henrik Ibsen"Nunca debe usted usar sus mejores pantalones cuando vaya a luchar por la libertad y la verdad" (Un enemigo del pueblo) Henrik Ibsen creó una obra dramática de enorme contenido psicológico y de una ideología profunda. Fue un iniciador en el arte dramático y representante de una época nueva siendo el creador del llamado "teatro de ideas" y del "teatro simbólico". Lla obra de Ibsen se puede considerar como la más influyente del siglo XX en el campo del drama. Sus trabajos se representan continuamente en los países civilizados y se han adaptado al cine y a la televisión innumerables veces.
An Enemy of the People
by John Guare Arthur MillerWhen Dr. Stockmann discovers that the water in the small Norwegian town in which he is the resident physician has been contaminated, he does what any responsible citizen would do: reports it to the authorities. But Stockmann's good deed has the potential to ruin the town's reputation as a popular spa destination, and instead of being hailed as a hero, Stockmann is labeled an enemy of the people. Arthur Miller's adaptation of Henrik Ibsen's classic drama is a classic in itself, a penetrating exploration of what happens when the truth comes up against the will of the majority. This edition includes Arthur Miller's preface and an introduction by John Guare.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.From the Trade Paperback edition.
An Enemy of the People
by Henrick IbsenAn Enemy of the People addresses the irrational tendencies of the masses, and the hypocritical and corrupt nature of the political system that they support. It is the story of one brave man's struggle to do the right thing and speak the truth in the face of extreme social intolerance.
Enemy of the People: A Play In Five Acts
by Henrik IbsenEnvironmentalist, activist, and attorney Robert F. Kennedy Jr. contributes a foreword to this Skyhorse edition of Norwegian playwright Henrik Ibsen&’s renowned 1882 play. Regarded as one of the foremost playwrights of the nineteenth century, Henrik Ibsen tells the story of the idealist Doctor Thomas Stockmann, the medical officer of a recently opened spa in a small town in southern Norway, who finds that the water is seriously contaminated. He notifies members of the community and initially receives support and thanks for the discovery. Threatened by the possible impact of such a revelation, his brother, the town mayor, conspires with local politicians and the newspaper to suppress the story and pressure Dr. Stockmann to retract his statements. At a public meeting, an attempt is made to keep Dr. Stockmann from speaking, but he launches into a tirade condemning the corruption of the town and the tyranny of the majority. Finding his speech offensive, he is shouted down by the masses and reviled as "an enemy of the people." In his foreword, Kennedy alerts readers to the undeniable fact that the persecution of those who tell uncomfortable truths, which Ibsen described over one hundred years ago, continues to this day and is as relevant now as ever. We face environmental deregulation and degradation, politicians in lobbyists&’ pockets, attacks on facts that are agreed upon by reputable scientists, corporate funded and controlled research, and attempts to impede and suppress whistleblowers. The battle continues and Kennedy joins Ibsen on the front lines.
An Enemy of the People: A Play In Five Acts (Dover Thrift Editions Ser.)
by Henrik IbsenWidely regarded as one of the foremost dramatists of the nineteenth century, Norwegian playwright Henrik Ibsen (1828-1906) brought the social problems and ideas of his day to center stage. Creating realistic plays of psychological conflict that emphasized character over cunning plots, he frequently inspired critical objections because his dramas deemed the individual more important than the group.In this powerful work, Ibsen places his main characters, Dr. Thomas Stockman, in the role of an enlightened and persecuted minority of one confronting an ignorant, powerful majority. When the physician learns that the famous and financially successful baths in his hometown are contaminated, he insists they be shut down for expensive repairs. For his honesty, he is persecuted, ridiculed, and declared an "enemy of the people" by the townspeople, included some who have been his closest allies.First staged in 1883, An Enemy of the People remains one of the most frequently performed plays by a writer considered by many the "father of modern drama." This easily affordable edition makes available to students, teachers, and general readers a major work by one of the world's great playwrights.
An Enemy of the People
by Henrik Ibsen Arthur Miller<P>When Dr. Stockmann discovers that the water in the small Norwegian town in which he is the resident physician has been contaminated, he does what any responsible citizen would do: reports it to the authorities. <P>But Stockmann's good deed has the potential to ruin the town's reputation as a popular spa destination, and instead of being hailed as a hero, Stockmann is labeled an enemy of the people. <P>Arthur Miller's adaptation of Henrik Ibsen's classic drama is a classic in itself, a penetrating exploration of what happens when the truth comes up against the will of the majority. This edition includes Arthur Miller's preface and an introduction by John Guare.
An Enemy of the People
by Arthur MillerWhen Dr. Stockmann discovers that the water in the small Norwegian town in which he is the resident physician has been contaminated, he does what any responsible citizen would do: reports it to the authorities. But Stockmann's good deed has the potential to ruin the town's reputation as a popular spa destination, and instead of being hailed as a hero, Stockmann is labeled an enemy of the people. Arthur Miller's adaptation of Henrik Ibsen's classic drama is a classic in itself, a penetrating exploration of what happens when the truth comes up against the will of the majority. This edition includes Arthur Miller's preface and an introduction by John Guare. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.