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Episode 26
by Howard KorderComedy / 7m, 2f / Remember those glorious days of Saturday morning sci fi serials at the local bijou: Buck Rogers and Flash Gordon. Here is an affectionate and extremely ingenious send up of the genre. Our hero is Buzz Gatecrasher and he finds himself on the Planet Darvon with our sweetheart and his, Hillen Dale, and with Dr. Art Deco, the obligatory dotty scientist. Darvon is ruled by Vaknor, a cross between Darth Vader, Ming the Merciless and Dracula, who fancies himself Emperor of the Universe. With the help of Arno, the winged King of the Hawk People, Buzz vanquishes Vaknor and saves the universe only to be reminded by the announcer that we all have to tune in next week for Episode 27!
Equal Rites: A Discworld Novel (Witches #1)
by Terry Pratchett“Unadulterated fun. . . witty, frequently hilarious.”—San Francisco ChronicleChaos and hilarity ensue when a young woman becomes the first female wizard, upending the Discworld in this bitingly funny tale from internationally bestselling author Sir Terry Pratchett.A little knowledge is a dangerous thing, but it’s not half so bad as a lot of ignorance.Everyone knows there’s no such thing as a female wizard. So when a dying wizard accidentally passes on his staff of power to an eighth daughter of an eighth son, the exclusively masculine world of wizarding is thrown into a tailspin.Eskarina isn’t afraid of male critics and she isn’t going to relinquish this unexpected gift. With a little hocus pocus from Granny Weatherwax, the Discworld’s most infamous witch (an old crone who has plenty of experience ignoring the status quo), Esk infiltrates the magical Unseen University and befriends another apprentice, a wizard named Simon.But power is unpredictable, and these bright young students soon find themselves in a whole new dimension of trouble. . . .The Discworld novels can be read in any order but Equal Rites is the first book in the Witches collection. The Witches collection, in order, include:Equal RitesWyrd SistersWitches AbroadLords and LadiesMaskeradeCarpe Jugulum
Equestrian Drama: An Anthology of Plays
by Kimberly PoppitiEquestrian Drama: An Anthology of Plays is a collection of four representative equestrian dramas. It includes four annotated plays: Timour the Tartar by Matthew G. Lewis, The Battle of Waterloo by J. H. Amherst, Mazeppa by Henry M. Milner, and The Whip by Henry Hamilton and Cecil Raleigh. An introduction precedes the collection, providing the information necessary to understand and contextualize the genre and the plays as both written and performance texts, and within the time period of their original productions, as well as within the larger histories of theatre and equestrian entertainments. Additional related plays are identified, excerpted, and explored, providing readers with a wide range of examples to better understand the development and significance of this unique form of popular theatre. Also identified and explored are significant contributions made to stage technology and design by the patented stage machinery designed for the production of the mechanized form of equestrian drama, which became popular in the late nineteenth century. Equestrian Drama is suitable for undergraduate, graduate, and professional students in theatre history, dramatic literature, performance studies, and equine studies. An online supplement to this book is available to provide readers with additional content relating to this collection, including original English language translations of La Fille Hussard and Rognolet and Passe-Carreau, as well as the full annotated text of Turpin's Ride to York.
Eraser
by Bilal Baig Sadie Epstein-FineAn immersive experience, Eraser delves into the memories and fantasies of a classroom of students as they figure out who they want to be. Six students guide readers through their different journeys, taking them along to the cafeteria, change rooms, and playground, to the places where they feel safest and the most brave, vulnerable, and afraid. Afroze just moved to Canada from Pakistan and is struggling to fit in as a white-skinned gender-questioning convert to Islam. All Jihad wants is to be cool, but he struggles with the appearance of this new student who doesn’t look like any of the Muslims he knows. Noah’s brother just died, and he’s been avoiding processing his grief, which makes him lash out at his best friend, Eli. Eli doesn’t know how to support Noah, who he also harbours questioning feelings for. Whitney wants to live by her own rules in her own imaginary world, but she’s forced to deal with annoying kids like Tara. Tara loves school and getting straight As, but all the pressure she feels eventually adds up and she crumbles. Finding a balance between tough realities and honest fantasies, Eraser is an energetic and sentimental look at what it’s like to navigate differences and connections as a kid.
The Erie Canal Sings: A Musical History of New York's Grand Waterway
by Bill Hullfish Dave RuchLife working along the banks of the Erie Canal is preserved in the songs of America's rich musical history. Thomas Allen's "Low Bridge, Everybody Down" has achieved iconic status in the American songbook, but its true story has never been told until now. Erie songs such as "The E-ri-e Is a-Risin'" would transform into "The C&O Is a-Risin'" as the song culture spread among a network of other canals, including the Chesapeake and Ohio and the Pennsylvania Main Line. As motors replaced mules and railroads emerged, the canal song tradition continued on Broadway stages and in folk music recordings. Author Bill Hullfish takes readers on a musical journey along New York's historic Erie Canal.
Ernestine Shuswap Gets Her Trout
by Tomson HighwayBased on a deposition signed by 14 Chiefs of the Thompson River basin on the occasion of a visit to their lands by Canadian Prime Minister Sir Wilfrid Laurier in 1910, Ernestine Shuswap Gets Her Trout is a ritualized retelling of how the Native Peoples of British Columbia lost their fishing, hunting and grazing rights, their lands, and finally their language without their agreement or consent, and without any treaties ever having been signed. It is one of the most compellingly tragic cases of cultural genocide to emerge from the history of colonialism, enacted by four women whose stories follow each other like the cyclical seasons they represent. <p><p> Written in the spirit of Shuswap, a Trickster language” within which the hysterically comic spills over into the unutterably tragic and back, this play is haunted by the blood of the dead spreading over the landscape like a red mist of mourning.
Ernie McClintock and the Jazz Actors Family: Reviving the Legacy
by Elizabeth M. CizmarErnie McClintock and the Jazz Actors Family is a critical biography examining the life and work of Ernie McClintock, the founder of the Jazz Acting Method and 1997 recipient of the Living Legend Award from the National Black Theatre Festival, whose inclusive contributions to acting and actor training have largely remained on the fringes of scholarship and practice. Based on original archival research and interviews with McClintock’s students and peers, this book traces his life from his childhood in Chicago to Harlem in the 1960s at the height of the Black Arts Movement, to Richmond, Virginia in 2003, paying particular attention to his Black Power–influenced, culturally specific acting theory and versatile Black theatrical productions. As a biographical study, this book establishes McClintock as a leading figure of the Black Theatre Movement, proven by the Jazz Acting technique, his critically acclaimed productions, and his leadership positions in organizations such as the Black Theatre Alliance. Ernie McClintock and the Jazz Actors Family explores how the Jazz Acting technique was applied in productions such as N.R. Davidson’s El Hajj Malik, Derek Walcott’s Dream on Monkey Mountain, Cheryl West’s Before It Hits Home, Endesha Mae Holland’s From the Mississippi Delta, and many collectively-authored pieces. The book also investigates why he has been excluded from dominant theatre histories, especially considering how, as a gay Black man, he persistently defied the status quo, questioning practices of administrators of theatres and mainstream theatrical standards. Ernie McClintock and the Jazz Actors Family is situated at the intersection of Black acting theory, Black Arts Movement history, and Black queer studies, and is an illuminating study of an important figure for actors, acting teachers, acting students, and cultural historians. This is an essential resource for readers who are seeking histories and approaches outside of a white, straight, Eurocentric framework.
Ernie McClintock and the Jazz Actors Family: Reviving the Legacy
by Elizabeth M. CizmarErnie McClintock and the Jazz Actors Family is a critical biography examining the life and work of Ernie McClintock, the founder of the Jazz Acting Method and 1997 recipient of the Living Legend Award from the National Black Theatre Festival, whose inclusive contributions to acting and actor training have largely remained on the fringes of scholarship and practice.Based on original archival research and interviews with McClintock’s students and peers, this book traces his life from his childhood in Chicago to Harlem in the 1960s at the height of the Black Arts Movement, to Richmond, Virginia in 2003, paying particular attention to his Black Power–influenced, culturally specific acting theory and versatile Black theatrical productions. As a biographical study, this book establishes McClintock as a leading figure of the Black Theatre Movement, proven by the Jazz Acting technique, his critically acclaimed productions, and his leadership positions in organizations such as the Black Theatre Alliance. Ernie McClintock and the Jazz Actors Family explores how the Jazz Acting technique was applied in productions such as N.R. Davidson’s El Hajj Malik, Derek Walcott’s Dream on Monkey Mountain, Cheryl West’s Before It Hits Home, Endesha Mae Holland’s From the Mississippi Delta, and many collectively-authored pieces. The book also investigates why he has been excluded from dominant theatre histories, especially considering how, as a gay Black man, he persistently defied the status quo, questioning practices of administrators of theatres and mainstream theatrical standards.Ernie McClintock and the Jazz Actors Family is situated at the intersection of Black acting theory, Black Arts Movement history, and Black queer studies, and is an illuminating study of an important figure for actors, acting teachers, acting students, and cultural historians. This is an essential resource for readers who are seeking histories and approaches outside of a white, straight, Eurocentric framework.
Eroding the Language of Freedom: Identity Predicament in Selected Works of Harold Pinter (Routledge Advances in Theatre & Performance Studies)
by Farah AliLet down by the uncertainties of memory, language, and their own family units, the characters in Harold Pinter’s plays endure persistent struggles to establish their own identities. Eroding the Language of Freedom re-examines how identity is shaped in these plays, arguing that the characters’ failure to function as active members of society speaks volumes to Pinter’s ideological preoccupation with society’s own inadequacies. Pinter described himself as addressing the state of the world through his plays, and in the linguistic games, emotional balancing acts, and recurring scenarios through which he put his characters, readers and audiences can see how he perceived that world.
Erotic Politics: The Dynamics of Desire in the Renaissance Theatre
by Susan ZimmermanIdentifying the stage as a primary site for erotic display, these essays take eroticism in Renaissance culture as a paradigm for issues of sexuality and identity in early modern culture. Contributors examine how the Renaissance stage functioned as a decoder for erotic experience, both reinforcing and subverting expected sexual behaviour. They argue that the dynamics of theatrical eroticism served to deconstruct gender definitions, leaving conventional categories of sexuality blurred, confused - or absent. In seeking to reposition the conventions and subversions of gender and desire in terms of one another, these essays open up an attractive and distinctive perspective in cultural debate.
Errol John's Moon on a Rainbow Shawl (The Fourth Wall)
by Lynette GoddardErrol John wrote Moon on a Rainbow Shawl (1958) after becoming disillusioned about the lack of good roles for black actors on the British theatre scene. While this situation has only slightly improved since, his response has become the most revived black play in Britain, from its original production at the Royal Court in 1958, to the National Theatre in 2012. It depicts the lives of a black community living in poverty in a shared tenement yard in Port of Spain, Trinidad, in the mid-1940s, showing how each of the characters carries dreams of escaping to create better lives for themselves and their families. Lynette Goddard focuses on how the play articulates the narratives of migration that prompted many Caribbean people to uproot from their homes on the islands and move to the England in the post-war era. For some of them, these dreams of a new life became a reality, but they were experienced differently across genders and generations.
Error in Shakespeare: Shakespeare in Error (Palgrave Shakespeare Studies)
by Alice LeonardThe traditional view of Shakespeare’s mastery of the English language is alive and well today. This is an effect of the eighteenth-century canonisation of his works, and subsequently Shakespeare has come to be perceived as the owner of the vernacular. These entrenched attitudes prevent us from seeing the actual substance of the text, and the various types of error that it contains and even constitute it. This book argues that we need to attend to error to interpret Shakespeare’s disputed material text, political-dramatic interventions and famous literariness. The consequences of ignoring error are especially significant in the study of Shakespeare, as he mobilises the rebellious, marginal, and digressive potential of error in the creation of literary drama.
Errors and Reconciliations: Marriage in the Plays and Novels of Henry Fielding (Routledge Studies in Eighteenth-Century Literature)
by Anaclara Castro-SantanaHenry Fielding is most well-known for his monumental novel Tom Jones. Though not necessarily common knowledge, Henry Fielding started his literary career as a dramatist and eventually transitioned to writing novels. Though vastly different in their approach and subject, there is a common thread in Fielding’s work that spanned his career: marriage. Errors and Reconciliations: Marriage in the Plays and Novels of Henry Fielding explores this theme, focusing on Fielding’s fascination with matrimony and the ever-present paradoxical nature of marriage in the first half of the eighteenth-century, as a state easily attained but nearly impossible to escape.
The Escape: The Escape
by Rashid Ben AddiIt is the cry of a whole generation, unable to get out of the cycle of inertia, and still sees the ray of hope coming from behind the border When we are assured of the low level of images that were exposing the boats of death that lead the young to die, just as butterflies go to the Holocaust and follow the beam of light, shaking the narrator reassured, and tells us that death boats are still fine It is only the destination of the butterflies that have differed, but their burning is still going on in front of the sight of a homeland that is in dire need of its wings and its lava, which withers without price. Young people flee to bars and endless hell, or sink into the belly of the Ghoul, to become a hand to strike terrorism, or leave to Turkey, and cut all ties to the homeland .. <P><P>Or live endless dreams of escape may be in the coffin, may be a reminder to America For eternal migration And if all these manifestations of escape, lived by one hero, is "Yazid" hero of the novel, but in fact pictures of a whole generation, feels that he is outcast, and does not trust much that anyone will reach the truth of his feelings, so the young writer from the beginning anger In Manfesto opens his novel and says: Our feelings and feelings we are outcasts, uglier than words described in a novel or even in a poem Let the novel begin with infinite circles from Taha, Rabat, that harsh city. <P><P>The bus is scattered between the bus (life), the cafe, and the sea The dream of a revolution comes fleeting, not for a better tomorrow, but for equal losses, or to lose the winners in this grim reality At the peak of despair lies the false hope more than once, on the establishment of a dream, or promise a way worse than the current way. Hope may appear in the spectrum of a woman appearing and disappearing, or in the pregnancy of a child aborting harshly, and remains just a painful memory, or loss added to the rest of the losses Even after escaping to Turkey, fate continues to play with a desperate yo
The Escape Room: 'One of my favourite books of the year' LEE CHILD
by Megan GoldinWelcome to the escape room. Your goal is simple. Get out alive.In the lucrative world of Wall Street finance, Vincent, Jules, Sylvie and Sam are the ultimate high-flyers. Ruthlessly ambitious, they make billion-dollar deals and live lives of outrageous luxury. Getting rich is all that matters, and they'll do anything to get ahead.When the four of them become trapped in an elevator escape room, things start to go horribly wrong. They have to put aside their fierce office rivalries and work together to solve the clues that will release them. But in the confines of the elevator the dark secrets of their team are laid bare. They are made to answer for profiting from a workplace where deception, intimidation and sexual harassment thrive.Tempers fray and the escape room's clues turn more and more ominous, leaving the four of them dangling on the precipice of disaster. If they want to survive, they'll have to solve one more final puzzle: which one of them is a killer?Praise for The Escape Room:"High wire tension from the first moment to the last. Four ruthless people locked in a deadly game where victory means survival. Gripping and unforgettable!" Harlan Coben"Fantastic. One of my favourite books of the year." Lee Child"Amazing...a thriller set in an elevator [that explores] the vast territory of people's worst natures. A nightmarish look inside ourselves. Simply riveting." Louise Penny"A sharp, slick, utterly engrossing thriller. This knockout debut hooked me from the first page and didn't let go." Cristina Alger, USA Today bestselling author of The Banker's Wife
Escape to Freedom
by Ossie DavisHistorical drama / 3 Black m, 1 Black f, 2 White m, 1 White f / Various sets / Escape to Freedom is very useful in an educational context for both Black and White children as a tool to teach them about slavery-- and also about the importance of education. The story focuses on the boyhood of Frederick Douglass, born a slave and in later life an abolitionist and orator. Much of the plot centers on Fred's struggle to learn to read, the surest way to freedom. Eventually he attains his freedom and runs off disguised as a free sailor.
El espejo de un hombre: Vida, obra y época de William Shakespeare
by Stephen GreenblattLa biografía definitiva del dramaturgo más importante de todos los tiempos. Son muchos los que consideran a William Shakespeare el mejor escritor de todos los tiempos por su ingenio, la universalidad de sus conflictos, la profundidad de los personajes, la revolución sin precedentes que supuso su obra... Pocos autores han marcado un antes y un después de forma tan incuestionable. Sin embargo, casi nada se sabe con certeza de su vida. Durante siglos se han sucedido especulaciones de todo tipo, sin que ninguna arrojara luz convincente sobre el gran misterio. Stephen Greenblatt, uno de los mayores expertos en Shakespeare, propone aquí una original hipótesis arropándose en la obra misma del dramaturgo y en la de sus coetáneos. De un modo similar a la manera en que Hamlet observaba la efigie de su padre («Una combinación y una forma sin duda / en las que cada dios parece / haber puesto su sello / para mostrar al mundo el espejo de un hombre»), así mismo es este libro mucho más que una biografía. También es un riguroso estudio de los escritos de Shakespeare y, sobre todo, un magnífico retrato de la Inglaterra isabelina. Reseñas:«Asombrosamente bueno. Es el libro más inteligente y sofisticado, y también el estudio más colosalmente apasionado que he leído jamás sobre la vida y obra de Shakespeare.»Adam Gopnik, The New Yorker «Un libro de lectura compulsiva, original como pocos. Greenblatt ha conducido la investigación más empática posible sobre el modo en que las experiencias vitales de Shakespeare penetraron en sus obras.»Stanley Wells «Tan absorbente, lúcido y coherente que su llegada no es solo bienvenida sino motivo de celebración.»Dan Cryer, Newsday «Elocuentemente escrito, ricamente detallado y revelador desde el primero hasta el último capítulo [...]. Es inevitable que logre un lugar entre los estudios esenciales de losmejoresescritores.»William E. Cain, Boston Sunday Globe «Una magnífica hazaña.»Denis Donoghue «Una deslumbrante e ingeniosa biografía.»Richard Lacayo, Time «Greenblatt evoca con concisión y vívidamente el mundo isabelino.»Mitchiko Kakutami, The New York Times
Espejos: Clean
by Christine QuintanaThe lives of two women from very different worlds collide in the illusionary paradise of a Mexican resort. Sarah, a Canadian wedding guest, is a shot glass half empty. Adriana, a fastidious and vivacious hotel floor manager, finds solace in establishing order. At first glance, they’re simply animated, but looking closer reveals the anxieties they’re trying to hide. When their worlds collide, everything they’ve kept hidden comes into sharp focus.A bilingual play in English and Spanish, each woman speaks in her own language and shares her unique experiences directly with the audience. Their vastly different realities are reflected in parallel, coming together to mirror and magnify a mutual pain. Through nuanced and surprisingly funny monologues, Quintana and Zelaya-Cervantes focus an attentive microscope on female strength and solidarity to stunning effect.***Las vidas de dos mujeres que vienen de mundos muy distintos chocan en el ilusorio paraíso de un resort mexicano. Sarah, canadiense, invitada de una boda, es un caballito de tequila medio vacío. Adriana, una meticulosa y vivaz gerente de piso del hotel, encuentra consuelo poniendo orden. A simple vista, parecen arquetipos de personajes que ya conocemos, pero mirarlas de más cerca revela la ansiedad que ambas intentan esconder. Cuando sus mundos chocan, todo lo que han estado escondiendo entra en foco y se vuelve nítido. Esta es una obra bilingüe en inglés y en español, en la que cada mujer habla su propio idioma y comparte sus experiencias únicas directamente con el público. Sus realidades, infinitamente diferentes, se ven reflejadas en paralelo, uniéndose para mostrar y magnificar un dolor mutuo. A través de diálogos llenos de matices y monólogos sorprendentemente cómicos, Quintana y Zelaya-Cervantes colocan la fuerza femenina y la solidaridad bajo un atento microscópico, con efectos impactantes.
Espelho quebrado: Nebun
by Catalina Jacob"Pulou. Ninguém escutou os gritos prévios, apenas o impacto do seu corpo contra o pavimento. Ali, todos olhavam seu corpo desfigurado no chão. Uma poça carmesim tingiu sua roupa. «Era tão boa» diziam entre lágrimas frescas. «Merecia o céu», lamentavam-se. Porém, de sua vida, haviam feito umo inferno. Ignorando seus gritos prévios, anulando sua essência e censurando suas palavras. Ignorada em vida." Não existe outra como Nebun... infeliz e traída pela vida; acompanhada pela indiferença e abandonada por quem a escutava. Inicia assim a sua aventura até a liberdade, porém, a desgraça a persegue atrapalha boa parte do caminho. Sozinha, mais sozinha do que nunca antes. Ou quem sabe nem tanto.
Espresso
by Lucia FrangioneSexy, provocative and challenging, Espresso is a rich, dark, bitter hit of comedy and sensuality. One of Lucia Frangione's blasphemy plays,' it inverts the Catholic stereotypes of feminine sexuality to boldly examine their corresponding masculine sexual emblems of Father, Son and Holy Ghost. In an erotic world where men are traditionally cast as either fathers to be looked up to or sons to be looked after, where, for women, is the possibility of a flesh-and-blood lover, challenging her to open her heart without trespassing her will--a lover as he appears in the Song of Solomon: passionate, earthy, creative, vulnerable and beautiful-- the avatar of the holy spirit? There has been a horrible car crash, and Vito, the patriarch of an immigrant family, has had his body smashed and his heart lacerated, his life hanging by threads of tubes and wires in an intensive care ward. His family has rushed in from all over the country for an anxious vigil of hope, prayer and memory by his bedside. In this crucible of anxiety, a single actress alternately narrates and enacts her own and her family's history along with an uninvited narrator/actor, Amante ("lover" in Italian). As Amante engages all the women of the clan Rosa plays in a swirl of sharply portrayed characters--Vito's mother, Nonna, forced into marriage at thirteen but only now, at sixty-seven, experiencing the first intimations of her body's desire; the pit-bull martyrdom of Vito's second wife, Vincenza; and Rosa herself in her own thin, urbane skin stretched tight to hold in the red, passionate blood that boils just below the surface--we are never sure whether Rosa has created Amante or he has created her. Cast of 1 woman and 1 man.
Essays On Elizabethan Drama
by T. S. EliotTouching on everyone from Marlowe to Middleton, Essays on Elizabethan Drama is a rigorous collection of Eliot’s works on the great dramatists of the 16th century.
Essays on Shakespeare and Elizabethan Drama: In Honour of Hardin Craig (Routledge Library Editions: Renaissance Drama #Vol. 5)
by Richard HosleyThe twenty-eight essays of this collection, first published in 1962, are the work of distinguished British, Canadian, and American scholars. The essays range widely over the field of Elizabethan drama, concentrating attention on Shakespeare and Marlowe but not neglecting earlier dramatists such as Kyd and Greene or later ones such as Heywood and Massinger. Among the general topics treated are the staging of the interludes, intrigue in Elizabethan tragedy, and Jacobean stage pastoralism. This title will be of interest to students of English literature.
Essays on Theatre and Change: Towards a Poetics Of
by Kélina GotmanIf theatre is a way of seeing, an event onstage but also a fleeting series of moments; not a copy or double but more vitally metamorphosis, transformation, and change, how might we speak to – and of – it? How do we envision and frame a fluid reality that moves faster than we can write? Arranged over two parts, 'Figurations' and 'Translations', Essays on Theatre and Change reflects on the animal, history, doubling, translation, and the performative potential of writing itself. Each fictocritical essay weaves between voices, genres and contexts to consider what theatre might be, offering a 'partial object' rather than a complete theory. Leaving the page radically open to its reader, Essays on Theatre and Change is a dazzling, multi-lensed account of what it is to think and write on theatre.
The Essential Bogosian
by Eric Bogosian"What Lenny Bruce was to the 1950s, Bob Dylan to the 1960s, Woody Allen to the 1970s--that's what Eric Bogosian is to this frightening moment of drift in our history."--Frank Rich, The New York Times
Essential Dramaturgy: The Mindset and Skillset
by Theresa LangEssential Dramaturgy: The Mindset and Skillset provides a concrete way to approach the work of a dramaturg. It explores ways to refine the process of defining, evaluating, and communicating that is essential to effective dramaturgical work. It then looks at how this outlook enhances the practical skills of production and new play dramaturgy. The book explains what a dramaturg does, what the role can be, and how best to refine and teach the skillset and mindset.