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Exploring Character Through Structural Metaphor: A Guide for Actors and Directors (ISSN)
by John Gribas Angeline UnderwoodExploring Character Through Structural Metaphor will help performers discover new and valuable insights into the characters they play. Grounded in a contemporary approach to understanding and applying the power of metaphor, it offers a practical guide for both actors and directors. This book introduces the idea of metaphor as a way of thinking rather than simply as clever comparison or figurative language. It demonstrates limitations of ways metaphor has traditionally been used in character development and presents a method for applying structural metaphor to discover rich, in-depth character insights. For directors, the model can serve as an option for guiding character analysis that is less individualistic and actor-specific and more wholistic and cast-inclusive, promoting stronger overall performance unity and production cohesion. In addition to offering a clear, followable guide for character analysis, the authors draw on personal experience to vividly demonstrate how applying this method for character analysis could impact performance and production. This book will be a useful addition to an actor’s or director’s set of character development resources.
Exploring Color: Olga Rozanova and the Early Russian Avant-Garde 1910-1918
by Nina GurianovaThis is an examination of the paintings, books, poetry and theoretical work of Russian avant-garde artist, Olga Rozanova. The text assesses Rozanova's life and work, aiming to recreate the spirit of the counterculture milieu that contributed to the transformation of 20th-century art.
Exploring the Concept of Feel for Wellbeing and Performance: How We Lost the Felt Experience, Why it Matters, and How to Return to Our Natural Way of Being
by Jay Kimiecik Doug NewburgThis book analyses and unpacks the term Feel by exploring its many definitions and examples in real life. Incorporating psychological theories and case studies, it offers a groundbreaking look into what it means to Feel and its importance in people’s everyday lives. Experiencing life without Feel has led to many deleterious performance, health, and wellbeing consequences. Exploring the Concept of Feel for Wellbeing and Performance takes a deep dive into the origins and definitions of Feel, asking what has happened to the Feel experience, and what people must do to recoup their Feel. With a highly accessible tone and clear structure, the book provides its readers with effective ways to improve performance and enhance wellbeing. The authors challenge the status quo of both performance science and wellbeing practices and begin a conversation on why people should be more proactive when it comes to their Feel. Anyone interested in helping themselves or others with performance excellence and wellbeing will benefit from this book, which blends science and practice and provides many examples of people from all walks of life who live with Feel. The book will also be key reading for students and practitioners interested in sport psychology, leadership studies, mental health studies counselling, and life coaching.
Exploring Theatre (Ntc: Exploring Theatre Ser.)
by Nancy Olive Prince Jeanie JacksonNIMAC-sourced textbook
Exposing the Chasms in Voice Pedagogy: Playing the Field
by Dale CoxThis concise book critically examines the intersection of power, privilege, and classical music in higher education through an extensive study of the experiences, training, and background of teachers of musical theatre singing.Mapping the divides within the voice pedagogy field, it shows how despite the growth of non-classical programmes, the teaching of vocal music in the United States continues to be structurally dominated by Western classical music. Drawing on extensive fieldwork and observations of practicing instructors, the author argues that current voice pedagogy training’s classical-centred approach fails to prepare instructors to teach the range of vocal styles needed in the contemporary musical theatre profession. Combining a critical review of existing practices with proposals for change, this book sheds light on a key problem in voice pedagogy today.Based on field research and drawing on both Shulman’s signature pedagogies theory and Bourdieu’s concepts of habitus, capitals, practice, and field, this book will be useful for scholars, researchers, and practitioners of voice pedagogy, higher music education, performance education, cultural studies, music, musical theatre, and theatre studies.
Exposure: Two Plays
by Greg MacarthurExpose yourself to one of the most original new voices in theatre with this collection of two uncompromising plays by Greg MacArthur.'Snowman': After years of wandering, Denver and Marjorie find themselves in a remote northern community at the edge of a glacier, chopping wood, renting out stolen videos and doing cocaine with Jude, a young gay man whose parents have abandoned him. When Jude discovers the body of a prehistoric boy frozen in the glacier, everyone finds their lives beginning to shift and thaw in unexpected ways.'girls! girls! girls!': Splitz deserved to win. Missy stole first place. Set in the cutthroat world of high school gymnastics, this play follows the Friday-night exploits of four teenage chums as they seek revenge for a loss on the vaulting horse. Told in a hypnotic, rap-meets-nursery-rhymes style, this play, which takes its cue from A Clockwork Orange and the Columbine massacre, is brutally violent as it explores what happens when emptiness becomes the norm.Exposure includes an introduction by Peter Hinton.
Express Line
by Tom Fitzpatrick IIIComedy / 9m, 2f, extras / A supermarket customer in the express line has two more items than allowed. Despite his pleas, the checker adamantly refuses to serve him. The insistent customer ignores his embarrassed wife and the growing anger of a laborer behind him. When the manager fails to back the checker, other employees threaten to walk out. The situation is finally resolved by a policeman with common sense.
Extended Reality Shakespeare (Elements in Shakespeare Performance)
by null Aneta MancewiczThis Element argues for the importance of extended reality as an innovative force that changes the understanding of theatre and Shakespeare. It shows how the inclusion of augmented and virtual realities in performance can reconfigure the senses of the experiencers, enabling them to engage with technology actively. Such engagements can, in turn, result in new forms of presence, embodiment, eventfulness, and interaction. In drawing on Shakespeare's dramas as source material, this Element recognises the growing practice of staging them in an extended reality mode, and their potential to advance the development of extended reality. Given Shakespeare's emphasis on metatheatre, his works can inspire the layering of environments and the experiences of transition between the environments both features that distinguish extended reality. The author's examination of selected works in this Element unveils creative convergences between Shakespeare's dramaturgy and digital technology.
Extramural Shakespeare
by Denise AlbaneseThis study argues that Shakespeare can now be understood as part of public culture. Thanks to the emergence of mass education in the twentieth century, Albanese argues that Shakespeare has become a shared property, despite the depiction of his texts as 'elite' cultural objects in the film industry.
El extranjero
by M. HermassiEl número exacto de víctimas del Muro de Berlín es motivo de controversia. Y es que en la actualidad, la comprobación de este dato no es tarea fácil, ya que la RDA siempre ha ocultado el número de víctimas en ese punto concreto. Han sido cientos de familias truncadas, cientos de historias rotas por un muro de hormigón. El muro de la vergüenza que jamás debería haberse construido.
Extraño Florista
by Justice GrayUn florista que quiere ser famoso es muy firme en ganar un prestigioso premio en una convención de floristas, así que está devanándose el cerebro intentando llegar con algo original. Él pensó en varias flores que podrían ser, pero luego pensó que muchos pensarán igual. Entonces una noche él tiene un sueño --él necesitaría tener la pintura de una flor, o flores-- que cobrarían vida. Cuando se despierta primero piensa que es absurdo, pero luego piensa que es posible. Él recordó la vez que estaba en el bosque lluvioso, cerca del gran arrecife de corales en Australia, cuando caminó por un puente, y notó como las plantas casi agarran sus manos mientras crecían rápidamente. Pensó que podía hacerlo, pero con una flor en vez de una planta, pero necesitaría alguna forma para que creciera, entonces pensó en la idea de pintar una flor para que llegara a la vida. Él invitó a un conocido artista a su casa para pintar una orquídea que cobrara vida, el artista pensó que él estaba loco y terminó siendo prisionero en su casa. El artista fue creativo con varias ideas, pero se dio cuenta que no podía, pero que quizás otro artista sí. Había un artista que hacía excelentes pinturas en cristales, incluyendo flores, invitó a la persona a ir a su lujosa casa. La persona aceptó la invitación. Mientras tanto Enrique quería que pintara una orquídea que cobrara vida, el artista pensó que estaba loco y quería escapar. Los dos artistas fueron encerrados en una habitación pensando que era imposible salir de ahí. Los dos intentaron escapar, pero después de un tiempo se tomaron un descanso. Un día, los artistas se despertaron por un ruido en la cocina. Se veía que Enrique había llegado y fue a la cocina a hacer un sandwich. Enrique estaba cantando junto a la radio, que parecía sonar más fuerte, los dos artistas despertaron, ambos planearon escapar, pero el primer artista dejó atrás al segundo para valerse por sí mi
Eyes Like Stars: Theatre Illuminata, Act 1
by Lisa MantchevBertie strives to find a useful role for herself at the Theatre Illuminata so that she won't be cast out of the only home she has ever known, but is hindered by the Players, who magically live on there, especially Ariel, who is willing to destroy The Book at the center of the magic in order to escape into the outside world.
F*ck The Army!: How Soldiers and Civilians Staged the GI Movement to End the Vietnam War (Performance and American Cultures #7)
by Lindsay GossReveals the theatrical dimensions of civilian support for the revolutionary GI Movement of the 1960s-70sPerformance played a role both crucial and complicated in the antiwar activism of the 1960s and 1970s. As soldiers and civilian actors, activists, and celebrities worked together to end the Vietnam War, their theatrical acts of solidarity and resistance connected liberation struggles across the lines of race, gender, enlisted status, and nationality.F*ck The Army! offers the first, fully narrated history of the FTA, an antiwar variety show featuring Jane Fonda that played to tens of thousands of active-duty troops over the course of nine months in 1971. From its very conception, the civilian-led show was directed towards the project of making visible the growing antiwar movement organized by GIs, inspired by but also acting as a rebuttal to the increasingly out-of-touch USO tours presented by Bob Hope. Through an analysis of the FTA’s tactical performances of solidarity and resistance, Lindsay Goss brings into view the theatrical dimensions of the GI movement itself, revealing it as representative of the revolutionary and theatrical politics and tactics of the period. The volume highlights how, due to the movement’s subsequent historical erasure, a renewed anti-theatricality emerged from the 1960s and became a potent feature of contemporary political discourse.The author’s deft methodological and analytic strategies, in tandem with her elegantly accessible style demonstrate how seemingly little-known performance practices can activate consequential understandings of what we thought we knew about the recent past. At the same time, she encourages essential conversations about pressing contemporary issues that demand our attention. At its core, F*ck The Army! reveals the fundamentally theatrical character of radical activism when it seeks to challenge the status quo.
Fabulosity: What It Is & How to Get It
by Kimora Lee SimmonsFabulosity (n): 1: a state of everything that is fabulous 2: a quality ascribed to that which expresses glamour, style, charisma, power, and heartKimora Lee Simmons knows what it means to have fabulosity -- and she wants to tell you how to get it.In this empowering new book, Kimora -- a top model, wife of hip-hop legend Russell Simmons, mother to two daughters, a national media presence, and president and creative director of the multimillion-dollar Baby Phat company -- shares her personal secrets of success and fabulosity.Kimora knows that in today’s ultracompetitive world, it’s not enough for women just to be smart or dress well. With too much to do and competition everywhere, the savvy woman must know how to combine feminine glamour with professional power, business ambition with personal values, and confidence with heart. Kimora is the living picture of all these things. What are Kimora’s secrets to achieving her goals, her signature fabulosity? One is her ability to identify and build upon her own unique talents and strengths. In Kimora’s case, she brilliantly combined the two worlds she knows best -- the high fashion and hip-hop scenes -- to create Baby Phat, her ultrasuccessful hip-hop inspired lifestyle brand.How do you uncover and develop your own special talents? Kimora shares her step-by-step guide to achieving your wildest dreams, including her 16 laws of success, which cover everything you need to become the woman you want to be.Whether you’re college-educated or street smart, just starting out or at the top of your game, Fabulosity has something to say to you. Learn how to cultivate Power, Independence, Confidence, and Positivity in everything you do, whether it’s finding Mr. Right, snagging that corner office, or rocking the latest fashion trend. Packed with useful lessons and Kimora’s personal tips, this book will be your instruction manual to empowering yourself, turning your individual talents into permanent success, and unleashing your inner fabulosity.
The Face on Barroom Floor or "Glimpsed Through the Sawdust"
by Tim KellyMelodrama spoof / 6m, 8f or 5m, 9f, optional extras and Olio Acts / 1 set / Insidious villains endeavor to separate Madelaine Mockingbird, chambermaid turned singer, from the fortune left her by an old miner and from her true love: Jack "Toulouse" Goodhart, painter turned tramp. Extremely simple to stage, The Face on the Barroom Floor features good character parts, hilarious sight gags, throw away lines, zany action, classic vaudeville routines, and some really terrible (and very funny) jokes. Easy rehearsals and no production problems make this a joy to stage.
Facial Hair and the Performance of Early Modern Masculinity (Studies in Performance and Early Modern Drama)
by Eleanor RycroftFacial Hair and the Performance of Early Modern Masculinity is the first full-length critical study to analyse the importance of beards in terms of the theatrical performance of masculinity. According to medical, cultural, and literary discourses of early modern era in England, facial hair marked adult manliness while beardlessness indicated boyhood. Beards were therefore a passport to cultural prerogatives. This book explores this in relation to the early modern stage, a space in which the processes of gender formation in early modern society were writ large, and how the uses of facial hair in the theatre illuminate the operations of power and politics in society more widely. Written for scholars of Early Modern Theatre and Theatre History, this volume anatomises the role of beards in the construction of onstage masculinity, acknowledging the challenges offered to the dominant ideology of manliness by boys and men who misrepresented or failed to fulfil bearded masculine ideals.
Facing the Abyss: American Literature and Culture in the 1940s
by George HutchinsonMythologized as the era of the “good war” and the “Greatest Generation,” the 1940s are frequently understood as a more heroic, uncomplicated time in American history. Yet just below the surface, a sense of dread, alienation, and the haunting specter of radical evil permeated American art and literature. Writers returned home from World War II and gave form to their disorienting experiences of violence and cruelty. They probed the darkness that the war opened up and confronted bigotry, existential guilt, ecological concerns, and fear about the nature and survival of the human race. In Facing the Abyss, George Hutchinson offers readings of individual works and the larger intellectual and cultural scene to reveal the 1940s as a period of profound and influential accomplishment.Facing the Abyss examines the relation of aesthetics to politics, the idea of universalism, and the connections among authors across racial, ethnic, and gender divisions. Modernist and avant-garde styles were absorbed into popular culture as writers and artists turned away from social realism to emphasize the process of artistic creation. Hutchinson explores a range of important writers, from Saul Bellow and Mary McCarthy to Richard Wright and James Baldwin. African American and Jewish novelists critiqued racism and anti-Semitism, women writers pushed back on the misogyny unleashed during the war, and authors such as Gore Vidal and Tennessee Williams reflected a new openness in the depiction of homosexuality. The decade also witnessed an awakening of American environmental and ecological consciousness. Hutchinson argues that despite the individualized experiences depicted in these works, a common belief in art’s ability to communicate the universal in particulars united the most important works of literature and art during the 1940s. Hutchinson’s capacious view of American literary and cultural history masterfully weaves together a wide range of creative and intellectual expression into a sweeping new narrative of this pivotal decade.
Facing the Music: a Broadway memoir
by David LoudMusical Director and arranger David Loud, a legendary Broadway talent, recounts his wildly entertaining and deeply poignant trek through the wilderness of his childhood and the edge-of-your-seat drama of a career on, in, under, and around Broadway for decades. He reveals his struggle against the ravages of Parkinson's and triumphs repeatedly. This memoir is also a remarkable love letter to music. Loud is the 'Ted Lasso' of the theater business, ever the optimist!&“&‘Music has consequences,&’ a wise teacher once told a young David Loud; so does a story well-told and a life fully-lived. I lost count of how many times I laughed, cried, and laugh-cried reading this wonderful, wry, intimate, and inspiring book. David wields a pen like he wields a baton, with perfect timing, exquisite phrasing, and enormous heart.&” — David Hyde Pierce, actor, Frasier, Spamalot, Curtains &“Beautifully written, filled with vivid details, braided with love and loss and wit and the perspective of someone with an utterly unique story to tell." -- Lynn Ahrens, lyricist, Ragtime, Once on This Island, Anastasia &“Luminous and surprising, an extremely honest memoir of a life lived in the world of Broadway musicals, by one of the theatre&’s most gifted conductors. I can&’t think of another book quite like it.&” -- John Kander, composer, Cabaret, Chicago, New York, New York Unforgettably entertaining and emotionally revealing, Loud is pitch-perfect as he describes his path to the podium, from a stage-struck kid growing up at a school devoted to organic farming and mountain climbing, to the searing formative challenges he faces during adolescence, to the remarkable behind-the-scenes stories of his Broadway trials and triumphs. Skilled at masking his fears, Loud achieves his dream until one fateful opening night, when in the midst of a merry, dressing room celebration, he can no longer deny reality and must suddenly, truly, face the music.
Fade to Us
by Julia DayJulia Day's Fade to Us is a story about found families, the bond of sisterhood, and the agony and awe of first love.Brooke's summer is going to be EPIC— having fun with her friends and a job that lets her buy a car. Then her new stepfather announces his daughter is moving in. Brooke has always longed for a sibling, so she’s excited about spending more time with her stepsister. But she worries, too. Natalie has Asperger’s--and Brooke's not sure how to be the big sister that Natalie needs.After Natalie joins a musical theater program, Brooke sacrifices her job to volunteer for the backstage crew. She’s mostly there for Natalie, but Brooke soon discovers how much she enjoys being part of the show. Especially sweet is the chance to work closely with charming and fascinating Micah--the production’s stage manager. If only he wasn't Natalie's mentor...When her summer comes to an end, will Brooke finally have the family she so desperately wants--and the love she's only dreamed about?
Failing Up: How to Take Risks, Aim Higher, and Never Stop Learning
by Leslie Odom Jr.Leslie Odom Jr., burst on the scene in 2015, originating the role of Aaron Burr in the Broadway musical phenomenon Hamilton. Since then, he has performed for sold-out audiences, sung for the Obamas at the White House, and won a Tony Award for Best Leading Actor in a Musical. But before he landed the role of a lifetime in one of the biggest musicals of all time, Odom put in years of hard work as a singer and an actor.With personal stories from his life, Odom asks the questions that will help you unlock your true potential and achieve your goals even when they seem impossible. What work did you put in today that will help you improve tomorrow? How do you surround yourself with people who will care about your dreams as much as you do? How do you know when to play it safe and when to risk it all for something bigger and better?These stories will inspire you, motivate you, and empower you for the greatness that lies ahead, whether you’re graduating from college, starting a new job, or just looking to live each day to the fullest.
Failure, Fascism, and Teachers in American Theatre: Pedagogy of the Oppressors (Palgrave Studies in Theatre and Performance History)
by James F. WilsonThis timely and accessible book explores the shifting representations of schoolteachers and professors in plays and performances primarily from the twentieth and twenty-first centuries in the United States. Examining various historical and recurring types, such as spinsters, schoolmarms, presumed sexual deviants, radicals and communists, fascists, and emasculated men teachers, Wilson shines the spotlight on both well-known and nearly-forgotten plays. The analysis draws on a range of scholars from cultural and gender studies, queer theory, and critical race discourses to consider teacher characters within notable education movements and periods of political upheaval. Richly illustrated, the book will appeal to theatre scholars and general readers as it delves into plays and performances that reflect cultural fears, desires, and fetishistic fantasies associated with educators. In the process, the scrutiny on the array of characters may help illuminate current attacks on real-life teachers while providing meaningful opportunities for intervention in the ongoing education wars.
The Failure To Zig Zag
by John B. FerzaccaAll Groups / Drama / John B. Ferzacca / 16 m. (doubling possible) / Simple set / Neither the captain of the USS Indianapolis, McVay, nor his crew were told the cargo they had delivered in Tinian contained the essential components for the atomic bomb to be dropped in Hiroshima. Having completed its top secret mission, the ship was sunk by a Japanese submarine. The crew languished in shark infested waters while Naval authorities logged the ship safe in port. The navy's coverup and attempt to make McVay a scapegoat lead to a national scandal. / "A play of epic scope ... attempting to bring clarity and justice overdue to an incident in our history." L.A. Times.
A Fair Country
by Jon Robin Baitz"One of the most gratifying, even inspirational, things about the American theatre today is the very existence of Jon Robin Baitz. With A Fair Country his writing continues to push our theatre out of the parlor and into the political." - Linda Winer, Newsday"Baitz is occupying theatrical territory that once was the turf of Arthur Miller and Lillian Hellman, though he writes in his own idiosyncratic voice... He has a gift for familial confrontations that are vicious, funny, brutal, and bizarre." - Vincent Canby, New York Times (Broadway Production)"Few American playwrights have the ability to write such pointed dialogue, and fewer yet are able to marry their domestic drama with the larger political and social issues that concern Baitz." - Richard Christiansen, Chicago Tribune (Broadway Production)"A sizzling new play." - Howard Kissel, New York Daily News (Broadway Production)A subtle and powerful exploration of the personal impact of politics on an American family stationed in South Africa during the time of apartheid.Jon Robin Baitz is the author of Three Hotels, The Film Society, Other Desert Cities, The End of the Day, and The Substance of Fire, which he adapted into a major motion picture. He was the showrunner on ABC's Brothers & Sisters. He also wrote the screenplay for the upcoming film Stonewall directed by Roland Emmerich. He lives in New York.
Fairview: A Play
by Jackie Sibblies DruryWinner of the 2019 Pulitzer Prize for Drama. <p><p> Grandma's birthday approaches. Beverly is organizing the perfect dinner, but everything seems doomed from the start: the silverware is all wrong, the carrots need chopping and the radio is on the fritz. What at first appears to be a family comedy takes a sharp, sly turn into a startling examination of deep-seated paradigms about race in America.
Fairy Tales: Dramolettes
by Reto Sorg James Reidel Daniele Pantano Robert WalserThree mini-plays by the German wunderkind and asylum-dweller. Fairy Tales gathers the unconventional verse dramolettes of the Swiss writer Robert Walser. Narrated in Walser's inimitable, playful language, these theatrical pieces overturn traditional notions of the fairy tale, transforming the Brothers Grimm into metatheater, even metareflections. Snow White forgives the evil queen for trying to kill her, Cinderella doubts her prince and enjoys being hated by her evil stepsisters; the Fairy Tale itself is a character who encourages her to stay within the confines of the story. Sleeping Beauty, the royal family, and its retainers are not happy about being woken from their sleep by an absurd, unpretentious, Walser-like hero. Mary and Joseph are taken aback by what lies in store for their baby Jesus.