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All's Well That Ends Well (The New Cambridge Shakespeare)

by William Shakespeare Russell Fraser

Alexander Leggatt has written a new Introduction to this updated edition of Russell Fraser's text on one of Shakespeare's most ambiguous plays. Leggatt's interest in performance informs his introduction and account of the instability of the main characters. He offers a thoughtful account of the play's critical and theatrical fortunes to the end of the twentieth century, as well as of the audience experience. An updated reading list completes the edition.

Almighty Voice and His Wife

by Daniel David Moses

Almighty Voice and His Wife shakes up a familiar story from the Saskatchewan frontier, reimagining it from the postmodern late twentieth century. The "renegade Indian story" transforms into both an eloquent tale of tragic love and an often hilarious, fully theatrical exorcism of the hurts of history. A modern classic about the place of First Nations people in Canada.

Almost an Evening

by Ethan Coen

In its recent off-Broadway debut, "Almost an Evening" dazzled audiences with its pitch-perfect dialogue and caustic wit, harking back to the "mind-teasing divertisements that once flourished Off-Broadway" (Ben Brantley, "New York Times"). Here are three visions of hell, at once urbane and seriously hilarious. In "Waiting," a man impatiently awaits his transition from this world to an otherworldly dimension. In "Four Benches," a British secret service agent confronts death in a steam bath. And "Debate" features a metatheatrical battle between Old and New Testament gods mixing profane philosophy with profound profanity. For theater buffs, cineastes, and short-story devotees, "Almost an Evening is as readable as fiction, as engaging as film, and as charming as hell.

Almost Perfect: The Life Guide to Creating Your Success Story Through Passion and Fearlessness

by Erika Lemay

Through Almost Perfect, Erika Lemay shares how she became world-famous by creating a career out of her passion — the acrobatic world of Physical Poetry. The gritty detail of a life in the spotlight is exposed — rebuilding herself after a fall that left one of her limbs compromised and challenged all she had aspired to be, avoiding child abusers in the show business world, and keeping her cool when the unpredictable happens 30 metres in the air. More than this, Erika explains the methodology behind her success stories. With precise parameters, tips, and tricks, Almost Perfect is the guide she shares to a pain-free life, which explains how she maintains her physical conditions to Olympic-athlete level, and demonstrates how everyone can achieve the extraordinary — not by magical thinking but by designing a precise set of habits that can open doors to what most think is only accessible to the few. Almost Perfect is ideal for anyone that aspires to exceptional health, an extraordinary life, a head-turning physique, and an enviable career. Erika’s carefully crafted methodology for excelling at specific goals is laid bare for the world to see. Nothing comes for free: a detail-oriented and elite mindset is the key to the most incredible life-changing path. Throughout Almost Perfect, readers learn to be the incarnation of coherence through iron discipline and unshakeable self-worth.

Almost Perfect

by Jerry Mayer

Comedy / 3m, 3f / Multiple Sets This delightful new comedy is about marriage, adultery, career choices, opposing a domineering father and finding one's own identity. Buddy Apple, an aspiring writer, ventures off into an adulterous affair because of frustrations with his lack of career success and his unhappiness with his wife. Eventually, he learns that the perfect life he has been seeking is right there at home.

An Almost Perfect Thing

by Nicole Moeller

Greg is a once-respected journalist searching for a high-profile story that will help revive his career. Chloe is the missing girl he wrote about six years earlier who has just returned home to a world she no longer recognizes. Instead of leading police to her captor, Chloe turns to Greg to share her story. Unfortunately for him, Chloe won't provide names or locations, and instead dictates exactly how the story should be told. But Chloe has become an international celebrity—both respected and scrutinized by the public—and they all want to know, who is her kidnapper? Why is she protecting him? When Greg begins to question whether truth and fiction have collided, he takes matters into his own hands, in spite of the drastic consequences. Even if that means coming face to face with Chloe's abductor. Inspired by the story of Natascha Kampusch, An Almost Perfect Thing is a multi-perspective thriller about possession and desire, the need to own our stories, and our "right" to the truth.

Alone Together Again: A Comedy

by Lawrence Roman

In the hilarious Broadway comedy, ALONE TOGETHER, Mom and Dad have spent the last thirty years raising three active sons. How they looked forward to the peace, the quiet and the privacy of an empty nest. After considerable comic turmoil and revelation of deep feelings, the nest is finally emptied. Peace now? Quiet? Not for long. The empty nest fills up again by the sudden, unexpected arrival of their parents, each with a problem which is dumped on Mom and Dad. How to empty the nest once again so Mom and Dad can be alone together. Cleverly comic, witty and wise. ALONE TOGETHER AGAIN has delighted audiences in Europe as well as the U.S.

Alternative Comedy Now and Then: Critical Perspectives (Palgrave Studies in Comedy)

by Oliver Double Sharon Lockyer

Alternative Comedy Now and Then: Critical Perspectives is the first academic collection focusing on the history and legacy of the alternative comedy movement in Britain that began in 1979 and continues to influence contemporary stand-up comedy. The collection examines the contexts, performances and reception of alternative comedy in order to provide a holistic approach to examining the socio-political impact and significance of alternative comedy from its historical roots through to present day performances. As alternative comedy celebrated its 40th anniversary in 2019, critically reflecting on its impact and significance is a timely endeavour. The book adopts a distinctive interdisciplinary approach, synthesizing theory, concepts and methodologies from comedy studies, theatre and performance, communication and media studies, sociology, political sciences and anthropology. This approach is taken in order to fully understand and examine the dynamics and nuances of the alternative comedy movement which would not be possible with a single-discipline approach.

Alternative Shakespeare Auditions for Men

by Simon Dunmore

Dunmore brings together fifty speeches for men from plays frequently ignored such as Titus Andronicus, Pericles, and Love's Labours Lost. It also includes good, but over-looked speeches from the more popular plays such as Octavius Caesar from Antony and Cleopatra, Leontes from The Winter's Tale and Buckingham from Richard III. With character descriptions, brief explanations of the context, and notes on obscure words, phrases and references, it is the perfect source for a unique audition.

Alternative Shakespeare Auditions for Women (Manuals Ser.)

by Simon Dunmore

Like the companion volume for men, Alternative Shakespeare Auditions for Women brings together fifty speeches from plays frequently ignored such as Coriolanus, Pericles, and Love's Labours Lost. It also features good, but over-looked speeches from more popular plays such as Diana from All's Well That Ends Well, Perdita from The Winter's Tale and Hero from Much Ado About Nothing. Each speech is accompanied by a character description, brief explanation of the context, and notes on obscure words, phrases and references--all written from the viewpoint of the auditioning actor. It is the perfect resource for your best audition ever.

Alternative Shakespeares

by John Drakakis

When critical theory met literary studies in the 1970s and '80s, some of the most radical and exciting theoretical work centred on the quasi-sacred figure of Shakespeare. In Alternative Shakespeares, John Drakakis brought together key essays by founding figures in this movement to remake Shakespeare studies. A new afterword by Robert Weimann outlines the extraordinary impact of Alternative Shakespeares on academic Shakespeare studies. But as yet, the Shakespeare myth continues to thrive both in Stratford and in our schools. These essays are as relevant and as powerful as they were upon publication and with a contributor list that reads like a 'who's who' of modern Shakespeare studies, Alternative Shakespeares demands to be read.

Alternative Shakespeares

by John Drakakis

Since the publication of Re-reading English (Widdowson 1982) it has become commonplace to speak of ‘a crisis in English Studies’ (p. 7). That crisis, in evidence long before 1981, and generated by the assault on established critical practice from a variety of carefully formulated theoretical positions, has resulted in a series of radical shifts of emphasis within the institution of English Studies. Criticism is now an openly pluralist activity, with proponents of particular positions contesting vigorously the intellectual space which it has occupied. Raymond Williams has recently argued that what is in crisis is ‘the existing dominant paradigm of literary studies’ (R. Williams 1984, p. 192) as it confronts serious challenges from a diverse variety of alternatives. What is surprising in this situation is the extent to which the study of Shakespeare has remained largely untouched by these concerns, a still point with a seemingly infinite capacity to

Alternative Shakespeares: Volume 3 (New Accents)

by Diana E. Henderson

This volume takes up the challenge embodied in its predecessors, Alternative Shakespeares and Alternative Shakespeares 2, to identify and explore the new, the changing and the radically ‘other’ possibilities for Shakespeare Studies at our particular historical moment. Alternative Shakespeares 3 introduces the strongest and most innovative of the new directions emerging in Shakespearean scholarship – ranging across performance studies, multimedia and textual criticism, concerns of economics, science, religion and ethics – as well as the ‘next step’ work in areas such as postcolonial and queer studies that continue to push the boundaries of the field. The contributors approach each topic with clarity and accessibility in mind, enabling student readers to engage with serious ‘alternatives’ to established ways of interpreting Shakespeare’s plays and their roles in contemporary culture. The expertise, commitment and daring of this volume’s contributors shine through each essay, maintaining the progressive edge and real-world urgency that are the hallmark of Alternative Shakespeares. This volume is essential reading for students and scholars of Shakespeare who seek an understanding of current and future directions in this ever-changing field. Contributors include: Kate Chedgzoy, Mary Thomas Crane, Lukas Erne, Diana E. Henderson, Rui Carvalho Homem, Julia Reinhard Lupton, Willy Maley, Patricia Parker, Shankar Raman, Katherine Rowe, Robert Shaughnessy, W. B. Worthen

Alternative Temporalities: The Emancipatory Power of Narrative

by Teresa Valentini Angela Weiser John Zilcosky

Alternative temporalities have often emerged as a reaction to the normativizing force of time, demonstrating that time can be used as an instrument of power and oppression, but also as a means to resist this very oppression. Alternative Temporalities draws on analyses of modern literature to examine this often-neglected role of time. By exploring forms of temporal resistance in artistic representation, such as short stories and novels, that challenge the imposition of colonial, gender, or capitalist temporal orders, the book reveals how storytelling can be an essential tool in questioning and pushing back against coercive temporal structures. The book analyses literary representations of time that challenge dominant temporalities and intersect different disciplines such as gender and sexuality studies, trauma and Indigenous studies, race and identity, and religion. It features narrative analyses proposing alternative embodied experiences of time, focusing on topics including the temporality of the AIDS-affected body, the experience of time in prison, and slowness in opposition to modern acceleration. Ultimately, Alternative Temporalities aims to create new theories as well as practices that may foster more diverse and inclusive ways of perceiving and embodying time.

Alternative Theatre in Poland

by Kathleen Cioffi

The complex nature of the relationship between theatre and politics is explored in this study of the Polish theatre scene. It traces the development of the alternative theatre movement from its origins, in the 1950s, through to its decline in the late 1980s.

The Altos

by David Landau

Full Length / Musical Comedy / 4m, 3f / Interior An Interactive Musical Comedy Mystery Spoof of the famous HBO series. Meet the family that inspired it all, the Altos. It's Tony's funeral (Or is it?) and his wife Toffee has invited you to the wake. Chris wants you should check your weapons at the door (and if you don't have any, he's got extras!) Uncle Senior has a rigged dice game going and Tony's Ma is - well just nuts. Tony's shrink Dr. Malaise is giving free analysis and the Father isn't sure what he is doing! But one thing is for sure, almost no one seems sad that Tony is gone and they certainly done seem happy once he's discovered alive. Be prepared to dodge bullets, laugh at the songs and see if you can't figure out who put a contract out on Tony!

Alumnae Theatre Company: Nonprofessionalizing Theatre in Canada

by Robin C. Whittaker

Delving into previously untapped archival resources, Alumnae Theatre Company traces the history and ongoing impact of North America’s longest-running women-led theatre group, Toronto’s Alumnae Theatre Company. The book illuminates the essential yet downplayed relationships between professional and nonprofessionalizing theatre practices, drawing on primary and secondary sources that have contributed to the practice and scholarship of theatre since the early twentieth century. It uses Alumnae as a case study for recognizing female leadership roles that support the development of theatre artists in Canada. The book considers Alumnae’s historical influences on university philanthropy, intellectual modernism, and Toronto’s expanding theatre ecology. It revisits past eras to focus on four dominant perspectives: theatre spaces, festival competition, new play production, and nonprofessionalizing theatre’s relationship to an emerging profession. The book tethers Alumnae’s alterity to contemporary critical notions of the nonprofessionalizing theatre practitioner as counter-culture revolutionary. It urges scholars and practitioners alike to not take for granted the values and possibilities of contemporary nonprofessionalizing theatre practices. Alumnae Theatre Company also serves as a fascinating history of Toronto through the eyes of its oldest active theatre company.

Alvin Ailey: An American Visionary (Choreography and Dance Studies Series #4.1)

by Muriel Topaz

During its three and half decades, the Alvin Ailey Company has left lasting markers on the playing field of American Modern Dance. It has established a reputation for precise but spectacular dancing, for depicting an African American ethos with sensitivity and elegance, and set standards for performance excellence. Ailey's choreography caused shock waves in the dance world of 1958 and continues to move audiences deeply. The company has also provided a paradigm for a modern dance repertory company. Contributors include Jennifer Dunning, Ronni Favors, Allan Gray, Denise Jefferson, Cynthia Sithembile West, Muriel Topaz, James Truitte, and Sylvia Waters. Eulogies written by David Dinkins, Carmen de Lavallade, Judith Jamison and Maya Angelou.

Always Never Yours

by Emily Wibberley Austin Siegemund-Broka

“An utterly charming story of love, family, heartbreak, and drama. I absolutely loved it!”—Morgan Matson, New York Times bestselling author of Since You’ve Been GoneMegan Harper is the girl before. All her exes find their one true love right after dating her. It's not a curse or anything, it's just the way things are. and Megan refuses to waste time feeling sorry for herself. Instead, she focuses on pursuing her next fling, directing theater, and fulfilling her dream school's acting requirement in the smallest role possible. But her plans quickly crumble when she's cast as none other than Juliet--yes, that Juliet--in her high school's production. It's a nightmare. No--a disaster. Megan's not an actress and she's certainly not a Juliet. Then she meets Owen Okita, an aspiring playwright who agrees to help Megan catch the eye of a sexy stagehand in exchange for help writing his new script. Between rehearsals and contending with her divided family, Megan begins to notice Owen--thoughtful, unconventional, and utterly unlike her exes, and wonders: shouldn't a girl get to play the lead in her own love story?

Alzire

by Voltaire

Alzire first appeared on the stage in 1736 to great acclaim and success. Alzire is set Lima, Peru, at the time of the Spanish conquest. Don Gusman, a Spanish grandee, has just succeeded his father, Don Alvarez, in the Governorship of Peru. The rule of Don Alvarez had been beneficent and just; he had spent his life in endeavoring to soften the cruelty of his countrymen; and his only remaining wish was to see his son carry on the work which he had begun. Unfortunately, however, Don Gusman's temperament was the very opposite of his father's; he was tyrannical, harsh, headstrong, and bigoted. It is in vain that Don Alvarez reminds his son that the true Christian returns good for evil and as a result tragedy insues. Wilder Publications is a green publisher. All of our books are printed to order. This reduces waste and helps us keep prices low while greatly reducing our impact on the environment.

Amaryllis & Little Witch

by Pascal Brullemans

In these dark fairy tales, two girls face danger while grieving loved ones, and learn some hard truths about growing up along the way. Imaginative and curious, these fables illustrate adventures for children who have to make big choices. In Amaryllis, a preteen goes missing on her birthday. Amaryllis heads out with her sister Fey’s ashes, determined to scatter the remains and set Fey free. But when she discovers that Fey is stuck between life and death, she realizes she has to join Fey on a trek to the Land of the Dead. In Little Witch, a sickly mother and her daughter live in the deep, dark wood. One day, Big Witch finds an ogre caught in a trap. They make a deal: in return for saving him, the ogre agrees to take care of Little Witch once Big Witch has passed. Soon, the little girl finds herself in the ogre’s home, frightened and alone except for her pet cat. But when a Hunter Boy gets caught by the ogre, Little Witch must make a choice: save herself, save the boy, or choose another path . . .

Amateurtheaterprojekte zu Holocaust und Nationalsozialismus: Eine qualitative Studie zur Erinnerungskultur im 21. Jahrhundert (Holocaust Education – Historisches Lernen – Menschenrechtsbildung)

by Lisa Schwendemann

In diesem Buch wird das Rezeptionsverhalten von Zuschauer(inne)n erforscht, welche Amateurtheaterprojekte zu ‚Holocaust und Nationalsozialismus‘ besuchen. Die Studie ist qualitativ angelegt, indem Interviews mit Hilfe der Grounded Theory ausgewertet werden. Es wird der Frage nachgegangen, welcher Personenkreis von Amateurtheaterprojekten angesprochen wird, wie diese Projekte von den Theaterbesucher(inne)n wahrgenommen werden und welche Wirkungen die Rezipient(inn)en während und nach dem Theaterbesuch an sich feststellen. Es kann herausgearbeitet werden, dass die in dieser Arbeit untersuchten Projekte eine intellektuelle Auseinandersetzung mit ‚schwieriger‘ Geschichte fokussieren. Die in den Amateurtheaterprojekten gewählte theatrale Darstellungsweise spricht tendenziell ein ‚bildungsnahes‘ Publikum an, das bereits über Vorwissen zur Thematik verfügt und bereit ist, sich während und nach dem Theaterbesuch aktiv mit ‚Holocaust und Nationalsozialismus‘ auseinanderzusetzen. Hierzu hat die Autorin ein Rezeptionsmodell herausgearbeitet, das die intellektuelle Auseinandersetzung mit ‚schwieriger‘ Geschichte umfasst.

Amazing Grace

by Mary Hoffman

Although classmates say that she can't play Peter Pan in the school play, because she's black and a girl, Grace discovers that she can do anything she sets her mind to do.

Amber Waves (Full-Length)

by James Still

Full Length, Drama / 3 m., 3 f. / Unit set. / This acclaimed one act about children in a struggling farm family is now available in a full length version that builds on the emotional strengths of the shorter play. See description of the one act version for more information.

Amber Waves (Full-Length)

by James Still

Full Length, Drama / 3 m., 3 f. / Unit set. / This acclaimed one act about children in a struggling farm family is now available in a full length version that builds on the emotional strengths of the shorter play. See description of the one act version for more information.

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Showing 301 through 325 of 10,033 results