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G-Force
by Ann KarineThese fun and inventive one-acts were originally produced at the Edinburgh Festival. This unique collection is great for any venue being very adaptable to simple staging requirements. Open and Shut (#17075) - 3f, 1m. Two sisters manipulate a "human" door to get rid of their Dad's unwanted girlfriend. Hermaphrodite (#10565) - 2m, 1f. A son suggests a trip to his corporate mom and she becomes so stressed out that she's divided herself in two (played by a male and female character). 9.8 Meters Per Second (#16903) - 2m, 2f. A woman and a man meet on a plane, but the have to expel some personal baggage before they can actually take-off.
Galileo
by Bertolt Brecht Eric Bentley Charles LaughtonConsidered by many to be one of Brecht's masterpieces, Galileo explores the question of a scientist's social and ethical responsibility, as the brilliant Galileo must choose between his life and his life's work when confronted with the demands of the Inquisition. Through the dramatic characterization of the famous physicist, Brecht examines the issues of scientific morality and the difficult relationship between the intellectual and authority. This version of the play is the famous one that was brought to completion by Brecht himself, working with Charles Laughton, who played Galileo in the first two American productions (Hollywood and New York, 1947). Since then the play has become a classic in the world repertoire. "The play which most strongly stamped on my mind a sense of Brecht's great stature as an artist of the modern theatre was Galileo." - Harold Clurman; "Thoughtful and profoundly sensitive." - Newsweek.
The Gallant Spaniard
by Miguel de CervantesThere are surprising omissions in the translated body of Spanish Golden Age literature, including in the corpus of Miguel de Cervantes. We have many highly competent translations of Don Quixote, but until now not a single English version of his play The Gallant Spaniard. Although Cervantes&’s dramatic works have always attracted less attention than his narrative fiction, there has been significant critical interest in this play in recent years, due in no small part to its unique portrayal of Christian-Muslim relations. Critics have argued persuasively about the value of The Gallant Spaniard in the service of a more general understanding of Cervantes in his last years, specifically in regard to his views on this cultural divide. This edition, translated by Philip Krummrich, consists of a critical introduction and a full verse translation of the play with notes.
A Galway Girl
by Geraldine AronDrama / Characters:1 male, 1 femaleScenery: Interior. A couple sit at opposite ends of a table reminiscing about their life together. Each has a point of view and they rarely address each other directly. They are young to begin with, then middle aged, then old, then one dies. The anecdotes they relate are both humorous and tragic. Their lives seem wasted, yet the wife's muted final gesture of affection conveys a love that endured through years of bickering. A critical success in London, Ireland and the author's native South Africa. "A minute tapestry cross stitched with rich detail-- invested with a strong strain of uncomfortable truths."-- Irish Times.
Gamblers (V.Smith)
by Valerie SmithDark comedy \ 5 m., 1 f. \ Unit set. \ This suspenseful drama of desire and intrigue explores the dark world of high stakes gambling. Aboard a Mississippi river boat in the antebellum South, a team of professional con men become embroiled in the scheme of an unhappy wife to cheat her wealthy husband of his fortune. A government deputy and the boat's stewart, a free black man, find they too have a stake in the proceedings. Soon the game played for greed is overshadowed by another, deadlier game for control one in which desperate bluff, ruthless manipulation, and ever shifting alliances lead to the riskiest bet of all. In its Memphis debut, the play was praised by critics for its "wit and eloquent dialogue." The Gamblers provides a penetrating vision of the human struggle for ascendancy in the game of marriage, money and power.
A Game Called Malice: A Rebus Play
by Ian Rankin Simon ReadeA delicious, and somewhat drunken, dinner party segues into a murder mystery game created by the hostess. However, the parlour game may hold clues about the dark truths hiding just under the surface of this genteel gathering...As suspects, clues and red herrings are sifted - it seems one of the guests has an unfair advantage: John Rebus, an ex-detective who used to do this for a living. But is he playing another game, one to which only he knows the rules, that will soon be revealed? As the tension rises, one by one, all their secrets will come out - and there is a shocking discovery that awaits them all...
A Game Called Malice: A Rebus Play
by Ian Rankin Simon ReadeA delicious, and somewhat drunken, dinner party segues into a murder mystery game created by the hostess. However, the parlour game may hold clues about the dark truths hiding just under the surface of this genteel gathering...As suspects, clues and red herrings are sifted - it seems one of the guests has an unfair advantage: John Rebus, an ex-detective who used to do this for a living. But is he playing another game, one to which only he knows the rules, that will soon be revealed? As the tension rises, one by one, all their secrets will come out - and there is a shocking discovery that awaits them all...
Game of Love And Chance
by Stephen Wadsworth5m, 2f \ Comedy \ Int. \ Silvia, well born and high spirited, is concerned about an arranged marriage so she spends the day of her finace's first visitdisguised as her maid Lisette while Lisette she pretends to be Silvia. The intended husband, Dorante, takes the same precaution, arriving in the guise of his servant. And his servant, who duly comes dressed as Dorante, is the irrepressible and outrageous Harlequin, which means pandemonium ensues. The "servants"are drawn to each other but must overcome the pride and prejudice of their social class while Lisette and Harlequin savor a delicious taste of freedom and respectability. All are deeply perplexed as Marivaux uncompromisingly turns the screw. Silvia's father and brother, who know all but say nothing, preside over the sentimental education of these comedic desperadoes.
Games: Who Wants to Play?
by Linda GriffithsIn the aftermath of a local high-school boy’s mysterious death, Dan and Marion Metcalf are increasingly worried about their son Zach. He’s apathetic and shuts himself away in the basement to play video games and spend time with Keira, his virtual girlfriend and confidante, giving his parents more to worry about than their own insecurities and lacklustre sex life. When Zach’s best friend, Micky, begins to spend more time around the house, bonding with Dan and flirting with Marion, even Keira cannot anticipate the depth of Zach’s rage and sense of alienation. Will his repressed feelings culminate in a violent act that is sure to go viral?
Games and Gaming in Early Modern Drama: Stakes and Hazards (Early Modern Literature in History)
by Caroline BairdThis book is a close taxonomic study of the pivotal role of games in early modern drama. The presence of the game motif has often been noticed, but this study, the most comprehensive of its kind, shows how games operate in more complex ways than simple metaphor and can be syntheses of emblem and dramatic device. Drawing on seventeenth-century treatises, including Francis Willughby’s Book of Games, which only became available in print in 2003, and divided into chapters on Dice, Cards, Tables (Backgammon), and Chess, the book brings back into focus the symbolism and divinatory origins of games. The work of more than ten dramatists is analysed, from the Shakespeare and Middleton canon to rarer plays such as The Spanish Curate, The Two Angry Women of Abington and The Cittie Gallant. Games and theatre share common ground in terms of performance, deceit, plotting, risk and chance, and the early modern playhouse provided apt conditions for vicarious play. From the romantic chase to the financial gamble, and in legal contest and war, the twenty-first century is still engaging the game. With its extensive appendices, the book will appeal to readers interested in period games and those teaching or studying early modern drama, including theatre producers, and awareness of the vocabulary of period games will allow further references to be understood in non-dramatic texts.
Gaming the Stage: Playable Media and the Rise of English Commercial Theater (Theater: Theory/Text/Performance)
by Gina BloomRich connections between gaming and theater stretch back to the 16th and 17th centuries, when England's first commercial theaters appeared right next door to gaming houses and blood-sport arenas. In the first book-length exploration of gaming in the early modern period, Gina Bloom shows that theaters succeeded in London's new entertainment marketplace largely because watching a play and playing a game were similar experiences. Audiences did not just see a play; they were encouraged to play the play, and knowledge of gaming helped them become better theatergoers. Examining dramas written for these theaters alongside evidence of analog games popular then and today, Bloom argues for games as theatrical media and theater as an interactive gaming technology. Gaming the Stage also introduces a new archive for game studies: scenes of onstage gaming, which appear at climactic moments in dramatic literature. Bloom reveals plays to be systems of information for theater spectators: games of withholding, divulging, speculating, and wagering on knowledge. Her book breaks new ground through examinations of plays such as The Tempest, Arden of Faversham, A Woman Killed with Kindness, and A Game at Chess; the histories of familiar games such as cards, backgammon, and chess; less familiar ones, like Game of the Goose; and even a mixed-reality theater videogame.
Gardzienice: Polish Theatre in Transition (Contemporary Theatre Studies #Vol. 22)
by Paul AllainIn 1977, the Gardzienice Theatre Association, an experimental theatre company was founded in a tiny Polish village. By 1992 The Observer was hailing "Brilliant Gardzienice...and orgy of joy, anguish, prayer and lamentation performed in candlelight with hurtling energy and at breakneck speed...Physically reckless, thrillingly well sung...On no account to be missed. " Today the Gardzienice Theatre Association is hailed as Poland's leading theatre group, training Royal Shakespeare Company actors and touring the world. Paul Allain describes and analyses their sung performances, strenuous physical and vocal training, and anthropological fieldwork amongst marginalized European minorities. This is one of the first detailed attempts to assess developments in Polish experimental theatres since 1989. The author questions whether those artists can maintain their vision in the face of Poland's economic difficulties and increased commercialization of the arts.
The Garotters
by William Dean HowellsWilliam Dean Howells (1837-1920) was an American realist author and literary critic. He wrote his first novel, Their Wedding Journey, in 1871, but his literary reputation really took off with the realist novel A Modern Instance, published in 1882, which describes the decay of a marriage. His 1885 novel The Rise of Silas Lapham is perhaps his best known, describing the rise and fall of an American entrepreneur in the paint business. His social views were also strongly reflected in the novels Annie Kilburn (1888) and A Hazard of New Fortunes (1890). While known primarily as a novelist, his short story "Editha" (1905) - included in the collection Between the Dark and the Daylight (1907) - appears in many anthologies of American literature. Howells also wrote plays, criticism, and essays about contemporary literary figures such as Ibsen, Zola, Verga, and, especially, Tolstoy, which helped establish their reputations in the United States. He also wrote critically in support of many American writers. It is perhaps in this role that he had his greatest influence.
Garrick's Folly: The Shakespeare Jubilee of 1769 at Stratford and Drury Lane (Routledge Library Editions: Shakespeare in Performance)
by Johanne M. StochholmThe great Shakespeare Jubilee festival was held at Stratford, under the direction of David Garrick. The occasion was the dedication of the new town hall and the presentation by Garrick of a statue of Shakespeare. Immense interest, enthusiasm, and controversy were aroused by the plans, which involved not only theatrical and rhetorical festivities but fireworks, processions and a horserace. This book was originally published in 1964 to coincide with the 400th anniversary of Shakespeare’s birth. It describes the festival, which touched heights of success and depths of disaster, its impact on Stratford, its after effects in London, especially theatrical London, where rival managers tried to cash in on Garrick’s idea and where Garrick turned the Stratford failure into resounding success at Drury Lane. The author quotes entertainingly from newspapers, memoirs, and plays, and illustrates her book with contemporary engravings and portraits.
Gas Girls
by Donna Michelle St. BernardGigi knows the limitations of her trade, while her young protege, Lola, looks for love in every man that comes her way. Lola's brother, Chickn, ekes out his own living while keeping an ever-watchful eye for Gigi's affections and Lola's safety. But love is not a luxury these girls can afford. Through story, song, and play, Gigi and Lola inspire each other to find joy on the edges of survival.
Gaslight
by Patrick HamiltonThis classic Victorian thriller was first produced in 1935. Jack Manningham is slowly, deliberately driving his wife, Bella, insane. He has almost succeeded when help arrives in the form of a former detective, Rough, who believes Manningham to be a thief and murderer. Aided by Bella, Rough proves Manningham's true identity and finally Bella achieves a few moments of sweet revenge for the suffering inflicted on her.
Gaslight (G - Reference,information And Interdisciplinary Subjects Ser.)
by Patrick HamiltonThis classic Victorian thriller was first produced in 1935. Jack Manningham is slowly, deliberately driving his wife, Bella, insane. He has almost succeeded when help arrives in the form of a former detective, Rough, who believes Manningham to be a thief and murderer. Aided by Bella, Rough proves Manningham's true identity and finally Bella achieves a few moments of sweet revenge for the suffering inflicted on her.
Gem Of The Ocean
by August Wilson“No one except perhaps Eugene O’Neill and Tennessee Williams has aimed so high and achieved so much in the American theater.”—John Lahr, The New Yorker “A swelling battle hymn of transporting beauty. Theatergoers who have followed August Wilson’s career will find in Gem a touchstone for everything else he has written.”—Ben Brantley, The New York Times “Wilson’s juiciest material. The play holds the stage and its characters hammer home, strongly, the notion of newfound freedom.”—Michael Phillips, Chicago Tribune Gem of the Ocean is the play that begins it all. Set in 1904 Pittsburgh, it is chronologically the first work in August Wilson’s decade-by-decade cycle dramatizing the African American experience during the 20th century—an unprecedented series that includes the Pulitzer Prize–winning plays Fences and The Piano Lesson. Aunt Esther, the drama’s 287-year-old fiery matriarch, welcomes into her Hill District home Solly Two Kings, who was born into slavery and scouted for the Union Army, and Citizen Barlow, a young man from Alabama searching for a new life. Gem of the Ocean recently played across the country and on Broadway, with Phylicia Rashad as Aunt Esther. Earlier in 2005, on the completion of the final work of his ten play cycle-surely the most ambitious American dramatic project undertaken in our history-August Wilson disclosed his bout with cancer, an illness of unusual ferocity that would eventually claim his life on October 2. Fittingly the Broadway theatre where his last play will be produced in 2006 has been renamed the August Wilson Theater in his honor. His legacy will animate the theatre and stir the human heart for decades to come.
Gemshield Sleeper & Other Plays for Children
by Richard SlocumThe Gemshield Sleeper: The Baroness No Ra and her teacher have teleported to the planet Aixes to study its sun. They discover a prince locked inside a gemshield. If he is not freed, he will be destroyed when the planet's sun goes supernova. The Baroness must overcome her own fears before she can free him. It's Sleeping Beauty with a futuristic twist. The Fisherman and the Flounder: This story of the magic flounder, the happy fisherman and the unhappy wife is based on the original Japanese version, and it uses elements from Kabuki and Japanese puppet theatre. The wife learns that she must give as much as she takes so as not to upset the balance, but not before she endangers the entire world with her wish to be Lord of the Universe. The Love Song of A. Nellie Goodrock: Little A. Nellie Goodrock works for wicked Simon Lecher to support herself and her dear grandmama. By cheating at poker, Simon Lecher has won the entire Goodrock fortune... everything except Goodrock Park and the monument to the family's good name. Those belong to dear, sweet Nellie. But Simon Lecher must have everything, including Nellie as his bride, or he will send Grandmama and her dog to the boobyhatch. Will Nellie be forced to marrying Lecher or will she be free to follow her heart's desire and marry Danny Dogood?
Gender Outlaw: On Men, Women and the Rest of Us
by Kate Bornstein"I know I'm not a man . . . and I've come to the conclusion that I'm probably not a woman, either. . . . . The trouble is, we're living in a world that insists we be one or the other." With these words, Kate Bornstein ushers readers on a funny, fearless, and wonderfully scenic journey across the terrains of gender and identity. On one level, Gender Outlaw details Bornstein's transformation from heterosexual male to lesbian woman, from a one-time IBM salesperson to a playwright and performance artist. But this particular coming-of-age story is also a provocative investigation into our notions of male and female, from a self-described nonbinary transfeminine diesel femme dyke who never stops questioning our cultural assumptions.Gender Outlaw was decades ahead of its time when it was first published in 1994. Now, some twenty-odd years later, this book stands as both a classic and a still-revolutionary work--one that continues to push us gently but profoundly to the furthest borders of the gender frontier.From the Trade Paperback edition.
Gender, Religion, and Modern Hindi Drama
by Diana DimitrovaDiana Dimitrova studies the representation of gender and religion in Hindi drama from its beginnings in the second half of the nineteenth century until the 1960s - the period when urban proscenium Hindi theatre, which originated under Western influence, matured and thrived. Her focus is on how different religious and mythological models pertaining to women have been reworked in Hindi drama and whether the seven representative dramatists discussed in this book present conservative or liberating Hindu images of the feminine. She examines how the intersections of gender, religion, and ideology account for the creation of the canon of modern Hindi drama, specifically the assertion of a conservative interpretation of orthodox Hindu images of the feminine as well as the exclusion of dramatists who introduce innovative liberating images of the feminine. The overt reason for the negative attitude toward this innovative representation of gender is that it is perceived as "Western" and thus "non-Indian." By contrast, the author's analysis of Hindu mythology, religion, and theatre history reveals that the new interpretation of gender is deeply embedded in Hindu tradition and is thus both Hindu Indian and modernist Western in character.
Gender, Speech, and Audience Reception in Early Modern England (Routledge Studies in Renaissance Literature and Culture)
by Kathleen Kalpin SmithThis book makes a significant contribution to recent scholarship on the ways in which women responded to the regulation of their behavior by focusing on representations of women speakers and their audiences in moments Smith identifies as "scenes of speech." This new approach, examining speech exchanges between a speaker and audience in which both anticipate, interact with, and respond to each other and each other's expectations, demonstrates that the prescriptive process involves a dynamic exchange in which each side plays a role in establishing and contesting the boundaries of acceptable speech for women. Drawing from a wide range of evidence, including pamphlets, diaries, illustrations, and plays, the book interprets the various and at times contradictory representations and reception of women’s speech that circulated in early modern England. Speech scenes examined within include wives' speech to their husbands in private, private speech between women, public speech before death, and the speech of witches. Looking at scenes of women’s speech from male and female authors, Smith argues that these early modern texts illustrate a means through which societal regulations were negotiated and modified. This book will appeal to those with an interest in early modern drama, including the playwrights Shakespeare, Cary, Webster, Fletcher, and Middleton, as well as readers of non-dramatic early modern literary texts. The volume is of particular use for scholars working in the areas of early modern literature and culture, women’s history, gender studies, and performance studies.
Gendered Identity and the Lost Female: Hybridity as a Partial Experience in the Anglophone Caribbean Performances
by Shrabani BasuThis book offers an exploration of the postcolonial hybrid experience in anglophone Caribbean plays and performance from a feminist perspective.In a hitherto unattempted consideration of Caribbean theatre and performance, this study of gendered identities chronicles the postcolonial hybrid experience – and how it varies in the context of questions of sex, performance and social designation. In the process, it examines the diverse performances of the anglophone Caribbean. The work includes works by Caribbean anglophone playwrights like Derek Walcott, Mustapha Matura, Michael Gikes, Dennis Scott, Trevor Rhone, Earl Lovelace and Errol John with more recent works of Pat Cumper, Rawle Gibbons and Tony Hall. The study would also engage with Carnival, calypso and chutney music, while commenting on its evolving influences over the hybrid imagination.Each section covers the dominant socio-political thematics associated with the tradition and its effect on it, followed by an analysis of contemporaneously significant literary and cultural works – plays, carnival narrative and calypso and chutney lyrics as well as the experiences of performers. From Lovelace’s fictional Jestina to the real-life Drupatee, the book critically explores the marginalization of female performances while forming a hybrid identity.
General Cleaning Operation
by Norberta De MeloThe General Cleaning Operation is a novel loosely inspired by the real police operations that have been taking place in Brazil in recent years. The most famous of these is Operation Lava Jato, which has reached powerful politicians and businessmen who are being accused of corruption, money laundering and other crimes. General Cleaning Operation takes place in the fictional country of Pindoretama, in which the National Attorney General, Roberto Nascimento, finds himself dealing with his obligations in General Cleaning Operation and an unexpected romance with Nina Moreira, a public servant who is involved in an operation of the National Police. They will have to go through countless obstacles before they can live their love.
Generosity and the Limits of Authority: Shakespeare, Herbert, Milton
by William FleschGenerosity is an ambiguous quality, William Flesch observes; while receiving gifts is pleasant, gift-giving both displays the wealth and strength of the giver and places the receiver under an obligation. In provocative new readings of Shakespeare, Herbert, and Milton, Flesch illuminates the personal authority that is bound inextricably with acts of generosity.Drawing on the work of such theorists as Mauss, Blanchot, Bourdieu, Wittgenstein, Bloom, Cavell, and Greenblatt, Flesch maintains that the literary power of Shakespeare, Herbert, and Milton is at its most intense when they are exploring the limits of generosity. He considers how in Herbert's Temple divine assurance of the possibility of redemption is put into question and how the poet approaches such a gift with the ambivalence of a beneficiary. In his readings of Shakespeare's Richard II, Henry IV, King Lear, Antony and Cleopatra, and the sonnets, Flesch examines the perspective of the benefactor—including Shakespeare himself—who confronts the decline of his capacity to give. Turning to Milton's Paradise Lost, Flesch identifies two opposing ways of understanding generosity—Satan's, on the one hand, and Adam and Eve's, on the other - and elaborates the different conceptions of poetry to which these understandings give rise.Scholars of Shakespeare and of Renaissance culture, Miltonists, literary theorists, and others interested in the relationship between philosophy and literature will want to read this insightful and challenging book.