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Genesis and Other Plays
by Don Nigro9 Monologue plays, including: Animal Salvation, Boneyard, The Dark, Diogenes the Dog, Frankenstein, Genesis, Haunted, Horse Farce, Madrigals
The Genius of Shakespeare
by Jonathan BateThis fascinating book by one of Britain's most acclaimed young Shakespeare scholars explores the extraordinary staying-power of Shakespeare's work. Bate opens by taking up questions of authorship, asking, for example, Who was Shakespeare, based on the little documentary evidence we have? Which works really are attributable to him? And how extensive was the influence of Christopher Marlowe? Bate goes on to trace Shakespeare's canonization and near-deification, examining not only the uniqueness of his status among English-speaking readers but also his effect on literate cultures across the globe. Ambitious, wide-ranging, and historically rich, this book shapes a provocative inquiry into the nature of genius as it ponders the legacy of a talent unequaled in English letters. A bold and meticulous work of scholarship, The Genius of Shakespeare is also lively and accessibly written and will appeal to any reader who has marveled at the Bard and the enduring power of his work.
Genre Transgressions: Dialogues on Tragedy and Comedy (Routledge Advances in Theatre & Performance Studies)
by Ramona Mosse Anna StreetThis collection gathers a set of provocative essays that sketch innovative and interdisciplinary approaches to Genre Theory in the 21st century. Focusing on the interaction between tragedy and comedy, both renowned and emerging scholarly and creative voices from philosophy, theater, literature, and cultural studies come together to engage in dialogues that reconfigure genre as social, communal, and affective. In revisiting the challenges to aesthetic categorization over the course of the 20th century, this volume proposes a shift away from the prescriptive and hierarchical reading of genre to its crucial function in shaping thought and enabling shared experience and communication. In doing so, the various essays acknowledge the diverse contexts within which genre needs to be thought afresh: media studies, rhetoric, politics, performance, and philosophy.
Genre Transgressions: Dialogues on Tragedy and Comedy (ISSN)
by Ramona Mosse Anna StreetThis collection gathers a set of provocative essays that sketch innovative and interdisciplinary approaches to Genre Theory in the 21st century. Focusing on the interaction between tragedy and comedy, both renowned and emerging scholarly and creative voices from philosophy, theater, literature, and cultural studies come together to engage in dialogues that reconfigure genre as social, communal, and affective.In revisiting the challenges to aesthetic categorization over the course of the 20th century, this volume proposes a shift away from the prescriptive and hierarchical reading of genre to its crucial function in shaping thought and enabling shared experience and communication. In doing so, the various essays acknowledge the diverse contexts within which genre needs to be thought afresh: media studies, rhetoric, politics, performance, and philosophy.
The Gentleman Clothier
by Norm FosterExperienced tailor Norman Davenport has barely opened the doors to his new clothing store in downtown Halifax when Sophie, an exuberant young woman, barges in looking for work, followed by Patrick, a single father who claims to be handy. Hesitantly Norman hires them both to tie up the last few threads before the grand opening. And whether Norman realizes it or not, he needs help getting into the twenty-first century to cater to the current tastes of his customers. When the shop’s first customer, Alisha Sparrow, a friendly, attractive woman, drops in looking for a suit for her husband, Norman is smitten against his better judgment. His sensible, modest world has become profoundly complicated in less than a week, and Norman longs to live in a simpler time. Unfortunately for him, his life is about to get messier as he wakes to find things are not what they used to be.
Geographies of Us: Ecosomatic Essays and Practice Pages (Routledge Studies in Theatre, Ecology, and Performance)
by Sondra Fraleigh Shannon Rose RileyGeographies of Us: Ecosomatic Essays and Practice Pages is the first edited collection in the field of ecosomatics.With a combination of essays and practice pages that provide a variety of scholarly, creative, and experience-based approaches for readers, the book brings together both established and emergent scholars and artists from many diverse backgrounds and covers work rooted in a dozen countries. The essays engage an array of crucial methodologies and critical/theoretical perspectives, including practice-based research in the arts, especially in performance and dance studies, critical theory, ecocriticism, Indigenous knowledges, material feminist critique, quantum field theory, and new phenomenologies. Practice pages are shorter chapters that provide readers a chance to engage creatively with the ideas presented across the collection. This book offers a multidisciplinary perspective that brings together work in performance as research, phenomenology, and dance/movement; this is one of its significant contributions to the area of ecosomatics.The book will be of interest to anyone curious about matters of embodiment, ecology, and the environment, especially artists and students of dance, performance, and somatic movement education who want to learn about ecosomatics and environmental activists who want to learn more about integrating creativity, the arts, and movement into their work.
Geography And Plays
by Gertrude SteinGeography and Playsis a collection of Gertrude Stein’s writing from about 1908 to 1920. Originally published in 1922 with an introduction by Sherwood Anderson, it was almost inaccessible for many years. This edition makes it possible for students and other devotees of Stein to see the developing strategies of one of the acknowledged giants of literary modernism, whose pathbreaking departures in literary style have recently been assigned still greater importance in light of new theories about women’s writing. An introduction by Cyrena N. Pondrom provides contemporary readers with a fine orientation to the importance of Stein’s achievement in this early work.
Geoparsing Early Modern English Drama
by Monica Matei-ChesnoiuGeo-spatial identity and early Modern European drama come together in this study of how cultural or political attachments are actively mediated through space. Matei-Chesnoiu traces the modulated representations of rivers, seas, mountains, and islands in sixteenth-century plays by Shakespeare, Jasper Fisher, Thomas May, and others.
Georg Büchner's Woyzeck (The Fourth Wall)
by Karoline Gritzner'Everyone's an abyss. You get dizzy if you look down.' -- Woyzeck Georg Büchner’s Woyzeck was left unfinished at the time of its author’s death in 1837, but the play is now widely recognised as the first ‘modern’ drama in the history of European theatre. Its fragmentary form and critical socio-political content have had a lasting influence on artists, readers and audiences to this day. The abuse, exploitation, and disenfranchisement that Woyzeck’s titular protagonist endures find their mirror in his own murderous outburst. But beyond that, they also echo in the flux and confusion of the various drafts and versions in which the play has been presented since its emergence. In this fresh engagement with a modern classic, Gritzner examines the revolutionary dimensions of Büchner’s political and creative practice, as well as modern approaches to the play in performance.
George Alexander and the Work of the Actor-Manager (Palgrave Studies in Theatre and Performance History)
by Lucie SutherlandIn the first book-length study of the work and legacy of West End actor-manager George Alexander since the 1930s, George Alexander and the Work of the Actor Manager examines the key part this figure played in presenting new drama by authors including Oscar Wilde and Henry James. The book sheds new light on the figure of the actor-manager, assessing in detail the influence of Alexander within and beyond his time.At the St. James’s Theatre in London between 1891 and 1918, through a range of strategies including the support of new writers, and adaptation of fiction to the stage, Alexander sustained professional status through practices that continue to be reflected in the cultural industries today. A range of evidence is employed including production reviews, anecdotal accounts, financial records, and personal correspondence, to reveal how he operated as a business entrepreneur as well as an artistic innovator.
George Bernard Shaw in Context
by Brad KentWhen Shaw died in 1950, the world lost one of its most well-known authors, a revolutionary who was as renowned for his personality as he was for his humour, humanity, and rebellious thinking. He remains a compelling figure who deserves attention not only for how influential he was in his time, but for how relevant he is to ours. This collection sets Shaw's life and achievements in context, with 42 scholarly essays devoted to subjects that interested him and defined his work. Contributors explore a wide range of themes, moving from factors that were formative in Shaw's life, to the artistic work that made him most famous and the institutions with which he worked, to the political and social issues that consumed much of his attention, and, finally, to his influence and reception. Presenting fresh material and arguments, this collection will point to new directions of research for future scholars.
George Gershwin: An Intimate Portrait (Music in American Life)
by Walter RimlerGeorge Gershwin lived with purpose and gusto, but with melancholy as well, for he was unable to make a place for himself--no family of his own and no real home in music. He and his siblings received little love from their mother and no direction from their father. Older brother and lyricist Ira managed to create a home when he married Leonore Strunsky, a hard-edged woman who lived for wealth and status. The closest George came to domesticity was through his longtime relationship with Kay Swift. She was his lover, musical confidante, and fellow composer. But she remained married to another man while he went endlessly from woman to woman. Only in the final hours of his life, when they were separated by a continent, did he realize how much he needed her. Fatally ill, unprotected by (and perhaps estranged from) Ira, he was exiled by Leonore from the house she and the brothers shared, and he died horribly and alone at the age of thirty-eight. Nor was Gershwin able to find a satisfying musical harbor. For years his songwriting genius could be expressed only in the ephemeral world of show business, as his brilliance as a composer of large-scale works went unrecognized by highbrow music critics. When he resolved this quandary with his opera Porgy and Bess, the critics were unable to understand or validate it. Decades would pass before this, his most ambitious composition, was universally regarded as one of music's lasting treasures and before his stature as a great composer became secure. In George Gershwin: An Intimate Portrait, Walter Rimler makes use of fresh sources, including newly discovered letters by Kay Swift as well as correspondence between and interviews with intimates of Ira and Leonore Gershwin. It is written with spirited prose and contains more than two dozen photographs.
George Gershwin
by Larry StarrIn this welcome addition to the immensely popular Yale Broadway Masters series, Larry Starr focuses fresh attention on George Gershwin's Broadway contributions and examines their centrality to the composer's entire career. Starr presents Gershwin as a composer with a unified musical vision--a vision developed on Broadway and used as a source of strength in his well-known concert music. In turn, Gershwin's concert-hall experience enriched and strengthened his musicals, leading eventually to his great "Broadway opera,"Porgy and Bess. Through the prism of three major shows--Lady Be Good(1924),Of Thee I Sing(1931), andPorgy and Bess(1935)--Starr highlights Gershwin's distinctive contributions to the evolution of the Broadway musical. In addition, the author considers Gershwin's musical language, his compositions for the concert hall, and his movie scores for Hollywood in the light of his Broadway experience.
Gerhard Hauptmann and the Naturalist Drama
by John OsborneWhat was German Naturalism? What were its achievements? How does it compare with its counterparts in other European countries? These are some of the difficult questions addressed by John Osborne in Gerhart Hauptmann and the Naturalist Drama, a revised and updated version of his The Naturalist Drama in Germany, now widely acknowledged as the standard introduction to the subject. The debates to which he contributed, and in some cases initiated, on Naturalism in the German theatre, Naturalist theory in Germany, and the development of the Naturalist movement to the contemporary Social Democrat movement, have remained central issues. This revised edition preserves the structure and approach of the original, including its emphasis on the early dramas of Hauptmann, while taking full account of subsequent scholarship which provides the context in which this Naturalist playwright's work can be placed.
German-Jewish Popular Culture before the Holocaust: Kafka's kitsch (Routledge Jewish Studies Series)
by David A. BrennerDavid A. Brenner examines how Jews in Central Europe developed one of the first "ethnic" or "minority" cultures in modernity. Not exclusively "German" or "Jewish," the experiences of German-speaking Jewry in the decades prior to the Third Reich and the Holocaust were also negotiated in encounters with popular culture, particularly the novel, the drama and mass media. Despite recent scholarship, the misconception persists that Jewish Germans were bent on assimilation. Although subject to compulsion, they did not become solely "German," much less "European." Yet their behavior and values were by no means exclusively "Jewish," as the Nazis or other anti-Semites would have it. Rather, the German Jews achieved a peculiar synthesis between 1890 and 1933, developing a culture that was not only "middle-class" but also "ethnic." In particular, they reinvented Judaic traditions by way of a hybridized culture. Based on research in German, Israeli and American archives, German-Jewish Popular Culture before the Holocaust addresses many of the genres in which a specifically German-Jewish identity was performed, from the Yiddish theatre and Zionist humour all the way to sensationalist memoirs and Kafka’s own kitsch. This middle-class ethnic identity encompassed and went beyond religious confession and identity politics. In focusing principally on German-Jewish popular culture, this groundbreaking book introduces the beginnings of "ethnicity" as we know it and live it today.
Gertrude and Alice
by Evalyn Parry Anna ChattertonVisiting the audience in the present day, Gertrude and Alice come to find out how history has treated them. The couple recounts stories of their forty-year relationship; of meetings with iconic artists and writers; and of Alice’s overwhelming, consuming devotion to Gertrude’s genius. Before they leave, they want to find out what has become of their artistic and cultural influence, and how their lives and work are—or are not—remembered.
Gertrude and Stein and a Companion
by Win WellsDrama / 2f / This extraordinary play won first prize at both the Edinburgh Festival and the Theatre Festival in Sydney, Australia, as well as the Vita Award in South Africa as Best Play. The play begins just after the death of Gertrude Stein. Her ghost returns to Alice B. Toklas and the genesis and development of their relationship is richly portrayed. Mr. Wells has truly captured the feeling, art, music and literature of Paris of those years, when Pablo and Ernest and Henri and all of Gertrude's friends spent their free time in the great writer's salon. This play is a director's dream. It flits back and forth in time as the actors play not only Gertrude and Alice but a host of famous people who were part of their lives.
Geschichte der literarischen Vortragskunst
by Reinhart Meyer-KalkusLiterarische Vortragskunst entstand in Deutschland in der zweiten Hälfte des 18. Jahrhunderts als ein von Schauspiel und anderen Vortragsgattungen (Rede, Predigt, Vorlesung etc.) unterschiedenes Sprachspiel des Vorlesens, Rezitierens und Deklamierens von Gedichten, Erzählungen und Dramen. Die vorliegende Untersuchung ist die erste umfassende Geschichte dieser Vortragskunst von Klopstock bis zu Kling, ja bis zum Poetry-Slam. Sie konzentriert sich auf die verschiedenen Akteure (Autoren, professionelle Rezitatoren, Deutschlehrer, Sprecherzieher und Laien) sowie auf deren Vortragsformate und Zuhörer im Kontext der Veränderung vortragsästhetischer Normen und mediengeschichtlicher Innovationen. Mit Rückgriff auf Einsichten der Medienwissenschaft, Performance-Analyse und Stimmforschung entwickelt sie einen analytischen Ansatz, um Vortragsformate und Vortragsweisen in ihrer Historizität zu beschreiben.
Get Me the Urgent Biscuits: An Assistant's Adventures in Theatreland
by Sweetpea Slight'A sparkling memoir ... A delight from start to finish' NINA STIBBE 'Anyone who loves the theatre will love this book' ZOË WANAMAKER In 1980s London, Sweetpea Slight is en route to drama school when she is snapped up to work as an assistant to the maverick theatre producer Thelma Holt. Full of wit, charm and backstage intrigue, her irresistible memoir of the resulting twenty years is at once the poignant story of a young woman coming of age, and an exhilarating journey down the rabbit hole into the enchanting world of theatre.
Get Me the Urgent Biscuits: An Assistants Adventures in Theatreland
by Sweetpea Slight'A sparkling memoir ... A delight from start to finish' NINA STIBBE 'Anyone who loves the theatre will love this book' ZOË WANAMAKER In 1980s London, Sweetpea Slight is en route to drama school when she is snapped up to work as an assistant to the maverick theatre producer Thelma Holt. Full of wit, charm and backstage intrigue, her irresistible memoir of the resulting twenty years is at once the poignant story of a young woman coming of age, and an exhilarating journey down the rabbit hole into the enchanting world of theatre.
Get Me the Urgent Biscuits: An Assistant's Adventures in Theatreland
by Sweetpea Slight'A sparkling memoir full of charm and wit' NINA STIBBE 'Anyone who loves the theatre will love this book' ZOË WANAMAKER At eighteen, after moving to London with dreams of becoming an actress, an impressionable girl who paints freckles on her face begins work experience in a West End theatre company. In between mail-outs and making cups of coffee she meets the formidable producer Thelma Holt. Within a fortnight Thelma has stolen her, cancelled her audition for RADA, sent her to evening classes to learn to type, organised a minuscule salary and renamed her. From that moment she becomes Sweetpea. Her days are spent in an eccentric office where Alan Rickman or Vanessa Redgrave might pop in at any moment. Evenings are filled with the adrenaline of an opening-night performance or the chatter of a smart restaurant where casting for the next production is discussed. Existing somewhere between glamour and penury, Sweetpea finds herself surrounded by dynamic personalities and struggling to trust her own creative instincts. Over the years her apprenticeship takes in unusual demands, misbehaving actors, divinely inspired directors and a hot-air balloon ride with British theatre's finest. GET ME THE URGENT BISCUITS is a keenly observed memoir about the vanishing world of London's West End in the 1980s and 1990s, in which a young woman is swept into the orbit of a theatrical impresario. Shrewd, poignant and irresistibly funny, above all it is a coming-of-age story about the search for independence and an ode to the beguiling nature of theatre.Read by Sweetpea Slight(p) Orion Publishing Group 2017
Getting Into the Act: Women Playwrights in London 1776-1829 (Gender in Performance)
by Ellen DonkinGetting Into the Act is a vigorous and refreshing account of seven female playwrights who, against all odds, enjoyed professional success in the late eighteenth and early nineteenth century. Ellen Donkin relates fascinating, disturbing tales about the male theatre managers to whom they were indebted, and the trials and prejudices they endured, ranging from accusations of plagiarism to sexual harassment. This scarred turbulent early history still resonates in the late twentieth-century. The current ratio of female to male playwrights is virtually unchanged. Old patterns of male control persist, and playwriting continues to be a hazardous occupation for women. But within these scarred earlier histories there are equally powerful narratives of self-revelation, endurance, and professional triumph that may point to a new way forward. Getting Into the Act is entertaining and informative reading for anyone, from scholar to general reader, who is interested in the history and gender politics of the stage.
Getting the Gold
by P. J. BarryFull Length, Mystery/Drama / 1 m., 4 f. / Interior / On the eve of her 80th birthday, wealthy Cammy Cobb fears she is about to be murdered by her son in law or her only daughter. She confides in her granddaughters, but they attribute her fears to age and a recent stroke. Following a harrowing night during which she protects herself with a pistol, Cammy disinherits her daughter and son in law to leave her fortune her granddaughters. But unforeseen events and a bizarre murder defy a predictable conclusion, enabling the feisty old lady to triumph. / "Excellent. . . . There should be lots of regional theaters willing to welcome [a] truly unforgettable grandma." South Shore Record .
Ghost Light: An Introductory Handbook For Dramaturgy
by Michael Mark ChemersGhost Light: An Introductory Handbook for Dramaturgy offers useful and entertaining answers to the confounding questions: “What, exactly, is dramaturgy, and what does a dramaturg do?” According to Michael Mark Chemers, dramaturgs are the scientists of the theater world—their primary responsibility is to query the creative possibilities in every step of the production process, from play selection to costume design, and then research the various options and find ways to transform that knowledge into useful ideas. To say that dramaturgs are well-rounded is an understatement: those who choose this profession must possess an acute aesthetic sensibility in combination with an extensive knowledge of theater history and practice, world history, and critical theory, and they must be able to collaborate with every member of the creative team and theater administration.
Ghost of a Chance
by Flip Kobler Cindy MarcusLittle Theatre . Comedy. Flip Kobler and Cindy Marcus . Characters: 3 male, 3 female . Interior Set . Bethany is bright, strong, independent, beautiful and has zero self esteem. She has brought her finance, Floyd, and his mother, Verna, up to her cabin in the woods, the site of the hunting accident that killed Chance, her first husband. Much to her consternation, he or rather, his ghost is still there. Only Bethany can see him, so Floyd and Verna think she is crazy as she frantically tries to get rid of, well, it seems to them nobody. Chance, meanwhile, is doing everything he can to prevent Bethany from marrying Floyd. Bethany even brings in a delightfully kooky psychic to help deal with the ghost of Chance.