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Ghosts
by Henrik IbsenMrs. Alving is building an orphanage as a memorial to her husband, and her son Oswald has returned for the occasion after many years abroad. The sins of the father are visited upon the unfortunate Oswald, however, and what unfolds is a staggering tale involving religion, venereal disease, incest and euthanasia. Like many of Ibsen's plays, Ghosts is a scathing commentary on 19th-century morality. Because of its subject matter, it immediately generated strong controversy and negative criticism. Since then the play has fared better, and is considered a great play that historically holds a position of immense importance.
Ghosts
by Henrik IbsenMrs. Alving is building an orphanage as a memorial to her husband, and her son Oswald has returned for the occasion after many years abroad. The sins of the father are visited upon the unfortunate Oswald, however, and what unfolds is a staggering tale involving religion, venereal disease, incest and euthanasia. Like many of Ibsen's plays, Ghosts is a scathing commentary on 19th-century morality. Because of its subject matter, it immediately generated strong controversy and negative criticism. Since then the play has fared better, and is considered a great play that historically holds a position of immense importance.
Ghosts (Dover Thrift Editions Ser.)
by Henrik IbsenThe innovative dramas of Henrik Ibsen created a sensation among 19th-century audiences with their mordant attacks on social conventions. Among the finest of these ground-breaking works was Ghosts, first performed in 1881. In it, the playwright assailed the hypocrisy of moral codes, offering a daring treatment of such then-taboo issues as infidelity, venereal disease, and illegitimacy. Ibsen substituted the modern scientific idea of heredity for the ancient Greek concept of fate, exposing hidden sins of the past as the roots of corruption.The sins of the past are at the heart of the play, whose haunted heroine, Mrs. Helen Alving, has accepted her pastor's counsel and endured her husband's many infidelities in silence. Ten years after Alving's death, she is to dedicate an orphanage in his memory. Her son Oswald, kept innocent of his father's profligacy, returns home for the dedication. Oswald's attraction to the housemaid -- in reality, his half-sister -- conjures up the ghost of his parents' unhappy marriage. This disastrous romance, along with Oswald's increasing symptoms of the venereal disease inherited from his father, force Mrs. Alving to confront her own "ghosts."A powerful and engrossing psychological drama, Ghosts serves as an excellent entrée to Ibsen's other works and helps confirm his status as "the father of modern drama."
Ghosts, Holes, Rips and Scrapes: Shakespeare in 1619, Bibliography in the Longue Duree
by Zachary LesserFour years before the publication of the First Folio, a group of London printers and booksellers attempted to produce a "collected works" of William Shakespeare, not in an imposingly large format but as a series of more humble quarto pamphlets. For mysterious reasons, perhaps involving Shakespeare's playing company, the King's Men, the project ran into trouble. In an attempt to salvage it, information on the title pages of some of the playbooks was falsified, making them resemble leftover copies of earlier editions. The deception worked for nearly three hundred years, until it was unmasked by scholars in the early twentieth century. The discovery of these "Pavier Quartos," as they became known, was a landmark success for the New Bibliography and played an important role in establishing the validity and authority of that method of analysis. While more recent scholars have reassessed the traditional narrative that the New Bibliographers wrote, no one has gone back to look at the primary evidence: the quartos themselves.In Ghosts, Holes, Rips and Scrapes Zachary Lesser undertakes a completely fresh study of these playbooks. Through an intensive bibliographical analysis of over three hundred surviving quartos, Lesser reveals evidence that has gone entirely unseen before: "ghosts" (faint, oily impressions produced when one book is bound next to another); "holes" (the tiny remains of the first simple stitching that held pamphlets together); and "rips and scrapes" (post-production alterations of title pages). This new evidence—much of it visible only with the aid of enhanced photographic methods—suggests that the "Pavier Quartos" are far more mysterious, with far more consequential ramifications for book history and Shakespeare scholarship than we have thought.
Ghosts Of The Avant-garde(s): Exorcising Experimental Theater And Performance
by James M. HardingThe Ghosts of the Avant-Garde(s) offers a strikingly new perspective on key controversies and debates within avant-garde studies, arguing for the importance of reopening pivotal controversies and debates in avant-garde studies and challenging pronouncements of the "death of the avant-garde" that tend to obscure the diversity and plurality of avant-garde gesture and expression. James M. Harding revisits iconic sites of early 20th-century performance to examine how European avant-gardists attempted--unsuccessfully--to employ that discourse as a strategy for enforcing uniformity among a politically and culturally diverse group of artists. He then takes aim at historical and aesthetic categories that have promoted a restrictive history and theory of the avant-garde and narrow readings of avant-garde performance. Harding reveals the Eurocentric undercurrents that underlie these categories and urges a consideration of the global political dimensions of avant-garde gestures. His book will interest scholars of theater and performance, art history, and literary studies, as well as those interested in the relation of art to politics in various historical periods and cultures.
Ghostwriter: Shakespeare, Literary Landmines, and an Eccentric Patron's Royal Obsession
by Lawrence WellsPart literary mystery, part an examination of what constitutes fiction versus reality, Ghostwriter is based on the true story of author Lawrence Wells, then 45, hired by the University of Mississippi in 1987 to ghostwrite a novel for a wealthy, eccentric donor (“Mrs. F,” then 75), who was convinced that Edward de Vere, 17th Earl of Oxford, was William Shakespeare. Believing herself to be the reincarnation of Queen Elizabeth I, Mrs. F treated ghostwriter Wells as a “captive” Edward de Vere.Their roller-coaster literary collaboration dramatized Elizabeth and de Vere’s romance, which according to legend produced a son (Henry Wriothesley) born in secret. Henry grew up to become the 3rd Earl of Southampton, who is universally acknowledged as “The Fair Youth” of Shakespeare’s sonnets and whose real-life descendants include Princess Diana and her sons, Prince Harry and William, Prince of Wales.Wells and his late wife, Dean Faulkner Wells, niece of William Faulkner, traveled to England to research the life of Edward de Vere and interview proponents of the Shakespeare authorship debate. That summer, London tabloids headlined the royal breakup of Prince Charles and Princess Diana, incidentally echoing Wells and Mrs. F’s tempestuous love story about Edward de Vere and Queen Elizabeth I.Flashbacks weave several elements together—the seventeenth-century mystery of Queen Elizabeth’s “royal bastard,” Wells’s evolving relationship with his eccentric patron, his search for the “real” Shakespeare, and the bawdy Elizabethan narrative he composed for his benefactor. The stories merge, leading to a surprising conclusion.
Gian Francesco Malipiero: The Life, Times and Music of a Wayward Genius (Contemporary Music Studies #Vol. 17)
by John C. WaterhouseIn recent years Gian Francesco Malipiero has been recognised increasingly widely as one of the most original and strangely fascinating Italian composers of the early 20th century. He was the teacher of Maderna and Nono, and was revered by (among many others) Dallapiccola, who even called him the most important (musical) personality that Italy has had since the death of Verdi . He was also a key figure in the revival of the long- neglected music of Italy's great past, and himself edited what remains the only virtually complete edition of the surviving compositions of Monteverdi. The present book not only provides the first monographic survey of Malipiero's life, times and music to appear in English, but covers the subject more comprehensively than any previous publication in any language. Dr Waterhouse draws on hitherto unpublished documents, and with the help of numerous musical examples, analyses the composer's works, style and idiosyncratic personality.
The Gift (Emily Bks.)
by Barbara BrowningIn the midst of Occupy, Barbara Andersen begins spamming people indiscriminately with ukulele covers of sentimental songs. A series of inappropriate intimacies ensued, including an erotically charged correspondence and then collaboration with an extraordinarily gifted and troubled musician living in Germany.
The Gift Of the Magi
by Peter EkstromTwo heart-warming one-act musicals based on the classic O. Henry stories capture the true spirit of giving. ( The Gift of the Magi and The Last Leaf ) This holiday favorite is set in turn-of-the-century New York City.
A Gift of Time
by Garson KaninDrama / 5m, 5f, extras / 4 sets / An American editor resigns his post and moves to France with his wife and two children to spend his time in writing important books. But all too shortly he learns that he is dying of an inoperable cancer, and forthwith determines to live every day, hour, and minute to the fullest: life is a gift of time. Gradually he begins to feel the pain and physical consequences of his affliction. Unfortunately, he even becomes immunized to morphine. He decides, therefore, to bear the pain and the debilities so long as his faculties remain. At that point, with his wife holding him tightly and murmuring, "I love you. Please die," he cuts his wrists and ends the agony. In the Broadway roles, Henry Fonda played the dying husband, and Olivia de Havilland, his wife. / The "affirmation of the dignity of man in the face of the remorseless enemy - mortality. Will shake you and move you. Shining tenderness. Celebrates with tenderness and humor the gifts of love and understanding that make life worth living." - N. Y. Times.
Gilbert and Sullivan: The Players and the Plays
by Kurt GänzlIn this, the first book to focus on the original cast members of the classic Gilbert and Sullivan comic operas, world-renowned musical theater expert Kurt Gänzl provides a concise history of the writing and production of each opera, vividly colored by the often little-known life stories of these early performers. Meticulously researched and lavishly illustrated with rare photographs, Gilbert and Sullivan: The Players and the Plays delves into the professional and personal lives of the British and American actors and singers who created the celebrated "famous fourteen" Gilbert and Sullivan operas.
Gilbert and Sullivan: Gender, Genre, Parody (Gender and Culture Series)
by Carolyn WilliamsLong before the satirical comedy of The Daily Show and The Colbert Report, the comic operas of W. S. Gilbert and Arthur Sullivan were the hottest send-ups of the day's political and cultural obsessions. Gilbert and Sullivan's productions always rose to the level of social commentary, despite being impertinent, absurd, or inane. Some viewers may take them straight, but what looks like sexism or stereotype was actually a clever strategy of critique. Parody was a powerful weapon in the culture wars of late-nineteenth-century England, and with defiantly in-your-face sophistication, Gilbert and Sullivan proved that popular culture can be intellectually as well as politically challenging.Carolyn Williams underscores Gilbert and Sullivan's creative and acute understanding of cultural formations. Her unique perspective shows how anxiety drives the troubled mind in the Lord Chancellor's "Nightmare Song" in Iolanthe and is vividly realized in the sexual and economic phrasing of the song's patter lyrics. The modern body appears automated and performative in the "Junction Song" in Thespis, anticipating Charlie Chaplin's factory worker in Modern Times. Williams also illuminates the use of magic in The Sorcerer, the parody of nautical melodrama in H.M.S. Pinafore, the ridicule of Victorian aesthetic and idyllic poetry in Patience, the autoethnography of The Mikado, the role of gender in Trial by Jury, and the theme of illegitimacy in The Pirates of Penzance. With her provocative reinterpretation of these artists and their work, Williams recasts our understanding of creativity in the late nineteenth century.
Gilbert and Sullivan: Gender, Genre, Parody
by Carolyn WilliamsLong before the satirical comedy of The Daily Show and The Colbert Report, the comic operas of Gilbert and Sullivan were the hottest send-ups of the day's political and cultural obsessions. Gilbert and Sullivan's productions always rose to the level of social commentary, despite being impertinent, absurd, or inane. Some viewers may take them straight, but what looks like sexism or stereotype was actually a clever strategy of critique. Parody was a powerful weapon in the culture wars of late nineteenth-century England, and with defiantly in-your-face sophistication, Gilbert and Sullivan proved popular culture could be intellectually as well as politically challenging. Carolyn Williams underscores Gilbert and Sullivan's creative and acute understanding of cultural formations. Anxiety drives the troubled mind in the "nightmare" patter song of Iolanthe and is vividly realized in the sexual and economic phrasing of Lord Chancellor's lyrics. The modern body appears automated and performative in the "railway" song of Thespis, mirroring Charlie Chaplin's factory worker in the film, Modern Times. Williams also illuminates the use of magic in The Sorcerer, the parody of nautical melodrama in H.M.S. Pinafore, the ridicule of Victorian poetry in Patience, the autoethnography of The Mikado, the role of gender in Trial by Jury, and the theme of illegitimacy in The Pirates of Penzance.
Gilbert and Sullivan Set Me Free
by Kathleen KarrIn prison, there are few secrets. But Libby Dodge, the youngest inmate, guards the nature of her crime from the other women, even as they openly recount their former lives as arsonists, thieves, and prostitutes.
Giorni Meravigliosi
by Antonio Morcillo Lopez Gilda LomonteSinossi Commedia sulla transizione politica della Catalogna. Un'opera teatrale sulla memoria. Sulla nostra memoria più recente e messa a tacere. Su quei tempi violenti e difficili e, quindi, indimenticabili. Una commedia su un gruppo di amici che vive in un paesino, un posto come tanti altri da cui osserva e partecipa al cambio storico, mentre cambiano le loro stesse vite. Un gruppo di amici che tenta di fare clandestinamente teatro in un freddo garage diroccato, mentre l'antico regime ha fine e gli eventi cominciano a trasformare la realtà politica, sociale ed emotiva delle loro esistenze. Opera basata sul romanzo "Dies Meravellosos" di Jordi Coca.
Girl
by Megan Mostyn-BrownA play about what it means to be a "girl" in this day and age. The girls in this play show great strength, revealing their vulnerabilities in language that is honest and extremely compelling. Split into three sections, the characters speak entirely in monologues (with some overlap), providing great material for auditions and monologue work.
The Girl Who Loved Camellias: The Life and Legend of Marie Duplessis
by Julie KavanaghFrom the author of Nureyev, the definitive biography of the celebrated Russian dancer, now comes the astonishing and unknown story of Marie Duplessis, the courtesan who inspired Alexandre Dumas fils's novel and play La dame aux camélias, Giuseppe Verdi's opera La Traviata, George Cukor's film Camille, and Frederick Ashton's ballet Marguerite and Armand. Sarah Bernhardt, Eleonora Duse, Greta Garbo, Isabelle Huppert, Maria Callas, Anna Netrebko, and Margot Fonteyn are just a few of the celebrated actors, singers, and dancers who have portrayed her. Drawing on new research, Julie Kavanagh brilliantly re-creates the short, intense, and passionate life of the tall, pale, slender girl who at thirteen fled her brute of a father and Normandy to go to Paris, where she would become one of the grand courtesans of the 1840s. France's national treasure, Alexandre Dumas père, was intrigued by her, his son became her lover, and Franz Liszt, too, fell under her spell. Quick to adapt an aristocratic mien, with elegant clothes, a coach, and a grand apartment, she entertained a salon of dandies, writers, and artists. Fascinating to both men and women, Marie, with her stylish outfits and signature camellias, was always a subject of great interest at the opera or at the Café de Paris, where she sat at the table of the director of the Paris Opéra, along with the director of the Théâtre Variétés, the infamous dancer Lola Montez, and others. Her early death at age twenty-three from tuberculosis created an outpouring of sympathy, noted by Charles Dickens, who wrote in February 1847: "For several days all questions political, artistic, commercial have been abandoned by the papers. Everything is erased in the face of an incident which is far more important, the romantic death of one of the glories of the demi-monde, the beautiful, the famous Marie Duplessis." With The Girl Who Loved Camellias, Kavanagh has written a compelling and poignant life of a nineteenth-century muse whose independent and modern spirit has timeless appeal.
The Girlfriend Act: Discover the swoony fake dating YA romance
by Safa Ahmed"Effortlessly charming and deeply moving, The Girlfriend Act has so much heart and humour" - Ann Liang, author of If You Could See The SunAspiring actress Farah Sheikh is tired of being in the background.Ex-child star Zayan Amin needs a break from the spotlight.And after a disastrous audition where she's told she doesn't "fit the aesthetic" for her university's play, Farah meets The Tragedies. A group of West London theatre kids rejected from the stage for similarly dubious reasons.Together, Farah and The Tragedies find themselves in the limelight and get the chance to perform. But, there's a catch. Recently disgraced child star, Zayan, will be involved.The deal: Zayan regains popularity via the publicity of his new romance, and in exchange, he'll star in (and more importantly, fund) a play for The Tragedies.Can Farah uphold her side of the bargain, and prove her critics wrong?"A heartfelt celebration of the communities we are born into and the families we choose for ourselves. A stunning debut with an everlasting impact." - Ananya Devarajan, author of Kismat Connection
Give My Swiss Chards to Broadway: The Broadway Lover's Cookbook
by Gideon Glick Adam D. RobertsAn exhilarating, pun-filled love letter to musicals, with 50 Broadway-inspired recipes. Good food and trivia and authors who sing—these are a few of our favorite things! Tony-nominated actor Gideon Glick and food writer Adam Roberts have teamed up to write the ultimate cookbook for theater lovers. This collection of musical-inspired recipes includes dishes like Yolklahoma!, Clafoutis and the Beast, Yam Yankees, Dear Melon Hansen, and more. And while readers are sure to be charmed by the names, the recipes themselves will have them sticking around for the food, glorious food! Thoughtfully assembled by two veritable Broadway experts, this book is sure to result in some enchanted eating. Each dish comes with a brief history of the show that inspired it, a summary of the plot, and “Listening Notes” chock-full of behind-the-scenes trivia. Complete with lively illustrations from celebrated theatrical illustrator Justin “Squigs” Robertson, Give My Swiss Chards to Broadway makes every meal feel like a night at the theater.
Giving and Taking Voice in Learning Disabled Theatre
by Tony McCaffreyGiving and Taking Voice in Learning Disabled Theatre offers unique insight into the question of ‘voice’ in learning disabled theatre and what is gained and lost in making performance. It is grounded in the author's 18 years of making theatre with Different Light Theatre company in Christchurch, New Zealand, and includes contributions from the artists themselves. This book draws on an extensive archive of performer interviews, recordings of rehearsal processes, and informal logs of travelling together and sharing experience. These accounts engage with the practical aesthetics of theatre-making as well as their much wider ethical and political implications, relevant to any collaborative process seeking to represent the under- or un-represented. Giving and Taking Voice in Learning Disabled Theatre asks how care and support can be tempered with artistic challenge and rigour and presents a case for how listening learning disabled artists to speech encourages attunement to indigenous knowledge and the cries of the planet in the current socio-ecological crisis. This is a vital and valuable book for anyone interested in learning disabled theatre, either as a performer, director, dramaturg, critic, or spectator.
Giving Voice: The Power of Theatre for Positive Change (ISSN)
by Carol J. MaplesThis book is a practical guide for using the power of theatre to address issues of oppression in areas such as race, ethnicity, LGBTQ+, gender, and sexual harassment.Giving Voice charts a roadmap for the process of establishing a troupe, including auditioning members, utilizing authentic source material, directing rehearsals, guiding mindful growth among troupe members, and facilitating an inclusive forum environment. Rooted in Augusto Boal’s Theatre of the Opressed and using the nationally recognized Missouri State University’s Giving Voice troupe as a model, this book provides guidance for customizing the program’s principles to meet the needs of your school, community, organization, or business. Giving Voice forums bring professional development to a new level. Applications include diversity and cultural awareness training in educational settings for students, staff, faculty, and administrators, as well as those in non-profit and for-profit organizations.This book provides a powerful and proven approach to creating a truly inclusive climate. It is a guidebook for accessible use in the secondary and university setting in theatre and performance studies. It has also been shown to be effective for businesses and other organizations.
Glamorgan & Other Plays
by Don NigroCollection of plays including: Fair Rosamund and Her Murderer; Give Us a Kiss and Show Us Your Knickers ; Glamorgan; Major Weir; Necropolis; Squirrels; The Weird Sisters; Within the Ghostly; Mansion's Labyrinth
The Glass Menagerie: Curriculum Unit (New Directions Book Ser.)
by Robert Bray Tennessee WilliamsNo play in the modern theatre has so captured the imagination and heart of the American public as Tennessee Williams's The Glass Menagerie. <P><P>Menagerie was Williams's first popular success and launched the brilliant, if somewhat controversial, career of our pre-eminent lyric playwright. <P>Since its premiere in Chicago in 1944, with the legendary Laurette Taylor in the role of Amanda, the play has been the bravura piece for great actresses from Jessica Tandy to Joanne Woodward, and is studied and performed in classrooms and theatres around the world. <P>The Glass Menagerie (in the reading text the author preferred) is now available only in its New Directions Paperbook edition. <P>A new introduction by prominent Williams scholar Robert Bray, editor of The Tennessee Williams Annual Review, reappraises the play more than half a century after it won the New York Drama Critics Circle Award: "More than fifty years after telling his story of a family whose lives form a triangle of quiet desperation, Williams's mellifluous voice still resonates deeply and universally." <P>This edition of The Glass Menagerie also includes Williams's essay on the impact of sudden fame on a struggling writer, "The Catastrophe of Success," as well as a short section of Williams's own "Production Notes." <P>The cover features the classic line drawing by Alvin Lustig, originally done for the 1949 New Directions edition.
Glencoe Exploring Theatre
by Nancy Prince Jeanie JacksonExploring Theatre focuses on the development of the total student, which includes developing personal resources, self-confidence, the ability to work well with others, and a life-long appreciation of theater; learning to bolster self-concepts, build an ensemble, observe people and places more closely, move expressively, and become more aware of the senses; learning basic acting skills such as improvisation, characterization, role preparation, and stage movement; exploring a range of career or avocational opportunities in theater and theater education; understanding the various aspects of the production process; and studying special topics such as storytelling, clowning, oral interpretation, readers theater, and puppetry. This text is an ideal introductory theater text for both middle and high school.