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Fulke Greville, Lord Brooke 1554-1628: A Critical Biography
by Joan ReesThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1971.
Functions of Medieval English Stage Directions: Analysis and Catalogue (Routledge Advances in Theatre & Performance Studies)
by Philip ButterworthWhen we speak of theatre, we think we know what a stage direction is: we tend to think of it as an authorial requirement, devised to be complementary to the spoken text and directed at those who put on a play as to what, when, where, how or why a moment, action or its staging should be completed. This is the general understanding to condition a theatrical convention known as the 'stage direction'. As such, we recognise that the stage direction is directed towards actors, directors, designers, and any others who have a part to play in the practical realisation of the play. And perhaps we think that this has always been the case. However, the term 'stage direction' is not a medieval one, nor does an English medieval equivalent term exist to codify the functions contained in extraneous manuscript notes, requirements, directions or records. The medieval English stage direction does not generally function in this way: it mainly exists as an observed record of earlier performance. There are examples of other functions, but even they are not directed at players or those involved in creating performance. More than 2000 stage directions from 40 or so plays and cycles have been included in the catalogue of the volume, and over 400 of those have been selected for analysis throughout the work. The purpose of this research is to examine the theatrical functions of medieval English stage directions as records of earlier performance. Examples of such functions are largely taken from outdoor scriptural plays. This book will be of great interest to students and scholars in theatre, medieval history and literature.
Fundamentals of Directing
by Ric Knowles Pat FloodConcise and practical, Fundamentals of Directing is a distillation of Ric Knowles’s twenty-five years of experience as a director, teacher of directing, and dramaturge across Canada. Organized to reproduce the chronology of a play’s rehearsal, the book moves through the various stages of the directorial process, from selecting a project through auditioning; working with designers, actors, and technicians; to coordinating the work of the full company through tech week to closing night. It also, and uniquely, includes important appendices on the work of directors in devised theatre and new-play development.
Fundamentals of Theatrical Design
by Melissa Shafer Karen BrewsterVeteran theater designers Karen Brewster and Melissa Shafer have consulted with a broad range of seasoned theater industry professionals to provide an exhaustive guide full of sound advice and insight. With clear examples and hands-on exercises, Fundamentals of Theatrical Design illustrates the way in which the three major areas of theatrical design-scenery, costumes, and lighting-are intrinsically linked. Attractively priced for use as a classroom text, this is a comprehensive resource for all levels of designers and directors.
Fundamentals of Theatrical Design: A Guide to the Basics of Scenic, Costume, and Lighting Design
by Melissa Shafer Karen BrewsterVeteran theater designers Karen Brewster and Melissa Shafer have consulted with a broad range of seasoned theater industry professionals to provide an exhaustive guide full of sound advice and insight. With clear examples and hands-on exercises, Fundamentals of Theatrical Design illustrates the way in which the three major areas of theatrical design-scenery, costumes, and lighting-are intrinsically linked. Attractively priced for use as a classroom text, this is a comprehensive resource for all levels of designers and directors.
Funny Money
by Ray CooneyLittle Theatre. Farce . Ray Cooney . Characters: 6 male, 2 female. Never has this master of farce been frenetically funnier. Henry A. Perkins, a mild mannered C.P.A, accidently picks up the wrong briefcase one full of money. Henry assumes it is illicit cash and he decides to keep it. Knowing that the former owner must have his briefcase, he rushes home to book one way fares to Barcelona. He tells his confused wife to leave everything behind; if she doesn't like Barcelona, they can go to Bali. In fact, they can buy Bali! The doorbell rings as they wait for their taxi. The police detective at the door thinks Henry was soliciting in the men's room of the local pub actually, he was sitting in the loo counting the cash. The bell rings again. Another detective arrives thinking Henry is dead; a man with bullet holes in his head and Henry's briefcase were found in the Thames. Henry's inept attempts to extricate himself from this impossible situation lead to increasingly hysterical situations.
A Funny Thing Happened on the Way to the Gynecologic Oncology Unit at Memorial Sloan Kettering Cancer Center of New York City: A Play
by Halley Feiffer“Raunchy and fearless . . . Halley Feiffer’s distinct voice is on display throughout, in all its uniquely unsettling glory.” —David Gordon, Theatermania “I’ve been single for so long, I’ve started having sexual fantasies about my vibrator,” riffs Karla for her captive, cancer-ward audience. The patients—her mother, who’s recovering from surgery for ovarian cancer, and her roommate behind the curtain, aren’t laughing—or even awake—but there’s someone else in the room . . . In Halley Feiffer’s “ painfully irresistible” (The New York Times) new play, a foul-mouthed twenty-something comedian and a middle-aged man embroiled in a nasty divorce are brought together unexpectedly when their cancer-stricken mothers become roommates in the hospital. Together, this unlikely duo must negotiate some of life’s biggest challenges . . . while making some of the world’s most inappropriate jokes. Can these two very lost people learn to laugh through their pain and lean on each other when all they really want to do is run away? In A Funny Thing Happened on the Way to the Gynecologic Oncology Unit at Memorial Sloan Kettering Cancer Center of New York City, Halley Feiffer slays in a work that’s dark and disturbing and yet totally hilarious. The acclaimed world premiere at MCC Theater featured Beth Behrs, Erik Lochtefeld, Lisa Emery, and Jacqueline Sydney, and was directed by Trip Cullman.
Funny Valentines
by Dennis R. AndersenComedy / 2m, 3f / Children's book author Andy Robbins has been an unhappy bachelor since his divorce eight months before from his former collaborator, Ellen. On one incredible day, Ellen re enters his life eight months pregnant; his agent arrives with a TV contract that needs both Andy's and Ellen's approval, a beautiful lawyer appears to wrap up the TV deal and seduce Andy, and Ellen's mother makes an unexpected appearance. Completely rattled, Andy lies and introduces the lawyer as his agent's fiancee while he tries to get Ellen to sign a contract she opposes. By the final curtain, Andy has grown up just enough to straighten out the mess and win back his wife.
The Furies
by AeschylusThis classic trilogy by the great tragedian deals with the bloody history of the House of Atreus. Grand in style, rich in diction and dramatic dialogue, the plays embody Aeschylus' concerns with the destiny and fate of both individuals and the state, all played out under the watchful eye of the gods.
Further Steps 2: Fourteen Choreographers on What's the R.A.G.E. in Modern Dance
by Constance KreemerFurther Steps 2 brings together New York’s foremost choreographers – among them MacArthur ‘Genius’ award winners Meredith Monk and Bill T. Jones – to discuss the past, present and future of dance in the US. In a series of exclusive and enlightening interviews, this diverse selection of artists discuss the changing roles of race, gender, politics, and the social environment on their work. Bringing her own experience of the New York dance scene to her study, Constance Kreemer traces the lives and works of the following choreographers: Lucinda Childs, Douglas Dunn, Molissa Fenley, Rennie Harris, Bill T. Jones, Kenneth King, Nancy Meehan, Meredith Monk, Rosalind Newman, Gus Solomons jr, Doug Varone, Dan Wagoner, Mel Wong and Jawole Zollar.
The Future of Ritual: Writings on Culture and Performance
by Richard SchechnerIn The Future of Ritual, Richard Schechner explores the nature of ritualised behaviour and its relationship to performance and politics. A brilliant and uncontainable examination of cultural expression and communal action, The Future of Ritual asks pertinent questions about art, theatre and the changing meaning of 'culture' in today's intercultural world. An exciting new work by the author of Performance Theory.
Futures of Performance: The Responsibilities of Performing Arts in Higher Education
by Schupp KarenFutures of Performance inspires both current and future artists/academics to reflect on their roles and responsibilities in igniting future-forward thinking and practices for the performing arts in higher education. The book presents a breadth of new perspectives from the disciplines of music, dance, theatre, and mediated performance and from a range of institutional contexts. Chapters from teachers across various contexts of higher education are organized according to the three main areas of responsibilities of performing arts education: to academia, to society, and to the field as a whole. With the intention of illuminating the intricacy of how performing arts are situated and function in higher education, the book addresses key questions including: How are the performing arts valued in higher education? How are programs addressing equity? What responsibilities do performing arts programs have to stakeholders inside and outside of the academy? What are programs’ ethical obligations to students and how are those met? Futures of Performance examines these questions and offers models that can give us some of the potential answers. This is a crucial and timely resource for anyone in a decision-making position within the university performing arts sector, from administrators, to educators, to those in leadership positions.
El futuro truncado de Amie
by Eva Romero Lucinda E ClarkeAmie regresa a su amada África y a su vida habitual, pero sus enemigos no la han perdonado, ni olvidado. Están decididos a vengarse y recuperar su honor. Lo acontecido una noche lo cambia todo, dejándola sin casa, ni amigos, ni nombre, ni futuro. De repente, ya no existe y aquellos que la controlan se lo dejan bien claro; debe obedecer o morir. Futuro Truncado es el tercer libro de la saga Amie, un bestseller que ha recibido múltiples premios internacionales a ambos lados del Atlántico. De ser un ama de casa ingenua y recientemente casada, Amie pasa a enfrentarse a retos que cambian sus creencias y comportamiento más allá de lo reconocible. Una aventura de acción trepidante, que te mantiene pegada a sus páginas y que está ambientada en el África salvaje de la actualidad.
G-Force
by Ann KarineThese fun and inventive one-acts were originally produced at the Edinburgh Festival. This unique collection is great for any venue being very adaptable to simple staging requirements. Open and Shut (#17075) - 3f, 1m. Two sisters manipulate a "human" door to get rid of their Dad's unwanted girlfriend. Hermaphrodite (#10565) - 2m, 1f. A son suggests a trip to his corporate mom and she becomes so stressed out that she's divided herself in two (played by a male and female character). 9.8 Meters Per Second (#16903) - 2m, 2f. A woman and a man meet on a plane, but the have to expel some personal baggage before they can actually take-off.
Galileo
by Bertolt Brecht Eric Bentley Charles LaughtonConsidered by many to be one of Brecht's masterpieces, Galileo explores the question of a scientist's social and ethical responsibility, as the brilliant Galileo must choose between his life and his life's work when confronted with the demands of the Inquisition. Through the dramatic characterization of the famous physicist, Brecht examines the issues of scientific morality and the difficult relationship between the intellectual and authority. This version of the play is the famous one that was brought to completion by Brecht himself, working with Charles Laughton, who played Galileo in the first two American productions (Hollywood and New York, 1947). Since then the play has become a classic in the world repertoire. "The play which most strongly stamped on my mind a sense of Brecht's great stature as an artist of the modern theatre was Galileo." - Harold Clurman; "Thoughtful and profoundly sensitive." - Newsweek.
The Gallant Spaniard
by Miguel de CervantesThere are surprising omissions in the translated body of Spanish Golden Age literature, including in the corpus of Miguel de Cervantes. We have many highly competent translations of Don Quixote, but until now not a single English version of his play The Gallant Spaniard. Although Cervantes&’s dramatic works have always attracted less attention than his narrative fiction, there has been significant critical interest in this play in recent years, due in no small part to its unique portrayal of Christian-Muslim relations. Critics have argued persuasively about the value of The Gallant Spaniard in the service of a more general understanding of Cervantes in his last years, specifically in regard to his views on this cultural divide. This edition, translated by Philip Krummrich, consists of a critical introduction and a full verse translation of the play with notes.
A Galway Girl
by Geraldine AronDrama / Characters:1 male, 1 femaleScenery: Interior. A couple sit at opposite ends of a table reminiscing about their life together. Each has a point of view and they rarely address each other directly. They are young to begin with, then middle aged, then old, then one dies. The anecdotes they relate are both humorous and tragic. Their lives seem wasted, yet the wife's muted final gesture of affection conveys a love that endured through years of bickering. A critical success in London, Ireland and the author's native South Africa. "A minute tapestry cross stitched with rich detail-- invested with a strong strain of uncomfortable truths."-- Irish Times.
Gamblers (V.Smith)
by Valerie SmithDark comedy \ 5 m., 1 f. \ Unit set. \ This suspenseful drama of desire and intrigue explores the dark world of high stakes gambling. Aboard a Mississippi river boat in the antebellum South, a team of professional con men become embroiled in the scheme of an unhappy wife to cheat her wealthy husband of his fortune. A government deputy and the boat's stewart, a free black man, find they too have a stake in the proceedings. Soon the game played for greed is overshadowed by another, deadlier game for control one in which desperate bluff, ruthless manipulation, and ever shifting alliances lead to the riskiest bet of all. In its Memphis debut, the play was praised by critics for its "wit and eloquent dialogue." The Gamblers provides a penetrating vision of the human struggle for ascendancy in the game of marriage, money and power.
A Game Called Malice: A Rebus Play
by Ian Rankin Simon ReadeA delicious, and somewhat drunken, dinner party segues into a murder mystery game created by the hostess. However, the parlour game may hold clues about the dark truths hiding just under the surface of this genteel gathering...As suspects, clues and red herrings are sifted - it seems one of the guests has an unfair advantage: John Rebus, an ex-detective who used to do this for a living. But is he playing another game, one to which only he knows the rules, that will soon be revealed? As the tension rises, one by one, all their secrets will come out - and there is a shocking discovery that awaits them all...
A Game Called Malice: A Rebus Play
by Ian Rankin Simon ReadeA delicious, and somewhat drunken, dinner party segues into a murder mystery game created by the hostess. However, the parlour game may hold clues about the dark truths hiding just under the surface of this genteel gathering...As suspects, clues and red herrings are sifted - it seems one of the guests has an unfair advantage: John Rebus, an ex-detective who used to do this for a living. But is he playing another game, one to which only he knows the rules, that will soon be revealed? As the tension rises, one by one, all their secrets will come out - and there is a shocking discovery that awaits them all...
Game of Love And Chance
by Stephen Wadsworth5m, 2f \ Comedy \ Int. \ Silvia, well born and high spirited, is concerned about an arranged marriage so she spends the day of her finace's first visitdisguised as her maid Lisette while Lisette she pretends to be Silvia. The intended husband, Dorante, takes the same precaution, arriving in the guise of his servant. And his servant, who duly comes dressed as Dorante, is the irrepressible and outrageous Harlequin, which means pandemonium ensues. The "servants"are drawn to each other but must overcome the pride and prejudice of their social class while Lisette and Harlequin savor a delicious taste of freedom and respectability. All are deeply perplexed as Marivaux uncompromisingly turns the screw. Silvia's father and brother, who know all but say nothing, preside over the sentimental education of these comedic desperadoes.
Games: Who Wants to Play?
by Linda GriffithsIn the aftermath of a local high-school boy’s mysterious death, Dan and Marion Metcalf are increasingly worried about their son Zach. He’s apathetic and shuts himself away in the basement to play video games and spend time with Keira, his virtual girlfriend and confidante, giving his parents more to worry about than their own insecurities and lacklustre sex life. When Zach’s best friend, Micky, begins to spend more time around the house, bonding with Dan and flirting with Marion, even Keira cannot anticipate the depth of Zach’s rage and sense of alienation. Will his repressed feelings culminate in a violent act that is sure to go viral?
Games and Gaming in Early Modern Drama: Stakes and Hazards (Early Modern Literature in History)
by Caroline BairdThis book is a close taxonomic study of the pivotal role of games in early modern drama. The presence of the game motif has often been noticed, but this study, the most comprehensive of its kind, shows how games operate in more complex ways than simple metaphor and can be syntheses of emblem and dramatic device. Drawing on seventeenth-century treatises, including Francis Willughby’s Book of Games, which only became available in print in 2003, and divided into chapters on Dice, Cards, Tables (Backgammon), and Chess, the book brings back into focus the symbolism and divinatory origins of games. The work of more than ten dramatists is analysed, from the Shakespeare and Middleton canon to rarer plays such as The Spanish Curate, The Two Angry Women of Abington and The Cittie Gallant. Games and theatre share common ground in terms of performance, deceit, plotting, risk and chance, and the early modern playhouse provided apt conditions for vicarious play. From the romantic chase to the financial gamble, and in legal contest and war, the twenty-first century is still engaging the game. With its extensive appendices, the book will appeal to readers interested in period games and those teaching or studying early modern drama, including theatre producers, and awareness of the vocabulary of period games will allow further references to be understood in non-dramatic texts.
Gaming the Stage: Playable Media and the Rise of English Commercial Theater (Theater: Theory/Text/Performance)
by Gina BloomRich connections between gaming and theater stretch back to the 16th and 17th centuries, when England's first commercial theaters appeared right next door to gaming houses and blood-sport arenas. In the first book-length exploration of gaming in the early modern period, Gina Bloom shows that theaters succeeded in London's new entertainment marketplace largely because watching a play and playing a game were similar experiences. Audiences did not just see a play; they were encouraged to play the play, and knowledge of gaming helped them become better theatergoers. Examining dramas written for these theaters alongside evidence of analog games popular then and today, Bloom argues for games as theatrical media and theater as an interactive gaming technology. Gaming the Stage also introduces a new archive for game studies: scenes of onstage gaming, which appear at climactic moments in dramatic literature. Bloom reveals plays to be systems of information for theater spectators: games of withholding, divulging, speculating, and wagering on knowledge. Her book breaks new ground through examinations of plays such as The Tempest, Arden of Faversham, A Woman Killed with Kindness, and A Game at Chess; the histories of familiar games such as cards, backgammon, and chess; less familiar ones, like Game of the Goose; and even a mixed-reality theater videogame.
Gardzienice: Polish Theatre in Transition (Contemporary Theatre Studies #Vol. 22)
by Paul AllainIn 1977, the Gardzienice Theatre Association, an experimental theatre company was founded in a tiny Polish village. By 1992 The Observer was hailing "Brilliant Gardzienice...and orgy of joy, anguish, prayer and lamentation performed in candlelight with hurtling energy and at breakneck speed...Physically reckless, thrillingly well sung...On no account to be missed. " Today the Gardzienice Theatre Association is hailed as Poland's leading theatre group, training Royal Shakespeare Company actors and touring the world. Paul Allain describes and analyses their sung performances, strenuous physical and vocal training, and anthropological fieldwork amongst marginalized European minorities. This is one of the first detailed attempts to assess developments in Polish experimental theatres since 1989. The author questions whether those artists can maintain their vision in the face of Poland's economic difficulties and increased commercialization of the arts.