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Goblin Secrets
by William AlexanderA boy joins a theatrical troupe of goblins to find his missing brother.In the town of Zombay, there is a witch named Graba who has clockwork chicken legs and moves her house around--much like the fairy tale figure of Baba Yaga. Graba takes in stray children, and Rownie is the youngest boy in her household. Rownie's only real relative is his older brother Rowan, who is an actor. But acting is outlawed in Zombay, and Rowan has disappeared.Desperate to find him, Rownie joins up with a troupe of goblins who skirt the law to put on plays. But their plays are not only for entertainment, and the masks they use are for more than make-believe. The goblins also want to find Rowan--because Rowan might be the only person who can save the town from being flooded by a mighty river.This accessible, atmospheric fantasy takes a gentle look at love, loss, and family while delivering a fast-paced adventure that is sure to satisfy.<P><P> Winner of the National Book Award
God: A Comedy In One Act
by Woody AllenSet in an empty Greek amphitheater, this mad play within a play switches back and forth between ancient Athens and modern Broadway. A Greek actor and a writer are discussing how to end a play. Actors, including Doris Levine from Great Neck, Blanche DuBois, and Groucho Marx, pop out of the audience. Peppered with metaphysical and philosophical questions, the play skids along farcically until the actor and writer conclude that it lacks a beginning as well as an end.
God and the Indian
by Drew Hayden TaylorWhile panhandling outside a coffee shop, Johnny, a Cree woman, is shocked to recognize a face from her childhood, which was spent in a Native American boarding school. Desperate to hear him acknowledge the terrible abuse inflicted on her and other children at the school, Johnny follows Anglican assistant bishop George King to his office to confront him.Ojibway writer Drew Hayden Taylor is the author of twenty-one publications. Hailed by the Montreal Gazette as one of Canada's leading Native dramatists, he writes for the screen and the stage, and contributes regularly to national newspapers.
A God in Need of Help
by Sean DixonIt's 1606 and Europe is at war over God. At the behest of the Holy Roman Emperor, Rudolf II, Venice's four strongest men are charged with transporting a holy painting -- Albrecht Dürer's The Brotherhood of the Rosary -- across the Alps to Prague. In the small Alpine village of Pusterwald, they are set upon by Protestant zealots; their escape is attributed to a miracle. The strongmen and their captain are summoned to an inquiry, led by the magistrate of Venice and the cardinal archbishop of Milan, to determine whether something divine did indeed occur. Each man's recounting adds a layer of colour to the canvas. Through this vividly painted mystery, inspired by true events, Sean Dixon challenges the role of faith at the dawn of the Age of Reason.
The God of Gods: A Critical Edition (Canadian Literature Collection)
by Carroll AikinsCarroll Aikins’s play The God of Gods (1919) has been out of print since its first and only edition in 1927. This critical edition not only revives the work for readers and scholars alike, it also provides historical context for Aikins’s often overlooked contributions to theatre in the 1920s and presents research on the different staging techniques in the play’s productions. Much of the play’s historical significance lies in Aikins’s vital role in Canadian theatre, as director of the Home Theatre in British Columbia (1920–22) and artistic director of Toronto’s Hart House Theatre (1927–29). Wright reveals The God of Gods as a modernist Canadian work with overt influences from European and American modernisms. Aikins’s work has been compared to European modernists Gordon Craig, Adolphe Appia, and Jacques Copeau. Importantly, he was also intimately connected with modernist Canadian artists and the Group of Seven (who painted the scenery for Hart House Theatre). The God of Gods contributes to current studies of theatrical modernism by exposing the primitivist aesthetics and theosophical beliefs promoted by some of Canada’s art circles at the turn of the twentieth century. Whereas Aikins is clearly progressive in his political critique of materialism and organized religion, he presents a conservative dramatization of the noble savage as hero. The critical introduction examines how The God of Gods engages with Nietzschean and theosophical philosophies in order to dramatize an Aboriginal lover-artist figure that critiques religious idols, materialism, and violence. Ultimately, The God of Gods offers a look into how English and Canadian theatre audiences responded to primitivism, theatrical modernism, and theosophical tenets during the 1920s.
The God of Hell: A Play
by Sam ShepardPulitzer Prize winner Sam Shepard's latest play is an uproarious, brilliantly provocative farce that brings the gifts of a quintessentially American playwright to bear on the current American dilemma.Frank and Emma are a quiet, respectable couple who raise cows on their Wisconsin farm. Soon after they agree to put up Frank's old friend Haynes, who is on the lam from a secret government project involving plutonium, they're visited by Welch, an unctuous government bureaucrat from hell. His aggressive patriotism puts Frank, Emma, and Haynes on the defensive, transforming a heartland American household into a scene of torture and promoting a radioactive brand of conformity with a dangerously long half life.From the Trade Paperback edition.
The God Of Isaac
by James ShermanAll Groups \ Comedy \ 3 m., 3 f., to play var. roles. \ Unit set. \ This hilarious and heartwarming play by the author of Beau Jest tells the story of a young man in search of spiritual identity. Isaac begins by informing the audience that "things may go a little differently tonight because my mother is in the audience" and, from the audience, his mother becomes a persistent presence in the play. Isaac tells how he learned about the threatened Neo Nazi demonstration in Skokie and he wonders how if this incident should concern him as an American Jew. Various characters that he encounters in funny and touching scenes offer a confounding array of possible positions to adopt and two women significantly affect the path of his journey. Intermittently, Isaac illustrates his inner conflict with fantastical parodies of old movies. \ "Hilarious, shrewd and touching." Chicago Sun Times.
The God of Vengeance
by Sholem AschB B C correspondent David Mazower (Sholem Asch’s great-grandson) described THE GOD OF VENGEANCE as “admired, translated, parodied, panned, banned, prosecuted, withdrawn, forgotten, revived, celebrated.” An international sensation after its 1907 world premiere in Berlin at Max Reinhard’s Deutsches Theater, Asch’s play quickly became the first Yiddish drama performed in translation across Europe and America. Notoriety was a key part of its success. Nearly every production sparked some level of controversy due to the script’s conflicting themes of hypocrisy and religious faith, rebellion and tradition, its brothel setting, graphic domestic violence, “gutter poetry” reminiscent of Wedekind, and an unprecedented erotic scene of lesbian seduction. This pre-Holocaust drama is today circumscribed by a very different post-Holocaust world, but THE GOD OF VENGEANCE remains one of the great urban dramas of the Yiddish Theatre repertoire.
God of Vengeance
by Sholom Asch Donald MarguliesDonald Margulies offers up a vivid new adaptation of Sholom Asch's 1906 Yiddish melodrama, reset on the Lower East Side of New York at the turn of the century. The original English language edition first appeared on Broadway in 1923, but was closed down and the cast arrested for its portrayal of a lesbian love affair on stage."Teasing out the pesky questions of spirit, love, family and commerce at the heart of Asch's play, Margulies has achieved crossover success, making God of Vengeance a profoundly American play."--Alisa Solomon, Village Voice Sholom Asch was a noted Yiddish novelist and playwright.Donald Margulies is the Pulitzer Prize-winning author of Dinner with Friends. His other work includes Collected Stories and Sight Unseen.
God Said This (Yale Drama Series)
by Leah Nanako WinklerThe 2018 winner of the Yale Drama Series competition is a riveting exploration of family and death Set in Kentucky, this compelling drama centers around a Japanese-American family reunited as their matriarch undergoes cancer treatment. The father, James, is a recovering alcoholic seeking redemption, and the two daughters are struggling to overcome their differences—Sophie is an ardent born-again Christian, while Hiro lives a single’s life in New York City. John, an old high school classmate of Hiro’s who is now a single dad, worries about leaving a legacy for his son. Wry and bittersweet, God Said This vividly captures the complexities of a familial reconciliation in the throes of crisis and looks deeply at the meaning of family—Japanese, Southern, and otherwise. This is the first Yale Drama Series winner chosen by Pulitzer prize–winning playwright Ayad Akhtar, who describes the play as conveying “a deeply felt sense of the universal—of the perfection of our parents’ flawed love for each other and for us; for the ways in which the approach of death can order the meaning of a human life.”
God's Ear: A Play
by Jenny SchwartzGod's Ear marks the debut of Jenny Schwartz, "an indelibly clever playwright, possessed of linguistic playfulness and a lively sense of rhythm" (Alexis Soloski, The Village Voice). Through the skillfully disarming use of clichéd language and homilies, the play explores with subtle grace and depth the way the death of a child tears one family apart, while showcasing the talents of a promising young playwright who "in [a] very modern way [is] making a rather old-fashioned case for the power of the written word" (Jason Zinoman, The New York Times). Fresh from its critically acclaimed off-off-Broadway run this past spring, God's Ear moves off-Broadway to the Vineyard Theatre in April 2008.
God's Honest, An Evening of Lies
by Jules TascaShort plays / 5m, 3f / Simple Set / Direct from Manhattan's Playhouse 51, this is an evening of eight one act plays tied together with the theme of lying. As one character says, "Lying tells us more about the truth than the truth ever does." Perfect for dinner theaters. The New Hope Pa. Gazette said: "An evening of hilarious comedy... Goes beneath the ordinary to uncover real human complexities... Side splitting humor." See Angel on the Train , Between the Lines, Brothers, Hardstuff , Opening Act , The Rape of Emma Bunche , Second Vows and The Twin Mendaccios for descriptions.
God's Spies/Crossing T
by Don NigroComedy / 1m, 2f / Interior / This is a hilarious send up of religious television programs. A talk show is on the air that features interviews with people about their religious conversions. Guests offer testimonials of their faith. The first person interviewed by stalwart Dale Clabby discourses on devil worship in popular music. The next claims to have talked to God in a belfry. Her testimonial is hardly what Dale expects.
Goethe's Faust: Part One and Sections from Part Two
by Walter KaufmannThe best translation of Faust available, this volume provides the original German text and its English counterpart on facing pages. Walter Kaufmann's translation conveys the poetic beauty and rhythm as well as the complex depth of Goethe's language. Includes Part One and selections from Part Two.
Goethe's Faust: Its Genesis and Purport
by Eudo C. MasonThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1967.
Going Ape
by Nick HallFarce / 3m, 2f / Interior / This hilarious farce has some serious undertones. Rupert, an idealistic and romantic young orphan, has come to his uncle's house to commit suicide. This proves to be no easy matter. For one thing he is constantly attended by his uncle's attractive nurse/secretary. He is also constantly interrupted by a stream of visitors, at first fairly normal, but increasingly incredible. Rupert realizes all the visitors are the same three people and his attention is drawn toward understanding the preposterously Victorian plot in which he is trapped, and which, in a startlingly theatrical climax, he begins to understand.
Going Solo
by Jason MilliganThis collection is jam-packed with wonderful audition monologues: 50 for men and 50 for women. Whether you are auditioning for agents, casting directors, producers, acting teachers or directors, this collection by a co-author of the successful ACTORS WRITE FOR ACTORS and ENCORE! will provide exactly what you need. (No royalty for audition purposes only. Performance royalty on application).
Gold Dust
by Jon JoryMusical / 5m, 3f, three piece combo / Interior / Set in a saloon in a western mining camp in the 1850's, Gold Dust is a very loose musical adaptation of Moliere's The Miser. The story concerns a prospector named Jebediah Harp who has hit it rich and hoards his gold. Perfect for high schools, colleges and community theatres, this is another hit from Louisville's famed Actors Theater. The music and lyrics are by the very talented Jim Wann. / "It's spunky and raucous, clangorous and tuneful. It overflows with a theatrical zest that is pretty much irresistible."-Louisville Courier Journal. "The small musical that budget minded theatres across the land have been praying for."-Louisville Times. "Best of all is Wann's music, a mixture of jazz, blues, rock, folk and country western styles."-Variety.
Gold in Trib 1: Flying, Hiking and Gold Prospecting - Adventure in Wild Present-Day Alaska
by Douglas AndersonGold in Trib 1 is an account of a flying, hiking, and gold prospecting adventure in wild, present-day Alaska. It is the story of the exploits of two good friends and their adventures while prospecting for gold. It is a factual account where possible and where not factual, it is the way they would have liked it. As a result, readers will enjoy the book for what it is, and will not take it so seriously as to dash off with expectations of finding their fortune. There is still much gold in Alaska, but Douglas may have made discovering the Glory Hole, wherever it may be, sound somewhat easier and more financially rewarding than it really was.
The Golden Age Musicals of Darryl F. Zanuck: The Gentleman Preferred Blondes
by Bernard F. DickBeginning with The Jazz Singer (1927) and 42nd Street (1933), legendary Hollywood film producer Darryl F. Zanuck (1902–1979) revolutionized the movie musical, cementing its place in American popular culture. Zanuck, who got his start writing stories and scripts in the silent film era, worked his way to becoming a top production executive at Warner Bros. in the later 1920s and early 1930s. Leaving that studio in 1933, he and industry executive Joseph Schenck formed Twentieth Century Pictures, an independent Hollywood motion picture production company. In 1935, Zanuck merged his Twentieth Century Pictures with the ailing Fox Film Corporation, resulting in the combined Twentieth Century-Fox, which instantly became a new major Hollywood film entity.The Golden Age Musicals of Darryl F. Zanuck: The Gentleman Preferred Blondes is the first book devoted to the musicals that Zanuck produced at these three studios. The volume spotlights how he placed his personal imprint on the genre and how—especially at Twentieth Century-Fox—he nurtured and showcased several blonde female stars who headlined the studio’s musicals—including Shirley Temple, Alice Faye, Betty Grable, Vivian Blaine, June Haver, Marilyn Monroe, and Sheree North. Building upon Bernard F. Dick’s previous work in That Was Entertainment: The Golden Age of the MGM Musical, this volume illustrates the richness of the American movie musical, tracing how these song-and-dance films fit within the career of Darryl F. Zanuck and within the timeline of Hollywood history.
Golden Child
by David Henry HwangA new play by the author of M. Butterfly which premieres on Broadway in April. Golden Child travels across time and place from contemporary America to mainland China in 1918 and depicts the challenges of a culture in transition to the influences of western civilization.
The Golden Country
by Francis Mathy Shusaku EndoThe events described in this exciting and provocative three-act play, a companion piece to Endo's highly acclaimed novel Silence, take place in 1633, nearly a hundred years after Christianity was introduced into Japan. By this time, Japanese Christians were being cruelly persecuted by the government; every Christian searched out was made to apostatize or suffer a slow, agonizing death.The central character of The Golden Country is Father Christopher Ferreira, a Portuguese Jesuit missionary. Given shelter by a Christian farming community, everyone looks to him for help, including one of his chief persecutors. When, after cruel torture, Father Ferriera apostatizes to the disbelief of his Japanese converts, the play reaches a climax that is later capped only by the courage, nobility and love of the martyrs. Father Francis Mathy's detailed Introduction to this tightly constructed drama, which poses basic questions about the meaning of faith, love and fate, provides valuable historical background.
The Golden Labyrinth: A Study of British Drama (Routledge Revivals)
by G. Wilson KnightFirst published in 1965, The Golden Labyrinth provides a coherent and readable history of the essential nature of British drama in a single volume. The treatment is philosophical and imaginative, and full of enthusiasm and clarity which have made Professor Wilson Knight’s works, of Shakespearian and other interpretations, so famous. The chapters in this book have been organized according to literary periods and will appeal to both students of literature and casual readers.
Golden Pavements: Blue Door 3 (Blue Door #3)
by Pamela BrownThe third book in the Blue Door series, which starts with The Swish of the Curtain, the classic story which inspired actors from Maggie Smith to Eileen Atkins.'How do you think you'll like the Academy?''Like it!' cried Lyn. 'I love it already. I'd not have missed it for the world. This has been the happiest day of my life.'At the Actors' Guild in London, the Blue Door Theatre Company are throwing themselves into anything that will bring the dreams of their own theatre to life - touring the country with the Guild's summer productions, working behind the scenes at local theatrical companies, even taking walk-on parts between classes.But just as plans for their own beloved Blue Door seem almost within their grasp, a disaster threatens to destroy one career for good...