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American Drama of the Twentieth Century (Longman Literature In English Series)

In this book Professor Berkowitz studies the diversity of American drama from the stylistic, experimental plays of O'Neill, through verse, tragedy and community theatre, to the theatre of the 1990s. The discussions range through dramatists, plays, genres and themes, with full supporting appendix material. It also examines major dramatists such as Eugene O'Neill, Arthur Miller, Sam Shephard, Tennessee Williams and August Wilson and covers not only the Broadway scene but also off Broadway movements and fringe theatres and such subjects as women's and African-American drama.

American Film: A History

<p>Written by a top scholar in the field, American Film: A History gives students a thorough understanding of the fascinating intersection of artistry and economics in Hollywood cinema from the beginning of film history to the present. <p>A beautiful book and a brisk read, American Film is the most enjoyable and interesting overview of the history of American filmmaking available. Focused on aspects of the film business that are of perennial interest to undergraduates, this book will engage students from beginning to end.</p>

An American Health Dilemma: Race, Medicine, and Health Care in the United States 1900-2000

First published in 2002. An American Health Dilemma is the story of medicine in the United States from the perspective of people who were consistently, officially mistreated, abused, or neglected by the Western medical tradition and the US health-care system. It is also the compelling story of African Americans fighting to participate fully in the health-care professions in the face of racism and the increased power of health corporations and HMOs. This tour-de-force of research on the relationship between race, medicine, and health care in the United States is an extraordinary achievement by two of the leading lights in the field of public health. Ten years out, it is finally updated, with a new third volume taking the story up to the present and beyond, remaining the premiere and only reference on black public health and the history of African American medicine on the market today. No one who is concerned with American race relations, with access to and quality of health care, or with justice and equality for humankind can afford to miss this powerful resource.

The American Musical: Evolution of an Art Form

The American Musical is a comprehensive history of an American art form. It delivers a detailed and definitive portrait of the American musical’s artistic evolution over the course of seven distinct, newly defined eras, with a unique perspective gleaned from research at more than twenty different archives across the United States.Individual in both its approach and coverage, The American Musical traces the form’s creative journey from its 19th century beginnings, through its 20th century maturation, and to the turn of the 21st century, shedding new light on a myriad of authors, directors, and craftspeople who worked on Broadway and beyond. This book actively addresses the form’s often overlooked female and African-American artists, provides an in-depth accounting of such outside influences as minstrelsy, vaudeville, nightclubs, and burlesque, and explores the dynamic relationship between the form and the consciousness of its country.The American Musical is a fascinating and insightful read for students, artists, and afficionados of the American musical, and anyone with an interest in this singular form of entertainment.

The American Musical and the Performance of Personal Identity: And the Performance of Personal Identity

The American musical has long provided an important vehicle through which writers, performers, and audiences reimagine who they are and how they might best interact with the world around them. Musicals are especially good at this because they provide not only an opportunity for us to enact dramatic versions of alternative identities, but also the material for performing such alternatives in the real world, through songs and the characters and attitudes those songs project. This book addresses a variety of specific themes in musicals that serve this general function: fairy tale and fantasy, idealism and inspiration, gender and sexuality, and relationships, among others. It also considers three overlapping genres that are central, in quite different ways, to the projection of personal identity: operetta, movie musicals, and operatic musicals. Among the musicals discussed are Camelot, Candide; Chicago; Company; Evita; Gypsy; Into the Woods; Kiss Me, Kate; A Little Night Music; Man of La Mancha; Meet Me in St. Louis; The Merry Widow; Moulin Rouge; My Fair Lady; Passion; The Rocky Horror Picture Show; Singin' in the Rain; Stormy Weather; Sweeney Todd; and The Wizard of Oz. Complementing the author's earlier work, The American Musical and the Formation of National Identity, this book completes a two-volume thematic history of the genre, designed for general audiences and specialists alike.

American Playwriting and the Anti-Political Prejudice

Twenty years after Tony Kushner's influential Angels in America seemed to declare a revitalized potency for the popular political play, there is a "No Politics" prejudice undermining US production and writing. This book explores the largely unrecognized cultural patterns that discourage political playwriting on the contemporary American stage.

American Politics in Hollywood Film (Edinburgh University Press)

How is the American political landscape represented in cinema? What is the relationship between Hollywood and Washington? From Arnold Schwarzenegger's rise to the Governorship of California through to the drama of the celebrity-fuelled 2008 Presidential election, Hollywood and politics have never been more intimate. This thoroughly updated and revised new edition continues to analyse the theoretical and conceptual relationship of Hollywood to national politics and the way film content and criticism has aligned itself to political culture and debate.Chronicling the evolution of American political cinema from the 1930s, this book explores the genre's symbiotic relationship with the American political culture and history. Through textual analysis of a range of films and television series, Scott provides a critique of current and past developments across several sub-genres, including the bio-pic, the election film and documentary. New for this edition* Analysis of the post-9/11 and Bush era's effect on

American Soldier

Drama / Characters: 3m, 2f / In American Soldiers, the patriarch of a politically prominent Long Island family fights to hold the family together when his eldest daughter, an Army veteran, returns from the Middle East for an uneasy homecoming. The girl, emotionally scarred from her military service, is struggling to take her ex-boyfriend and sister away with her to start a new life in Colorado. Her aim is to liberate them of the hometown influences of society, religion and class that led her to enlist. The play reveals the urge of children to break away, the power of family destiny and the emotional ties that bind. What is it about Nassau and Suffolk counties that makes them a breeding ground for "good little American soldiers," as Angela Coletti, the returning veteran, says? Her late mother had been a local Assemblywoman and her brother, Carlo Jr., is now running for a congressional seat. They are liberal politicians and "modern" Catholics, chastened by the wars of our time, who would seem to hold the old beliefs at arms' length. But to Angela, they are no more than cogs in a machine of conformity whose morals make no sense and who perpetuate dangerous myths. The force of her rebellion is set against the determination of her father, a Vietnam Veteran who is equally committed to holding the family together. His methods range from the good old fatherly temper tantrum to the kind of heart-to-heart with his soldier-daughter that only veterans can have. Through their tug of war, we witness the real forces that keep many of our young people fighting what Angela calls, "the same fight, generation after generation." It's the power of family and the hold of religion.

American Tales

4m, 1f / Running Time: 90 minutes plus intermission / Period costumes and set pieces, mid to late 19th century / Act I, The Loves of Alonzo Fitz Clarence and Rosannah Ethelton, is from Mark Twain's story of two people falling in love at a great distance with the aid of that brand-new invention, the telephone. Alonzo in Maine and Rosannah in California meet by the accident of crossed wires and each falls in love with an imagined ideal of the other. So complete is their self-deception that even when brought face to face they cannot recognize each other. Love is found, lost, and found again. Played as period melodrama, but the relevance to 21st century dating habits is clear. Act II, Bartleby, the Scrivener, is dramatized from Herman Melville's slyly funny but ultimately tragic story. Building on the theme of human connections made and missed, this act takes a darker turn, looking at people who occupy the closest of quarters and yet don't really communicate at all. Bartleby, employed as a copyist in a law office of the 1840s, inexplicably begins to refuse to work, forcing his colleagues to ask themselves the transforming question that ends the play: What do we owe to the people who come into our lives? "Excellent new musical." - Critic's Choice, LA Times

American Television during a Television Presidency (Contemporary Approaches to Film and Media Series)

In American Television during a Television Presidency, Karen McNally and contributors critically examine the various ways in which television became transfixed by the Trump presidency and the broader political, social, and cultural climate. This book is the first to fully address the relationship between TV and a presidency consistently conducted with television in mind. The sixteen chapters cover everything from the political theater of televised impeachment hearings to the potent narratives of fictional drama and the stinging critiques of comedy, as they consider the wide-ranging ways in which television engages with the shifting political culture that emerged during this period. Approaching television both historically and in the contemporary moment, the contributors¾an international group of scholars from a variety of academic disciplines¾illuminate the indelible links that exist between television, American politics, and the nation’s broader culture. As it interrogates a presidency played out through the lens of the TV camera and reviews a medium immersing itself in a compelling and inescapable subject, American Television during a Television Presidency sets out to explore what defines the television of the Trump era as a distinctive time in TV history. From inequalities to resistance, and from fandom to historical memory, this book opens up new territory in which to critically analyze television’s complex relationship with Donald Trump, his presidency, and the political culture of this unsettled and simultaneously groundbreaking era. Undergraduate and graduate students and scholars of film and television studies, comedy studies, and cultural studies will value this strong collection.

The American Theatre Reader

In celebration of American Theatre's twenty-fifth anniversary, the editors of the nation's leading theater magazine have chosen their best essays and interviews to provide an intimate look at the people, plays, and events that have shaped the American theater over the past quarter-century. Over two hundred artists, critics, and theater professionals are gathered in this one-of-a-kind collection, from the visionaries who conceived of a diverse and thriving national theater community, to the practitioners who have made that dream a reality. The American Theatre Reader captures their wide-ranging stories in a single compelling volume, essential reading for theater professionals and theatergoers alike.Partial contents include:Interviews with Edward Albee, Anne Bogart, Peter Brook, Lorraine Hansbury, Lillian Hellman, Jonathan Larson, David Mamet, Arthur Miller, Joseph Papp, Will Power, Bartlett Scher, Sam Shepard, Tom Stoppard, Luis Valdez, Paula Vogel, August Wilson, and others.Essays by Eric Bentley, Eric Bogosian, Robert Brustein, Christopher Durang, Oskar Eustis, Zelda Fichandler, Eva La Gallienne, Vaclav Havel, Danny Hoch, Tina Howe, David Henry Hwang, Naomi Iizuki, Adrienne Kennedy, Tony Kushner, Kristin Linklater, Todd London, Robert MacNeil, Des McAnuff, Conor McPherson, Marsha Norman, Suzan-Lori Parks, Hal Prince, Phylicia Rashad, Frank Rich, José Rivera, Alan Schneider, Marian Seldes, Wallace Shawn, Anna Deavere Smith, Molly Smith, Diana Son, Wole Soyinka, and many others.

American ‘Unculture’ in French Drama

A book about the role America plays in the French imagination, as it translates to the French stage. Informed by a rich variety of Western cultural scholarship, Essif examines two dozen post-1960 works representing some of the most innovative dramaturgy of the last half century, including works by Gatti, Obaldia, Cixous, Koltes, and Vinaver.

Americans on Shakespeare, 1776-1914 (Routledge Revivals)

Published in 1999. Shakespeare is ‘the great author of America’ declared James Fenimore Cooper in 1828. The ambiguous resonance of this claim is fully borne out in this collection of writings on Shakespeare by over forty prominent Americans, spanning the period between the War of independence and the outbreak of the First World War. Featured writers include: Ralph Waldo Emerson, Edgar Allen Poe, Herman Melville, Nathaniel Hawthorne, Abraham Lincoln, Walt Whitman and Mark Twain. The essays, many of which are reprinted here for the first time, are arranged in chronological order and provide a fascinating conspectus of American attitudes to Shakespeare, from Revolutionary and Transcendentalist approaches through to the influential interventions of professional American critics in the early twentieth century. The extraordinary and bizarre contribution to the Shakespeare debut by Delia Bacon is exemplified by the inclusion of her 1856 article which is reprinted in its entirety. Americans on Shakespeare charts the emergence of an American literary tradition, and the gradual appropriation of Shakespeare as part of the American search for cultural identity; an identity whose domination is set to continue into the twenty-first century.

America's Japan and Japan's Performing Arts: Cultural Mobility and Exchange in New York, 1952-2011

America’s Japan and Japan’s Performing Arts studies the images and myths that have shaped the reception of Japan-related theater, music, and dance in the United States since the 1950s. Soon after World War II, visits by Japanese performing artists to the United States emerged as a significant category of American cultural-exchange initiatives aimed at helping establish and build friendly ties with Japan. Barbara E. Thornbury explores how “Japan” and “Japanese culture” have been constructed, reconstructed, and transformed in response to the hundreds of productions that have taken place over the past sixty years in New York, the main entry point and defining cultural nexus in the United States for the global touring market in the performing arts. Thornbury crosses disciplinary boundaries in her wide range of both primary sources and published scholarship, making the book of interest to students and scholars of performing arts studies, Japanese studies, and cultural studies.

America's Songs: The Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley

First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.

America's Songs II: Songs from the 1890s to the Post-War Years

America’s Songs II: Songs from the 1890's to the Post-War Years continues to tell the stories behind popular songs in our country’s history, serving as a sequel to the bestselling America’s Songs: Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley. Beginning in 1890 and ending in post-war America, America's Songs II is a testament to the richness of popular music in the first half of the 20th century. This volume builds on the unique features of the first volume, delving deeper into the nature of the collaboration between well-known songwriters of the time but also shedding light on some of the early performers to turn songs into hits. The book’s structure – a collection of short easy-to-read essays – allows the author to provide historical context to certain songs, but also to demonstrate how individual songs facilitated the popularity of specific genres, including ragtime, jazz, and blues, which subsequently reshaped the landscape of American popular music. America’s Songs II: Songs from the 1890's to the Post-War Years will appeal to American popular music enthusiasts but will also serve as an ideal reference guide for students or as a supplement in American music courses.

Aminta: A Pastoral Play (Dual-language Poetry Series)

Tasso's masterpiece "Aminta" is perhaps the most famous pastoral play ever. It is also the work that launched the reputation of the author of the famed Italian epic poem of the First Crusade, Gerusalemme liberata. This story of satyrs and nymphs, shepherds and lovers is set in the ideal forest, far from the world of urban sophistication and decadence. It is presented here in the first Italian-English, dual-language edition of the play, and is the first new English translation published since the 19th century. Aminta's importance can not be overestimated; and its influence has been phenomenal, spawning over 200 plays by 1700 in Italy alone. This Italian pastoral is the source of numerous plays in France, Spain and England. Indirectly at least, it is also an inspiration for Shakespeare's pastoral comedies, such as "As You Like It," "Twelfth Night," and "A Midsummer Night's Dream." This volume is illustrated with the original woodcuts of the 1589 Aldine edition. Winner of the 2002 Premio Internazionale Diego Valeri of the Premio Monselice. DUAL-LANGUAGE POETRY. Introduction, notes, bibliography, illustrated.

among men

David was inspired to write this after reading Al Purdy’s poem “House Guest,” the only poem that really records this period of Al Purdy and Milton Acorn’s lives.First produced by Factory Theatre, Toronto, in April 2022

Amor Bandido

Esta es una obra de fantasía. Los personajes, las organizaciones y las circunstancias son el resultado de la imaginación del autor o, si existen, se utilizan con fines narrativos. Por lo demás, cualquier referencia a eventos reales y personas reales deben considerarse mera casualidad. O casi coincidencia.

Amor nacido en la guerra

Un joven estadounidense criado en Rusia, al cumplir la mayoría de edad, fue llamado a servir a su país en el ejército sirio, donde vivió los horrores de la guerra, pero donde también encontró el amor verdadero.

Amorous Ambassador

Farce / 4m, 4f / Interior When Harry Douglas, the new American Ambassador to Great Britain, tells his family he is going to Scotland to play golf, his wife and daughter announce weekend plans of their own. Their newly hired butler, Perkins, watches stoically as each leaves and secretly returns for a romantic rendezvous in the empty house. Harry's secretary and Captain South of Marine Corps Embassy Security then arrive in the wake of a bomb threat and the embassy is sealed off, with hilarious results. Even the imperturbable Perkins is drawn into the shenanigans .

Amour et brigands

Au début du printemps 2017, Cristiano Parafioriti, le Sicilien de quarante ans, avec la résidence en Lombardie depuis déjà vingt ans pour les raisons professionnelles, atterrit sur son île pour une brève période de repos auprès de sa famille d’origine, à Galati Mamertino, un petit bourg sur les monts de Nébrodes dans la province de Messine. Il est marié, père d’un fils, et avec une fabuleuse passion littéraire ; ayant déjà publié deux recueils de récits se référant à sa terre natale. Dans l’après-midi de son arrivée, il rencontre Calogero Bau, surnommé ‘’Bau’’, employé dans les archives municipales du village, qui l’invite à jeter un coup d’œil sur un étrange document, transcription ancienne de l’État civil, sauvegardée dans son bureau. Intrigué par ces paroles, Cristiano accepte, et, le lendemain, après un bon café matinal, se rend aux archives. Après la première recherche infructueuse, lors d’une autre inspection de l’après-midi, il tombe par chance sur une découverte inespérée. À l’intérieur de cet immeuble délabré, il a découvert, en fait, dissimulé à l’intérieur d’un autre livre ecclésiastique du huitième siècle, le journal du brigand sicilien (Giovanni Darco), rédigé à cheval sur 1864 et 1865. La curiosité d’en savoir davantage sur son auteur et ses aventures inouïes, émergées à la lumière du jour, plongera Cristiano dans une semaine frénétique d’un authentique pathos émotionnel. Ces pages secrètes ne sont pas, en fait, une simple chronique des histoires de lutte entre une bande de rebelles et de nouveaux patrons, mais témoignent dans leur essence, avec la conviction et la vivacité, du merveilleux amour clandestin entre le brigand Giovanni Darco et la femme aristocrate Eufemia Celesti, épouse délaissée de Gepi Montes, aristocrate prétentieux de Nicosia et le rival le plus redoutable du brigand. Les histoires teintées de sang et d’amour s’en

Amphitryon

The play Amphitryon provides an introduction to the world of Roman comedy from one of its best practitioners, Plautus. As with all Focus translations, the emphasis is on an inexpensive, readable edition that is close to the original, with an extensive introduction, notes and appendices.

Amphitryon

After his wedding night with beautiful Alcmene, Amphitryon leaves to participate in a war. Jupiter, who is fascinated by Alcmene's beauty, come to earth under the appearance of Amphitryon, accompanied by Mercury who has taken the appearance of Amphitryon's servant Sosie. Amphitryon is successful in war and sends Sosie back home to report this. <P> <P> Sosie is greeted by his look-alike Mercury, who beats him and convinces him that he Mercury is the real Sosie. The real Amphitryon meets Alcmene and is naturally confused and shocked by her account of an amorous night. Various other confusing episodes of the same type take place, including a confrontation between the two Amphitryon's. In the end, Jupiter assumes his real aspect and tells Amphitryon that his wife was faithful, since he had to take on Amphitryon's aspect in order to seduce her. He informs Amphitryon that his wife will bear Jupiter's child, the demi-god Hercules.

Amphitryon