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George Gershwin: An Intimate Portrait (Music in American Life)
by Walter RimlerGeorge Gershwin lived with purpose and gusto, but with melancholy as well, for he was unable to make a place for himself--no family of his own and no real home in music. He and his siblings received little love from their mother and no direction from their father. Older brother and lyricist Ira managed to create a home when he married Leonore Strunsky, a hard-edged woman who lived for wealth and status. The closest George came to domesticity was through his longtime relationship with Kay Swift. She was his lover, musical confidante, and fellow composer. But she remained married to another man while he went endlessly from woman to woman. Only in the final hours of his life, when they were separated by a continent, did he realize how much he needed her. Fatally ill, unprotected by (and perhaps estranged from) Ira, he was exiled by Leonore from the house she and the brothers shared, and he died horribly and alone at the age of thirty-eight. Nor was Gershwin able to find a satisfying musical harbor. For years his songwriting genius could be expressed only in the ephemeral world of show business, as his brilliance as a composer of large-scale works went unrecognized by highbrow music critics. When he resolved this quandary with his opera Porgy and Bess, the critics were unable to understand or validate it. Decades would pass before this, his most ambitious composition, was universally regarded as one of music's lasting treasures and before his stature as a great composer became secure. In George Gershwin: An Intimate Portrait, Walter Rimler makes use of fresh sources, including newly discovered letters by Kay Swift as well as correspondence between and interviews with intimates of Ira and Leonore Gershwin. It is written with spirited prose and contains more than two dozen photographs.
George Gershwin
by Larry StarrIn this welcome addition to the immensely popular Yale Broadway Masters series, Larry Starr focuses fresh attention on George Gershwin's Broadway contributions and examines their centrality to the composer's entire career. Starr presents Gershwin as a composer with a unified musical vision--a vision developed on Broadway and used as a source of strength in his well-known concert music. In turn, Gershwin's concert-hall experience enriched and strengthened his musicals, leading eventually to his great "Broadway opera,"Porgy and Bess. Through the prism of three major shows--Lady Be Good(1924),Of Thee I Sing(1931), andPorgy and Bess(1935)--Starr highlights Gershwin's distinctive contributions to the evolution of the Broadway musical. In addition, the author considers Gershwin's musical language, his compositions for the concert hall, and his movie scores for Hollywood in the light of his Broadway experience.
Gerhard Hauptmann and the Naturalist Drama
by John OsborneWhat was German Naturalism? What were its achievements? How does it compare with its counterparts in other European countries? These are some of the difficult questions addressed by John Osborne in Gerhart Hauptmann and the Naturalist Drama, a revised and updated version of his The Naturalist Drama in Germany, now widely acknowledged as the standard introduction to the subject. The debates to which he contributed, and in some cases initiated, on Naturalism in the German theatre, Naturalist theory in Germany, and the development of the Naturalist movement to the contemporary Social Democrat movement, have remained central issues. This revised edition preserves the structure and approach of the original, including its emphasis on the early dramas of Hauptmann, while taking full account of subsequent scholarship which provides the context in which this Naturalist playwright's work can be placed.
German-Jewish Popular Culture before the Holocaust: Kafka's kitsch (Routledge Jewish Studies Series)
by David A. BrennerDavid A. Brenner examines how Jews in Central Europe developed one of the first "ethnic" or "minority" cultures in modernity. Not exclusively "German" or "Jewish," the experiences of German-speaking Jewry in the decades prior to the Third Reich and the Holocaust were also negotiated in encounters with popular culture, particularly the novel, the drama and mass media. Despite recent scholarship, the misconception persists that Jewish Germans were bent on assimilation. Although subject to compulsion, they did not become solely "German," much less "European." Yet their behavior and values were by no means exclusively "Jewish," as the Nazis or other anti-Semites would have it. Rather, the German Jews achieved a peculiar synthesis between 1890 and 1933, developing a culture that was not only "middle-class" but also "ethnic." In particular, they reinvented Judaic traditions by way of a hybridized culture. Based on research in German, Israeli and American archives, German-Jewish Popular Culture before the Holocaust addresses many of the genres in which a specifically German-Jewish identity was performed, from the Yiddish theatre and Zionist humour all the way to sensationalist memoirs and Kafka’s own kitsch. This middle-class ethnic identity encompassed and went beyond religious confession and identity politics. In focusing principally on German-Jewish popular culture, this groundbreaking book introduces the beginnings of "ethnicity" as we know it and live it today.
Gertrude and Alice
by Evalyn Parry Anna ChattertonVisiting the audience in the present day, Gertrude and Alice come to find out how history has treated them. The couple recounts stories of their forty-year relationship; of meetings with iconic artists and writers; and of Alice’s overwhelming, consuming devotion to Gertrude’s genius. Before they leave, they want to find out what has become of their artistic and cultural influence, and how their lives and work are—or are not—remembered.
Gertrude and Stein and a Companion
by Win WellsDrama / 2f / This extraordinary play won first prize at both the Edinburgh Festival and the Theatre Festival in Sydney, Australia, as well as the Vita Award in South Africa as Best Play. The play begins just after the death of Gertrude Stein. Her ghost returns to Alice B. Toklas and the genesis and development of their relationship is richly portrayed. Mr. Wells has truly captured the feeling, art, music and literature of Paris of those years, when Pablo and Ernest and Henri and all of Gertrude's friends spent their free time in the great writer's salon. This play is a director's dream. It flits back and forth in time as the actors play not only Gertrude and Alice but a host of famous people who were part of their lives.
Geschichte der literarischen Vortragskunst
by Reinhart Meyer-KalkusLiterarische Vortragskunst entstand in Deutschland in der zweiten Hälfte des 18. Jahrhunderts als ein von Schauspiel und anderen Vortragsgattungen (Rede, Predigt, Vorlesung etc.) unterschiedenes Sprachspiel des Vorlesens, Rezitierens und Deklamierens von Gedichten, Erzählungen und Dramen. Die vorliegende Untersuchung ist die erste umfassende Geschichte dieser Vortragskunst von Klopstock bis zu Kling, ja bis zum Poetry-Slam. Sie konzentriert sich auf die verschiedenen Akteure (Autoren, professionelle Rezitatoren, Deutschlehrer, Sprecherzieher und Laien) sowie auf deren Vortragsformate und Zuhörer im Kontext der Veränderung vortragsästhetischer Normen und mediengeschichtlicher Innovationen. Mit Rückgriff auf Einsichten der Medienwissenschaft, Performance-Analyse und Stimmforschung entwickelt sie einen analytischen Ansatz, um Vortragsformate und Vortragsweisen in ihrer Historizität zu beschreiben.
Get Me the Urgent Biscuits: An Assistant's Adventures in Theatreland
by Sweetpea Slight'A sparkling memoir ... A delight from start to finish' NINA STIBBE 'Anyone who loves the theatre will love this book' ZOË WANAMAKER In 1980s London, Sweetpea Slight is en route to drama school when she is snapped up to work as an assistant to the maverick theatre producer Thelma Holt. Full of wit, charm and backstage intrigue, her irresistible memoir of the resulting twenty years is at once the poignant story of a young woman coming of age, and an exhilarating journey down the rabbit hole into the enchanting world of theatre.
Get Me the Urgent Biscuits: An Assistants Adventures in Theatreland
by Sweetpea Slight'A sparkling memoir ... A delight from start to finish' NINA STIBBE 'Anyone who loves the theatre will love this book' ZOË WANAMAKER In 1980s London, Sweetpea Slight is en route to drama school when she is snapped up to work as an assistant to the maverick theatre producer Thelma Holt. Full of wit, charm and backstage intrigue, her irresistible memoir of the resulting twenty years is at once the poignant story of a young woman coming of age, and an exhilarating journey down the rabbit hole into the enchanting world of theatre.
Get Me the Urgent Biscuits: An Assistant's Adventures in Theatreland
by Sweetpea Slight'A sparkling memoir full of charm and wit' NINA STIBBE 'Anyone who loves the theatre will love this book' ZOË WANAMAKER At eighteen, after moving to London with dreams of becoming an actress, an impressionable girl who paints freckles on her face begins work experience in a West End theatre company. In between mail-outs and making cups of coffee she meets the formidable producer Thelma Holt. Within a fortnight Thelma has stolen her, cancelled her audition for RADA, sent her to evening classes to learn to type, organised a minuscule salary and renamed her. From that moment she becomes Sweetpea. Her days are spent in an eccentric office where Alan Rickman or Vanessa Redgrave might pop in at any moment. Evenings are filled with the adrenaline of an opening-night performance or the chatter of a smart restaurant where casting for the next production is discussed. Existing somewhere between glamour and penury, Sweetpea finds herself surrounded by dynamic personalities and struggling to trust her own creative instincts. Over the years her apprenticeship takes in unusual demands, misbehaving actors, divinely inspired directors and a hot-air balloon ride with British theatre's finest. GET ME THE URGENT BISCUITS is a keenly observed memoir about the vanishing world of London's West End in the 1980s and 1990s, in which a young woman is swept into the orbit of a theatrical impresario. Shrewd, poignant and irresistibly funny, above all it is a coming-of-age story about the search for independence and an ode to the beguiling nature of theatre.Read by Sweetpea Slight(p) Orion Publishing Group 2017
Getting Into the Act: Women Playwrights in London 1776-1829 (Gender in Performance)
by Ellen DonkinGetting Into the Act is a vigorous and refreshing account of seven female playwrights who, against all odds, enjoyed professional success in the late eighteenth and early nineteenth century. Ellen Donkin relates fascinating, disturbing tales about the male theatre managers to whom they were indebted, and the trials and prejudices they endured, ranging from accusations of plagiarism to sexual harassment. This scarred turbulent early history still resonates in the late twentieth-century. The current ratio of female to male playwrights is virtually unchanged. Old patterns of male control persist, and playwriting continues to be a hazardous occupation for women. But within these scarred earlier histories there are equally powerful narratives of self-revelation, endurance, and professional triumph that may point to a new way forward. Getting Into the Act is entertaining and informative reading for anyone, from scholar to general reader, who is interested in the history and gender politics of the stage.
Getting the Gold
by P. J. BarryFull Length, Mystery/Drama / 1 m., 4 f. / Interior / On the eve of her 80th birthday, wealthy Cammy Cobb fears she is about to be murdered by her son in law or her only daughter. She confides in her granddaughters, but they attribute her fears to age and a recent stroke. Following a harrowing night during which she protects herself with a pistol, Cammy disinherits her daughter and son in law to leave her fortune her granddaughters. But unforeseen events and a bizarre murder defy a predictable conclusion, enabling the feisty old lady to triumph. / "Excellent. . . . There should be lots of regional theaters willing to welcome [a] truly unforgettable grandma." South Shore Record .
Ghost Light: An Introductory Handbook For Dramaturgy
by Michael Mark ChemersGhost Light: An Introductory Handbook for Dramaturgy offers useful and entertaining answers to the confounding questions: “What, exactly, is dramaturgy, and what does a dramaturg do?” According to Michael Mark Chemers, dramaturgs are the scientists of the theater world—their primary responsibility is to query the creative possibilities in every step of the production process, from play selection to costume design, and then research the various options and find ways to transform that knowledge into useful ideas. To say that dramaturgs are well-rounded is an understatement: those who choose this profession must possess an acute aesthetic sensibility in combination with an extensive knowledge of theater history and practice, world history, and critical theory, and they must be able to collaborate with every member of the creative team and theater administration.
Ghost of a Chance
by Flip Kobler Cindy MarcusLittle Theatre . Comedy. Flip Kobler and Cindy Marcus . Characters: 3 male, 3 female . Interior Set . Bethany is bright, strong, independent, beautiful and has zero self esteem. She has brought her finance, Floyd, and his mother, Verna, up to her cabin in the woods, the site of the hunting accident that killed Chance, her first husband. Much to her consternation, he or rather, his ghost is still there. Only Bethany can see him, so Floyd and Verna think she is crazy as she frantically tries to get rid of, well, it seems to them nobody. Chance, meanwhile, is doing everything he can to prevent Bethany from marrying Floyd. Bethany even brings in a delightfully kooky psychic to help deal with the ghost of Chance.
Ghostly Fragments: Essays on Shakespeare and Performance
by Barbara C. HodgdonGhostly Fragments gathers the essays of the late Barbara C. Hodgdon, a renowned scholar of Shakespeare and performance studies. Her influential publications over thirty years reflected a remarkable intelligence, wit, and originality, as did her lectures and conference papers. Richard Abel and Peter Holland have selected essays that represent the wide sweep of Hodgdon’s scholarship, including unpublished pieces and those from hard-to-access sources. The essays reveal a thinker and writer who grows more self-reflective over time, with a distinctive, engaging, often wryly humorous voice that is accessible even to nonspecialist readers. Following a general introduction by Peter Holland, the book’s five subsections (Teaching Shakespeare, Analyzing Stage Performances, Editing Shakespeare Texts, Analyzing Shakespeare Films, and “Shopping” in the Archives) are introduced in turn by scholars Miriam Gilbert, W.B. Worthen, Margaret Jane Kidnie, Richard Abel, and Pascale Aebischer. Collectively, the pieces confirm the originality and élan of Hodgdon’s thinking and writing over time, and reveal her as a natural essayist and stylist, with a distinctive engaging voice. The collection is unique in not only bringing together so much of Hodgdon's work in one place (with an extensive bibliography of her published work) but also in demonstrating how groundbreaking and influential that work has been in the field.
Ghosts
by Henrik IbsenMrs. Alving is building an orphanage as a memorial to her husband, and her son Oswald has returned for the occasion after many years abroad. The sins of the father are visited upon the unfortunate Oswald, however, and what unfolds is a staggering tale involving religion, venereal disease, incest and euthanasia. Like many of Ibsen's plays, Ghosts is a scathing commentary on 19th-century morality. Because of its subject matter, it immediately generated strong controversy and negative criticism. Since then the play has fared better, and is considered a great play that historically holds a position of immense importance.
Ghosts
by Henrik IbsenMrs. Alving is building an orphanage as a memorial to her husband, and her son Oswald has returned for the occasion after many years abroad. The sins of the father are visited upon the unfortunate Oswald, however, and what unfolds is a staggering tale involving religion, venereal disease, incest and euthanasia. Like many of Ibsen's plays, Ghosts is a scathing commentary on 19th-century morality. Because of its subject matter, it immediately generated strong controversy and negative criticism. Since then the play has fared better, and is considered a great play that historically holds a position of immense importance.
Ghosts (Dover Thrift Editions Ser.)
by Henrik IbsenThe innovative dramas of Henrik Ibsen created a sensation among 19th-century audiences with their mordant attacks on social conventions. Among the finest of these ground-breaking works was Ghosts, first performed in 1881. In it, the playwright assailed the hypocrisy of moral codes, offering a daring treatment of such then-taboo issues as infidelity, venereal disease, and illegitimacy. Ibsen substituted the modern scientific idea of heredity for the ancient Greek concept of fate, exposing hidden sins of the past as the roots of corruption.The sins of the past are at the heart of the play, whose haunted heroine, Mrs. Helen Alving, has accepted her pastor's counsel and endured her husband's many infidelities in silence. Ten years after Alving's death, she is to dedicate an orphanage in his memory. Her son Oswald, kept innocent of his father's profligacy, returns home for the dedication. Oswald's attraction to the housemaid -- in reality, his half-sister -- conjures up the ghost of his parents' unhappy marriage. This disastrous romance, along with Oswald's increasing symptoms of the venereal disease inherited from his father, force Mrs. Alving to confront her own "ghosts."A powerful and engrossing psychological drama, Ghosts serves as an excellent entrée to Ibsen's other works and helps confirm his status as "the father of modern drama."
Ghosts, Holes, Rips and Scrapes: Shakespeare in 1619, Bibliography in the Longue Duree
by Zachary LesserFour years before the publication of the First Folio, a group of London printers and booksellers attempted to produce a "collected works" of William Shakespeare, not in an imposingly large format but as a series of more humble quarto pamphlets. For mysterious reasons, perhaps involving Shakespeare's playing company, the King's Men, the project ran into trouble. In an attempt to salvage it, information on the title pages of some of the playbooks was falsified, making them resemble leftover copies of earlier editions. The deception worked for nearly three hundred years, until it was unmasked by scholars in the early twentieth century. The discovery of these "Pavier Quartos," as they became known, was a landmark success for the New Bibliography and played an important role in establishing the validity and authority of that method of analysis. While more recent scholars have reassessed the traditional narrative that the New Bibliographers wrote, no one has gone back to look at the primary evidence: the quartos themselves.In Ghosts, Holes, Rips and Scrapes Zachary Lesser undertakes a completely fresh study of these playbooks. Through an intensive bibliographical analysis of over three hundred surviving quartos, Lesser reveals evidence that has gone entirely unseen before: "ghosts" (faint, oily impressions produced when one book is bound next to another); "holes" (the tiny remains of the first simple stitching that held pamphlets together); and "rips and scrapes" (post-production alterations of title pages). This new evidence—much of it visible only with the aid of enhanced photographic methods—suggests that the "Pavier Quartos" are far more mysterious, with far more consequential ramifications for book history and Shakespeare scholarship than we have thought.
Ghosts Of The Avant-garde(s): Exorcising Experimental Theater And Performance
by James M. HardingThe Ghosts of the Avant-Garde(s) offers a strikingly new perspective on key controversies and debates within avant-garde studies, arguing for the importance of reopening pivotal controversies and debates in avant-garde studies and challenging pronouncements of the "death of the avant-garde" that tend to obscure the diversity and plurality of avant-garde gesture and expression. James M. Harding revisits iconic sites of early 20th-century performance to examine how European avant-gardists attempted--unsuccessfully--to employ that discourse as a strategy for enforcing uniformity among a politically and culturally diverse group of artists. He then takes aim at historical and aesthetic categories that have promoted a restrictive history and theory of the avant-garde and narrow readings of avant-garde performance. Harding reveals the Eurocentric undercurrents that underlie these categories and urges a consideration of the global political dimensions of avant-garde gestures. His book will interest scholars of theater and performance, art history, and literary studies, as well as those interested in the relation of art to politics in various historical periods and cultures.
Ghostwriter: Shakespeare, Literary Landmines, and an Eccentric Patron's Royal Obsession
by Lawrence WellsPart literary mystery, part an examination of what constitutes fiction versus reality, Ghostwriter is based on the true story of author Lawrence Wells, then 45, hired by the University of Mississippi in 1987 to ghostwrite a novel for a wealthy, eccentric donor (“Mrs. F,” then 75), who was convinced that Edward de Vere, 17th Earl of Oxford, was William Shakespeare. Believing herself to be the reincarnation of Queen Elizabeth I, Mrs. F treated ghostwriter Wells as a “captive” Edward de Vere.Their roller-coaster literary collaboration dramatized Elizabeth and de Vere’s romance, which according to legend produced a son (Henry Wriothesley) born in secret. Henry grew up to become the 3rd Earl of Southampton, who is universally acknowledged as “The Fair Youth” of Shakespeare’s sonnets and whose real-life descendants include Princess Diana and her sons, Prince Harry and William, Prince of Wales.Wells and his late wife, Dean Faulkner Wells, niece of William Faulkner, traveled to England to research the life of Edward de Vere and interview proponents of the Shakespeare authorship debate. That summer, London tabloids headlined the royal breakup of Prince Charles and Princess Diana, incidentally echoing Wells and Mrs. F’s tempestuous love story about Edward de Vere and Queen Elizabeth I.Flashbacks weave several elements together—the seventeenth-century mystery of Queen Elizabeth’s “royal bastard,” Wells’s evolving relationship with his eccentric patron, his search for the “real” Shakespeare, and the bawdy Elizabethan narrative he composed for his benefactor. The stories merge, leading to a surprising conclusion.
Gian Francesco Malipiero: The Life, Times and Music of a Wayward Genius (Contemporary Music Studies #Vol. 17)
by John C. WaterhouseIn recent years Gian Francesco Malipiero has been recognised increasingly widely as one of the most original and strangely fascinating Italian composers of the early 20th century. He was the teacher of Maderna and Nono, and was revered by (among many others) Dallapiccola, who even called him the most important (musical) personality that Italy has had since the death of Verdi . He was also a key figure in the revival of the long- neglected music of Italy's great past, and himself edited what remains the only virtually complete edition of the surviving compositions of Monteverdi. The present book not only provides the first monographic survey of Malipiero's life, times and music to appear in English, but covers the subject more comprehensively than any previous publication in any language. Dr Waterhouse draws on hitherto unpublished documents, and with the help of numerous musical examples, analyses the composer's works, style and idiosyncratic personality.
The Gift (Emily Bks.)
by Barbara BrowningIn the midst of Occupy, Barbara Andersen begins spamming people indiscriminately with ukulele covers of sentimental songs. A series of inappropriate intimacies ensued, including an erotically charged correspondence and then collaboration with an extraordinarily gifted and troubled musician living in Germany.
The Gift Of the Magi
by Peter EkstromTwo heart-warming one-act musicals based on the classic O. Henry stories capture the true spirit of giving. ( The Gift of the Magi and The Last Leaf ) This holiday favorite is set in turn-of-the-century New York City.