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A Gift of Time
by Garson KaninDrama / 5m, 5f, extras / 4 sets / An American editor resigns his post and moves to France with his wife and two children to spend his time in writing important books. But all too shortly he learns that he is dying of an inoperable cancer, and forthwith determines to live every day, hour, and minute to the fullest: life is a gift of time. Gradually he begins to feel the pain and physical consequences of his affliction. Unfortunately, he even becomes immunized to morphine. He decides, therefore, to bear the pain and the debilities so long as his faculties remain. At that point, with his wife holding him tightly and murmuring, "I love you. Please die," he cuts his wrists and ends the agony. In the Broadway roles, Henry Fonda played the dying husband, and Olivia de Havilland, his wife. / The "affirmation of the dignity of man in the face of the remorseless enemy - mortality. Will shake you and move you. Shining tenderness. Celebrates with tenderness and humor the gifts of love and understanding that make life worth living." - N. Y. Times.
Gilbert and Sullivan: The Players and the Plays
by Kurt GänzlIn this, the first book to focus on the original cast members of the classic Gilbert and Sullivan comic operas, world-renowned musical theater expert Kurt Gänzl provides a concise history of the writing and production of each opera, vividly colored by the often little-known life stories of these early performers. Meticulously researched and lavishly illustrated with rare photographs, Gilbert and Sullivan: The Players and the Plays delves into the professional and personal lives of the British and American actors and singers who created the celebrated "famous fourteen" Gilbert and Sullivan operas.
Gilbert and Sullivan: Gender, Genre, Parody (Gender and Culture Series)
by Carolyn WilliamsLong before the satirical comedy of The Daily Show and The Colbert Report, the comic operas of W. S. Gilbert and Arthur Sullivan were the hottest send-ups of the day's political and cultural obsessions. Gilbert and Sullivan's productions always rose to the level of social commentary, despite being impertinent, absurd, or inane. Some viewers may take them straight, but what looks like sexism or stereotype was actually a clever strategy of critique. Parody was a powerful weapon in the culture wars of late-nineteenth-century England, and with defiantly in-your-face sophistication, Gilbert and Sullivan proved that popular culture can be intellectually as well as politically challenging.Carolyn Williams underscores Gilbert and Sullivan's creative and acute understanding of cultural formations. Her unique perspective shows how anxiety drives the troubled mind in the Lord Chancellor's "Nightmare Song" in Iolanthe and is vividly realized in the sexual and economic phrasing of the song's patter lyrics. The modern body appears automated and performative in the "Junction Song" in Thespis, anticipating Charlie Chaplin's factory worker in Modern Times. Williams also illuminates the use of magic in The Sorcerer, the parody of nautical melodrama in H.M.S. Pinafore, the ridicule of Victorian aesthetic and idyllic poetry in Patience, the autoethnography of The Mikado, the role of gender in Trial by Jury, and the theme of illegitimacy in The Pirates of Penzance. With her provocative reinterpretation of these artists and their work, Williams recasts our understanding of creativity in the late nineteenth century.
Gilbert and Sullivan: Gender, Genre, Parody
by Carolyn WilliamsLong before the satirical comedy of The Daily Show and The Colbert Report, the comic operas of Gilbert and Sullivan were the hottest send-ups of the day's political and cultural obsessions. Gilbert and Sullivan's productions always rose to the level of social commentary, despite being impertinent, absurd, or inane. Some viewers may take them straight, but what looks like sexism or stereotype was actually a clever strategy of critique. Parody was a powerful weapon in the culture wars of late nineteenth-century England, and with defiantly in-your-face sophistication, Gilbert and Sullivan proved popular culture could be intellectually as well as politically challenging. Carolyn Williams underscores Gilbert and Sullivan's creative and acute understanding of cultural formations. Anxiety drives the troubled mind in the "nightmare" patter song of Iolanthe and is vividly realized in the sexual and economic phrasing of Lord Chancellor's lyrics. The modern body appears automated and performative in the "railway" song of Thespis, mirroring Charlie Chaplin's factory worker in the film, Modern Times. Williams also illuminates the use of magic in The Sorcerer, the parody of nautical melodrama in H.M.S. Pinafore, the ridicule of Victorian poetry in Patience, the autoethnography of The Mikado, the role of gender in Trial by Jury, and the theme of illegitimacy in The Pirates of Penzance.
Gilbert and Sullivan Set Me Free
by Kathleen KarrIn prison, there are few secrets. But Libby Dodge, the youngest inmate, guards the nature of her crime from the other women, even as they openly recount their former lives as arsonists, thieves, and prostitutes.
Giorni Meravigliosi
by Antonio Morcillo Lopez Gilda LomonteSinossi Commedia sulla transizione politica della Catalogna. Un'opera teatrale sulla memoria. Sulla nostra memoria più recente e messa a tacere. Su quei tempi violenti e difficili e, quindi, indimenticabili. Una commedia su un gruppo di amici che vive in un paesino, un posto come tanti altri da cui osserva e partecipa al cambio storico, mentre cambiano le loro stesse vite. Un gruppo di amici che tenta di fare clandestinamente teatro in un freddo garage diroccato, mentre l'antico regime ha fine e gli eventi cominciano a trasformare la realtà politica, sociale ed emotiva delle loro esistenze. Opera basata sul romanzo "Dies Meravellosos" di Jordi Coca.
Girl
by Megan Mostyn-BrownA play about what it means to be a "girl" in this day and age. The girls in this play show great strength, revealing their vulnerabilities in language that is honest and extremely compelling. Split into three sections, the characters speak entirely in monologues (with some overlap), providing great material for auditions and monologue work.
The Girl Who Loved Camellias: The Life and Legend of Marie Duplessis
by Julie KavanaghFrom the author of Nureyev, the definitive biography of the celebrated Russian dancer, now comes the astonishing and unknown story of Marie Duplessis, the courtesan who inspired Alexandre Dumas fils's novel and play La dame aux camélias, Giuseppe Verdi's opera La Traviata, George Cukor's film Camille, and Frederick Ashton's ballet Marguerite and Armand. Sarah Bernhardt, Eleonora Duse, Greta Garbo, Isabelle Huppert, Maria Callas, Anna Netrebko, and Margot Fonteyn are just a few of the celebrated actors, singers, and dancers who have portrayed her. Drawing on new research, Julie Kavanagh brilliantly re-creates the short, intense, and passionate life of the tall, pale, slender girl who at thirteen fled her brute of a father and Normandy to go to Paris, where she would become one of the grand courtesans of the 1840s. France's national treasure, Alexandre Dumas père, was intrigued by her, his son became her lover, and Franz Liszt, too, fell under her spell. Quick to adapt an aristocratic mien, with elegant clothes, a coach, and a grand apartment, she entertained a salon of dandies, writers, and artists. Fascinating to both men and women, Marie, with her stylish outfits and signature camellias, was always a subject of great interest at the opera or at the Café de Paris, where she sat at the table of the director of the Paris Opéra, along with the director of the Théâtre Variétés, the infamous dancer Lola Montez, and others. Her early death at age twenty-three from tuberculosis created an outpouring of sympathy, noted by Charles Dickens, who wrote in February 1847: "For several days all questions political, artistic, commercial have been abandoned by the papers. Everything is erased in the face of an incident which is far more important, the romantic death of one of the glories of the demi-monde, the beautiful, the famous Marie Duplessis." With The Girl Who Loved Camellias, Kavanagh has written a compelling and poignant life of a nineteenth-century muse whose independent and modern spirit has timeless appeal.
The Girlfriend Act: Discover the swoony fake dating YA romance
by Safa Ahmed"Effortlessly charming and deeply moving, The Girlfriend Act has so much heart and humour" - Ann Liang, author of If You Could See The SunAspiring actress Farah Sheikh is tired of being in the background.Ex-child star Zayan Amin needs a break from the spotlight.And after a disastrous audition where she's told she doesn't "fit the aesthetic" for her university's play, Farah meets The Tragedies. A group of West London theatre kids rejected from the stage for similarly dubious reasons.Together, Farah and The Tragedies find themselves in the limelight and get the chance to perform. But, there's a catch. Recently disgraced child star, Zayan, will be involved.The deal: Zayan regains popularity via the publicity of his new romance, and in exchange, he'll star in (and more importantly, fund) a play for The Tragedies.Can Farah uphold her side of the bargain, and prove her critics wrong?"A heartfelt celebration of the communities we are born into and the families we choose for ourselves. A stunning debut with an everlasting impact." - Ananya Devarajan, author of Kismat Connection
Give My Swiss Chards to Broadway: The Broadway Lover's Cookbook
by Gideon Glick Adam D. RobertsAn exhilarating, pun-filled love letter to musicals, with 50 Broadway-inspired recipes. Good food and trivia and authors who sing—these are a few of our favorite things! Tony-nominated actor Gideon Glick and food writer Adam Roberts have teamed up to write the ultimate cookbook for theater lovers. This collection of musical-inspired recipes includes dishes like Yolklahoma!, Clafoutis and the Beast, Yam Yankees, Dear Melon Hansen, and more. And while readers are sure to be charmed by the names, the recipes themselves will have them sticking around for the food, glorious food! Thoughtfully assembled by two veritable Broadway experts, this book is sure to result in some enchanted eating. Each dish comes with a brief history of the show that inspired it, a summary of the plot, and “Listening Notes” chock-full of behind-the-scenes trivia. Complete with lively illustrations from celebrated theatrical illustrator Justin “Squigs” Robertson, Give My Swiss Chards to Broadway makes every meal feel like a night at the theater.
Giving and Taking Voice in Learning Disabled Theatre
by Tony McCaffreyGiving and Taking Voice in Learning Disabled Theatre offers unique insight into the question of ‘voice’ in learning disabled theatre and what is gained and lost in making performance. It is grounded in the author's 18 years of making theatre with Different Light Theatre company in Christchurch, New Zealand, and includes contributions from the artists themselves. This book draws on an extensive archive of performer interviews, recordings of rehearsal processes, and informal logs of travelling together and sharing experience. These accounts engage with the practical aesthetics of theatre-making as well as their much wider ethical and political implications, relevant to any collaborative process seeking to represent the under- or un-represented. Giving and Taking Voice in Learning Disabled Theatre asks how care and support can be tempered with artistic challenge and rigour and presents a case for how listening learning disabled artists to speech encourages attunement to indigenous knowledge and the cries of the planet in the current socio-ecological crisis. This is a vital and valuable book for anyone interested in learning disabled theatre, either as a performer, director, dramaturg, critic, or spectator.
Giving Voice: The Power of Theatre for Positive Change (ISSN)
by Carol J. MaplesThis book is a practical guide for using the power of theatre to address issues of oppression in areas such as race, ethnicity, LGBTQ+, gender, and sexual harassment.Giving Voice charts a roadmap for the process of establishing a troupe, including auditioning members, utilizing authentic source material, directing rehearsals, guiding mindful growth among troupe members, and facilitating an inclusive forum environment. Rooted in Augusto Boal’s Theatre of the Opressed and using the nationally recognized Missouri State University’s Giving Voice troupe as a model, this book provides guidance for customizing the program’s principles to meet the needs of your school, community, organization, or business. Giving Voice forums bring professional development to a new level. Applications include diversity and cultural awareness training in educational settings for students, staff, faculty, and administrators, as well as those in non-profit and for-profit organizations.This book provides a powerful and proven approach to creating a truly inclusive climate. It is a guidebook for accessible use in the secondary and university setting in theatre and performance studies. It has also been shown to be effective for businesses and other organizations.
Glamorgan & Other Plays
by Don NigroCollection of plays including: Fair Rosamund and Her Murderer; Give Us a Kiss and Show Us Your Knickers ; Glamorgan; Major Weir; Necropolis; Squirrels; The Weird Sisters; Within the Ghostly; Mansion's Labyrinth
The Glass Menagerie: Curriculum Unit (New Directions Book Ser.)
by Robert Bray Tennessee WilliamsNo play in the modern theatre has so captured the imagination and heart of the American public as Tennessee Williams's The Glass Menagerie. <P><P>Menagerie was Williams's first popular success and launched the brilliant, if somewhat controversial, career of our pre-eminent lyric playwright. <P>Since its premiere in Chicago in 1944, with the legendary Laurette Taylor in the role of Amanda, the play has been the bravura piece for great actresses from Jessica Tandy to Joanne Woodward, and is studied and performed in classrooms and theatres around the world. <P>The Glass Menagerie (in the reading text the author preferred) is now available only in its New Directions Paperbook edition. <P>A new introduction by prominent Williams scholar Robert Bray, editor of The Tennessee Williams Annual Review, reappraises the play more than half a century after it won the New York Drama Critics Circle Award: "More than fifty years after telling his story of a family whose lives form a triangle of quiet desperation, Williams's mellifluous voice still resonates deeply and universally." <P>This edition of The Glass Menagerie also includes Williams's essay on the impact of sudden fame on a struggling writer, "The Catastrophe of Success," as well as a short section of Williams's own "Production Notes." <P>The cover features the classic line drawing by Alvin Lustig, originally done for the 1949 New Directions edition.
Glencoe Exploring Theatre
by Nancy Prince Jeanie JacksonExploring Theatre focuses on the development of the total student, which includes developing personal resources, self-confidence, the ability to work well with others, and a life-long appreciation of theater; learning to bolster self-concepts, build an ensemble, observe people and places more closely, move expressively, and become more aware of the senses; learning basic acting skills such as improvisation, characterization, role preparation, and stage movement; exploring a range of career or avocational opportunities in theater and theater education; understanding the various aspects of the production process; and studying special topics such as storytelling, clowning, oral interpretation, readers theater, and puppetry. This text is an ideal introductory theater text for both middle and high school.
Glencoe Theatre: Art in Action
by Robert D. Taylor Robert D. StricklandTheatre: Art in Action teaches theater through hands-on performance-based exercises that have students assume the roles of actor, director, designer, technician, producer, stage crew, publicist, etc., to gain an appreciation for and understanding of theater as an art form, today and through history.
Glengarry Glen Ross (Mamet, David Ser.)
by David MametWinner of the 1984 Pulitzer Prize, David Mamet's scalding comedy is about small-time, cutthroat real esate salesmen trying to grind out a living by pushing plots of land on reluctant buyers in a never-ending scramble for their fair share of the American dream. Here is Mamet at his very best, writing with brutal power about the tough life of tough characters who cajole, connive, wheedle, and wheel and deal for a piece of the action -- where closing a sale can mean a brand new cadillac but losing one can mean losing it all. This masterpiece of American drama is now a major motion picture starring Al Pacino, Jack Lemmon, Alan Arkin, Alex Baldwain, Jonathan Pryce, Ed Harris, and Kevin Spacey.
Glimpses of the Moon
by Tajlei LevisMusicalCharacters: 3 male, 3 female, with doubling & optional guest starSet amid the whirl of 1922 Manhattan society, this sparkling comedy features a jazzy danceable score and a timeless romantic story. With plenty of friends but little money, Susy Branch and her friend Nick Lansing devise a clever scheme to live beyond their means. They'll marry and live off the wedding gifts, while they help one another secure more suitable millionaire spouses. The plan works perfectly - until they fall in love. "This is one of the best new musicals I've seen in ages... A well-crafted, witty musical comedy... a sparkling valentine to the Jazz Age." -Broadway World.com. "...Clever and intelligent... a droll comedy that makes a pleasant evening's diversion." -Variety. "It's an off-Broadway musical in the way that off-Broadway musicals used to be - derived from lofty literary works, and taking the high road in being smart." -Theatermania.com. "Glimpses of the Moon has already bested most of the current crop of musicals for civilized entertainment." -Broadwayworld.com/Showtime!"I loved it! ...a dizzy delight of a musical..." - Yahoo! Broadway.
Glitter and Concrete: A Cultural History of Drag in New York City
by Elyssa Maxx Goodman*NATIONAL BESTSELLER**A STONEWALL AWARD HONOR BOOK**The Millions Most Anticipated List of 2023**A Vogue Best LGBTQ+ Book of 2023*From journalist and drag historian Elyssa Maxx Goodman, an intimate, evocative history of drag in New York City exploring its dynamic role, from the Jazz Age to Drag Race, in queer liberation and urban lifeFrom the lush feather boas that adorned early female impersonators to the sequined lip syncs of barroom queens to the drag kings that have us laughing in stitches, drag has played a vital role in the creative life of New York City. But the evolution of drag in the city—as an art form, a community and a mode of liberation—has never before been fully chronicled.Now, for the first time, Elyssa Goodman unearths the dramatic, provocative untold story of drag in New York City in all its glistening glory. Glitter and Concrete ducks beneath the velvet ropes of Harlem Renaissance balls, examines drag&’s crucial role in the Stonewall Uprising, traces drag's influence on disco and punk rock as well as its unifying power during the AIDS crisis and 9/11, and culminates with the modern-day drag queen in the era of RuPaul&’s Drag Race.Including original interviews with high-profile performers, as well as glamorous color photos from exclusive sources and the author herself, Glitter and Concrete is a significant contribution to queer history and an essential read for anyone curious about the story that echoes beneath the heels."Deeply researched and featuring a cast of characters who can truly be described as fabulous, Glitter and Concrete is urban history on fire." —Thomas Dyja, author of New York, New York, New York
Global Climate Education and Its Discontents: Using Drama to Forge a New Way
by Kathleen Gallagher Christine BaltThis innovative and practical book offers pedagogical tools to show how drama can be used in educational settings to advance a relational, action-oriented, interdisciplinary, and creative climate education attuned to the social and emotional effects of the climate emergency. Based on a six-year ethnographic research study taking place with teachers, artists, community leaders, and young people globally, and taking its lead from the following provocation – can performance become a site for new imaginaries for socio-ecological justice? – the book explores the unique conceptual and pedagogical ‘discontents’ of climate education across geographically and culturally distinct sites of learning. It also examines how artful engagement through drama pedagogies can open up more collective, critical, and hopeful forms of thinking and being.The book is divided into two sections. The first part of the book, Local engagements and encounters, consists of chapters that conduct an in-depth appraisal of the local artistic work from each site, examining how matters of socio-ecological justice are given fresh urgency and complexity through the application of performance as pedagogy. The second part of the book, Pedagogical and artistic innovations, offers substantive praxis chapters on the drama-based pedagogical methods employed in the research. In these chapters, the world-building capacities of theatre-making offer up new, performative pedagogical orientations to the climate emergency beyond those of critique.Global Climate Education and Its Discontents: Using Drama to Forge a New Way is valuable reading for scholars interested in the ontological and epistemological dimensions of the climate emergency, especially within and across the following fields: drama, theatre and performance studies, applied theatre and drama education, educational research, and children/childhood and youth studies. The book also invites a readership of teachers and teacher-educators who are interested in applying drama pedagogies in the classroom to explore matters of socio-ecological justice and the climate crisis.
A Global Doll's House: Ibsen and Distant Visions (Palgrave Studies in Performance and Technology)
by Julie Holledge Jonathan Bollen Frode Helland Joanne TompkinsThis book addresses a deceptively simple question: what accounts for the global success of A Doll's House, Henrik Ibsen's most popular play? Using maps, networks, and images to explore the world history of the play's production, this question is considered from two angles: cultural transmission and adaptation. Analysing the play's transmission reveals the social, economic, and political forces that have secured its place in the canon of world drama; a comparative study of the play's 135-year production history across five continents offers new insights into theatrical adaptation. Key areas of research include the global tours of nineteenth-century actress-managers, Norway's soft diplomacy in promoting gender equality, representations of the female performing body, and the sexual vectors of social change in theatre.
Global Ibsen: Performing Multiple Modernities (Routledge Advances in Theatre & Performance Studies)
by Erika Fischer-LichteIbsen’s plays rank among those most frequently performed world-wide, rivaled only by Brecht, Chekhov, Shakespeare, and the Greek tragedies. By the time Ibsen died in 1906, his plays had already conquered the theaters of the Western world. Inviting rapturous praise as well as fierce controversy, they were performed in Europe, North America, and Australia, contributing greatly to the theater, culture, and social life of these continents. Soon after Ibsen’s death, his plays entered the stages of East Asia - Japan, China, Korea - as well as Africa and Latin America. . But while there exist countless studies on Ibsen the dramatist and the significance of his plays within different cultures written mainly by literary scholars, none of them examine the ways in which Ibsen's plays were performed, or the impact of such performances on the theater, social life, and politics of these cultures. In Global Ibsen, contributors look at the way performances of Ibsen's plays address problems typical to modern societies all over the world, including: the inferior social status of women, the decay of bourgeois family life and values, religious fundamentalism, industrial pollution and corporate cover-up, and/or the loss of and search for identity.
Global Insights on Theatre Censorship (Routledge Advances in Theatre & Performance Studies)
by Catherine O'Leary Diego Santos Sánchez Michael ThompsonTheatre has always been subject to a wide range of social, political, moral, and doctrinal controls, with authorities and social groups imposing constraints on scripts, venues, staging, acting, and reception. Focusing on a range of countries and political regimes, this book examines the many forms that theatre censorship has taken in the 20th century and continues to take in the 21st, arguing that it remains a live issue in the contemporary world. The book re-examines assumptions about prohibition and state control, and offers a more complex reading of theatre censorship as a continuum ranging from the unconscious self-censorship built into social structures and discursive practices, through bureaucratic regulation or unofficial influence, up to detention and physical violence. An international team of contributors offers an illuminating set of case studies informed by both new archival research and the first-hand experience of playwrights and directors, covering theatre censorship in areas such as Spain, Portugal, Brazil, Poland, East Germany, Nepal, Zimbabwe, the USA, Ireland, and Britain. Focusing on right-wing dictatorships, post-colonial regimes, communist systems and Western democracies, the essays analyze methods and discourses of censorship, identify the multiple agents involved, examine the responses of theatremakers, and show how each example reveals important features of its political and cultural contexts. Expanding understanding of the nature and effects of censorship, this volume affirms the power of theatre to challenge authorized discourses and makes a timely contribution to debates about freedom of expression through performance.
The Global White Snake (China Understandings Today)
by Liang LuoThe Global White Snake examines the Chinese White Snake legends and their extensive, multidirectional travels within Asia and across the globe. Such travels across linguistic and cultural boundaries have generated distinctive traditions as the White Snake has been reinvented in the Chinese, Japanese, Korean, and English-speaking worlds, among others. Moreover, the inter-Asian voyages and global circulations of the White Snake legends have enabled them to become repositories of diverse and complex meanings for a great number of people, serving as reservoirs for polyphonic expressions ranging from the attempts to consolidate authoritarian power to the celebrations of minority rights and activism. The Global White Snake uncovers how the White Snake legend often acts as an unsettling narrative of radical tolerance for hybrid sexualities, loving across traditional boundaries, subverting authority, and valuing the strange and the uncanny. A timely mediation and reflection on our contemporary moment of continued struggle for minority rights and social justice, The Global White Snake revives the radical anti-authoritarian spirit slithering under the tales of monsters and demons, love and lust, and reminds us of the power of the fantastic and the fabulous in inspiring and empowering personal and social transformations.
Globalisation, Commodification and Cultural Production in Africa: Contemporary Theatre in Sierra Leone (ENCATC Advances in Cultural Management and Policy)
by Kathrin SchmidtThis book engages with contemporary cultural production in Africa, focusing on theatre in Sierra Leone as main case study. The author provides coverage of, and insights into, such themes as cultural globalisation, commodification, the global creative economy, culture and development, international relations and contemporary cultural production in Sierra Leone within the context of local and global flows of people, media, images, technologies, finance and ideas. Combining the analysis of theatre in Sierra Leone and its aesthetics with its policy, structural and institutional context, this book highlights in much detail and nuance the interconnectedness between the micro- and the macro-levels of cultural production, between the local and the global, and between aesthetics, politics, policy, governance structures and institutions. This book links the particular findings from the author’s fieldwork to larger issues of contemporary local cultural production within the context of globalisation, commodification and decolonisation; adds a postcolonial perspective to existing theories and approaches to cultural production, management and policy, which is still largely missing from the existing discourse; and also contributes to addressing the gap in the knowledge about the context of contemporary cultural productions in diverse African contexts. This book will be particularly useful for both theatre scholars with an interest in the political economy of theatre and, more broadly, those seeking to understand the nuanced challenges and opportunities faced by policymakers, artists and arts managers to embrace the cultural and creative industries in this context. It also offers excellent insights for policymakers who wish to improve their understanding and interventions beyond superficial ‘best practice’ snippets and simplified ‘success stories’.