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Globe Education Shorter Shakespeare: Romeo and Juliet
by Globe EducationGet straight to the heart of Shakespeare's Romeo and Juliet; students' confidence and understanding develop faster as they explore the plot, themes and Shakespeare's language, which is supported throughout this abridged play text from Globe Education.This title:- Reduces the length of the play by a third, while preserving the intricacies of the plot, enabling students to engage with the whole story in the class time available- Builds understanding of Shakespeare's language by providing a detailed glossary alongside the text for quick and easy reference, plus a range of language-focused activities- Offers a tried-and-tested approach to introducing Shakespeare, based on Globe Education's shortened 'Playing Shakespeare' productions that have been seen and appreciated by over 150,000 students- Helps students form their own personal responses to Shakespeare's Romeo and Juliet, stimulated by stunning photographs from Globe productions and questions that reflect on context, characters and themes- Lays the foundations for GCSE success by including activities that target the skills needed for the assessment objectivesFree teacher supportShorter Shakespeare: Romeo and Juliet is supported by free online teaching resources for each scene:- Teaching notes with guidance on how to approach the scene - Practical group activities to use in the classroom- Questions on language, context, themes, character and performance - Web links to extra resources including photographs from Globe productions, interviews with actors and contextual informationThis title is also accompanied by 10 video clips from Globe Education's shortened 'Playing Shakespeare' production of Romeo and Juliet.
Globe Education Shorter Shakespeare: Macbeth
by Globe EducationGet straight to the heart of Shakespeare's Macbeth; students' confidence and understanding develop faster as they explore the plot, themes and Shakespeare's language, which is supported throughout this abridged play text from Globe Education.This title:- Reduces the length of the play by a third, while preserving the intricacies of the plot, enabling students to engage with the whole story in the class time available- Builds understanding of Shakespeare's language by providing a detailed glossary alongside the text for quick and easy reference, plus a range of language-focused activities- Offers a tried-and-tested approach to introducing Shakespeare, based on Globe Education's shortened 'Playing Shakespeare' productions that have been seen and appreciated by over 150,000 students- Helps students form their own personal responses to Shakespeare's Macbeth, stimulated by stunning photographs from Globe productions and questions that reflect on context, characters and themes- Lays the foundations for GCSE success by including activities that target the skills needed for the assessment objectivesFree teacher supportShorter Shakespeare: Macbeth is supported by free online teaching resources for each scene:- Teaching notes with guidance on how to approach the scene - Practical group activities to use in the classroom- Questions on language, context, themes, character and performance - Web links to extra resources including photographs from Globe productions, interviews with actors and contextual informationThis title is also accompanied by 10 video clips from Globe Education's shortened 'Playing Shakespeare' production of Macbeth.
Globe Education Shorter Shakespeare: Twelfth Night
by Globe EducationGet straight to the heart of Shakespeare's Twelfth Night; students' confidence and understanding develop faster as they explore the plot, themes and Shakespeare's language, which is supported throughout this abridged play text from Globe Education.This title:- Reduces the length of the play by a third, while preserving the intricacies of the plot, enabling students to engage with the whole story in the class time available- Builds understanding of Shakespeare's language by providing a detailed glossary alongside the text for quick and easy reference, plus a range of language-focused activities- Offers a tried-and-tested approach to introducing Shakespeare, based on Globe Education's shortened 'Playing Shakespeare' productions that have been seen and appreciated by over 150,000 students- Helps students form their own personal responses to Shakespeare's Twelfth Night, stimulated by stunning photographs from Globe productions and questions that reflect on context, characters and themes- Lays the foundations for GCSE success by including activities that target the skills needed for the assessment objectivesFree teacher supportShorter Shakespeare: Twelfth Night is supported by free online teaching resources for each scene:- Teaching notes with guidance on how to approach the scene - Practical group activities to use in the classroom- Questions on language, context, themes, character and performance - Web links to extra resources including photographs from Globe productions, interviews with actors and contextual informationThis title is also accompanied by 10 video clips from Globe Education's shortened 'Playing Shakespeare' production of Twelfth Night.
Globe Education Shorter Shakespeare: Macbeth
by Globe EducationExam Board: AQA, Edexcel, OCR & WJECLevel: KS3Subject: EnglishFirst Teaching: September 2015First Exam: June 2018Get straight to the heart of Shakespeare's Macbeth; students' confidence and understanding develop faster as they explore the plot, themes and Shakespeare's language, which is supported throughout this abridged play text from Globe Education.This title:- Reduces the length of the play by a third, while preserving the intricacies of the plot, enabling students to engage with the whole story in the class time available- Builds understanding of Shakespeare's language by providing a detailed glossary alongside the text for quick and easy reference, plus a range of language-focused activities- Offers a tried-and-tested approach to introducing Shakespeare, based on Globe Education's shortened 'Playing Shakespeare' productions that have been seen and appreciated by over 150,000 students- Helps students form their own personal responses to Shakespeare's Macbeth, stimulated by stunning photographs from Globe productions and questions that reflect on context, characters and themes- Lays the foundations for GCSE success by including activities that target the skills needed for the assessment objectivesFree teacher supportShorter Shakespeare: Macbeth is supported by free online teaching resources for each scene:- Teaching notes with guidance on how to approach the scene - Practical group activities to use in the classroom- Questions on language, context, themes, character and performance - Web links to extra resources including photographs from Globe productions, interviews with actors and contextual informationThis title is also accompanied by 10 video clips from Globe Education's shortened 'Playing Shakespeare' production of Macbeth.
Globe Education Shorter Shakespeare: A Midsummer Night's Dream
by Globe EducationExam Board: Non-SpecificLevel: KS3Subject: EnglishFirst Teaching: September 2015First Exam: Summer 2018Get straight to the heart of Shakespeare's A Midsummer Night's Dream; students' confidence and understanding develop faster as they explore the plot, themes and Shakespeare's language, which is supported throughout this abridged play text from Globe Education.This title:- Reduces the length of the play by a third, while preserving the intricacies of the plot, enabling students to engage with the whole story in the class time available- Builds understanding of Shakespeare's language by providing a detailed glossary alongside the text for quick and easy reference, plus a range of language-focused activities- Offers a tried-and-tested approach to introducing Shakespeare, based on Globe Education's shortened 'Playing Shakespeare' productions that have been seen and appreciated by over 150,000 students- Helps students form their own personal responses to Shakespeare's A Midsummer Night's Dream, stimulated by stunning photographs from Globe productions and questions that reflect on context, characters and themes- Lays the foundations for GCSE success by including activities that target the skills needed for the assessment objectivesFree teacher supportShorter Shakespeare: A Midsummer Night's Dream is supported by free online teaching resources for each scene:- Teaching notes with guidance on how to approach the scene - Practical group activities to use in the classroom- Questions on language, context, themes, character and performance - Web links to extra resources including photographs from Globe productions, interviews with actors and contextual informationThis title is also accompanied by 10 video clips from Globe Education's shortened 'Playing Shakespeare' production of A Midsummer Night's Dream.
Globe Education Shorter Shakespeare: Romeo and Juliet
by Globe EducationExam Board: Non-SpecificLevel: KS3Subject: EnglishFirst Teaching: September 2015First Exam: Summer 2018Get straight to the heart of Shakespeare's Romeo and Juliet; students' confidence and understanding develop faster as they explore the plot, themes and Shakespeare's language, which is supported throughout this abridged play text from Globe Education.This title:- Reduces the length of the play by a third, while preserving the intricacies of the plot, enabling students to engage with the whole story in the class time available- Builds understanding of Shakespeare's language by providing a detailed glossary alongside the text for quick and easy reference, plus a range of language-focused activities- Offers a tried-and-tested approach to introducing Shakespeare, based on Globe Education's shortened 'Playing Shakespeare' productions that have been seen and appreciated by over 150,000 students- Helps students form their own personal responses to Shakespeare's Romeo and Juliet, stimulated by stunning photographs from Globe productions and questions that reflect on context, characters and themes- Lays the foundations for GCSE success by including activities that target the skills needed for the assessment objectivesFree teacher supportShorter Shakespeare: Romeo and Juliet is supported by free online teaching resources for each scene:- Teaching notes with guidance on how to approach the scene - Practical group activities to use in the classroom- Questions on language, context, themes, character and performance - Web links to extra resources including photographs from Globe productions, interviews with actors and contextual informationThis title is also accompanied by 10 video clips from Globe Education's shortened 'Playing Shakespeare' production of Romeo and Juliet.
The Globe Guide to Shakespeare: The Plays, the Productions, the Life
by Andrew DicksonIn celebration of the 400th anniversary of Shakespeare's death and fully endorsed by Shakespeare's Globe Theatre, this is the ultimate guide to the life and work of the world's greatest playwright. With full coverage of the thirty-nine Shakespearian plays (including a synopsis, full character list, stage history, and a critical essay for each), this comprehensive guide is both a quick reference and an in-depth background guide for theatre goers, students, film buffs, and lovers of literature. Along with an exploration of the Bard's sonnets and narrative poems, The Globe Guide to Shakespeare features fascinating accounts of Shakespeare's life and the Globe Theater itself, with colorful details about each play's original performance. This comprehensive guide includes up-to-date reviews of the best films and audio recordings of each play, from Laurence Olivier to Baz Luhrmann, Kozintsev to Kurosawa. The Globe Guide to Shakespeare is the quintessential celebration of all things Shakespearian.
Gloria's Guy
by Joan BurrowsIt’s been over twenty years since Guy ditched his high-school sweetheart Gloria at the prom, and they haven’t spoken since. Now he’s a failed LA lawyer, divorced, and working at his brother’s resort in the Muskokas. When a wedding conveniently brings Gloria to the resort for a weekend, Guy is determined to keep his distance. But their high-school friends Eva, Leslie, and Peggy, and Peggy’s mom Jessie—the crew’s former teacher—decide to play matchmakers and reconnect the long-split pair. Between the reunion of old friends, each with their own surprises, Gloria and Guy are pushed together, learning the power of forgiveness, the warmth of opening up to someone, and the possibilities of a rewritten future.
Gnit
by Will Eno"The marvel of Mr. Eno's new version is how closely it tracks the original while also being of the very moment and an unmistakably Will Eno play. After climbing the craggy peaks of Ibsen's daunting play, Mr. Eno has brought down from its dizzying heights a surprising crowd-pleasing (if still strange) work." - Charles Isherwood, New York Times"Gnit is classic Will Eno. By that I mean I was thrilled by it." - TimeOut Chicago"If ever a play made me want to be a better person, this is it." - Bob Fischbach, Omaha World-HeraldPeter Gnit, a funny enough, but so-so specimen of humanity, makes a lifetime of bad decisions on the search for his True Self. This is a rollicking yet cautionary tale about (among other things) how the opposite of love is laziness. Gnit is a faithful, unfaithful and willfully American misreading of Henrik Ibsen's Peer Gynt (a nineteenth-century Norwegian play), written by Will Eno, who has never been to Norway.Will Eno's most recent plays include The Open House (Signature Theatre, New York, 2014; Obie Award, Lucille Lortel Award for Best Play) and The Realistic Joneses (Yale Repertory Theatre, New Haven, 2012; Broadway, 2014). His play Middletown received the Horton Foote Prize and Thom Pain (based on nothing) was a finalist for the 2005 Pulitzer Prize. Mr. Eno lives Brooklyn.
Go Back for Murder
by Agatha ChristieDrama / 6m,4f / Unit Set. Imprisoned for poisoning her husband fifteen years earlier, Caroline Crale finds herself at death's door, and writes a letter expressing her undeniable innocence to her daughter Carla. Carla, aided by Justin Fogg - a former admirer of Caroline - persuades those present on the day of her father's death to return to the scene of the crime. When the witnesses reassemble, Fogg discovers the identity of the true murderer, and Carla discovers her true feelings for Fogg
The Goat, or Who Is Sylvia?: Broadway Edition
by Edward Albee“Four decades after Virginia Woolf sent shock waves through the mainstream theatre, Mr. Albee still asks questions that no other major American dramatist dares to ask." –Ben Brantley, The New York Times Three-time Pulitzer Prize-winner Edward Albee’s most provocative, daring, and controversial play since Who's Afraid of Virginia Woolf, The Goat won all the major awards for best new play of the year (Tony, New York Drama Critics Circle, Drama Desk, and Outer Critics Circle). In the play, Martin-a hugely successful architect who has just turned fifty-leads an ostensibly ideal life with his loving wife and gay teenage son. But when he confides to his best friend that he is also in love with a goat (named Sylvia), he sets in motion events that will destroy his family and leave his life in tatters. The playwright himself describes it this way: “Every civilization sets quite arbitrary limits to its tolerances. The play is about a family that is deeply rocked by an unimaginable event and how they solve that problem. It is my hope that people will think afresh about whether or not all the values they hold are valid.”
The Goat, or Who Is Sylvia?: Broadway Edition
by Edward Albee"Four decades after Virginia Woolf sent shock waves through the mainstream theatre, Mr. Albee still asks questions that no other major American dramatist dares to ask." -Ben Brantley, The New York Times Three-time Pulitzer Prize-winner Edward Albee's most provocative, daring, and controversial play since Who's Afraid of Virginia Woolf, The Goat won all the major awards for best new play of the year (Tony, New York Drama Critics Circle, Drama Desk, and Outer Critics Circle). In the play, Martin-a hugely successful architect who has just turned fifty-leads an ostensibly ideal life with his loving wife and gay teenage son. But when he confides to his best friend that he is also in love with a goat (named Sylvia), he sets in motion events that will destroy his family and leave his life in tatters. The playwright himself describes it this way: "Every civilization sets quite arbitrary limits to its tolerances. The play is about a family that is deeply rocked by an unimaginable event and how they solve that problem. It is my hope that people will think afresh about whether or not all the values they hold are valid."
The Goat or Who is Sylvia?
by Edward AlbeeOn his 50th birthday, Martin, a world-famous architect prepares for a recorded interview by an old friend in the TV business; but in the course of the conversation a secret emerges that threatens to turn celebration to tragedy. The Goat is hugely enjoyable parable that plumbs the deepest questions of social constraints on the individual expression of love. "My plays are an examination of the American Scene, an attack on the substitution of artificial for real values in our society, a condemnation of complacency, cruelty and emasculation and vacuity, a stand against the fiction that everything in this slipping land of ours is peachy keen" - Edward Albee Winner of the 2001 Tony Award for Best Play Shortlisted for the Pulitzer Prize for Drama, 2002
Goblin Secrets
by William AlexanderA boy joins a theatrical troupe of goblins to find his missing brother.In the town of Zombay, there is a witch named Graba who has clockwork chicken legs and moves her house around--much like the fairy tale figure of Baba Yaga. Graba takes in stray children, and Rownie is the youngest boy in her household. Rownie's only real relative is his older brother Rowan, who is an actor. But acting is outlawed in Zombay, and Rowan has disappeared.Desperate to find him, Rownie joins up with a troupe of goblins who skirt the law to put on plays. But their plays are not only for entertainment, and the masks they use are for more than make-believe. The goblins also want to find Rowan--because Rowan might be the only person who can save the town from being flooded by a mighty river.This accessible, atmospheric fantasy takes a gentle look at love, loss, and family while delivering a fast-paced adventure that is sure to satisfy.<P><P> Winner of the National Book Award
God: A Comedy In One Act
by Woody AllenSet in an empty Greek amphitheater, this mad play within a play switches back and forth between ancient Athens and modern Broadway. A Greek actor and a writer are discussing how to end a play. Actors, including Doris Levine from Great Neck, Blanche DuBois, and Groucho Marx, pop out of the audience. Peppered with metaphysical and philosophical questions, the play skids along farcically until the actor and writer conclude that it lacks a beginning as well as an end.
God and the Indian
by Drew Hayden TaylorWhile panhandling outside a coffee shop, Johnny, a Cree woman, is shocked to recognize a face from her childhood, which was spent in a Native American boarding school. Desperate to hear him acknowledge the terrible abuse inflicted on her and other children at the school, Johnny follows Anglican assistant bishop George King to his office to confront him.Ojibway writer Drew Hayden Taylor is the author of twenty-one publications. Hailed by the Montreal Gazette as one of Canada's leading Native dramatists, he writes for the screen and the stage, and contributes regularly to national newspapers.
A God in Need of Help
by Sean DixonIt's 1606 and Europe is at war over God. At the behest of the Holy Roman Emperor, Rudolf II, Venice's four strongest men are charged with transporting a holy painting -- Albrecht Dürer's The Brotherhood of the Rosary -- across the Alps to Prague. In the small Alpine village of Pusterwald, they are set upon by Protestant zealots; their escape is attributed to a miracle. The strongmen and their captain are summoned to an inquiry, led by the magistrate of Venice and the cardinal archbishop of Milan, to determine whether something divine did indeed occur. Each man's recounting adds a layer of colour to the canvas. Through this vividly painted mystery, inspired by true events, Sean Dixon challenges the role of faith at the dawn of the Age of Reason.
The God of Ecstasy: Sex-roles and the Madness of Dionysos
by Arthur EvansOffers a new interpretation of Dionysian tragedy, analyzes Euripides' play, The Bacchae, and looks at what the play implies about the roles of men and women in society.
The God of Gods: A Critical Edition (Canadian Literature Collection)
by Carroll AikinsCarroll Aikins’s play The God of Gods (1919) has been out of print since its first and only edition in 1927. This critical edition not only revives the work for readers and scholars alike, it also provides historical context for Aikins’s often overlooked contributions to theatre in the 1920s and presents research on the different staging techniques in the play’s productions. Much of the play’s historical significance lies in Aikins’s vital role in Canadian theatre, as director of the Home Theatre in British Columbia (1920–22) and artistic director of Toronto’s Hart House Theatre (1927–29). Wright reveals The God of Gods as a modernist Canadian work with overt influences from European and American modernisms. Aikins’s work has been compared to European modernists Gordon Craig, Adolphe Appia, and Jacques Copeau. Importantly, he was also intimately connected with modernist Canadian artists and the Group of Seven (who painted the scenery for Hart House Theatre). The God of Gods contributes to current studies of theatrical modernism by exposing the primitivist aesthetics and theosophical beliefs promoted by some of Canada’s art circles at the turn of the twentieth century. Whereas Aikins is clearly progressive in his political critique of materialism and organized religion, he presents a conservative dramatization of the noble savage as hero. The critical introduction examines how The God of Gods engages with Nietzschean and theosophical philosophies in order to dramatize an Aboriginal lover-artist figure that critiques religious idols, materialism, and violence. Ultimately, The God of Gods offers a look into how English and Canadian theatre audiences responded to primitivism, theatrical modernism, and theosophical tenets during the 1920s.
The God of Hell: A Play
by Sam ShepardPulitzer Prize winner Sam Shepard's latest play is an uproarious, brilliantly provocative farce that brings the gifts of a quintessentially American playwright to bear on the current American dilemma.Frank and Emma are a quiet, respectable couple who raise cows on their Wisconsin farm. Soon after they agree to put up Frank's old friend Haynes, who is on the lam from a secret government project involving plutonium, they're visited by Welch, an unctuous government bureaucrat from hell. His aggressive patriotism puts Frank, Emma, and Haynes on the defensive, transforming a heartland American household into a scene of torture and promoting a radioactive brand of conformity with a dangerously long half life.From the Trade Paperback edition.
The God Of Isaac
by James ShermanAll Groups \ Comedy \ 3 m., 3 f., to play var. roles. \ Unit set. \ This hilarious and heartwarming play by the author of Beau Jest tells the story of a young man in search of spiritual identity. Isaac begins by informing the audience that "things may go a little differently tonight because my mother is in the audience" and, from the audience, his mother becomes a persistent presence in the play. Isaac tells how he learned about the threatened Neo Nazi demonstration in Skokie and he wonders how if this incident should concern him as an American Jew. Various characters that he encounters in funny and touching scenes offer a confounding array of possible positions to adopt and two women significantly affect the path of his journey. Intermittently, Isaac illustrates his inner conflict with fantastical parodies of old movies. \ "Hilarious, shrewd and touching." Chicago Sun Times.
The God of Vengeance
by Sholem AschB B C correspondent David Mazower (Sholem Asch’s great-grandson) described THE GOD OF VENGEANCE as “admired, translated, parodied, panned, banned, prosecuted, withdrawn, forgotten, revived, celebrated.” An international sensation after its 1907 world premiere in Berlin at Max Reinhard’s Deutsches Theater, Asch’s play quickly became the first Yiddish drama performed in translation across Europe and America. Notoriety was a key part of its success. Nearly every production sparked some level of controversy due to the script’s conflicting themes of hypocrisy and religious faith, rebellion and tradition, its brothel setting, graphic domestic violence, “gutter poetry” reminiscent of Wedekind, and an unprecedented erotic scene of lesbian seduction. This pre-Holocaust drama is today circumscribed by a very different post-Holocaust world, but THE GOD OF VENGEANCE remains one of the great urban dramas of the Yiddish Theatre repertoire.
God of Vengeance
by Sholom Asch Donald MarguliesDonald Margulies offers up a vivid new adaptation of Sholom Asch's 1906 Yiddish melodrama, reset on the Lower East Side of New York at the turn of the century. The original English language edition first appeared on Broadway in 1923, but was closed down and the cast arrested for its portrayal of a lesbian love affair on stage."Teasing out the pesky questions of spirit, love, family and commerce at the heart of Asch's play, Margulies has achieved crossover success, making God of Vengeance a profoundly American play."--Alisa Solomon, Village Voice Sholom Asch was a noted Yiddish novelist and playwright.Donald Margulies is the Pulitzer Prize-winning author of Dinner with Friends. His other work includes Collected Stories and Sight Unseen.
God Said This (Yale Drama Series)
by Leah Nanako WinklerThe 2018 winner of the Yale Drama Series competition is a riveting exploration of family and death Set in Kentucky, this compelling drama centers around a Japanese-American family reunited as their matriarch undergoes cancer treatment. The father, James, is a recovering alcoholic seeking redemption, and the two daughters are struggling to overcome their differences—Sophie is an ardent born-again Christian, while Hiro lives a single’s life in New York City. John, an old high school classmate of Hiro’s who is now a single dad, worries about leaving a legacy for his son. Wry and bittersweet, God Said This vividly captures the complexities of a familial reconciliation in the throes of crisis and looks deeply at the meaning of family—Japanese, Southern, and otherwise. This is the first Yale Drama Series winner chosen by Pulitzer prize–winning playwright Ayad Akhtar, who describes the play as conveying “a deeply felt sense of the universal—of the perfection of our parents’ flawed love for each other and for us; for the ways in which the approach of death can order the meaning of a human life.”