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Green Grow The Lilacs
by Lynn RiggsThis evocative play charting the rocky romance between headstrong farmgirl Laurey and cocky cowhand Curley in a tale of early America during the settlement of the midwest was the basis of the classic Rodgers and Hammerstein musical Oklahoma! Using the colorful vernacular of the period, Green Grow the Lilacs paints a picture of pioneer farmlife with colorful characters and language, presenting a dramatic challenge to professionals and amateurs alike.
The Green Line | خطّ التماس
by Makram AyacheA poetic, heartbreaking story of intergenerational queer history in Lebanon, The Green Line weaves together civil war Beirut with a contemporary nightclub, following one family’s journey to discover their past.In the present day, Rami, a twentysomething queer Lebanese Canadian, has returned to the Lebanese mountains to bury his father. To cope with the weight of his grief, Rami, carrying a necklace in the shape of a phoenix left to him by his father, finds himself in a queer Beirut nightclub, where he catches the attention of a powerful drag queen named Fifi, who just so happens to be dressed as a phoenix.In 1978, in the midst of the Lebanese Civil War, Naseeb is attempting to get himself and his sister Mona out of Beirut and into the safety of the mountains. Mona, however, is secretly in love with her classmate, a woman named Yara, and refuses to leave the city. When Naseeb becomes swept up with the descending political culture of the war around him, he creates a rift between himself and Mona greater than the line that divides the country itself.
The Green Table: The Labanotation Score, Text, Photographs, and Music
by Ann Hutchinson Guest* Score, photographs, and production details of one of this century's best-loved ballets * Includes rare archival material * Packaged with audio CD This work brings together the complete dance score of The Green Table--one of the most famous ballets of the 20th century--in Labanotation, along with music notation for the piano accompaniment and a complete recording of the accompaniment on CD. It also includes several essays about the work and its genesis, and many historic production photographs. This book is an important item for all colleges with dance programs to own in their libraries and for scholars interested in the study of contemporary dance.
Greenwich Village 1963: Avant-Garde Performance and the Effervescent Body
by Sally BanesThe year was 1963 and from Birmingham to Washington, D.C., from Vietnam to the Kremlin to the Berlin Wall, the world was in the throes of political upheaval and historic change. But that same year, in New York's Greenwich Village, another kind of history and a different sort of politics were being made. This was a political history that had nothing to do with states or governments or armies--and had everything to do with art. And this is the story that Sally Banes tells, a year in the life of American culture, a year that would change American life and culture forever. It was in 1963, as Banes's book shows us, that the Sixties really began. A leading writer on cultural history, Banes draws a vibrant portrait of the artists and performers who gave the 1963 Village its exhilarating force, the avant-garde whose interweaving of public and private life, work and play, art and ordinary experience, began a wholesale reworking of the social and cultural fabric of America. Among these young artists were many who went on to become acknowledged masters in their fields, including Andy Warhol, John Cage, Yoko Ono, Yvonne Rainer, Lanford Wilson, Sam Shepard, Brian de Palma, Harvey Keitel, Kate Millet, and Claes Oldenburg. In live performance--Off-Off Broadway theater, Happenings, Fluxus, and dance--as well as in Pop Art and underground film, we see this generation of artists laying the groundwork for the explosion of the counterculture in the late 1960s and the emergence of postmodernism in the 1970s. Exploring themes of community, freedom, equality, the body, and the absolute, Banes shows us how the Sixties artists, though shaped by a culture of hope and optimism, helped to galvanize a culture of criticism and change. As 1963 came to define the Sixties, so this vivid account of the year will redefine a crucial generation in recent American history.
Greetings!
by Tom DudzickComedy / 3m, 2f / Andy has a sweet Catholic mother, a sour Catholic father and a severely retarded younger brother named Mickey. When he brings his Jewish atheist fiance to meet the folks on Christmas Eve, his worst fears about family blow ups are realized. But Mickey, whose entire vocabulary is "oh boy" and "wow," suddenly says "Greetings!" An ancient, wise and witty spirit who is set upon healing the family has borrowed Mickey's body. Though a play for all seasons, Greetings! is ideal for groups wanting something special to put on at Christmas/Hanukkah time. The Off Broadway production starred Darren McGavin and Gregg Edelman.
Grief Lessons: Four Plays by Euripides
by Anne Carson Eurípides<p>Euripides, the last of the three great tragedians of ancient Athens, reached the height of his renown during the disastrous Peloponnesian War, when democratic Athens was brought down by its own outsized ambitions. “Euripides,” the classicist Bernard Knox has written, “was born never to live in peace with himself and to prevent the rest of mankind from doing so.” His plays were shockers: he unmasked heroes, revealing them as foolish and savage, and he wrote about the powerless–women and children, slaves and barbarians–for whom tragedy was not so much exceptional as unending. Euripides’ plays rarely won first prize in the great democratic competitions of ancient Athens, but their combustible mixture of realism and extremism fascinated audiences throughout the Greek world. In the last days of the Peloponnesian War, Athenian prisoners held captive in far-off Sicily were said to have won their freedom by reciting snatches of Euripides’ latest tragedies. <p>Four of those tragedies are presented here in new translations by the contemporary poet and classicist Anne Carson. They are Herakles, in which the hero swaggers home to destroy his own family; Hekabe, set after the Trojan War, in which Hektor’s widow takes vengeance on her Greek captors; Hippolytos, about love and the horror of love; and the strange tragic-comedy fable Alkestis, which tells of a husband who arranges for his wife to die in his place. The volume also contains brief introductions by Carson to each of the plays along with two remarkable framing essays: “Tragedy: A Curious Art Form” and “Why I Wrote Two Plays About Phaidra.”</p>
Gross Indecency: The Three Trials of Oscar Wilde
by Moises KaufmanA theatrical depiction of the Oscar Wilde trials that took place in the late 1800s. The famous playwright and renowned wit was publicly tried for his rumoured relationship with Lord Alfred Douglas. His sentencing shaped society's view of homosexuality as a criminal act.
The Grotesque in Contemporary Anglophone Drama
by Ondřej PilnýGrotesque features have been among the chief characteristics of drama in English since the 1990s. This new book examines the varieties of the grotesque in the work of some of the most original playwrights of the last three decades (including Enda Walsh, Philip Ridley, Tim Crouch and Suzan-Lori Parks), focusing in particular on ethical and political issues that arise from the use of the grotesque.
The Grotowski Sourcebook (Worlds of Performance)
by Richard Schechner Lisa Wolford WylamThis acclaimed volume is the first to provide a comprehensive overview of Jerzy Grotowski's long and multi-faceted career. It is essential reading for anyone interested in Grotowski's life and work.Edited by the two leading experts on Grotowski, the sourcebook features:*essays from the key performance theorists who worked with Grotowski, including Eugenio Barba, Peter Brook, Jan Kott, Eric Bentley, Harold Clurman, and Charles Marowitz*writings which trace every phase of Grotowski's career from his 'theatre of production' to 'objective drama' and 'art as vehicle'*a wide-ranging collection of Grotowski's own writings, plus an interview with his closest collaborator and 'heir', Thomas Richards*an array of photographs documenting Grotowski and his followers in action*a historical-critical study of Grotowski by Richard Schechner.
Grotowski, Women, and Contemporary Performance: Meetings with Remarkable Women (Routledge Advances in Theatre & Performance Studies)
by Virginie MagnatAs the first examination of women's foremost contributions to Jerzy Grotowski's cross-cultural investigation of performance, this book complements and broadens existing literature by offering a more diverse and inclusive re-assessment of Grotowski's legacy, thereby probing its significance for contemporary performance practice and research. Although the particularly strenuous physical training emblematic of Grotowski's approach is not gender specific, it has historically been associated with a masculine conception of the performer incarnated by Ryszard Cieslak in The Constant Prince, thus overlooking the work of Rena Mirecka, Maja Komorowska, and Elizabeth Albahaca, to name only the leading women performers identified with the period of theatre productions. This book therefore redresses this imbalance by focusing on key women from different cultures and generations who share a direct connection to Grotowski's legacy while clearly asserting their artistic independence. These women actively participated in all phases of the Polish director’s practical research, and continue to play a vital role in today's transnational community of artists whose work reflects Grotowski's enduring influence. Grounding her inquiry in her embodied research and on-going collaboration with these artists, Magnat explores the interrelation of creativity, embodiment, agency, and spirituality within their performing and teaching. Building on current debates in performance studies, experimental ethnography, Indigenous research, global gender studies, and ecocriticism, the author maps out interconnections between these women's distinct artistic practices across the boundaries that once delineated Grotowski's theatrical and post-theatrical experiments.
Grounds for Play: The Nautanki Theatre of North India
by Kathryn HansenThe nautanki performances of northern India entertain their audiences with often ribald and profane stories. Rooted in the peasant society of pre-modern India, this theater vibrates with lively dancing, pulsating drumbeats, and full-throated singing. In Grounds for Play, Kathryn Hansen draws on field research to describe the different elements of nautanki performance: music, dance, poetry, popular story lines, and written texts. She traces the social history of the form and explores the play of meanings within nautanki narratives, focusing on the ways important social issues such as political authority, community identity, and gender differences are represented in these narratives.Unlike other styles of Indian theater, the nautanki does not draw on the pan-Indian religious epics such as the Ramayana or the Mahabharata for its subjects. Indeed, their storylines tend to center on the vicissitudes of stranded heroines in the throes of melodramatic romance. Whereas nautanki performers were once much in demand, live performances now are rare and nautanki increasingly reaches its audiences through electronic media—records, cassettes, films, television. In spite of this change, the theater form still functions as an effective conduit in the cultural flow that connects urban centers and the hinterland in an ongoing process of exchange.
The Group Theatre
by Helen Krich Chinoy Don B. Wilmeth Milly S. BarrangerThe Group Theatre , a groundbreaking ensemble collective, started the careers of many top American theatre artists of the twentieth century and founded what became known as Method Acting. This book is the definitive history, based on over thirty years of research and interviews by the foremost theatre scholar of the time period, Helen Chinoy.
Growing Up Fisher: Musings, Memories, & Misadventures
by Joely FisherActress, director, entertainer Joely Fisher's touching, down-to-earth memoir filled with incredible, candid stories about her life, her famous parents, and how the loss of her unlikely hero, sister Carrie Fisher, ignited the writer in her.Growing up in an iconic Hollywood Dynasty, Joely Fisher knew a show business career was her destiny. The product of world-famous crooner Eddie Fisher and ’60s sex kitten Connie Stevens, she struggled with her own identity and place in the world on the way to a decades-long career as an acclaimed actress, singer, and director. Now, Joely shares her unconventional coming of age and stories of the family members and co-stars dearest to her heart, while stripping bare her own misadventures. In Growing Up Fisher, she recalls the beautifully bizarre twist of fate by which she spent a good part of her childhood next door to Debbie Reynolds. She speaks frankly about the realities of Hollywood—the fame and fortune, the constant scrutiny. Throughout, she celebrates the anomaly of a two-decade marriage in the entertainment industry, and the joys and challenges of parenting five children, while dishing on what it takes to survive and thrive in the unrelenting glow of celebrity. She speaks frankly about how the loss of her sister Carrie Fisher became a source of artistic inspiration. Fisher’s memoir, with never-before-seen photos, will break and warm your heart.
Gruesome Playground Injuries; Animals Out of Paper; Bengal Tiger at the Baghdad Zoo: Three Plays
by Rajiv JosephRajiv Joseph is one of today's most acclaimed young playwrights. The winner of numerous awards, including an NEA Award for Best Play and a Whiting Writers Award, he is an artist to watch. This volume gathers together for the first time his three major works to date. Included herein are his latest play, Gruesome Playground Injuries, which charts the intersection of two lives using scars, wounds, and calamity as the mile markers to explore why people hurt themselves to gain another's love and the cumulative effect of such damage; Animals Out of Paper, a subtle, elegant, yet bracing examination of the artistic impulse and those in its thrall, which follows a world-famous origamist as she becomes the unwitting mentor to a troubled young prodigy, even as she must deal with her own loss of inspiration; and Bengal Tiger at the Baghdad Zoo, a darkly comedic drama that looks on as the lives of two American soldiers, an Iraqi translator, and a tiger intersect on the streets of Baghdad.
Guarded Girls
by Charlotte Corbeil-ColemanThe stories and experiences of three imprisoned women and a guard intertwine in dramatic and dangerous ways, as the psychological destruction that is solitary confinement taunts each of their lives. Nineteen-year-old Sid is transferred to a new prison, finding friendship with her cellmate Brit, but she also forms a complicated relationship with a guard who seems to be watching their every move. In another time, an older inmate named Kit talks to an unseen audience about a coming visitor and how she’ll stop at nothing to see them, even if that means bringing down the entire prison system. In another place, three girls wait as visitors, each one thinking about the complicated positions their mothers are in. Playful and mysterious, Guarded Girls is about the stories we tell to survive, and how the same stories can also destroy us.
Guards at the Taj and Mr. Wolf: Two Plays
by Rajiv JosephSet in India in 1648, Guards at the Taj introduces two young Imperial Guards, Humayun and Babur, as they stand watch in front of the city walls. New to their roles and just recently out of training, they have been assigned the less-than-exciting "dawn watch" leaving them plenty of time for discussion about the great Tajmahal-which they have heard much about, but have never seen until now. According to rumor, Shah Jahan has issued a royal decree that anyone who took part in the building of this majestic "city within a city" must have their hands chopped off, so as to ensure that "nothing so beautiful as the Tajmahal shall ever be built again." Humayun and Babur's repartee takes a somber turn as they realize that they will be the guards tasked with carrying out this violent judgment.Mr. Wolf is a powerful play about child abduction told from the point of view of various characters: Michael and Hana's daughter was kidnapped fourteen years ago. Julie also had a child kidnapped around a similar time. Theresa was kidnapped when she was three and knows nothing of the world except that which her captor selectively revealed to her over the years. These four lives, once altered by tragedy, now must face that nightmare once again.
The Guardsman: A Play
by Richard NelsonThe hilarious and essential new translation of a classic by Tony award-winning playwright Richard Nelson Budapest’s most beautiful young actress is notorious for affairs that only last six months. When she finally marries, she chooses the city’s most handsome and talented young actor. Five and a half months later, suspecting his new wife is getting restless, the actor takes on his most daring role yet—disguising himself as a dashing Emperor’s guardsman—to test her fidelity and win her love. But the more he woos his wife as this guardsman, the more insanely jealous he gets of the character he feels compelled to play. This new translation by Richard Nelson is sharp, funny, and perhaps calls to mind that other psychodrama about a stormy marriage, Who's Afraid of Virgina Woolfe?
A Guide to Ancient Greek Drama (Blackwell Guides to Classical Literature #3)
by Ian C. Storey Arlene AllanThis newly updated second edition features wide-ranging, systematically organized scholarship in a concise introduction to ancient Greek drama, which flourished from the sixth to third century BC. Covers all three genres of ancient Greek drama – tragedy, comedy, and satyr-drama Surveys the extant work of Aeschylus, Sophokles, Euripides, Aristophanes, and Menander, and includes entries on ‘lost’ playwrights Examines contextual issues such as the origins of dramatic art forms; the conventions of the festivals and the theater; drama’s relationship with the worship of Dionysos; political dimensions of drama; and how to read and watch Greek drama Includes single-page synopses of every surviving ancient Greek play
A Guide to the Soviet Curriculum: What the Russian Child is Taught in School (Routledge Library Editions: Soviet Society)
by James MuckleA Guide to the Soviet Curriculum (1988) surveys the syllabuses for schoolchildren in the Soviet education system following the reforms of 1984. Every subject in the common timetable is covered, and teaching methods, hopes for the future and continuing controversies are discussed. All this is set in the broader context of curriculum philosophy and of the social and moral purposes of Soviet education; the implicit or ‘hidden’ curriculum is also considered.
Gum
by Karen HartmanIn Karen Hartman's "juicyfruit tragedy," two young sisters discover new appetites within the walls of their father's garden. Gum explores the need to tame nature in a fictional fundamental country where the title candy is contraband and every desire has its price. "A brief, intense, beguiling, sensual, witty, impassioned, deeply moving and brightly burnished gem"--San Francisco Examiner. Also includes The Mother of Modern Censorship.Karen Hartman is the author of Girl Under Grain, Troy Women and Alice: Tales of a Curious Girl. She is a native of San Diego who lives in Brooklyn and is currently the playwright-in-residence at Princeton University.
Gumshoe Rendezvous
by Eliot ByerrumOne act mysteries / 2 m., 2 f. / Interior / Two one act plays combine comedy, mystery and romance in fast paced detective stories. In Remedial Surveillance, would be private investigator Irene a buyer for Bloomingdales takes detecting lessons from hard luck P.I. Buzz. He wants her out of the class, but she perseveres and, in the process, uncovers Buzz's personal history and his dangerous liaison with a femme fatale. By Deja Rendez-vous, Buzz and Irene are partners in a new office next door to a Singing Bees telegram service, which drives Buzz crazy. The return of the femme fatale could prove fatal when she arrives to exact revenge on Buzz. Irene is intent on snagging a reward for turning in this lethal lady.
Gunmetal Blues
by Scott WentworthMusical Mystery / 2m, 1f / Simple Set / Is this a hard boiled detective tale disguised as a lounge act---or the other way around? Direct from The Red Eye Lounge, Buddy Toupee tickles the ivories and serves up plot concoctions like a Chandleresque Greek chorus. The private eye searches for a missing blonde through a double dealing world of smokey bars, rain slicked streets and more blondes. This quest lures the audience to an unnamed city of mystery, music and demolished dreams.
GuRu
by RuPaulTHE OFFICIAL RUPAUL BOOK WITH A FOREWORD BY JANE FONDA. AS SEEN ON RUPAUL'S DRAG RACE!A timeless collection of philosophies from renaissance performer and the world's most famous shape-shifter RuPaul, whose sage outlook has created an unprecedented career for more than thirty-five years. GuRu is packed with more than 80 beautiful photographs that illustrate the concept of building the life you want from the outside in and the inside out.'You're born naked and the rest is drag'As someone who has deconstructed life's hilarious facade, RuPaul has broken 'the fourth wall' to expand on the concept of mind, body, and spirit. This unique perspective has allowed RuPaul to break the shackles of self-imposed limitations, but reader beware, this is a daily practice that requires diligence and touchstones to keep you walking in the sunshine of the spirit. Once you're willing to look beyond the identity that was given to you, a hidden world of possibilities will open its doors.That is RuPaul's secret for success, not only in show business, but in all aspects of life, especially in navigating the emotional landmines that inhibit most sweet, sensitive souls.If you think this book is just about 'doing drag', you are sorely mistaken because for RuPaul, drag is merely a device to deactivate the identity-based ego and allow space for the unlimited.
Gut Knowledges: Culinary Performance and Activism in the Post-Truth Era (Routledge Advances in Theatre & Performance Studies)
by Kristin HuntThis book examines historical and contemporary activist alimentary performance with an eye toward, or perhaps a taste for, what these performance modes can reveal about changing relationships between the senses, truth, justice, and ethical action amid the post-truth era’s destabilization of shared notions of truth. This inquiry emerges in response to an urgent need to understand how multisensory models of knowledge, truth, and justice can be ethically employed to nurture a more just society. Alongside this goal is a drive to understand the ways in which these modes of performance are being co-opted by authoritarians, white supremacists, anti-science activists, and others to shore up injustice, promote misinformation, and anxiously guard existing systems of power and privilege. From white supremacist milk-drinking performances to liberatory uses of culinary performance as pedagogy, Kristin Hunt analyzes both disturbing and inspiring alimentary events to understand how performers, cooks, scholars, artists, and activists can effectively cultivate models of alimentary performance that center plenitude, joy, and justice while pushing back against models rooted in anxiety, diminishment, and cruelty. The text should be of interest for students in performance studies, contemporary theatre, and theatre history as well as courses in food studies and popular culture.
The Guys
by Anne NelsonTHE STORY: Less than two weeks after the September 11th attacks, New Yorkers are still in shock. One of them, an editor named Joan, receives an unexpected phone call on behalf of Nick, a fire captain who has lost most of his men in the attack. He's looking for a writer to help him with the eulogies he must present at their memorial services. Nick and Joan spend a long afternoon together, recalling the fallen men through recounting their virtues and their foibles, and fashioning the stories into memorials of words. In the process, Nick and Joan discover the possibilities of friendship in each other and their shared love for the unconquerable spirit of the city. As they make their way through the emotional landscape of grief, they draw on humor, tango, the appreciation of craft in all its forms-and the enduring bonds of common humanity. THE GUYS is based on a true story.