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America's Japan and Japan's Performing Arts: Cultural Mobility and Exchange in New York, 1952-2011
by Thornbury Barbara E.America’s Japan and Japan’s Performing Arts studies the images and myths that have shaped the reception of Japan-related theater, music, and dance in the United States since the 1950s. Soon after World War II, visits by Japanese performing artists to the United States emerged as a significant category of American cultural-exchange initiatives aimed at helping establish and build friendly ties with Japan. Barbara E. Thornbury explores how “Japan” and “Japanese culture” have been constructed, reconstructed, and transformed in response to the hundreds of productions that have taken place over the past sixty years in New York, the main entry point and defining cultural nexus in the United States for the global touring market in the performing arts. Thornbury crosses disciplinary boundaries in her wide range of both primary sources and published scholarship, making the book of interest to students and scholars of performing arts studies, Japanese studies, and cultural studies.
America's Songs: The Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley
by Philip Furia Michael LasserFirst published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
America's Songs II: Songs from the 1890s to the Post-War Years
by Michael LasserAmerica’s Songs II: Songs from the 1890's to the Post-War Years continues to tell the stories behind popular songs in our country’s history, serving as a sequel to the bestselling America’s Songs: Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley. Beginning in 1890 and ending in post-war America, America's Songs II is a testament to the richness of popular music in the first half of the 20th century. This volume builds on the unique features of the first volume, delving deeper into the nature of the collaboration between well-known songwriters of the time but also shedding light on some of the early performers to turn songs into hits. The book’s structure – a collection of short easy-to-read essays – allows the author to provide historical context to certain songs, but also to demonstrate how individual songs facilitated the popularity of specific genres, including ragtime, jazz, and blues, which subsequently reshaped the landscape of American popular music. America’s Songs II: Songs from the 1890's to the Post-War Years will appeal to American popular music enthusiasts but will also serve as an ideal reference guide for students or as a supplement in American music courses.
Aminta: A Pastoral Play (Dual-language Poetry Series)
by Torquato Tasso Charles Jernigan Irene Marchegiani JonesTasso's masterpiece "Aminta" is perhaps the most famous pastoral play ever. It is also the work that launched the reputation of the author of the famed Italian epic poem of the First Crusade, Gerusalemme liberata. This story of satyrs and nymphs, shepherds and lovers is set in the ideal forest, far from the world of urban sophistication and decadence. It is presented here in the first Italian-English, dual-language edition of the play, and is the first new English translation published since the 19th century. Aminta's importance can not be overestimated; and its influence has been phenomenal, spawning over 200 plays by 1700 in Italy alone. This Italian pastoral is the source of numerous plays in France, Spain and England. Indirectly at least, it is also an inspiration for Shakespeare's pastoral comedies, such as "As You Like It," "Twelfth Night," and "A Midsummer Night's Dream." This volume is illustrated with the original woodcuts of the 1589 Aldine edition. Winner of the 2002 Premio Internazionale Diego Valeri of the Premio Monselice. DUAL-LANGUAGE POETRY. Introduction, notes, bibliography, illustrated.
among men
by David YeeDavid was inspired to write this after reading Al Purdy’s poem “House Guest,” the only poem that really records this period of Al Purdy and Milton Acorn’s lives.First produced by Factory Theatre, Toronto, in April 2022
Amor Bandido
by Cristiano ParafioritiEsta es una obra de fantasía. Los personajes, las organizaciones y las circunstancias son el resultado de la imaginación del autor o, si existen, se utilizan con fines narrativos. Por lo demás, cualquier referencia a eventos reales y personas reales deben considerarse mera casualidad. O casi coincidencia.
Amor nacido en la guerra
by Terezinha RepulaUn joven estadounidense criado en Rusia, al cumplir la mayoría de edad, fue llamado a servir a su país en el ejército sirio, donde vivió los horrores de la guerra, pero donde también encontró el amor verdadero.
Amorous Ambassador
by Michael ParkerFarce / 4m, 4f / Interior When Harry Douglas, the new American Ambassador to Great Britain, tells his family he is going to Scotland to play golf, his wife and daughter announce weekend plans of their own. Their newly hired butler, Perkins, watches stoically as each leaves and secretly returns for a romantic rendezvous in the empty house. Harry's secretary and Captain South of Marine Corps Embassy Security then arrive in the wake of a bomb threat and the embassy is sealed off, with hilarious results. Even the imperturbable Perkins is drawn into the shenanigans .
Amour et brigands
by Cristiano ParafioritiAu début du printemps 2017, Cristiano Parafioriti, le Sicilien de quarante ans, avec la résidence en Lombardie depuis déjà vingt ans pour les raisons professionnelles, atterrit sur son île pour une brève période de repos auprès de sa famille d’origine, à Galati Mamertino, un petit bourg sur les monts de Nébrodes dans la province de Messine. Il est marié, père d’un fils, et avec une fabuleuse passion littéraire ; ayant déjà publié deux recueils de récits se référant à sa terre natale. Dans l’après-midi de son arrivée, il rencontre Calogero Bau, surnommé ‘’Bau’’, employé dans les archives municipales du village, qui l’invite à jeter un coup d’œil sur un étrange document, transcription ancienne de l’État civil, sauvegardée dans son bureau. Intrigué par ces paroles, Cristiano accepte, et, le lendemain, après un bon café matinal, se rend aux archives. Après la première recherche infructueuse, lors d’une autre inspection de l’après-midi, il tombe par chance sur une découverte inespérée. À l’intérieur de cet immeuble délabré, il a découvert, en fait, dissimulé à l’intérieur d’un autre livre ecclésiastique du huitième siècle, le journal du brigand sicilien (Giovanni Darco), rédigé à cheval sur 1864 et 1865. La curiosité d’en savoir davantage sur son auteur et ses aventures inouïes, émergées à la lumière du jour, plongera Cristiano dans une semaine frénétique d’un authentique pathos émotionnel. Ces pages secrètes ne sont pas, en fait, une simple chronique des histoires de lutte entre une bande de rebelles et de nouveaux patrons, mais témoignent dans leur essence, avec la conviction et la vivacité, du merveilleux amour clandestin entre le brigand Giovanni Darco et la femme aristocrate Eufemia Celesti, épouse délaissée de Gepi Montes, aristocrate prétentieux de Nicosia et le rival le plus redoutable du brigand. Les histoires teintées de sang et d’amour s’en
Amphitryon
by David Christenson PlautusThe play Amphitryon provides an introduction to the world of Roman comedy from one of its best practitioners, Plautus. As with all Focus translations, the emphasis is on an inexpensive, readable edition that is close to the original, with an extensive introduction, notes and appendices.
Amphitryon
by MolièreAfter his wedding night with beautiful Alcmene, Amphitryon leaves to participate in a war. Jupiter, who is fascinated by Alcmene's beauty, come to earth under the appearance of Amphitryon, accompanied by Mercury who has taken the appearance of Amphitryon's servant Sosie. Amphitryon is successful in war and sends Sosie back home to report this. <P> <P> Sosie is greeted by his look-alike Mercury, who beats him and convinces him that he Mercury is the real Sosie. The real Amphitryon meets Alcmene and is naturally confused and shocked by her account of an amorous night. Various other confusing episodes of the same type take place, including a confrontation between the two Amphitryon's. In the end, Jupiter assumes his real aspect and tells Amphitryon that his wife was faithful, since he had to take on Amphitryon's aspect in order to seduce her. He informs Amphitryon that his wife will bear Jupiter's child, the demi-god Hercules.
Amphitryon
by Richard Wilbur Molière"Richard Wilbur's translations of classic French drama are among the undiscovered treasure of our recent literature."-The Hudson ReviewMolière's late, elegant comedy, based on Plautus' Roman version, alludes to the love affairs of the French king. This is the fourth and final volume of Theatre Communication Group's series (with cover designs by Chip Kidd), completing trade publication of these vital theatrical works. ncludes Richard Wilbur's translation notes.Richard Wilbur is a two-time winner of the Pulitzer Prize, and a former poet laureate of the United States. His verse translations of Molière's plays have been performed for audiences throughout the world.
Amphitryon, By Molière: The Misanthrope / Amphitryon / Tartuffe / The Learned Ladies
by MolièreWilbur is at the peak of his form in this stellar translation of an unusual Molière play-populated with Greeks and Greco-Roman gods and flavored with the essences of vaudeville, fan-tasy, high comedy, farce, and even opera. Afterword by Richard Wilbur.
Amy's Wish
by Tom SharkeyComedy / 3m, 3f / Interior Recently retired and newlywed, Sam Galway is flabbergasted when the spring water at his honeymoon retreat transforms dear old Amy into a 19-year-old knockout. His "young'' bride attracts a youthful admirer while the sheriff becomes convinced that Sam has murdered Amy. This romantic comedy by the librettist-composer of It's a Wonderful Life, the author of My Heart Reminds Me and the co-author of Just Say Yes! is a charming audience-pleaser.
Ana en el Trópico
by Nilo Cruz Nacho Artime"Extraordinary and evocative, the stellar Anna in the Tropics is a work of art."--Christine Dolen, Miami HeraldThis lush romantic drama depicts a family of cigar makers whose loves and lives are played out against the backdrop of America in the midst of the Depression. Set in Ybor City (Tampa) in 1930, Cruz imagines the catalytic effect of the arrival of a new "lector" (who reads Tolstoy's Anna Karenina to the workers as they toil in the cigar factory) has on a Cuban-American family. Cruz celebrates the search for identity in a new land.
Analysing Gender in Performance
by J. Paul Halferty Cathy LeeneyAnalysing Gender in Performance brings together the fields of Gender Studies and Performance Analysis to explore how contemporary performance represents and interrogates gender. This edited collection includes a wide range of scholarly essays, as well as artists’ voices and their accounts of their works and practices. The Introduction outlines the book’s key approaches to concepts in English language gender discourses and gender’s intersectionalities, and sets out the approaches to performance analysis and methods of research employed by the various contributors. The book focuses on performances from the Global North, staged over the past fifty years. Case studies are diverse, ranging from site-specific, dance theatre, speculative drag, installation, and music video performances to Mabou Mines, Churchill, Shakespeare and Ibsen. Contributors explore how gender intersects with sexuality, social class, race, ethnicity, indigeneity, culture and history. Read individually or in tension with one another, the essays confront the contemporary complexities of analysing gender in performance.
An Analysis of Jean-Paul Sartre’s Plays in Théâtre complet (Routledge Studies in Twentieth-Century Literature)
by Adrian van den HovenAn Analysis of Jean-Paul Sartre’s Plays in Théâtre complet is the first volume to propose a critical analysis of all of Jean-Paul Sartre’s plays as published in the Bibliothèque de la Pléiade, Paris, Gallimard, 2005. Viewing the plays in the context of Sartre’s philosophy, his prose writings and works by other philosophers, novelists, and playwrights, this comprehensive volume is essential reading for students of French literature, theatre, and existentialist philosophy.
The Analysis of Performance Art: A Guide to its Theory and Practice
by Anthony Howell A. HowellThis finely illustrated book offers a simple yet comprehensive 'grammar' of a new discipline. Performance Art first became popular in the fifties when artists began creating 'happenings'. Since then the artist as a performer has challenged many of the accepted rules of the theatre and radically altered our notion of what constitutes visual art. This is the first publication to outline the essential characteristics of the field and to put forward a method for teaching the subject as a discipline distinct from dance, drama, painting or sculpture.Taking the theory of primary and secondary colours as his model, Anthony Howell posits three primaries of action and shows how these may be mixed to obtain a secondary range of actions. Based on a taught course, the system is designed for practical use in the studio and is also entertaining to explore. Examples are cited from leading performance groups and practitioners such as Bobbie Baker, Orlan, Stelarc, Annie Sprinkle, Robert Wilson, Goat Island, and Station House Opera. This volume, however, is not just an illustrated grammar of action - it also shows how the syntax of that grammar has psychoanalytic repercussions. This enables the performer to relate the system to lived experience, ensuring a realisation that meaning is being dealt with through these actions and that the stystem set forth is more than a dry structuring of the characteristics of movement.Freud's notion of 'transference' and Lacan's understanding of 'repetition' are compared to a performer's usage of the same terms. Thus the book provides a psychoanalytic critique of performance at the same time as it outlines an efficient method for creating live work on both fine art and theatre courses.
Analysis through Action for Actors and Directors: From Stanislavsky to Contemporary Performance
by David ChambersAnalysis through Action for Actors and Directors is a comprehensive view of an innovative and exciting process for making new theatre.As well as an understanding of how Analysis through Action has developed over time, this book also demonstrates how it can be put into practice in today’s theatre. The first part of this book traces the exciting genealogy from Stanislavsky’s unfinished experiments, through the insights of geniuses Maria Knebel and Georgii Tovstonogov, down to today’s avant-garde auteurs. The second part is a practical manual based on extensive field testing by the author and colleagues. Here, two key components of the process are elucidated: Text Actions – ten interwoven text analysis steps – to be twinned with the thrilling rehearsal process using focused and joyful improvisations called Études.Written for new or experienced theatre students and practitioners, this book will enrich the technique of any theatre artist and anyone else interested in the theatre and its future.
Analytic Philosophy and the World of the Play (Routledge Advances in Theatre & Performance Studies)
by Michael Y. BennettTheatrical characters’ dual existence on stage and in text presents a unique, challenging case for the analytical philosopher. Analytic Philosophy and the World of the Play re-examines the ontological status of theatre and its fictional objects through the "possible worlds" thesis, arguing that theatre is not a mirror of our world, but a re-creation of it. Taking a fresh look at theatre’s key elements, including the hotly contested relationships between character and actor; onstage and offstage "worlds"; and the play-text and performance, Michael Y. Bennett presents a radical new way of understanding the world of the play.
Anamorphic Authorship in Canonical Film Adaptation: A Case Study of Shakespearean Films (Palgrave Studies in Adaptation and Visual Culture)
by Robert GealThis book develops a new approach for the study of films adapted from canonical ‘originals’ such as Shakespeare’s plays. Departing from the current consensus that adaptation is a heightened example of how all texts inform and are informed by other texts, this book instead argues that film adaptations of canonical works extend cinema’s inherent mystification and concealment of its own artifice. Film adaptation consistently manipulates and obfuscates its traces of ‘original’ authorial enunciation, and oscillates between overtly authored articulation and seemingly un-authored unfolding. To analyse this process, the book moves from a dialogic to a psychoanalytic poststructuralist account of film adaptations of Shakespeare’s plays. The differences between these rival approaches to adaptation are explored in depth in the first part of the book, while the second part constructs a taxonomy of the various ways in which authorial signs are simultaneously foregrounded and concealed in adaptation’s anamorphic drama of authorship.
Anarchic Dance
by Liz Aggiss Billy Cowie Ian BramleyLiz Aggiss and Billy Cowie, known collectively as Divas Dance Theatre, are renowned for their highly visual, interdisciplinary brand of dance performance that incorporates elements of theatre, film, opera, poetry and vaudevillian humour. Anarchic Dance, consisting of a book and DVD-Rom, is a visual and textual record of their boundary-shattering performance work. The DVD-Rom features extracts from Aggiss and Cowie's work, including the highly-acclaimed dance film Motion Control (premiered on BBC2 in 2002), rare video footage of their punk-comic live performances as The Wild Wigglers and reconstructions of Aggiss's solo performance in Grotesque Dancer. These films are cross-referenced in the book, allowing readers to match performance and commentary as Aggiss and Cowie invite a broad range of writers to examine their live performance and dance screen practice through analysis, theory, discussion and personal response. Extensively illustrated with black and white and colour photographs Anarchic Dance, provides a comprehensive investigation into Cowie and Aggiss’s collaborative partnership and demonstrates a range of exciting approaches through which dance performance can be engaged critically.
The Anarchist
by David MametNothing is quite what it seems in Mamet's latest work. With a nod to his mentor, Harold Pinter, Mamet employs his signature verbal jousting in The Anarchist, which centers on two women: a prison governor and a prisoner with a life sentence trying to make the case that she merits parole. The Broadway premiere stars Patti LuPone and Debra Winger.
Anarchy in High Heels: A Memoir
by Denise LarsonAnarchy in High Heels is not a state of dress; it&’s a state of mind.A San Francisco porno theater might be the last place you&’d expect to plant the seed of a feminist troupe, but truth is stranger than fiction.In 1972, access to birth control and a burn-your-bra ethos were leading young women to repudiate their 1950s conservative upbringing and embrace a new liberation. Denise Larson was a timid twenty-four-year-old actress wannabe when, at an after-hours countercultural event, The People&’s Nickelodeon, she accidentally created Les Nickelettes. This banding together of ¬¬like-minded women with an anything-goes spirit unlocked a deeply hidden female humor. For the first time, Denise allowed the suppressed satirical thoughts dancing through her head to come out in the open. Together with Les Nickelettes, which quickly became a brazen women&’s lib troupe, she presented a series of feminist skits, stunts, and musical comedy plays. In 1980, The Bay Guardian described the group as &“nutty, messy, flashy, trashy, and very funny.&”With sisterhood providing the moxie, Denise took on leadership positions not common for women at the time: playwright, stage director, producer, and administrative/artistic director. But, in the end, the most important thing she learned was the power of female friendship.