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Harvest
by Manjula Padmanabhan`A modern morality play. A bitter, savagely funny vision of the cannibalistic future that awaits the human race...? ? OUTLOOK A searing portrayal of a society bereft of moral and spiritual anchors, Manjula Padmanabhan?s fifth play, Harvest, won the Onassis Award for Original Theatrical Drama in 1997, the first year in which the prize was awarded. Following its international premiere in Greece in 1999, the play has been performed over the years by theatre groups, both amateur and professional, around the world. A dark satire, Harvest tells the story of an impoverished family and the Faustian contract they enter into with a shadowy international corporation: fabulous wealth in exchange for the organs of one of its members. As Ginni, the glamorous American woman who hopes to receive the organs, invades their one-room home via an interactive video device the play lays bare the transactional nature of human relationships ? even the most intimate ones. This edition includes, for the first time, a gender-reversed version of the play ? an experiment by the author that provides startling insight into the stereotypes and societal constructs ingrained deep in the human psyche and, indeed, into how we perceive gender.
The Harvest of Tragedy (Routledge Revivals)
by Thomas Rice HennUpon initial publication in 1956, this book was an attempt to re-state certain problems concerning the aesthetics and ethics of the tragic form; to examine these in relation to contemporary work in psychology and anthropology; to enquire into the significance of ‘the fact or experience called tragedy’ in the modern world; and to suggest a synthesis in terms of the Christian tradition. This is a reissue of the corrected second edition of the work, first published in 1966.
A Harvest Truce: A Play (Harvard Library of Ukrainian Literature #9)
by Serhiy ZhadanBrothers Anton and Tolik reunite at their family home to bury their recently deceased mother. An otherwise natural ritual unfolds under extraordinary circumstances: their house is on the front line of a war ignited by Russian-backed separatists in eastern Ukraine. Isolated without power or running water, the brothers’ best hope for success and survival lies in the declared cease fire—the harvest truce. But such hopes are swiftly dashed, as it becomes apparent that the conflagration of war will not abate.With echoes of Waiting for Godot, Serhiy Zhadan’s A Harvest Truce stages a tragicomedy in which the commonplace experiences of death, birth, and the cycles of life marked by the practices of growing and harvesting food are rendered futile and farcical in the wake of the indifferent juggernaut of war.
Hassan: The Story of Hassan of Baghdad and How He Came to Make the Golden Journey to Samarkand
by James Elroy FleckerNone.
Hat Tricks
by Dori AppelDramatic Comedy / Flexible casting, 3-12 f / Unit Set / 2008 Finalist for the Oregon Book Awards, Angus Bowmer Award in Drama / Hat Tricks is an exciting compilation of six scenes and three monologues designed for performance by mature actresses. Covering a range of women's experiences in the second half of life, these nine pieces range from the purely comedic to those that combine humor with thoughtful and sometimes poignant explorations. This is a richly varied collection featuring a single intriguing commonality: Every scene or monologue includes the presence and compelling use of a HAT!
Haunted City: Three Centuries of Racial Impersonation in Philadelphia
by Christian DucombHaunted City explores the history of racial impersonation in Philadelphia from the late eighteenth century through the present day. The book focuses on select historical moments, such as the advent of the minstrel show and the ban on blackface makeup in the Philadelphia Mummers Parade, when local performances of racial impersonation inflected regional, national, transnational, and global formations of race. Mummers have long worn blackface makeup during winter holiday celebrations in Europe and North America; in Philadelphia, mummers’ blackface persisted from the colonial period well into the twentieth century. The first annual Mummers Parade, a publicly sanctioned procession from the working-class neighborhoods of South Philadelphia to the city center, occurred in 1901. Despite a ban on blackface in the Mummers Parade after civil rights protests in 1963–64, other forms of racial and ethnic impersonation in the parade have continued to flourish unchecked. Haunted City combines detailed historical research with the author’s own experiences performing in the Mummers Parade to create a lively and richly illustrated narrative. Through its interdisciplinary approach, Haunted City addresses not only theater history and performance studies but also folklore, American studies, critical race theory, and art history. It also offers a fresh take on the historiography of the antebellum minstrel show.
Haunted Dreams: Fantasies of Adolescence in Post-Soviet Culture (NIU Series in Slavic, East European, and Eurasian Studies)
by Jenny KaminerHaunted Dreams is the first comprehensive study in English devoted to cultural representations of adolescence in Russia since the end of the Soviet Union in 1991. Jenny Kaminer situates these cultural representations within the broader context of European and Anglo-American scholarship on adolescence and youth, and she explores how Russian writers, dramatists, and filmmakers have repeatedly turned to the adolescent protagonist in exploring the myriad fissures running through post-Soviet society. Through close analysis of prose, drama, television, and film, this book maps how the adolescent hero has become a locus for multiple anxieties throughout the tumultuous years since the end of the Soviet experiment. Kaminer also directly addresses some of the pivotal questions facing scholars of post-Soviet Russia: Have Soviet cultural models been transcended? Or do they continue to dominate? The figure of the adolescent, an especially potent and enduring source of cultural mythology throughout the Soviet years, provides provocative material for exploring these questions. In Haunted Dreams, Kaminer employs a historical approach to reveal how fantasies of adolescence have mutated and remained constant across the Soviet/post-Soviet divide, focusing on violence, temporality, and gender and the body. Some of the works discussed present the possibility of salvaging the model of the heroic adolescent for a new society. Others, by contrast, relegate this figure to the dustbin of history by evoking disgust or horror, or by unmasking the tragic consequences that ensue from the combination of adolescence, violence, and fantasy.
Haunting History Onstage: Shakespeare in the USA and Canada (Elements in Shakespeare Performance)
by Regina BuccolaIn 2016, Chicago Shakespeare Theater and the Stratford Festival of Canada mounted marathons through Shakespearean history to commemorate the 400th anniversary of the death of Shakespeare with Tug of War and Breath of Kings. Both productions invited parallels to contemporary political events in their promotion and design, just as the original performances of these works in the Shakespearean era used past events to comment on present realities. Endurathons for cast and audience alike, Tug of War and Breath of Kings used double-casting, stylized treatments of violence and 'firsts' for each company to sweeten the bitter pill of these historical narratives.
The Haunting of Lin-Manuel Miranda
by Ishmael Reed&“That&’s a lot of horse hockey, Hamilton.&” Described by the New York Times as &“classic activist theater&” and &“a cross between &‘A Christmas Carol&’ and a trial at The Hague&’s International Criminal Court.&” "In this, his latest work, the protean Ishmael Reed--the legendary artist and prolific writer--continues to burnish his already sterling reputation by dismantling the 'Creation Myth' of the founding of the U.S., as represented in the incredibly profitable play and musical, Hamilton. Reed, a verbal acrobat of global renown, demonstrates here why he is widely considered to be the leading intellectual in the U.S. today." -Gerald Horne, author of The Counter-Revolution of 1776: Slave Resistance and the Origins of the USA This powerful play, originally produced at the Nuyorican Poets Café, comprehensively dismantles the phenomenon of Lin-Manuel Miranda and Hamilton. Reed uses the musical&’s crimes against history to insist on a radical, cleareyed way of looking at our past and our selves. Both durable and timely, this goes beyond mere corrective – it is a meticulously researched rebuttal, an absorbing drama, and brilliant rallying cry for justice. The perfect tie-in to both the success of and backlash to Hamilton, it is the major voice in contrast to the recent movie. It captures both the earnest engagement that fans of the musical desire, as well as the exhausted disbelief of those who can&’t stand it. Teachers, students and fans of drama, literature, and history will find much to love. It is written by one of America&’s most respected and original writers, who is eagerly promoting it, and who is long overdue for a renaissance.
Havana is Waiting and Other Plays
by Eduardo Machado"The existential pain of exile, the confusions of sexual identity and the complex legacies of the Cuban revolution are predominant [in] Mr. Machado's writing," -The New York TimesEduardo Machado explores his lifelong themes with humor and passion in Havana Is Waiting (a writer returns to Cuba after thirty years), Kissing Fidel (a comedy set in Miami funeral parlor), The Cook (chronicling Cuban history), and Crocodile Eyes (inspired by Federico García Lorca).Eduardo Machado is the author of more than forty plays. Born in Cuba, his plays have been widely performed. He is artistic director of INTAR Theatre and head of playwriting at New York University.
Haven
by Mishka LavigneHavre won the 2019 Governor General’s Literary Award for Drama (French).The play has also been translated into German and Spanish.First produced in French by La Troupe du Jour, Saskatoon, in 2018First produced in English by United Players of Vancouver in January 2022
Having Our Say: The Delany Sisters' First 100 Years
by Emily Mann Annie Elizabeth Delany Sarah Louise DelanyTHE STORY: HAVING OUR SAY opens as 103-year-old Sadie Delany and 101-year-old Bessie Delany welcome us into their Mount Vernon, New York, home. As they prepare a celebratory dinner in remembrance of their father's birthday, they take us on a remark
Healing Traumatized Children: Navigating Recovery For Children Who Experience Tragedy
by Faye L. Hall Jeff L. Merkert John A. BieverBecause millions of children experience early trauma and attachment disruptions, whether through death, physical or sexual abuse, domestic, community, or school violence, terrorism or other tragic losses, parents and professionals need not just vague theories but a proactive plan for healing relationship avoidant children. Healing Traumatized Children authors Hall, Merkert and Biever have successfully merged mental health, trauma, and attachment, parenting and in-home treatment strategies into a single comprehensive resource for parents and professionals. The authors emphasize the importance of an in-home plan (where the healing must begin), outline how to effectively assemble a support network, provide the keys to the establishment of a therapeutic home environment, discuss psycho-education that identifies the six distinct Trauma Disrupted Competencies and provide multiple types of healing interventions. Healing Traumatized Children confirms that without effective in-home intervention, many of these children will become involved in juvenile and adult justice systems and continue the intergenerational transmission of maladaptive relationships, abuse, and neglect. It is important to remember that these children will eventually become tomorrow’s parents.
The Health & Safety Guide for Film, TV & Theater, Second Edition
by Monona RossolThis second edition has been expanded and updated to address new hazards, unique health and safety problems, and particular regulations that threaten anyone working in the entertainment industries today. Artists' advocate Monona Rossol exposes the hazards of theatrical paints, theatrical makeup, pigments, dyes, plastics, solvents, woodworking, welding, asbestos, fog, and offers practical solutions to these dangers. No one working in the performing arts can afford to skip this handbook packed with life-or-death health and safety information.
Heart of a Dog
by Mikhail Afanasevich Bulgakov Mirra GinsburgThis hilarious, brilliantly inventive novel by the author of The Master and Margarita tells the story of a scroungy Moscow mongrel named Sharik. Thanks to the skills of a renowned Soviet scientist and the transplanted pituitary gland and testes of a petty criminal, Sharik is transformed into a lecherous, vulgar man who spouts Engels and inevitably finds his niche in the bureaucracy as the government official in charge of purging the city of cats.
The Heart of Light: A Holistic Primer for a Life and Career in Lighting Design and Production
by Deanna FitzgeraldThe Heart of Light: A Holistic Primer for a Life and Career in Lighting Design and Production is a fresh look into the ever-evolving fields of lighting design and technology for arts and entertainment. Full of practical information, historic perspectives, engaging projects, and opportunities for deep inquiry, practice, and reflection, this book offers a well-rounded foundation in the art, technology, and industries of light. It explores a wide range of topics, including: how to observe, communicate about, and use light effectively how quietive practices can deepen the creative process current lighting equipment used across the various arts and entertainment industries and strategies for keeping up with its rapid innovation how to choose a career path that keeps you inspired, as well as ways to search for work with dos and don’ts of effective career building how to cope with and celebrate the unknown and related challenges of implementing a design under pressure considerations for using self-reflection to be successful and impact positive change From her perspective of lighting designer, educator, and contemplative practitioner, the author explores lighting not just as subject, but as an invitation to a fulfilling lifelong adventure. Written for students of Theatrical Lighting courses and emerging lighting professionals, The Heart of Light is a must-read for anyone intrigued by the power of light.
Heart of Practice: Within the Workcenter of Jerzy Grotowski and Thomas Richards
by Thomas RichardsHeart of Practice is a unique and invaluable insight into the workings of one of theatre’s true pioneers, presented by his closest collaborator. This book charts the development of Grotowski’s dramatic research through a decade of conversations with his apprentice, Thomas Richards. Tuscany’s ‘Workcenter of Jerzy Grotowski and Thomas Richards’ is the enduring legacy of a master teacher, director and theorist, and home to much of Grotowski’s most significant work. Interviewed by leading scholars, and offering his own intimate accounts, Richards gives a vivid and detailed view of the Workcenter’s evolution, providing: concrete illustration of the Workcenter’s distinctive creative practices rigorous discussion of over twenty years of world-renowned research previously unpublished performance photos privileged insight into what Grotowski considered to be the culmination of his life’s work.
The Heart of Teaching: Empowering Students in the Performing Arts
by Stephen WanghThe Heart of Teaching is a book about teaching and learning in the performing arts. Its focus is on the inner dynamics of teaching: the processes by which teachers can promote—or undermine—creativity itself. It covers the many issues that teachers, directors and choreographers experience, from the frustrations of dealing with silent students and helping young artists ‘unlearn’ their inhibitions, to problems of resistance, judgment and race in the classroom,. Wangh raises questions about what can—and what cannot—be taught, and opens a discussion about the social, psychological and spiritual values that underlie the skills and techniques that teachers impart. Subjects addressed include: Question asking: which kinds of questions encourage creativity and which can subvert the learning process. Feedback: how it can foster both dependence and independence in students. Grading: its meaning and meaninglessness. Power relationships, transference and counter-transference The pivotal role of listening. The Heart of Teaching speaks to experienced teachers and beginning teachers in all disciplines, but is particularly relevant to those in the performing arts, from which most of its examples are drawn. It brings essential insight and honesty to the discussion of how to teach.
Heartless
by Sam ShepardWhen Roscoe, a 65-year-old Cervantes scholar, runs off with a young woman named Sally, he decides to stay a while in her family home. Soon he discovers that Sally's house--once inhabited by James Dean; perched precariously over the San Fernando valley--is filled with secrets, sadness, and haunted women who cannot leave themselves or anyone else in peace. From Lucy, Sally's suspicious sister, to Mable, their Shakespeare-quoting invalid mother, to Elizabeth, Mable's lovely and mysteriously mute nurse, the forces of the house conspire to make Roscoe question his assumptions about everything. As scars and histories are revealed, Shepard shows, as only he can, what happens when the secrets simmering within a family boil over. Heartless masterfully explores the irrevocability of our pasts--and the possibility of life begun anew.
Hearts 'N Kisses 'N Miss Vickers
by Stephen LeviComedy / 11m, 6f / A side splitting addition to the ever popular Miss Vickers adventures, this outing finds five present day, time traveling teens trapped in 1921 on Valentine's Day. A lovesick old maid ghost of a schoolteacher, Miss Vickers, contrives to have Cupid unite her younger, live self with the man of her dreams. With his arrows flying recklessly about at mismatched couples, the teens have their hands full unscrambling the chaos and avoiding the jaws of death. This is madcap merriment on a grand scale, a modern Midsummer's Night Dream that is exciting fun for the whole family. "The writing is gorgeous. I commend you for using your extraordinary talents to benefit young people.... Thanks for making a retired English teacher feel she has died and gone to heaven." Joan Everhart. (Also see Good Morning Miss Vickers and Merry Christmas Miss Vickers.)
Hearts Unbroken
by Cynthia Leitich SmithWhen Louise Wolfe’s first real boyfriend mocks and disrespects Native people in front of her, she breaks things off and dumps him over e-mail. It’s her senior year, anyway, and she’d rather spend her time with her family and friends and working on the school newspaper. The editors pair her up with Joey Kairouz, the ambitious new photojournalist, and in no time the paper’s staff find themselves with a major story to cover: the school musical director’s inclusive approach to casting The Wizard of Oz has been provoking backlash in their mostly white, middle-class Kansas town. From the newly formed Parents Against Revisionist Theater to anonymous threats, long-held prejudices are being laid bare and hostilities are spreading against teachers, parents, and students — especially the cast members at the center of the controversy, including Lou’s little brother, who’s playing the Tin Man. As tensions mount at school, so does a romance between Lou and Joey — but as she’s learned, “dating while Native” can be difficult. In trying to protect her own heart, will Lou break Joey’s?
Heartthrobs: A History of Women and Desire
by Carol DyhouseFrom dreams of Prince Charming or dashing military heroes, to the lure of dark strangers and vampire lovers; from rock stars and rebels to soulmates, dependable family types, or simply good companions, female fantasies about men tell us a great deal about the history of women. In Heartthrobs, Carol Dyhouse draws upon literature, cinema, and popular romance to show how the changing cultural and economic position of women has shaped their dreams about men. <p><p> When girls were supposed to be shrinking violets, passionate females risked being seen as 'unbridled', or dangerously out of control. Change came slowly, and young women remained trapped in a double-bind: you may have needed a husband in order to survive, but you had to avoid looking like a gold-digger. Show attraction too openly and you might be judged 'fast' and undesirable. Education and wage-earning brought independence and a widening of horizons for women. <p><p> These new economic beings showed a sustained appetite for novel-reading, cinema-going, and the dancehall. They sighed over Rudolph Valentino's screen performances as tango-dancer or Arab tribesman and desert lover. Women may have been ridiculed for these obsessions, but, as consumers, they had new clout. This book reveals changing patterns of desire, and looks at men through the eyes of women.
Heat and Alterity in Contemporary Dance: South-South Choreographies (New World Choreographies)
by Ananya ChatterjeaThis book argues that contemporary dance, imagined to have a global belonging, is vitiated by euro-white constructions of risk and currency that remain at its core. Differently, the book reimagines contemporary dance along a “South-South” axis, as a poly-centric, justice-oriented, aesthetic-temporal category, with intersectional understandings of difference as a central organizing principle. Placing alterity and heat, generated via multiple pathways, at its center, it foregrounds the work of South-South artists, who push against constructions of “tradition” and white-centered aesthetic imperatives, to reinvent their choreographic toolkit and respond to urgent questions of their times. In recasting the grounds for a different “global stage,” the argument widens its scope to indicate how dance-making both indexes current contextual inequities and broader relations of social, economic, political, and cultural power, and inaugurates future dimensions of justice.
Heat Lightning
by Robert F. CarrollComedy / 2m, 1f / Interior / Out of a summer storm, a panic stricken girl rushes into a bus stop terminal on a deserted highway, and bolts the door behind her. Encountering a lone passenger waiting for the last bus, she gaps out her frightening experience of having just witnessed a murder and escaped from the maniac. Gradually, the man's insistent questioning about the murderer's identity leads the girl to realize he's the man. The realization is shattered when a flash of lightning reveals another man's face at the door. The second man is admitted. Now the girl has her back to the wall, not knowing who is to be trusted and who is to be feared. Her decision is the climax of the play.