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Hotspur: Henry Percy: Medieval Rebel
by Andrew Boardman‘This book should be in your hands!’ – Medieval History Magazine'A detailed and readable account of Hotspur’s life that conveys a sense of the endemic violence of the Border Marches.’ – Northern History‘Boardman has studied the battlefields of Otterburn, Homildon Hill and Shrewsbury and combines knowledge of terrain, weapons, and tactics with contemporary narratives to produce feasible reconstructions and explanations of what actually occurred.’ – Michael HicksImmortalised by Shakespeare in Henry IV, Part I, Henry Percy, nicknamed ‘Hotspur’, is among the best known of all his warlike characters.As the young, honourablebut impatient rebel soldier whose chivalrous exploits on the battlefield end in disaster at Shrewsbury in 1403, Hotspur is the archetypal anti-hero: a character of such tragic and dramatic significance that even his well-known nickname has passed from history into legend. But who was the historical Henry Percy, and why did his rise to fame bring him into direct confrontation with his king?This fully updated book tells the story of the real Henry Percy and his overbearing family, and how the survival of a great northern dynasty led to open rebellion and ultimately military failure.
The Hours That Remain
by Keith BarkerDenise has spent the last five years dedicated to uncovering the truth behind her sister Michelle's disappearance. Haunted by loose ends, she begins seeing visions of Michelle, who gradually guides her in the right direction. As Denise's marriage and sanity crumble around her, she remains committed to unearthing an unfathomable truth, and coming to terms with a painfully crucial realization—one she has been desperately avoiding.
House Arrest and Piano
by Anna Deavere SmithFrom the award-winning actor and playwright Anna Deavere Smith, two teeming, pungent cross-sections of the American experience. In the provocative and at times bitterly funny playHouse Arrest,Smith examines the relationships between a succession of American presidents and their observers in and out of the press. Arcing from Clinton and Monica Lewinsky to Jefferson and Sally Hemings and alive with the voices of such real-life figures as Ed Bradley, George Stephanopoulos, Anita Hill, and Abraham Lincoln, the result is a priceless examination of the intersection of public power and private life. InPiano,Smith casts her gaze back a century as she follows the tangled lines of race, sex, and exploitation in a prosperous Cuban household on the eve of the Spanish-American War. Deftly and suspensefully, Smith tells a story of ruptured allegiances and ramifying deceptions in which no one—master or servant, friend or enemy—is what he or she pretends to be. Together these two plays are further proof that Anna Deavere Smith is one of the most searing and revelatory voices in the American theater.
A House Not Meant to Stand
by Tennessee WilliamsChristmas 1982: Cornelius and Bella McCorkle of Pascagoula, Mississippi, return home one midnight in a thunderstorm from the Memphis funeral of their older son to a house and a life literally falling apart--daughter Joanie is in an insane asylum and their younger son Charlie is upstairs having sex with his pregnant, holy-roller girlfriend as the McCorkles enter. Cornelius, who has political ambitions and a litany of health problems, is trying to find a large amount of moonshine money his gentle wife Bella has hidden somewhere in their collapsing house, but his noisy efforts are disrupted by a stream of remarkable characters, both living and dead. While Williams often used drama to convey hope and desperation in human hearts, it was through this dark, expressionistic comedy, which he called a "Southern gothic spook sonata," that he was best able to chronicle his vision of the fragile state of our world.
The House of Atreus
by AeschylusAeschylus was a Greek playwright considered to be the founder of the tragedy. Aeschylus along with Sophocles and Euripides are the three major Greek tragedians whose plays have survived. Before Aeschylus, characters in a play only interacted with the chorus. Aeschylus expanded the number of actors allowing for interaction among the characters. Seven of his 92 plays have survived. The Persian invasion of Greece, which took place during his lifetime, influenced many of his plays. The Oresteia is a trilogy of Greek tragedies written by Aeschylus, which concerns the end of the curse on the House of Atreus. The plays were "Agamemnon," "Choephorae" (The Libation-Bearers), and the "Eumenides" (Furies).
The House of Blue Leaves and Chaucer In Rome: Two Plays
by John GuareInJohn Guare's classic play The House of Blue Leaves (winner of the New York Drama Critics Circle Award for best play), the Pope is visiting New York, and eighteen-year-old Ronnie goes AWOL from the army to come home to New York and blow up the Pope as he passes his house. In his new play, Chaucer in Rome, it is the year 2000, and Ron and his wife come to Rome to search for their son. And with his inimitable wit and understanding, Guare has written a scathingly funny satire on the warping hunger for fame, and the betrayal involved in creating art. .
House of Games
by Chris JohnstonAn immensely valuable resource book for drama leaders, House of Games is a how-to book for building up drama troupes and keeping them creative. House of Games is sure to take its place alongside the most established drama method texts.
House of Many Tongues
by Jonathan GarfinkelDuring the Six Day War, an Israeli general found an abandoned house and made it his home. Forty years later, the general, along with his imaginative and distant son Alex, live in peaceful solitude. When a Palestinian writer shows up with is daughter and lays claim to the house he left decades ago, an internal house war ensues. The bathroom is seized, a fig tree is destroyed, and the basement becomes a shrine in the resulting chaos. Relenting, both men strike a deal to share the house. Somehow these two families are going to have to live together—if they don't kill each other first.
A House of Pomegranates
by Oscar WildeA House of Pomegranates is a collection of fairy tales, written by Oscar Wilde, that was published in 1891 as a second collection for The Happy Prince and Other Tales (1888). Wilde once said that this collection was "intended neither for the British child nor the British public." <P> <P> The stories included in this collection are as follows: The Young King The Birthday of the Infanta The Fisherman and his Soul The Star-Child
House of Ramon Iglesia
by Jose RiveraDrama / 5m, 2f / Interior / This probing drama by a very talented new Hispanic playwright was a co winner of a very prestigious national playwrighting contest sponsored by CBS, and was produced successfully in NYC by the excellent Ensemble Studio Theatre.
The House of the Swing - A real life story: A real life story
by Franklin A. Díaz LárezLuis had it all: money, respect, power and love. But when fate struck a harsh blow, he had to sacrifice money, respect and power in a fight to keep the most important thing: the love of his life. Luis and his wife had to leave their homeland of Venezuela with their three-year-old girl and move to Galicia, Spain to obtain treatment for her cancer. Besides the ravages of disease, they would face xenophobia, racism, discrimination, evil, and human cruelty. Their struggle would lead through hope and despair, and take Luis on a journey through memories of the past as he reached out toward the future. This story based on real life is, above all, the story of a desperate struggle to retain love through illness, loss of fortune and a very dysfunctional family. As Luis fights for the future of his family, he journeys through memory into the history of his Venezuelan family. His odyssey, narrated in first person, includes magic realism, brutal violence, lyrical beauty and sublime love.
House of Tomorrow
by Claire LorrimerThis is the moving true story of Jeanette Roberts, a young London girl who survived appalling abuse in her own childhood, and so determined to give other children in the same position the love and care she had been denied. A chance meeting with a small boy she caught stealing led to a life-long commitment to a steady stream of disturbed, abused and handicapped children whom everyone else had turned away. By becoming their beloved 'Mum', Jeanette has been able to transform their lives, giving them the protection they so desperately need.
House of Wonders
by Kate AspengrenComedy \ 3 m., 5 f. \ Int. \ Holly Edwards' teen novels are so popular that her publisher has commissioned her to write an adult book for the Famous Foremothers series. Holly tries to write about her great aunt who was a madam in Alaska but soon realizes that all she knows about Myrta Jane Wonders are some old family stories. She employs a Ouija board to summon the long dead madam, who proceeds to set her niece straight about the afterlife before helping with the book. Myrta returns with her ex-husband, reputedly a gangster, and two women who allegedly worked at Myrta's House of Wonders. Problems arise when these visitors do not conform to Holly's expectations. House of Wonders provides a hilarious look at the evolution of family stories and a unique, uplifting view of the next life.
'Household Business'
by Viviana ComensoliThe domestic play flourished on the English popular stage during the late sixteenth and early seventeenth centuries. Its roots were predominantly native, rather than classical, and its mainspring was the staging of domestic conflict amongst English characters from the middle ranks of society. Household Business traces the genre's origins in the cycle plays of medieval England and examines its aesthetic configurations in relation to extra-literary discourses and practices that underwrote Renaissance ideologies of private life. At a time when the orthodox view of the family defined it as the foundation of the social order, a number of domestic dramas took a more critical perspective, stressing the contradictions and struggles that attend marriage and the patriarchal family.In addition to well-known domestic dramas as A Woman Killed with Kindness, Arden of Feversham, The Witch of Edmonton, and A Yorkshire Tragedy, Viviana Comensoli analyzes less well-studied plays as A Warning for Fair Women, Two Lamentable Tragedies, and The Late Lancashire Witches. The book also provides an extensive and timely assessment of domestic comedy, demonstrating how plays such as The London Prodigal, The Fair Maid of Bristow, and The Honest Whore (Parts I and II) resist homiletic paradigms in favour of a more dialectical dramaturgy.
How and Why We Teach Shakespeare: College Teachers and Directors Share How They Explore the Playwright’s Works with Their Students
by Sidney HomanIn How and Why We Teach Shakespeare, 19 distinguished college teachers and directors draw from their personal experiences and share their methods and the reasons why they teach Shakespeare. The collection is divided into four sections: studying the text as a script for performance; exploring Shakespeare by performing; implementing specific techniques for getting into the plays; and working in different classrooms and settings. The contributors offer a rich variety of topics, including: working with cues in Shakespeare, such as line and mid-line endings that lead to questions of interpretation seeing Shakespeare’s stage directions and the Elizabethan playhouse itself as contributing to a play’s meaning using the "gamified" learning model or cue-cards to get into the text thinking of the classroom as a rehearsal playing the Friar to a student’s Juliet in a production of Romeo and Juliet teaching Shakespeare to inner-city students or in a country torn by political and social upheavals. For fellow instructors of Shakespeare, the contributors address their own philosophies of teaching, the relation between scholarship and performance, and—perhaps most of all—why in this age the study of Shakespeare is so important.
How Arts Education Makes a Difference: Research examining successful classroom practice and pedagogy (Routledge Research in Education)
by Josephine Fleming Robyn Gibson Michael AndersonThis book presents ground-breaking research on the ways the Arts fosters motivation and engagement in both academic and non-academic domains. It reports on mixed method, international research that investigated how the Arts make a difference in the lives of young people. Drawing on the findings of a longitudinal quantitative study led by the internationally renowned educational psychologist Andrew Martin, the book examines the impact of arts involvement in the academic outcomes of 643 students and reports on the in-depth qualitative research that investigates what constitutes best-practice in learning and teaching in the Arts. The book also examines drama, dance, music, visual arts and film classrooms to construct an understanding of quality pedagogy in these classrooms. With its evidence-based but highly accessible approach, this book will be directly and immediately relevant to those interested in the Arts as a force for change in schooling. How Arts Education Makes a Difference discusses: The Arts Education, Motivation, Engagement and Achievement Research Visual Arts, Drama and Music in Classrooms Technology-mediated Arts Engagement International Perspectives on Arts and Cultural Policies in Education This book is a timely collation of research and experiential findings which support the need to promote arts education in schools worldwide. It will be particularly useful for educationists, researchers in education and arts advocates.
How Beautiful It Is And How Easily It Can Be Broken: Essays
by Daniel MendelsohnWhether he's on Broadway or at the movies, considering a new bestseller or revisiting a literary classic, Daniel Mendelsohn's judgments over the past fifteen years have provoked and dazzled with their deep erudition, disarming emotionality, and tart wit. Now How Beautiful It Is And How Easily It Can Be Broken reveals all at once the enormous stature of Mendelsohn's achievement and demonstrates why he is considered one of our greatest critics. Writing with a lively intelligence and arresting originality, he brings his distinctive combination of scholarly rigor and conversational ease to bear across eras, cultures, and genres, from Roman games to video games.His interpretations of our most talked-about films—from the work of Pedro Almodóvar to Brokeback Mountain, from United 93 and World Trade Center to 300, Marie Antoinette, and The Hours—have sparked debate and changed the way we watch movies. Just as stunning and influential are his dispatches on theater and literature, from The Producers to Jeffrey Eugenides' Middlesex, from The Lovely Bones to the works of Harold Pinter. Together these thirty brilliant and engaging essays passionately articulate the themes that have made Daniel Mendelsohn a crucial voice in today's cultural conversation: the aesthetic and indeed political dangers of imposing contemporary attitudes on the great classics; the ruinous effect of sentimentality on the national consciousness in the post-9/11 world; the vital importance of the great literature of the past for a meaningful life in the present.How Beautiful It Is And How Easily It Can Be Broken makes it clear that no other contemporary thinker is as engaged with as many aspects of our culture and its influences as Mendelsohn is, and no one practices the vanishing art of popular criticism with more acuity, humor, and feeling.
How Black Mothers Say I Love You
by Trey AnthonyClaudette still can’t forgive her mother for leaving. For six years of her childhood, Claudette and her sister Valerie were left with their grandmother while their mother, Daphne, moved from Jamaica to the United States to start a new chapter for their family. But in that time, Daphne remarried and had another daughter. Claudette, now in her late thirties, travels to visit her dying mother in Brooklyn, but that doesn’t stop her anger and abandonment issues from bubbling up. It doesn’t stop Daphne from voicing her opinions on how Claudette lives her life, either. With Daphne, Claudette, and Valerie all under one roof again, each family member is forced to confront their emotions while there’s still time. Though rooted in buried strife and sadness, How Black Mothers Say I Love You is full of humour, love and tenderness as it explores the complicated perceptions of immigrant mothers.
How Do I Love Thee?
by Florence Gibson MacdonaldVictorian poets Elizabeth Barrett Browning and Robert Browning are as renowned for their passionate relationship as they are their poetry. How Do I Love Thee? revisits the life of the 19th-century poets from their courtship, carried out entirely through letters, to their sudden elopement to their tumultuous marriage marred by drug addiction and financial strife.
How Does Disability Performance Travel?: Access, Art, and Internationalization (Routledge Series in Equity, Diversity, and Inclusion in Theatre and Performance)
by Christiane Czymoch Kate Maguire-Rosier Yvonne SchmidtThis edited collection investigates the myriad ways in which disability performance travels in a globalized world. Disability arts festivals are growing in different parts of the world; theatre and dance companies with disabled artists are increasingly touring and collaborating with international partners. At the same time, theatre spaces are often not accessible, and the necessity of mobility excludes some disabled artists from being part of an international disability arts community. How does disability performance travel, who does not travel – and why? What is the role of funding and producing structures, disability arts festivals and networks around the world? How do the logics of international (co-)producing govern the way in which disability art is represented internationally? Who is excluded from being part of a touring theatre or dance company, and how can festivals, conferences, and other agents of a growing disability culture create other forms of participation, which are not limited to physical co-presence? This study will contextualize disability aesthetics, arts, media, and culture in a global frame, yet firmly rooted in its smaller national, state, and local community settings and will be of great interest to students and scholars in the field.
How Does The Show Go On?: An Introduction To The Theater (A Disney Theatrical Souvenir Book)
by Thomas Schumacher Jeff KurttiFilled with detailed explanations, captivating illustrations, and entertaining trivia, this clearly written, lively, and uniquely-designed book is a first-of-its-kind introduction to the world of the Theatre, from the box office to backstage, and beyond. From one side of the book, the reader enters via the front door, where the people and activities of the “front of house” can be examined. From the book’s other side, the reader enters the “Stage Door,” where the behind-the-scenes world of the “Back of house” is revealed. In exploring this visually-inviting “theatre of the mind,” readers encounter the people, places, occupations, and equipment of the theatre world, and have the opportunity to investigate them all. From the box office and the Usher Staff to the Dressing Rooms and the Backstage doorman, the reader may wander at will within this one-of-a-kind world, discovering the wonders of theatre all along the way.
How Good is David Mamet, Anyway?: Writings on Theater--and Why It Matters
by John HeilpernFirst Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
How Greek Tragedy Works: A Guide for Directors, Dramaturges, and Playwrights
by Brian KulickHow Greek Tragedy Works is a journey through the hidden meanings and dual nature of Greek tragedy, drawing on its foremost dramatists to bring about a deeper understanding of how and why to engage with these enduring plays. Brian Kulick dispels the trepidation that many readers feel with regard to classical texts by equipping them with ways in which they can unpack the hidden meanings of these plays. He focuses on three of the key texts of Greek theatre: Aeschylus' Agamemnon, Euripides' The Bacchae, and Sophocles' Electra, and uses them to tease out the core principles of the theatre-making and storytelling impulses. By encouraging us to read between the lines like this, he also enables us to read these and other Greek tragedies as artists' manifestos, equipping us not only to understand tragedy itself, but also to interpret what the great playwrights had to say about the nature of plays and drama. This is an indispensable guide for anyone who finds themselves confronted with tackling the Greek classics, whether as a reader, scholar, student, or director.
How Green Was My Brownie
by Jack SharkeyComedy / 6m, 5f / Interior / A bit of madness is loose in the Flinder house. Winifred Flinder, supposedly just out of the hospital, insists she was living it up in Paris. Her husband thinks she is planning to go into the convent, while their daughter Bonnie suspects both of her parents are nuts. The nurse thinks the neighboring piano teacher is a great pediatric surgeon and the gynecologist gratefully accepts payment for an operation he may not have performed. Add to this a general handyman who insists the brownies have it in for the Flinders, a housekeeper who expects to be murdered in her bed, a neighbor whose purse contains anything from crowbars to teddy bears and an unsolicited appearance by the Headless Horseman and you have this jolly jaunt through a superstition ridden environs where anything can happen and eventually does.
