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Journey's End (Penguin Modern Classics)
by R. C. SherriffSet in the First World War, Journey's End concerns a group of British officers on the front line and opens in a dugout in the trenches in France. Raleigh, a new eighteen-year-old officer fresh out of English public school, joins the besieged company of his friend and cricketing hero Stanhope, and finds him dramatically changed ...Laurence Olivier starred as Stanhope in the first performance of Journey's End in 1928; the play was an instant stage success and remains a remarkable anti-war classic.
Joy Ride
by John LahrJoy Ride throws open the stage door and introduces readers to such makers of contemporary drama as Arthur Miller, Tony Kushner, Wallace Shawn, Harold Pinter, David Rabe, David Mamet, Mike Nichols, and August Wilson. Lahr takes us to the cabin in the woods that Arthur Miller built in order to write Death of a Salesman; we walk with August Wilson through the Pittsburgh ghetto where we encounter the inspiration for his great cycle; we sit with Ingmar Bergman at the Kunglinga Theatre in Stockholm, where he attended his first play; we visit with Harold Pinter at his London home and learn the source of the feisty David Mamet's legendary ear for dialogue. In its juxtaposition of biographical detail and critical analysis, Joy Ride explores with insight and panache not only the lives of the theatricals but the liveliness of the stage worlds they have created.
Joy of the Worm: Suicide and Pleasure in Early Modern English Literature (Thinking Literature)
by Drew DanielConsulting an extensive archive of early modern literature, Joy of the Worm asserts that voluntary death in literature is not always a matter of tragedy. In this study, Drew Daniel identifies a surprisingly common aesthetic attitude that he calls “joy of the worm,” after Cleopatra’s embrace of the deadly asp in Shakespeare’s play—a pattern where voluntary death is imagined as an occasion for humor, mirth, ecstatic pleasure, even joy and celebration. Daniel draws both a historical and a conceptual distinction between “self-killing” and “suicide.” Standard intellectual histories of suicide in the early modern period have understandably emphasized attitudes of abhorrence, scorn, and severity toward voluntary death. Daniel reads an archive of literary scenes and passages, dating from 1534 to 1713, that complicate this picture. In their own distinct responses to the surrounding attitude of censure, writers including Shakespeare, Donne, Milton, and Addison imagine death not as sin or sickness, but instead as a heroic gift, sexual release, elemental return, amorous fusion, or political self-rescue. “Joy of the worm” emerges here as an aesthetic mode that shades into schadenfreude, sadistic cruelty, and deliberate “trolling,” but can also underwrite powerful feelings of belonging, devotion, and love.
Joy of the Worm: Suicide and Pleasure in Early Modern English Literature (Thinking Literature)
by Drew DanielConsulting an extensive archive of early modern literature, Joy of the Worm asserts that voluntary death in literature is not always a matter of tragedy. In this study, Drew Daniel identifies a surprisingly common aesthetic attitude that he calls “joy of the worm,” after Cleopatra’s embrace of the deadly asp in Shakespeare’s play—a pattern where voluntary death is imagined as an occasion for humor, mirth, ecstatic pleasure, even joy and celebration. Daniel draws both a historical and a conceptual distinction between “self-killing” and “suicide.” Standard intellectual histories of suicide in the early modern period have understandably emphasized attitudes of abhorrence, scorn, and severity toward voluntary death. Daniel reads an archive of literary scenes and passages, dating from 1534 to 1713, that complicate this picture. In their own distinct responses to the surrounding attitude of censure, writers including Shakespeare, Donne, Milton, and Addison imagine death not as sin or sickness, but instead as a heroic gift, sexual release, elemental return, amorous fusion, or political self-rescue. “Joy of the worm” emerges here as an aesthetic mode that shades into schadenfreude, sadistic cruelty, and deliberate “trolling,” but can also underwrite powerful feelings of belonging, devotion, and love.
Joy of the Worm: Suicide and Pleasure in Early Modern English Literature (Thinking Literature)
by Drew DanielConsulting an extensive archive of early modern literature, Joy of the Worm asserts that voluntary death in literature is not always a matter of tragedy. In this study, Drew Daniel identifies a surprisingly common aesthetic attitude that he calls “joy of the worm,” after Cleopatra’s embrace of the deadly asp in Shakespeare’s play—a pattern where voluntary death is imagined as an occasion for humor, mirth, ecstatic pleasure, even joy and celebration. Daniel draws both a historical and a conceptual distinction between “self-killing” and “suicide.” Standard intellectual histories of suicide in the early modern period have understandably emphasized attitudes of abhorrence, scorn, and severity toward voluntary death. Daniel reads an archive of literary scenes and passages, dating from 1534 to 1713, that complicate this picture. In their own distinct responses to the surrounding attitude of censure, writers including Shakespeare, Donne, Milton, and Addison imagine death not as sin or sickness, but instead as a heroic gift, sexual release, elemental return, amorous fusion, or political self-rescue. “Joy of the worm” emerges here as an aesthetic mode that shades into schadenfreude, sadistic cruelty, and deliberate “trolling,” but can also underwrite powerful feelings of belonging, devotion, and love.
Joy, Despair, Illusion, Dreams: Twenty Plays from the Nō Tradition
by Royall TylerNō drama, which integrates speech, song, dance, music, mask, and costume into a distinctive art form, is among Japan’s most revered cultural traditions. It gained popularity in the fourteenth century, when the actor and playwright Zeami (1363–1443) drew the favor of the shogun with his theatrical innovations. Nō’s intricacies and highly stylized conventions continue to attract Japanese and Western appreciation, and a repertoire of some 250 plays is performed today.Joy, Despair, Illusion, Dreams presents a selection of Nō plays, magnificently rendered in English by Royall Tyler, an eminent scholar and translator of classical Japanese literature. It includes both canonical and lesser-known works of Zeami’s, as well as anonymous works. Several are outside the established repertoire, offering glimpses of Nō before the tradition was codified in the Edo period, and have not previously been translated into English. An introduction describes the structure, formal features, and performance conventions of Nō plays, and brief essays precede each work. Through Tyler’s authoritative scholarship and keen ear for the subtlety and beauty of the language, Joy, Despair, Illusion, Dreams gives Anglophone readers access to the complex art of Nō.
Joyful Noise
by Tim SloverDrama / 5m, 3f / Various Sets / George Frederick Handel is in trouble: his last opera flopped, he is no longer in favor with King George II and preachers are raging that his latest work is blasphemous. In this climate, he struggles to present "The Messiah." Handel's travails are linked with those of his leading soprano. Forced into retirement because of a scandal, she is slated to make her comeback in his new masterpiece and fears a nasty reception. A malicious, back stabbing alternate is waiting in the wings to replace her. A devious bishop and Handel's bulky librettist add to the conflict in this true story of the politics and passion that nearly prevented "The Messiah" from ever being performed.
Juan Mayorga: Six Plays
by David Johnston Jerelyn JohnsonJuan Mayorga: Six Plays is the first collection of Spanish dramatist Juan Mayorga’s plays in English, offering a compelling insight into the extraordinary range and quality of one of the Spanish-speaking world’s most distinctive voices.The six plays are presented in translations that are both readable and eminently performable. Each is accompanied by a translator’s note that discusses the strategies and decisions used in making the play performable in English as well as the play’s key themes. The book also features an introduction to Mayorga’s life and work, emphasising his commitment to plays whose range of forms and innovative theatre-making practice re-imagines the nature of theatre and performance each time anew. The plays themselves are brilliant treatises on our times, inspiring conversation about and critical examination of our troubled world.These scripts will be of interest to professional practitioners but are no less suited to both university and amateur settings, making this the definitive collection of Mayorga’s work in English for theatremakers, students, and scholars.
Juan's Children
by Ronyfer Federico RenziIt is the story of Ignacio and his life on a hacienda in Guatemala, and as the events of the past will be reflected in his future.
Judaeo Arabic Studies
by GolbFirst Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Judah's Daughter
by Jules TascaTragedy / 5m, 4f / 1 set / Here is a new theatrical form the author calls an eurythmy. It is a system of movements to words with the actors wearing full face masks. The piece may also be done as a conventional play without masks. The story of Judah and his daughters, one legitimate and raised as an orthodox Jew and the other illegitimate and raised as a Roman Catholic, is a family tragedy. Both girls fall in love with the same man, a gentile. The tug of war that ensues destroys Judah and his daughter. The heart felt conclusion brings tears to the eyes of all who see this sensitive work. Winner of the 1998 Dorothy Silver International Playwrighting Contest.
Judge And Jury
by Mark DunnComedy / 5 m., 4 f. / Interior / Love and war rage in a Texas small claims court. As love blooms between Judge Harriet Kerr and Constable Jay Weiss behind closed chamber doors, war erupts in the jury room as six jurors square off over a case involving former lovers with heavy grudges. The result is a spirited, riotous debate on man's inhumanity to woman and vice versa a veritable battle of the sexes with a Texas twang. Written by the author of Belles and Five Tellers Dancing in the Rain, here is a light hearted yet probing look at the chasm between the sexes and the bridges built to overcome it. Audiences love to take sides and, just like the ladies and gentlemen of the jury, they will find ample common ground.
Judgment Call and Other Plays
by Frederick StroppelComedy / 3m, 1f / Various Sets / This collection of darkly comic plays by the author of Single and Proud and Other Plays includes Judgment Call, Soulmates, Chain Mail, Perfect Pitch and Coelacanth
Judson Dance Theater: Performative Traces
by Ramsay Burt"The Judson Dance Theatre "explores the work and legacy of one of the most influential of all dance companies, which first performed at the Judson Memorial Church in downtown Manhattan in the early 1960s. There, a group of choreographers and dancers--including future well-known artists Twyla Tharp, Carolee Schneemann, Robert Morris, Trisha Brown, Yvonne Rainier, and others--created what came to be known as " postmodern dance." Taking their cues from the experiments of Merce Cunningham, they took movements from everyday life--walking, running, gymnastics--to create dances that influenced not only future dance work but also minimalism in music and art, as well as the wedding of dance and speech in solo performance pieces.Judson's legacy has been explored primarily in the work of dance critic Sally Banes, in a book published in the 1980s. Although the dancers from the so-called "Judson School" continue to perform and create new works--and their influence continues to grow from the US to Europe and beyond--there has not been a book-length study in the last two decades that discusses this work in a broader context of cultural trends. Burt is a highly respected dance critic and historian who brings a unique new vision to his study of the Judson dancers and their work which will undoubtedly influence the discussion of these seminal figures for decades to come"Performative Traces: Judson" "Dance Theatre and Its Legacy "combines history, performance analysis, theory, and criticism to give a fresh view of the work of this seminal group of dancers. It will appeal to students of dance history, theory, and practice, as well as all interested in the avant-grade arts and performance practice in the 20th century.
Judy's Scary Little Christmas
by David ChurchHoliday Musical Comedy / 7m, 6f / Simple Set / Judy Garland is primed for her biggest comeback ever - the dazzling star of her own TV special, broadcast live on Christmas Eve, 1959. Judy's guests include Bing Crosby (making some holiday "grog"), Ethel Merman (plugging her Hawaiian album), and Liberace (with a handsome sailor in tow). However, mysterious snafus behind the scenes and cameo appearances by commie-baiting Vice President Richard Nixon (who performs a magic act) and blacklisted writer, Lillian Hellman, (who's forced to read "Children's Letter to Santa" with a puppet) throw Judy's program off course. The surprises climax when the arrival of Joan Crawford is interrupted by the spectral figure of...Death. The evening takes a detour into the twilight zone as the celebrities are forced to confront the lies behind their legends. Devastated and alone, Judy meets a special fan who ultimately proves that, despite her flaws, her shining legacy still endures. / "Magical! A side-splitting musical parody...wickedly funny!" - Los Angeles Times
Juicy and Delicious: The Play That Inspired the Motion Picture Beasts of the Southern Wild
by Lucy AlibarLucy Alibar is a screenwriter, playwright and storyteller from the Florida panhandle. Her film, Beasts of the Southern Wild, which she wrote with Behn Zeitlin, and is based on her original play, Juicy and Delicious, won the Narrative Grand Jury Prize at this year&’s Sundance Film Festival. Fox Searchlight will be releasing the film this summer. Her other plays include, A Friend of Dorothy(Best Play Finalist, Montreal Fringe), Lightning/Picnic (Ensemble Studio Theatre), Mommy Says I&’m Pretty on the Insides (Williamstown Theatre Festival), and Christmas and Jubilee Behold the Meteor Shower (New Georges).Her work has been produced and developed at the Sundance Institute, Joe&’s Pub, Williamstown Theatre Festival, HERE Arts Center, Ensemble Studio Theatre, Dixon Place, New Georges, Edinburgh Fringe, the Avignon Festival, and the Cherry Lane Theatre. Lucy is a member of Court 13, EST/Youngblood, Jose Rivera&’s Writing Group, and founder of the New Georges Writer/Director Lab. She is a Sundance Screenwriting Fellow, two-time finalist for the Heideman Award at Actor&’s Theatre of Louisville, and winner of Young Playwrights, Inc. She bakes a mean coconut cake.
Julia Jones' Tagebuch - Teil 6 - Veränderungen
by Katrina Kahler Anja BauermeisterIn Julias Leben läuft alles super. Sie hat einen tollen Freund und die wunderbarste beste Freundin, die man sich vorstellen kann. Ihre Band ist total beliebt. Sie steht kurz vor dem Abschluss der achten Klasse und freut sich schon auf die High School. Es könnte perfekt sein, wenn da nicht dieser unheimliche neue Junge auf ihrer Schule wäre, der Julia verfolgt und ihr Zettel in die Tasche schmuggelt. Und dann geschieht etwas, das Julias gesamte Welt auf den Kopf stellt ... "Julia Jones' Tagebuch - Teil 6 - Veränderungen" ist ein weiterer Teil der beliebten Tagebuchserie von Julia Jones; ein Buch das dich zum Lächeln bringt und Gänsehaut hervorruft.
Juliet's Answer: One Man's Search for Love and the Elusive Cure for Heartbreak
by Glenn DixonEat, Pray, Love meets The Rosie Project in this fresh, heartwarming memoir by a man who travels to Verona and volunteers to answer letters addressed to Shakespeare’s Juliet, all in an attempt to heal his own heartbreak.When Glenn Dixon is spurned by love, he packs his bags for Verona, Italy. Once there, he volunteers to answer the thousands of letters that arrive addressed to Juliet—letters sent from lovelorn people all over the world to Juliet’s hometown; people who long to understand the mysteries of the human heart. Glenn’s journey takes him deep into the charming community of Verona, where he becomes involved in unraveling the truth behind Romeo and Juliet. Did these star-crossed lovers actually exist? Why have they remained at the forefront of hearts and minds for centuries? And what can they teach us about love? When Glenn returns home to Canada and resumes his duties as an English teacher, he undertakes a lively reading of Romeo and Juliet with his students, engaging them in passions past and present. But in an intriguing reversal of fate and fortune, his students—along with an old friend—instruct the teacher on the true meaning of love, loss, and moving on. An enthralling tale of modern-day love steeped in the romantic traditions of eras past, this is a memoir that will warm your heart.
Juliet: The Life and Afterlives of Shakespeare's First Tragic Heroine
by Sophie DuncanThe enduring cultural legacy of Shakespeare&’s Juliet Capulet — a history "as vital and provocative as the character herself" (Literary Review).Romeo and Juliet may be the greatest love story ever told, but who is Juliet? Demure ingénue? Or dangerous Mediterranean madwoman? From tearstained copies of the First Folio to Civil War-era fanfiction, Shakespeare&’s star-crossed heroine has long captured our collective imagination. Juliet is her story, traced across continents through four centuries of history, theatre, and film. As Oxford Shakespeare scholar Sophie Duncan reveals, Juliet&’s legacy stretches beyond her literary lifespan into a cultural afterlife ranging from enslaved African girls in the British Caribbean to the real-life Juliets of sectarian violence in Bosnia and Belfast. She argues that our dangerous obsession with the beautiful dead teenager and Juliet&’s meteoric rise as a defiant sexual icon have come to define the Western ideal of romance. Wry and inventive, Juliet is a tribute to fiction&’s most famous teenage girl who died young, but who lives forever.
Julio César
by William ShakespeareUna obra imprescindible de Shakespeare sobre la ambición, el poder y la traición en el marco fascinante de la antigua Roma. De regreso a Roma tras su exitosa campaña en España, Julio César se hace nombrar cónsul y dictador perpetuo. Es entonces cuando, en defensa de la República, Casio pone en marcha una conspiración para asesinarlo con ayuda del noble Bruto. Sin embargo, Marco Antonio volverá la opinión pública en contra de los conspiradores, en una jugada que llevará a los lectores a reflexionar sobre el honor, la ambición y la integridad. En el imprescindible prólogo escrito para nuestra edición, el novelista y experto en literatura inglesa Santiago Posteguillo destaca la plena vigencia de esta pieza en la que el ejercicio de la autoridad llama a los peores excesos políticos. Santiago Posteguillo ha dicho:«Todo el mundo debería leer la obra de teatro Julio César de Shakespeare, al menos, una vez en la vida».
Julio César para jóvenes y no tanto
by Fernando VillegasAño 44 a. C. El hombre más poderoso de Roma se dirige al Senado en los fatídicos Idus de marzo. Se jugaba el destino de la República. Una época fascinante y turbulenta a la que Fernando Villegas viaja para contarnos esta gran historia. Julio César para jóvenes y no tanto es un ensayo sutil que enseña y entretiene.
Julius Caesar
by William Shakespeare Stephen Orgel A. R. Braunmuller Douglas Trevor William MontgomeryThe legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare's time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. This edition of Julius Caesar is edited by William Montgomery with an introduction by Douglas Trevor.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.From the Trade Paperback edition.
Julius Caesar
by William Shakespeare Deborah SchechterWilliam Shakespeare's play "The Tragedy of Julius Caesar" describes a key event in Roman history: Caesar’s assassination. <P><P> Set in Rome and in Phillipi, Shakespeare describes the circumstances of the conspiracy and the killing of Caesar at the hands of fellow politicians - under the leadership of senator Brutus ... This play was presumably completed in 1599.
Julius Caesar
by Richard WilsonJulius Caesar: A New Casebook provides students and academics with a selection of important essays by leading contemporary critics on Shakespeare's first "Globe" play. New historicist, feminist, psychoanalytic and Marxist readings of the tragedy have been chosen to highlight the urgency with which this drama of prophecy, interpretation and political crisis speaks to twenty-first century concerns about democracy, the media and mass communication.
Julius Caesar
by William ShakespeareTragedy about the death of the Emperor Julius Caesar and its aftermath.