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Identity, Performance and Technology

This project investigates the implications of technology on identity in embodied performance, opening up a forum of debate exploring the interrelationship of and between identities in performance practices and considering how identity is formed, de-formed, blurred and celebrated within diverse approaches to technological performance practice.

The Ides of March: A Novel (Modern Classics Ser.)

History / 9m, 6f, extras / Platform stage / The action spans the year before and up to Caesar's assassination, introducing us to Cleopatra on her visit to Rome. Caesar has given some strict proscriptions; but all the same he falls in love with her again. This infuriates a patrician woman of Rome. Her attempts to have Antony seduce Cleopatra pay off when Caesar discovers them together. He is preparing to leave on a tour the Ides of March, but that morning he receives twenty-three stab wounds, and dies untended on the street.

The Idiot Box

6m, 4f / Comedy / Interior / THE IDIOT BOX tells the story of six sitcom characters whose lives are shaken when reality crashes into their perfect world. As the artifice of their lives unravels, each character discovers powerful truths about race, love, sexuality and the America outside they never knew existed - resulting in a theatrical experience that, according to The Hollywood Reporter, "is a glittering absurdist farce...with a sinister undertow that takes hold early and never lets go."

Žižek and Media Studies

Film, media, and cultural theorists have long appealed to Lacanian theory in order to discern processes of subjectivization, representation, and ideological interpellation. Here, the contributors take up a Zizekian approach to studies of cinema and media, raising questions about power, ideology, sexual difference, and enjoyment.

Žižek and Performance (Performance Philosophy)

The first edited volume to examine philosopher Slavoj Žižek's influence on, and his relevance for, theatre and performance studies. Featuring a brand new essay from Žižek himself, this is an indispensable contribution to the emerging field of Performance Philosophy.

If

Edward John Moreton Drax Plunkett, 18th Baron of Dunsany was an Anglo-Irish writer and dramatist, notable for his work in fantasy published under the name Lord Dunsany. More than eighty books of his work were published, and his oeuvre includes hundreds of short stories, as well as successful plays, novels and essays. Born to one of the oldest titles in the Irish peerage, he lived much of his life at perhaps Ireland's longest-inhabited home, Dunsany Castle near Tara, received an honourary doctorate from Trinity College, and died in Dublin.

If

If God Wanted Us to Fly He Would Have Given Us Wings!

Three Short Comedies / 3m, 3f / InteriorsIf God Wanted Us to Fly He Would Have Given Us Wings! is a set of 3 one-act plays, all spoofing the airlines. Plays include: Terminal Terror; On Hold at 30,000 Feet; Identity Crisis

If Men Played Cards As Women Do

Comedy / 4m / Interior / A brilliant satire for men, successfully played in Irving Berlin's "Music Box Revue." The fun is derived from the fact that a group of men at the bridge table speak, behave, and think after the manner in which women are supposed to conduct their game. A good tournament play.

If There Is I Haven't Found It Yet: A Play

Fifteen-year-old Anna is bullied by her classmates for being overweight. Her mother, Fiona, decides to transfer her to the school where she teaches, but that only makes things worse. Anna's father, George, is no help—he's too obsessed with saving the world. Just as Anna gets suspended for head-butting one of her tormenters, her uncle Terry arrives for an unannounced visit. A heartbroken, filthy-mouthed slacker, Terry reaches out to Anna in a way that no one ever has. Their unexpected friendship sends her parents' rocky marriage into a tailspin as the whole family wonders what—or who—really needs saving. Nick Payne's If There Is I Haven't Found It Yet is a brilliantly sad, humorous, and empathetic play about a family stuck somewhere between knowing what the problem is and doing something about it.

If We Were Birds

If We Were Birds is a shocking, uncompromising examination of the horrors of war, giving voice to a woman long ago forced into silence, and placing a spotlight on millions of female victims who have been silenced through violence. A deeply affecting and thought-provoking re-imagining of Ovid's masterpiece "Tereus, Procne, and Philomela," Erin Shields's award-winning play is an unflinching commentary on contemporary war and its aftermath delivered through the lens of Greek tragedy.

Il Diario di Leione

Durante la sua vita, Leione ha scritto un diario su come tutto sarebbe dovuto essere nella sua vita, dopo aver affrontato un’ondata di delusioni e aver vissuto un amore puramente platonico per suo cugino Andrew...

Il Manuale Lollapalooza Definitivo

Che tu sia nuovo o un veterano, questo manuale ha i consigli che ti serviranno per sopravvivere e vivere bene uno dei più meravigliosi festival di tutti i tempi! Il Loolapalooza continua ad essere una delle esperienze di festival più fantastiche che le persone abbiano mai fatto. Comunque ci sono molti consigli e trucchi che devi imparare per trarre il meglio da questa esperienza. Questo manuale ti insegnerà le cose da fare e non fare in questo festival, oltre a risparmiare denaro e divertirti allo stesso tempo! - Tipologie di biglietto & come risparmiare soldi - Risparmiare sui biglietti - Linee aeree e sconti - Alberghi e sconti - Come massimizzare la tua esperienza - Cosa portare e cosa lasciare a casa --> Vai in cima alla pagina e clicca su aggiungi al carrello per acquistare immediatamente Disclaimer: This author and or rights owner(s) make no claims, promises, or guarantees in regards to the accuracy, completeness, or adequacy of the contents of this book, and expressly disclaims liability for errors and omissions in the contents within. This product is for reference use only. Please consult a professional before taking action on any of the contents found within.

Il mio nazista preferito: Il mito di Albert Speer, il nazista buono.

Il mio nazista preferito. Il mito di Albert Speer, il nazista buono. La storia del gerarca nazista che si salvò dalla forca al processo di Norimberga. Albert Speer, uno dei principali gerarchi nazisti, fu architetto di Hitler e Ministro della Produzione di Armamenti. Fu responsabile della deportazione e della morte di milioni di lavoratori schiavi che furono obbligati a lavorare in condizioni degradanti nelle industrie belliche. Si stima che furono usati 14 milioni di lavoratori contro la loro volontà per aumentare di 4 volte la produzione di armamenti durante la gestione di Albert Speer. Grazie a questo enorme incremento della produzione la Germania fu in grado di sostenere il conflitto per altri due anni. Questa estensione del conflitto comportò, come conseguenza, vari milioni di vittime che avrebbero potuto essere evitate. Nonostante la sua responsabilità diretta per la morte di milioni di lavoratori schiavi e di prigionieri di guerra, Albert Speer evitò miracolosamente la condanna alla forca, che invece ricevettero i suoi compagni nazisti sottoposti al processo a Norimberga. Albert Speer fu l'unico nazista a mostrare un qualche tipo di pentimento e ad accettare la responsabilità condivisa per le atrocità commesse durante il regime nazista. Speer fu condannato solo a 20 anni di detenzione nel carcere di Spandau, pena che scontò pienamente fino all'ultimo giorno. All'uscita di prigione pubblicò un libro di memorie che divenne un best seller mondiale, ebbe una grande ripercussione mediatica e lo fece diventare un uomo ricco. Alla luce del suo pentimento e della sua accettazione delle responsabilità è spesso definito in modo ironico come "il nazista buono". Acquista questo libro per scoprire le strategie che Albert Speer utilizzò per salvarsi dalla forca e per diventare il nazista preferito di tutto il mondo!

Il Sogno Americano Di Sofia

Una giovane donne guatemalese alla ricerca di un sogno inesistente, dopo anni di esilio, torna a casaportando con sè il peggiore degli incubi.

An Iliad

Masterfully adapted by Lisa Peterson and Denis O'Hare From Robert Fagles's acclaimed translation, An Iliad telescopes Homer's Trojan War epic into a gripping monologue that captures both the heroism and horror of war. Crafted around the stories of Achilles and Hector, in language that is by turns poetic and conversational, An Iliad brilliantly refreshes this world classic. What emerges is a powerful piece of theatrical storytelling that vividly drives home the timelessness of mankind's compulsion toward violence.

An Iliad

Masterfully adapted by Lisa Peterson and Denis O’Hare From Robert Fagles’s acclaimed translation, An Iliad telescopes Homer’s Trojan War epic into a gripping monologue that captures both the heroism and horror of war. Crafted around the stories of Achilles and Hector, in language that is by turns poetic and conversational, An Iliad brilliantly refreshes this world classic. What emerges is a powerful piece of theatrical storytelling that vividly drives home the timelessness of mankind’s compulsion toward violence.

The Iliad, The Odyssey, and All Of Greek Mythology in 99 Minutes or Less

Comedy / 3m, 2f / On a simple stage, with the clock ticking in front of everyone's eyes, the cast speeds through all of Greek Mythology. Its funny, updated and made easy to understand. The Gods walk the Red Carpet. The Creation of Mankind is a botched subcontractors job. Man and Pandora try settling down despite an ominous wedding gift. Love stories are a dating show and the Greek Tragedies are sports highlights! And don't forget the two greatest stories ever told, The Iliad and The Odyssey. Kidnap Helen of Troy and you've got a 10 year slap-fight of epic proportions with pouty Achilles, war-hungry Agamemnon and clever Odysseus, destined to wander the seas for 10 more years fighting giants, seductresses and the Gods themselves. All the silly decisions, the absurd destinies, and the goofy characters are presented lightning-bolt fast with hysterical results as the clock is stopped with only seconds to spare.

Iliria, Tempestades y William

En Londres todo quedó en calma. En Iliria llega la tempestad. William y Julieta llegan para celebrar su luna de miel a la suite principal del Hotel Lear en la isla de Iliria. Han llegado en la época de tempestades, un tiempo que es mágico para los habitantes de la isla. Las historias de que Iliria tiene un poder misterioso e inspirador convencen a nuestro héroe para seguir los planes que Edmund tiene para él en la isla. Esta vez algunos de los personajes de El rey Lear, La tempestad y Noche de Reyes, además de nuestras queridas musas y el genial duende Puck, irán apareciendo para hacerle al joven dramaturgo inglés su estancia mucho más... entretenida.

I'll Be Seein' Ya: with The Insolvencies

Two searing, incisive plays from Jon Robin Baitz, Tony Award nominee and two-time Pulitzer Prize finalist. Allie Murchow, a retired Hollywood makeup artist, is stuck inside her apartment, stuck in her daydreams of bygone celebrity and glamour, and stuck on hold with her pharmacist. She tries to make sense of the Los Angeles outside her windows, the LA of 2020, but she can’t hear herself think over the echo of sirens and her chatty brother’s interjections. I’ll Be Seein’ Ya, written by Jon Robin Baitz, the author of Other Desert Cities and Vicuña, is an unflinchingly funny new play that takes on our anxieties and delusions and reveals new truths about our strange reality.In The Insolvencies, two men—one younger, one older, one a professor, one a former student—recall their relationship and the time they felt “the piercing sting of simply being seen.” A study of sex and pleasure, of justice and shame, this short, stirring play completes the affecting pair of new works from Baitz, “the American theatre’s most fascinating playwright of conscience” (Michael Kuchwara, Associated Press).

I'll Drink to That!: Broadway's Legendary Stars, Classic Shows, and the Cocktails They Inspired

Broadway has always raised a glass to celebrate itself—what&’s an opening night without popping the cork of a bottle of Champagne? I&’ll Drink to That! Broadway&’s Legendary Stars, Classic Shows, and the Cocktails They Inspired is a celebration of theatrical tradition, a souvenir of magic moments on stage, and a practical guide to concocting one-of-a-kind craft cocktail recipes inspired by the classics of the American stage. I&’ll Drink to That! expertly mixes clever cocktails that pay homage to unforgettable Broadway shows--such as the Rainbow High from Evita and the Sidecar Named Desire--with authentic recipes for drinks that played supporting roles in beloved shows--like the legendary Vodka Stinger from Company--and shakes it up with a history of the cocktail on Broadway, detailed by one of the leading musical theater historians, Laurence Maslon. Featured throughout are fantastic images—from intoxicating images of classic shows to portraits of effervescent stage celebrities to vintage liquor ads featuring Broadway stars. Of course, the drinks themselves get their own spotlight, photographed by the legendary Broadway photographer Joan Marcus at the iconic Sardi&’s restaurant, home to hundreds of opening nights over the past century. With drinks ranging from the South Pacific-inspired Bali Ha&’i Ma&’i Ta&’i to Mame&’s Cornhusker mint julep to the Hamilton My Shot, and illustrated with a wide range of rare drawings, posters, and advertisements,, I'll Drink to That! is the perfect gift for anyone who loves the theater, enjoys an elegant bend of the elbow, and wants to be part of a long and bubbly theatrical history. 30 DRINK RECIPES: Dozens of delicious drink recipes from pre-theater cocktails to cozy after-theater toddies to celebratory toasts guaranteed to earn a standing ovation! COCKTAILS WITH A TWIST: Clever takes on Broadways shows and show tunes, including the Toast of Mayfair (Cabaret), the Bloody Sweeney (Sweeney Todd), and the Dead Thing (Beetlejuice). STARS OF THE SHOW: Classic recipes for drinks that feature center stage in famous plays and musicals, such as the Vodka Stinger from Company and the Sazerac from State of the Union. BROADWAY&’S BUBBLY HISTORY: Dive deep into dozens of stories and anecdotes about how cocktails and drinking played a role in creating some of Broadway&’s greatest hits. PHOTOS BY A LEGEND IN A LEGENDARY PLACE: Drinks photographed by the legendary Broadway photographer Joan Marcus in Broadway&’s most famous theater restaurant, Sardi&’s.

Illegible Will: Coercive Spectacles of Labor in South Africa and the Diaspora

In Illegible Will Hershini Bhana Young engages with the archive of South African and black diasporic performance to examine the absence of black women's will from that archive. Young argues for that will's illegibility, given the paucity of materials outlining the agency of black historical subjects. Drawing on court documents, novels, photographs, historical records, websites, and descriptions of music and dance, Young shows how black will can be conjured through critical imaginings done in concert with historical research. She critically imagines the will of familiar subjects such as Sarah Baartman and that of obscure figures such as the eighteenth-century slave Tryntjie of Madagascar, who was executed in 1713 for attempting to poison her mistress. She also investigates the presence of will in contemporary expressive culture, such as the Miss Landmine Angola beauty pageant, placing it in the long genealogy of the freak show. In these capacious case studies Young situates South African performance within African diasporic circuits of meaning throughout Africa, North America, and South Asia, demonstrating how performative engagement with archival absence can locate that which was never recorded.

The Illuminated Theatre: Studies on the Suffering of Images

What sort of thing is a theatre image? How is it produced and consumed? Who is responsible for the images? Why do the images stay with us when the performance is over? How do we learn to speak of what we see and imagine? And how do we relate what we experience in the theatre to what we share with each other of the world? The Illuminated Theatre is a book about theatricality and spectatorship in the early twenty-first century. In a wide-ranging analysis that draws upon theatrical, visual and philosophical approaches, it asks how spectators and audiences negotiate the complexities and challenges of contemporary experimental performance arts. It is also a book about how European practitioners working across a range of forms, from theatre and performance to dance, opera, film and visual arts, use images to address the complexities of the times in which their work takes place. Through detailed and impassioned accounts of works by artists such as Dickie Beau, Wendy Houstoun, Alvis Hermanis and Romeo Castellucci, along with close readings of experimental theoretical and art writing from Gillian Rose to T.J. Clark and Marie-José Mondzain, the book outlines the historical, aesthetic and political dimensions of a contemporary ‘suffering of images.’

The Illusion

Already a favorite of theatres throughout the country, Tony Kushner's free adaptation of Pierre Corneille's most original, theatrical comedy, L'Illusion Comique, blends magic and truth, obsession and caprice, romance and murder, into an enticing exploration of the greatest illusion--love.

Illusive Utopia

No nation stages massive parades and collective performances on the scale of North Korea. Even amid a series of intense political/economic crises and international conflicts, the financially troubled country continues to invest massive amounts of resources to sponsor unflinching displays of patriotism, glorifying its leaders and revolutionary history through state rituals that can involve hundreds of thousands of performers. Author Suk-Young Kim explores how sixty years of state-sponsored propaganda performances---including public spectacles, theater, film, and other visual media such as posters---shape everyday practice such as education, the mobilization of labor, the gendering of social interactions, the organization of national space, tourism, and transnational human rights. Equal parts fascinating and disturbing, Illusive Utopia shows how the country's visual culture and performing arts set the course for the illusionary formation of a distinctive national identity and state legitimacy, illuminating deep-rooted cultural explanations as to why socialism has survived in North Korea despite the fall of the Berlin Wall, the collapse of the Soviet Union, and China's continuing march toward economic prosperity. With over fifty striking color illustrations, Illusive Utopia captures the spectacular illusion within a country where the arts are not only a means of entertainment but also a forceful institution used to regulate, educate, and mobilize the population.