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An Illustrated History of British Theatre and Performance: Volume Two - From the Industrial Revolution to the Digital Age
by Robert LeachAn Illustrated History of British Theatre and Performance chronicles the history and development of theatre from the Roman era to the present day. As the most public of arts, theatre constantly interacted with changing social, political and intellectual movements and ideas, and Robert Leach’s masterful work restores to the foreground of this evolution the contributions of women, gay people and ethnic minorities, as well as the theatres of the English regions, and of Wales and Scotland. Highly illustrated chapters trace the development of theatre through major plays from each period; evaluations of playwrights; contemporary dramatic theory; acting and acting companies; dance and music; the theatre buildings themselves; and the audience, while also highlighting enduring features of British theatre, from comic gags to the use of props. Continuing on from the Enlightenment, Volume Two of An Illustrated History of British Theatre and Performance leads its readers from the drama and performances of the Industrial Revolution to the latest digital theatre. Moving from Punch and Judy, castle spectres and penny showmen to Modernism and Postdramatic Theatre, Leach’s second volume triumphantly completes a collated account of all the British Theatre History knowledge anyone could ever need.
The Illustrated Shakespeare, 1709-1875
by Stuart SillarsIllustrations have been an important element of many of the most extensively read editions of Shakespeare's plays, from the frontispieces to Nicholas Rowe's 1709 edition to the multiple images placed within the text of Victorian editions. Through symbols the illustrations have explored language and character; by allusion to earlier paintings they have offered critical readings; and by gesture, setting and costume they have redesigned the plays within the visual vocabulary of their own times. In all these ways they offer important exchanges with contemporary social, aesthetic and critical concerns, and, despite being largely ignored by scholars, are central to the plays' reception. Highly illustrated, including many images not previously reproduced, the book allows the reader to share the experience of early readers of the plays. Building on the author's earlier work in Painting Shakespeare it offers a fresh address to the tradition of visual criticism and assimilation of Shakespeare's plays.
Illustrated Theatre Production Guide
by John HollowayThis new and fully updated edition of the Illustrated Theatre Production Guide takes a step-by-step approach to the most common and popular theatre production practices, covering important issues related to the construction of wooden, fabric, plastic, and metal scenery used on the stage. This book examines theatres and their equipment, tools and materials, and scenery construction, as well as the principles of electricity and implementation of a lighting design. New additions include: * Hundreds of unique hand-drawings that illustrate lessons, giving detailed, dimensional instruction * New chapters on stage management and electrical theory as it relates specifically to stage lighting * Completely revamped chapters on metal frame construction and the practice of entertainment lighting covering DMX signals, dimmer mechanics, power distribution, digital lighting * Eco-friendly tips on how to reuse and recycle props and set material * Multiple do-it-yourself projects and practice problems *Companion website with a solutions manual and how-to videos that give an exclusive visual on crucial backstage tasks such as properly tying knots, building a chandelier, and constructing an outdoor stage Illustrated Theatre Production Guide, Second Edition offers techniques and best-practice methods from an experienced industry expert, creating a foundation on which to build a successful and resourceful career behind the scenes in theatre production.
Illustrated Theatre Production Guide
by John Ramsey Holloway Zachary StriblingNow in its fourth edition, Illustrated Theatre Production Guide delivers a step-by-step approach to the most prevalent and established theatre production practices, focusing on essential issues related to the construction of wooden, fabric, plastic, and metal scenery used on the stage. Offering techniques and best-practice methods from experienced industry experts, this book allows readers to create a foundation on which to build a successful and resourceful career behind the scenes in theatre production. The new edition has been fully updated to include the latest technology and current practices, with four new chapters on Safety, Automation, Digital Fabrication, and the Production Process, and an emphasis on inclusivity and gender-neutral language. A must-have resource for both the community theatre worker who must be a jack of all trades and the student who needs to learn the fundamentals on his or her own, Illustrated Theatre Production Guide covers all the necessities of theatre production through detailed lessons and hundreds of drawings. The book also includes access to a companion website featuring instruction videos, tips for an eco-friendly production, and additional images and resources.
Illustrated Theatre Production Guide
by Zachary StriblingIllustrated Theatre Production Guide delivers a step-by-step approach to the most prevalent and established theatreproduction practices, focusing on essential issues related to the construction of wooden, fabric, plastic, and metal scenery used on the stage. A must-have resource for both the community theatre worker who must be a jack of all trades and the student who needs to learn the fundamentals on his or her own, it covers the necessities in great detail, without bogging you down. Offering techniques and best-practice methods from an experienced industry expert, it will allow you to create a foundation on which to build a successful and resourceful career behind the scenes in theatre production. This third edition has been completely restructured to more effectively lead you through the basics of stagecraft. Through detailed lessons and hundreds of drawings, author John Holloway offers you solutions to the problems that you’ll face every day in a production, from rigging to knot tying. New to this edition are guides to jobs in theatre, construction documentation, and video projection methods, with expanded information on Thrust Theatres, lighting, audio and video practices.
Illyria
by Elizabeth HandMadeleine and Rogan are first cousins, best friends, twinned souls, each other’s first love. Even within their large, disorderly family-all descendants of a famous actress-their intensity and passion for theater sets them apart. It makes them a little dangerous. When they are cast in their school’s production of Twelfth Night, they are forced to face their separate talents and futures, and their future together. This masterful short novel, winner of the World Fantasy Award, is magic on paper. .
I'm Black When I'm Singing, I'm Blue When I Ain't: And Other Plays
by Sonia SanchezSonia Sanchez is a prolific, award-winning poet and one of the most prominent writers in the Black Arts movement. This collection brings her plays together in one volume for the first time. Like her poetry, Sanchez's plays voice her critique of the racism and sexism that she encountered as a young female writer in the black militant community in the late 1960s and early 1970s, her ongoing concern with the well-being of the black community, and her commitment to social justice. In addition to The Bronx Is Next (1968), Sister Son/ji (1969), Dirty Hearts (1971), Malcolm/Man Don't Live Here No Mo (1972), and Uh, Uh; But How Do It Free Us? (1974), this collection includes the never-before-published dramas I'm Black When I'm Singing, I'm Blue When I Ain't (1982) and 2 X 2 (2009), as well as three essays in which Sanchez reflects on her art and activism. Jacqueline Wood's introduction illuminates Sanchez's stagecraft in relation to her poetry and advocacy for social change, and the feminist dramatic voice in black revolutionary art.
I'm Gonna Pray for You So Hard: A Play
by Halley Feiffer“Feiffer’s is a unique, refreshing voice to which attention should be paid.” —TheaterMania Ella is a precocious and fiercely competitive actress whose aims in life are making her famous playwright father proud—and becoming famous herself. In the aftermath of a boozy, drug-fueled evening when Ella’s father is particularly hurtful, she flings herself into the arms of a young director with whom she begins to collaborate on a one-woman show . . . about her father. Halley Feiffer’s dark, probing, and much-anticipated new play is a fierce, funny, and gloves-off take on the eternal struggles of parents and children to find common ground.
Image and Concept: Mythopoetic Roots of Literature
by Olga FreidenbergFirst published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Image Ethics in Shakespeare and Spenser
by Victoria Katherine BurbankFocusing on works by Shakespeare and Spenser, this study shows the connection between visuality and ethical action in early modern English literature. The book places early modern debates about the value of visual experience into dialogue with subsequent philosophical and ethical efforts.
Images Libraries Museums/Arch
by Amy MccollFirst Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Imaginary Friends: A Play With Music
by Nora EphronAlthough Lillian Hellman and Mary McCarthy probably only met once in their lives, their names will be linked forever in the history of American literary feuds: they were legendary enemies, especially after McCarthy famously announced to the world that every word Hellman wrote was a lie, “including ‘and’ and ‘the. ’” The public battle, and the legal squabbling, that ensued ended, unsatisfactorily for all, with Hellman’s death. InImaginary Friends,Nora Ephron brilliantly and hilariously resuscitates these two bigger-than-life women to give them a post-mortem second act, and the chance to really air their differences. From the Trade Paperback edition.
The Imaginary Invalid
by Molière Henri Van LaunThe greatest writer of French classic comedy, the 17th-century playwright Molière was one of the most brilliant satirists in the history of literature. His keen observations and barbed wit deflated the pretensions of society in his day and focused a brilliant light on the universal frailties of humanity.The Imaginary Invalid, one of Molière's funniest and most incisive satires, is also among the most performed worldwide and perennially studied in world literature courses. In this entertaining gem, a hypochondriac, victimized by two pompous doctors, tests his daughter's loyalty and discovers the greed and contempt of his scheming wife.
Imaginary Invalid (Stone)
by MoliereComedy / 8m, 4f / Interior / Monsieur Ardin, the imaginary invalid, is a thoroughgoing hypochondriac. His daughter, Angelique, is in love with Cleante. But Ardin insists that she shall marry the son of a doctor and a doctor himself, Thomas Defois. Toinette, the maid and Beralde, Ardin's brother, do everything possible to dissuade Ardin in his determination to marry Angelique to the stupid Thomas. Beline, Ardin's shrewish wife, is determined that Angelique shall become a nun so that there will be no one but she, Beline, to inherit Ardin's estate. By many tricks, Toinette and Beralde show up Beline as the mercenary she is and the doctors as the fools they are.
Imaginary Performances in Shakespeare
by Aureliu ManeaIn Imaginary Performances in Shakespeare, visionary modernist theatre director Aureliu Manea analyses the theatrical possibilities of Shakespeare. Through nineteen Shakespeare plays, Manea sketches the intellectual parameters, the visual languages, and the emotional worlds of imagined stage interpretations of each; these nineteen short essays are appended by his essay ‘Confessions,’ an autobiographical meditation on the nature of theatre and the role of the director. This captivating book which will be attractive to anyone interested in Shakespeare and modern theatre.
IMAGINE
by Lázaro Droznes Moisés Moreno CostillaJohn Lennon was a musician, singer, songwriter, member of The Beatles, and Knight of the British Empire. He also is one of the maximum music icons of the 20th century. His rejection to the established values and his innovative capability in the musical and personal level are a source of inspiration to every generation that finds within his life a role model in the search of the rupture of the old patterns and in the construction of a new future. In this book John tells stories and situations of his life along with songs written by him which describe his life even better than his stories.
IMAGINE: Vita, opere e canzoni di John Ono Lennon
by Lázaro Droznes Maria Elena VaiasusoMusicista, cantante, compositore, fondatore dei Beatles e Cavaliere dell'Ordine Britannico, John Lennon è una delle icone più importanti della musica e della cultura del XX secolo. Il suo rifiuto dei valori prestabiliti e la sua capacità di innovazione, tanto a livello personale quanto artistico, sono fonte di ispirazione per qualsiasi generazione alla ricerca di un modello di vita che rompa gli schemi imposti e che aspiri alla creazione di un futuro migliore. In quest'opera Lennon ci confida storie e vicende personali, arricchendo il racconto con alcune delle sue canzoni, eloquenti almeno quanto gli stessi aneddoti.
Imagine Being More Afraid of Freedom than Slavery
by Pamela SneedAn incendiary literary work more relevant now than ever.“if anger were an ax/it would split me open/and if this is a sermon/let it be my granddaddy’s sermon/my grandmother’s foottapping/steady rocking/choir singing” —from “This Is Not a New Age”First published in 1998, Imagine Being More Afraid of Freedom than Slavery is the debut collection by acclaimed poet and performer Pamela Sneed. Provocative and potent, it tackles the political and personal issues of enslavement, sexuality, emotional trauma, and abuse. These poems chart the journey of an artist trying to escape cycles of dependency and reclaim lost self and identity. Drawing parallels to Harriet Tubman’s journey on the Underground Railroad, Sneed’s explorations of the woods are a metaphor and emotional path one must explore to attain self-ownership. Sneed’s poems are bound by the search for love, freedom, and justice—from images of lesbian love to Emmet Till’s bloated body, they offer a raging cry and a roadmap for those interested in transforming the personal into social justice and abolitionist practices.
Imagined Theatres: Writing for a Theoretical Stage
by Daniel SackImagined Theatres collects theoretical dramas written by some of the leading scholars and artists of the contemporary stage. These dialogues, prose poems, and microfictions describe imaginary performance events that explore what might be possible and impossible in the theatre. Each scenario is mirrored by a brief accompanying reflection, asking what they might mean for our thinking about the theatre. These many possible worlds circle around questions that include: In what way is writing itself a performance? How do we understand the relationship between real performances that engender imaginary reflections and imaginary conceptions that form the basis for real theatrical productions? Are we not always imagining theatres when we read or even when we sit in the theatre, watching whatever event we imagine we are seeing?
Imagining Bodies and Performer Training: The Legacies of Jacques Lecoq and Gaston Bachelard (Perspectives on Performer Training)
by Ellie NixonThis book is a practical and theoretical exploration of the embodied imagining processes of devised performance in which the human and more-than-human are co-implicated in the creative process.This study brings together the work of French theatre pedagogue Jacques Lecoq (1921–1999) and French philosopher of science and the imagination Gaston Bachelard (1884–1962) to explore the notion of the imagination as embodied, enactive and embedded in the devising process. An exploration of compelling correspondences with Bachelard, whose writings imbue Lecoq’s teaching ethos, offers new practical and theoretical perspectives on Lecoq’s ‘poetic body’ in contemporary devising practices. Interweaving first-hand accounts by the author and interviews with contemporary international creative practitioners who have graduated from or have been deeply influenced by Lecoq, Imagining Bodies in Performer Training interrogates how his teachings have been adapted, developed and extended in various cultural, political and historical settings, in Europe, Scandinavia, Asia, and North and South America.These new and rich insights reveal a teaching approach that resists fixity and instead unfolds, develops and adapts to the diverse cultural and political contexts of its practitioners, teachers and students.
Imagining Human Rights in Twenty-First-Century Theater
by Florian N. Becker Paola S. Hern�ndez Brenda WerthThere is extraordinary diversity, depth, and complexity in the encounter between theatre, performance, and human rights. Through an examination of a rich repertoire of plays and performance practices from and about countries across six continents, the contributors open the way toward understanding the character and significance of this encounter.
Imagining Medea
by Rena FradenThis ain't no Dreamgirls," Rhodessa Jones warns participants in the Medea Project, the theater program for incarcerated women that she founded and directs. Her expectations are grounded in reality, tempered, for example, by the fact that women are the fastest growing population in U.S. prisons. Still, Jones believes that by engaging incarcerated women in the process of developing and staging dramatic works based on their own stories, she can push them toward tapping into their own creativity, confronting the problems that landed them in prison, and taking control of their lives. Rena Fraden chronicles the collaborative process of transforming incarcerated women's stories into productions that incorporate Greek mythology, hip-hop music, dance, and autobiography. She captures a diverse array of voices, including those of Jones and other artists, the sheriff and prison guards, and, most vividly, the women themselves. Through compelling narrative and thoughtful commentary, Fraden investigates the Medea Project's blend of art and activism and considers its limits and possibilities for enacting social change.Rhodessa Jones is co-artistic director of the San Francisco-based performance company Cultural Odyssey and founder of the Medea Project: Theater for Incarcerated Women. An award-winning performer, she has taught at the Yale School of Drama and the New College of California.
Imagining the Audience in Early Modern Drama, 1558–1642
by Jennifer A. Low Nova MyhillThis essay collection builds on the latest research on the topic of theatre audiences in early modern England. In broad terms, the project answers the question, 'How do we define the relationships between performance and audience?'.
Imagining Windmills: Trust, Truth, and the Unknown in the Arts Therapies
by Marián Cao Richard Hougham Sarah ScobleImagining Windmills presents a compilation of scholarly chapters by selected authors of global standing in the arts therapies. This book reflects the theme of the 15th International Conference of the European Consortium for Arts Therapies (ECArTE), held in Alcalá de Henares, Spain, birthplace of Miguel de Cervantes. This innovative work seeks to further understanding of arts therapy education, practice and research and incorporates current thinking from art therapists, dance-movement therapists, dramatherapists and music therapists. Writers from Belgium, Germany, Greece, India, Israel, Italy, The Netherlands, Spain, Sweden, UK and USA combine to give an international voice to the book, which celebrates cultural distinctiveness, while also presenting shared intercultural developments in the professions. This interdisciplinary publication explores questions of the unknown and the imagined, misconception, delusion, truth and trust in the arts therapies. It enquires into ways in which education and the practice of the arts therapies engage with the imagination as a place of multiple realities, which may lead us closer to finding our truth. This book will be of interest and relevance not only to those in the arts therapeutic community, but also to a broad audience including those in related professions – for instance psychology, sociology, the arts, medicine, health and wellbeing and education.
Imitation and Contamination of the Classics in the Comedies of Ben Jonson: Guides Not Commanders (Studies in Performance and Early Modern Drama)
by Tom HarrisonThis book focuses on the influence of classical authors on Ben Jonson’s dramaturgy, with particular emphasis on the Greek and Roman playwrights and satirists. This book illuminates the interdependence of the aspects of Jonson’s creative personality by considering how classical performance elements including the Aristophanic ‘Great Idea,’ chorus, Terentian/Plautine performative strategies, and ‘performative’ elements from literary satire manifest themselves in the structuring and staging of his plays. This fascinating exploration contributes to the ‘performative turn’ in early modern studies by reframing Jonson’s classicism as essential to his dramaturgy as well as his erudition. This book is also a case study for how the early modern education system’s emphasis on imitative-contaminative practices prepared its students, many of whom became professional playwrights, for writing for a theatre that had a similar emphasis on the recycling and recombining performative tropes and structures.