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• Word - Accessible Word output, which can be unzipped and opened in any tool that allows .docx files

Kill Me Now

When Joey enters puberty, his father Jake finds himself in a morally ambiguous position. Joey is severely disabled, but he still has the same sexual desires as any seventeen-year-old boy, only he can’t do anything to relieve the tension. Jake is a widower whose life is devoted to his son, but when he suddenly develops a serious medical condition, he becomes the one to rely on the people around him, including his sister Twyla, his friend Robyn, and Joey’s best friend Rowdy. As Jake’s condition worsens, an ethical dilemma troubles the household as everyone is forced to consider the possibility of saying goodbye.

Killer Joe

"One of our most valuable playwrights."-Time Out New York"A hideously funny tabloid noir. . . . Letts' balance of irony and empathy continues to impress."-LA WeeklyA definitively dysfunctional family gives in to its basest instincts and is forced to face hidden truths in this twisted modern-day fairy tale by the Pulitzer Prize-winning author of August: Osage County. Performed in fifteen countries and twelve languages since its 1998 stage debut, Killer Joe is "a terrifically tasty potboiler. . . . It has the enjoyable hairpin turns of the standard mystery thriller, but it's the skewed shifting relationships that keep you hooked" (The New York Times). Now a critically acclaimed film adapted by the playwright and starring Matthew McConaughey.Tracy Letts is the author of the Pulitzer Prize- and Tony Award-winning play August: Osage County (soon to be a feature film starring Meryl Streep and Julia Roberts). His other plays include Bug, Superior Donuts, and Man from Nebraska, a finalist for the Pulitzer Prize. He is an ensemble member of the Steppenwolf Theatre Company in Chicago as playwright and actor.

Killing Dante: A Comedy in Two Acts

Fortune 500 business tycoon Roger Cabot has given up his power and possessions for a bohemian life in a loft in New York City to become the artist he always wanted to be. But not everyone is happy with Roger’s new lifestyle. Richard Borman (Roger’s business protégé) is convinced that Roger’s surreal, erotic paintings, his frolics with female models, his cultivation of a Zen rock garden, and, worse, his development of a strange ability to see sounds amounts to evidence of insanity. Persuaded by Richard, Rebecca (Roger’s only child and Richard’s fiancée) agrees to a plan designed to return Roger to the man he once was. In the end, schemes and dreams are revealed, and everyone gets what they deserve in this farcical comedy that is fast and furious and great fun along the way. / Finalist in the McLaren Memorial Comedy Competition

Killing Hercules: Deianira and the Politics of Domestic Violence, from Sophocles to the War on Terror

This book offers an entirely new reception history of the myth of Hercules and his wife/killer Deianira. The book poses, and attempts to answer, two important and related questions. First, why have artists across two millennia felt compelled to revisit this particular myth to express anxieties about violence at both a global and domestic level? Secondly, from the moment that Sophocles disrupted a myth about the definitive exemplar of masculinity and martial prowess and turned it into a story about domestic abuse, through to a 2014 production of Handel’s Hercules that was set in the context of the ‘war on terror’, the reception history of this myth has been one of discontinuity and conflict; how and why does each culture reinvent this narrative to address its own concerns and discontents, and how does each generation speak to, qualify or annihilate the certainties of its predecessors in order to understand, contain or exonerate the aggression with which their governors – of state and of the household – so often enforce their authority, and the violence to which their nations, and their homes, are perennially vulnerable?

Killing Physicians: Shakespeare's Blind Heroes and Reformation Saints

Killing Physicians: Shakespeare's Blind Heroes and Reformation Saints is intended give its reader a street-level perspective of Shakespeare's great tragedies and late plays.Diving into the social and theological tensions alive in sixteenth-century London neighborhoods, this book uncovers what may have been Shakespeare's answer to a world fraught with political and religious controversy.

Killjoy

Comedy Mystery / 3m, 3f / Interior / Here is an unpredictable, hilarious romantic comedy/thriller with witty dialogue and fascinating characters. Carol is being driven crazy by her charming monster of an ex husband, Victor, and his new wife, who employ every trick in the book to end Carol's thousand dollar a week alimony. Carol's quirky kids work at Victor's pasta restaurant chain, and Carol is sure Victor is bullying her son into an early grave. When Carol has a passionate affair with Victor's lawyer, they decide Victor has to die and the audience cheers its agreement.

Kilt Pins

In a Catholic high school in Scarborough, Ontario, amidst low-income housing, difficult race relations, and poverty, a young woman struggles to find her sexual identity. In this sincere portrayal of high-school kids pitting the voice of God and thousands of years of scripture against the voice of their own bodies, Kilt Pins cheekily asks "Is your kilt pin up or down?"

Kim's Convenience

A brand new edition of the smash-hit play, now a wildly popular CBC TV series. Mr. Kim is a first-generation Korean immigrant and the proud owner of Kim’s Convenience, a variety store located in the heart of downtown Toronto’s Regent Park neighbourhood. As the neighbourhood quickly gentrifies, Mr. Kim is offered a generous sum of money to sell — enough to allow him and his wife to finally retire. But Kim’s Convenience is more than just his livelihood — it is his legacy. As Mr. Kim tries desperately, and hilariously, to convince his daughter Janet, a budding photographer, to take over the store, his wife sneaks out to meet their estranged son Jung, who has not seen or spoken to his father in sixteen years and who has now become a father himself. Wholly original, hysterically funny, and deeply moving, Kim’s Convenience tells the story of one Korean family struggling to face the future amidst the bitter memories of their past.

Kimberly Akimbo

NEW JERSEY, 1999. Kimberly is about to turn sixteen and has recently moved with her family to a new town in suburban New Jersey. Suffering from a disease that causes her to age four and a half times faster than her high school peers, surrounded by a dysfunctional family (and possible felony charges), Kimberly is also navigating her first teenage crush. Ever the optimist, Kimberly is determined to find happiness against all odds and embark on a great adventure.

Kinaesthesia and Visual Self-Reflection in Contemporary Dance (Cognitive Studies in Literature and Performance)

Kinaesthesia and Visual Self-reflection in Contemporary Dance features interviews with UK-based professional-level contemporary, ballet, hip hop, and breaking dancers and cross-disciplinary explication of kinaesthesia and visual self-reflection discourses. Expanding on the concept of a ‘kinaesthetic mode of attention’ leads to discussion of some of the key values and practices which nurture and develop this mode in contemporary dance. Zooming in on entanglements with video self-images in dance practice provides further insights regarding kinaesthesia’s historicised polarisation with the visual. It thus provides opportunities to dwell on and reconsider reflections, opening up to a set of playful yet disruptive diffractions inherent in the process of becoming a contemporary dancer, particularly amongst an increasingly complex landscape of visual and theoretical technologies.

Kindertransport

A modern classic about one woman's struggle to come to terms with her past. Brutally separated from her German Jewish parents at the age of nine, Eva is brought to England with the promise of a new life…. <p><p>Between 1939 until the outbreak of World War II, nearly 10,000 Jewish children were taken from their families in Nazi-occupied Germany and sent to live with foster families in Britain. Diane Samuels' seminal play, Kindertransport, imagines the fate of one such child. <p><p>Now widely considered a modern classic, Kindertransport has been read and studied the world over. Kindertransport won the 1992 Verity Bargate Award and was subsequently staged by the Soho Theatre Company at the Cockpit Theatre in London in 1993. It also won the Meyer-Whitworth Award in 1993. Since its premiere the play has been revived several times. Watford Palace Theatre staged it in 1996, in a production that transferred to the West End. Renowned theatre company Shared Experience also revived the play to great acclaim for a regional tour in 2007. <p><p> This edition includes several personal memoirs by German-born children whose lives were saved, and transformed, by the Kindertransport.

Kindly Leave the Stage

Comedy / Characters: 3 males, 5 femalesSet Requirements: Interior. The marriage of Rupert and Sarah is on the rocks and their friends Charles and Madge, both of whom are lawyers, agree to handle the divorce. After the curtain has been up a few minutes, Rupert forgets his lines, has a brain storm and threatens to kill Charles in full view of the audience because he's been having an affair off stage, with Rupert's real wife, Madge. Quite true as it happens. The rest of the cast try to ignore the incident and forge ahead with the original play but Rupert picks up a knife and advances on Charles, who is forced to take cover in a large cabin trunk which is on the set at the time. A real life marital comedy now evolves. The situation is further complicated when the actor playing the old father, Edward, makes his entrance. He is an ageing Shakespearean star, once famous for his King Lear but now an alcoholic on the skids. He happens to have asked his new agent to the performance that night. Edward is blissfully unaware that the play has switched from art to life. Out of loyalty to a fellow actor, the rest of the cast do their best to accommodate the poor chap, but he gradually begins to crack up, especially as some of his cues are coming from a cabin trunk. The play is a light hearted tilt at the complete theatricality of stage folk.

Kindness

Heartwarming and humorous, Kindness sensitively captures the reality of children's feelings as they navigate the small and large events in their world. From Hurricane Katrina to everyday encounters in the school hallway, the play offers an unforgettable lesson in compassion.

Kinesthetic Spectatorship in the Theatre: Phenomenology, Cognition, Movement (Cognitive Studies in Literature and Performance)

This book is about the centrality of movement, movement perception, and kinesthetic experience to theatrical spectatorship. Drawing upon phenomenological accounts of movement experience and the insights of cognitive science, neuroscience, acting theory, dance theory, philosophy of mind, and linguistics, it considers how we inhabit the movements of others and how these movements inhabit us. Individual chapters explore the dynamics of movement and animation, action and intentionality, kinesthetic resonance (or mirroring), language, speech, and empathy. In one of its most important contributions to the study of theatre, performance, and spectatorship, this book foregrounds otherness, divergence, and disability in its account of movement perception. The discussions of this and other issues are accompanied by detailed analysis of theatre, puppetry, and dance performances.

Kinetic Atmospheres: Performance and Immersion

This book offers a sustained and deeply experiential pragmatic study of performance environments, here defined at unstable, emerging, and multisensational atmospheres, open to interactions and travels in augmented virtualities. Birringer’s writings challenge common assumptions about embodiment and the digital, exploring and refining artistic research into physical movement behavior, gesture, sensing perception, cognition, and trans-sensory hallucination. If landscapes are autobiographical, and atmospheres prompt us to enter blurred lines of a "forest knowledge," where light, shade, and darkness entangle us in foraging mediations of contaminated diversity, then such sensitization to elemental environments requires a focus on processual interaction. Provocative chapters probe various types of performance scenarios and immersive architectures of the real and the virtual. They break new ground in analyzing an extended choreographic – the building of hypersensorial scenographies that include a range of materialities as well as bodily and metabodily presences. Foregrounding his notion of kinetic atmospheres, the author intimates a technosomatic theory of dance, performance, and ritual processes, while engaging in a vivid cross-cultural dialogue with some of the leading digital and theatrical artists worldwide. This poetic meditation will be of great interest to students and scholars in theatre, performing arts as well as media arts practitioners, composers, programmers, and designers.

King Arthur and His Knights: A Companion Reader With A Dramatization

You are invited to a world of bravery, magic, and adventure! In a time of fear and danger, will Merlin's magic, Lancelot's bravery, and Arthur's wisdom be enough to unite the kingdom and bring peace? Beloved storyteller Jim Weiss brings tales of King Arthur and his Knights of the Round Table to life with action, wonder, and humor. Gorgeous paintings and whimsical medieval-style illuminated illustrations by Rebecca Sorge will fascinate and delight young readers. This beautifully illustrated Companion Reader is an exact transcript of the award-winning storytelling performance, available on MP3 and audio CD from Well-Trained Mind Press. The Reader can be enjoyed on its own, or used along with the recorded performance to build strong language skills. Listen to the Jim Weiss stories on the CD, read along in the book to improve fluency, vocabulary, and grammar, and then speak great words and sentences out loud by practicing and performing the short, accessible dramatic versions of Jim’s performances.

King Henry IV, The First Part (First Avenue Classics ™)

The year is 1402, and King Henry IV sits uneasily on the throne that he wrested from his predecessor, Richard II. King Henry disapproves of his son, Prince Henry, and his habit of hanging around criminals like the witty but dishonest Falstaff. Meanwhile, young "Hotspur" Percy helps his family plot a rebellion to overthrow the king. Civil war is imminent, and the fate of the kingdom will be decided in a great battle at Shrewsbury. Faced with bloodshed, Prince Henry must find it within himself to be the son and heir his father has always wanted him to be. First published in 1598, this unabridged version of William Shakespeare's history play is the second in his tetralogy about the rise of the English royal House of Lancaster.

King Henry IV, The Second Part (First Avenue Classics ™)

In this second part of Henry IV, the Battle of Shrewsbury is over, the rebels temporarily beaten but not defeated. Prince Henry defeated "Hotspur" Percy in single combat, but other rebel leaders have taken his place. King Henry, drained by the civil war, is deathly ill. Prince Henry, knowing he must soon assume the throne, tries to distance himself from the rowdy and reprobate friends of his youth, including Falstaff. As rebel forces gather at the Forest of Gaultree and King Henry grows sicker, will Prince Henry be able to prove to his father that he has become worthy of wearing the crown? First published in 1600, this unabridged version of William Shakespeare's history play is the third in his tetralogy about the rise of the English royal House of Lancaster.

King Henry V

A play alive with escapades and action, comedy and history, "Henry IV, Part One begins the transformation of the madcap Prince Hal into the splendid ruler King Henry. In it a rebellion against King and State is juxtaposed with another rebellion-the riotous misbehavior of Hal and his companions, principally Falstaff. A superbly funny liar, coward, lecher, and cheat, the larger-than-life character Falstaff turns this great historical drama into a masterpiece of counterpoint and design. Each Edition Includes: - Comprehensive explanatory notes - Vivid introductions and the most up-to-date scholarship - Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English - Completely updated, detailed bibliographies and performance histories - An interpretive essay on film adaptations of the play, along with an extensive filmography Copyright © Libri GmbH. All rights reserved.

King Henry V (The New Cambridge Shakespeare)

For this updated edition of Shakespeare's most celebrated war play, Andrew Gurr has added a new section to his introduction which considers recent critical and stage interpretations. He analyzes the play's double vision of Henry as both military hero and self-seeking individual and demonstrates how the patriotic declarations of the Chorus are contradicted by the play's action. Gurr analyzes the play's more controversial sequences in the context of Elizabethan thought, in particular, the studies of the laws and morality of war written in the years before Henry V. An updated reading list completes the edition.

King Henry the Eighth

King Henry the Eighth

One of the last plays written by Shakespeare, "Henry VIII" is one of his finest historical dramas. Focusing on the life and times of Henry VIII, one of England's most dynamic rulers, the play examines and dramatizes monarchical life of 16th century England. The plot surrounds the events of King Henry VIII's annulment of his marriage to Katherine of Aragon and engagement to Ann Boleyn. The play portrays the suppression of the protestant reformation and the split of the Anglican and Catholic churches with great valor. In Shakespeare's Henry VIII, religious power and political desire merge, resulting in a splendid historical tale.

King John

"I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation." (Patrick Stewart) The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged. Each volume features: * Authoritative, reliable texts * High quality introductions and notes * New, more readable trade trim size * An essay on the theatrical world of Shakespeare and essays on Shakespeare's life and the selection of texts

King John

Like most of Shakespeare’s history plays, King John presents a struggle for the English crown. The struggle this time, however, is strikingly cold-blooded and brutal. John, the younger brother of the late Richard I, is the king, and a savage one. His opponent is a boy, his nephew Arthur, supported by the King of France and the Duke of Austria. After Arthur falls into John’s hands, John plots to torture him. Arthur’s capture gives Louis, the Dauphin of France, the opportunity to lay claim to John’s crown. John’s nobles support Louis, but he schemes to betray them. The play finds its hero in another figure: the Bastard, Sir Richard Plantagenet, an illegitimate son of Richard I. Although he has an appetite for war, he also has a strong conscience and speaks with trenchant irony. The authoritative edition of King John from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play’s famous lines and phrases -An introduction to reading Shakespeare’s language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library’s vast holdings of rare books -An annotated guide to further reading Essay by Deborah T. Curren-Aquino The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

King John

King John is pitted against the united powers of France, Brittany, Austria, and the Papacy. As alliances are made, broken, and remade, the paranoid and erratic John reveals his weakness and reliance on those around him. Will England be destroyed by his fatal indecision?