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Infinity
by Hannah Moscovitch Njo Kong KieSarah Jean is a mathematics prodigy who finds safety in numbers, in the reliability of their defined nature. Her affinity for unhealthy relationships, however, remains a complete mystery. Her flings turn into year-long relationships against her better judgment and her confusing emotional patterns are only now coming to light. It’s time for Sarah Jean to make sense of her past in terms she understands and to discover there is more to time than just its inevitable passing. Elliot is a theoretical physicist who spends most of his time thinking about time and how to unify all physics. So when he meets Carmen, a violinist, the two bond over talks about music and theory. Talks that lead them into bed and into a marriage that should and shouldn’t be. As their relationship teeters through time, work and family become a balancing act, and theories are thrown to the stars, revealing truths they’re not ready to face.
Inherit the Wind
by Jerome Lawrence Robert E. LeePlay about a school teacher who has been jailed for teaching the theory of evolution to his children as the law is against teaching anything other than the Bible.
Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century
by Robert E. Lee Jerome LawrenceThe accused was a slight, frightened man who had deliberately broken the law. His trial was a Roman circus. The chief gladiators were two great legal giants of the century. Like two bull elephants locked in mortal combat, they bellowed and roared imprecations and abuse. The spectators sat uneasily in the sweltering heat with murder in their hearts, barely able to restrain themselves. At stake was the freedom of every American. One of the most moving and meaningful plays of our generation. "a tidal wave of a drama." -- New York World-Telegram And Sun
Inheritance
by Matthew LopezYou have to wonder why there isn't a word in the English language for the fireworks that go off in your brain when you finally kiss someone you've wanted for years. Or for the intimacy and tenderness you feel as you hold the hand of a suffering friend. A generation after the height of the AIDS crisis, what is it like to be a young gay man in New York? How many words are there now for the different kinds of pain, the different kinds of love? Matthew Lopez's The Inheritance premiered in two parts at the Young Vic Theatre, London, in March 2018. The play transferred to the Noël Coward Theatre, London, in September 2018.
Ink in the Blood (Ink in the Blood Duology #1)
by Kim SmejkalA lush, dark YA fantasy debut that weaves together tattoo magic, faith, and eccentric theater in a world where lies are currency and ink is a weapon, perfect for fans of Leigh Bardugo and Kendare Blake. Celia Sand and her best friend, Anya Burtoni, are inklings for the esteemed religion of Profeta. Using magic, they tattoo followers with beautiful images that represent the Divine&’s will and guide the actions of the recipients. It&’s considered a noble calling, but ten years into their servitude Celia and Anya know the truth: Profeta is built on lies, the tattooed orders strip away freedom, and the revered temple is actually a brutal, torturous prison. Their opportunity to escape arrives with the Rabble Mob, a traveling theater troupe. Using their inkling abilities for performance instead of propaganda, Celia and Anya are content for the first time . . . until they realize who followed them. The Divine they never believed in is very real, very angry, and determined to use Celia, Anya, and the Rabble Mob&’s now-infamous stage to spread her deceitful influence even further. To protect their new family from the wrath of a malicious deity and the zealots who work in her name, Celia and Anya must unmask the biggest lie of all—Profeta itself.
Inner Rhythm: Dance Training for the Deaf
by Naomi BenariIn Inner Rhythm, Naomi Benari provides exciting new ways to teach dance to the profoundly deaf by showing: methods and games she devised with children to heighten their awareness of rhythm, music and the breath inherent in every dance movement; how the knowledge of music is the basis for dance teaching and how this knowledge can enhance the raining of hearing dancers; opportunities for children to express their unarticulated feelings and thoughts; how children can learn to socialize and to explore the world in which they live; and how to teach dance to the profoundly deaf in a vareity of schools and settings.
Innovating the Design Process: A Theatre Design Journey
by David E. SmithInnovating the Design Process: A Theatre Design Journey explores the process of designing for theatre and details how each part of a designer’s own process, no matter what their design specialization, can be innovated and adapted for a more confident journey and for better outcomes. The book observes and deconstructs the processes used by theatre designers, uncovers and explains the structure and concepts behind those processes and shows how they can be easily reassembled for better results and to meet different situations. It uses innovative real-world practical examples from all the fields of theatre design taken from shows throughout the author’s career. The processes covered in this book are split into two sections – design development and design implementation – with an additional chapter covering design presentations. Written in an engaging and informative style, this text opens up a designer’s ability to innovate within the design process to optimize reproducibility, resilience, personal fit, confidence, collaboration and audience engagement. Innovating the Design Process is a next level book for both MFA theatre design students and early career professionals who wish to develop their craft further. Seasoned professionals will also find within its pages concepts to reinvigorate their own design process. The book includes access to an online guide to using Microsoft Word for Mac to mirror content in two separate documents.
Innovation & Digital Theatremaking: Rethinking Theatre with “The Show Must Go Online”
by Robert Myles Valerie Clayman PyeInnovation & Digital Theatremaking introduces a blueprint for how to think differently about Theatre, how to respond creatively in uncertainty, and how to wield whatever resources are available to create new work in new ways. In 2020, the COVID-19 pandemic had a colossal impact on theatre across the world. At a time when even the wealthiest and best-supported theatre companies in the world ceased all operations and shuttered their stages, the theatre company The Show Must Go Online (TSMGO) forged its way into a new frontier: the highly accessible digital landscape of online performance. In this book, TSMGO creator Robert Myles and Valerie Clayman Pye explore the success of TSMGO from a practical standpoint, offering insights and strategies that can help theatremakers at every level respond proactively to the future of Theatre in the digital era. Each chapter addresses a different aspect of the creative process and concludes with take-homes so readers can learn how to innovate rapidly, undertake research and development in order to create their own models, and cultivate their own theatrical communities. Written for theatremakers, directors, producers, and creatives of all levels of experience, this book will help readers to think critically and creatively about theatre and theatre pedagogues to understand how to train their students for the theatre of the future.
Innovation in Five Acts
by Caridad SvichEditor Caridad Svich has gathered forty-three essays from admired theater professionals that comprise a volume of inspiring and innovative techniques for creating theater. Inside are words of wisdom and advice from experienced playwrights, directors, performers, teachers, dramaturgs, artistic directors and founders--each sharing the creative challenges and triumphs of developing original works for today's stages, wherever they might be.Caridad Svich received a 2012 OBIE Award for Lifetime Achievement in the theater, a 2012 Edgerton Foundation New Play Award for her play GUAPA, and the 2011 American Theatre Critics Association Primus Prize for her play The House of the Spirits, based on the Isabel Allende novel.
Innovation in Learning-Oriented Language Assessment (New Language Learning and Teaching Environments)
by Sin Wang Chong Hayo ReindersThis edited book documents practices of learning-oriented language assessment through practitioner research and research syntheses. Learning-oriented language assessment refers to language assessment strategies that capitalise on learner differences and their relationships with the learning environments. In other words, learners are placed at the centre of the assessment process and its outcomes. The book features 17 chapters on learning-oriented language assessment practices in China, Brazil, Turkey, Norway, UK, Canada, Japan, Saudi Arabia, and Spain. Chapters include teachers’ reflections and practical suggestions. This book will appeal to researchers, teacher educators, and language teachers who are interested in advancing research and practice of learning-oriented language assessment.
Innovations in Education: கல்வியில் புதுமைகள்
by Professor Nagarajan“கல்வியில் புதுமைகள் என்னும் இந்நூல், மிகக் குறுகிய காலத்தில் தமிழ்நாட்டிலுள்ள அனைத்துப் பல்கலைக் கழகங்களைச் சார்ந்த சார்ந்த பி.எட்.வகுப்பு மாணவர்களிடையேயும், கல்வியியல் பேராசிரியப் பெருந்தகைகளிடையேயும் வெகுவாக பிரபலமடைந்துள்ளது. பெரியார், திருவள்ளுவர், போன்ற பல்கலைக்கழகங்களில் இத்தாளுக்கான பாடத்திட்டம் ஏற்கனவே உள்ளதுபோல் தொடர்வதாலும், சென்னைப் பல்கலைக்கழகம் இத்தாளுக்குரிய பாடங்களில் இரண்டு மூன்று பாடங்களை நீக்கிவிட்டு, அவைகளுக்கு பதிலாக, வழிப்படுத்தப்பட்ட அமைப்பு அணுகுமுறை, “கற்பித்தல் ஊடகங்களைத் தேர்ந்தெடுத்தலும் பயன்படுத்தலும்”, “தகவல் நுட்பவியலைப் பயன்படுத்தும் நவீன கற்பித்தல் முறைகள்” போன்ற பாடங்களை சேர்த்து தனது பாடத்திட்டத்தை மாற்றி அமைத்து
Innovations of Modern Korean Theatre in the 20th Century (ISSN)
by Meewon LeeLee provides a comprehensive insight into important topics within modern Korean theatre and conducts an in-depth evaluation of the major discourses that shaped Korean theatre during the 20th century.The book adopts a topical approach to explore modern Korean theatre through a more focused lens. Examining key subjects such as Korean Playwrights. Korean adaptations of Shakespeare, the National Theatre, feminist theatre, and the intercultural potential of a Far Eastern theatrical bloc, it provides a rigorous understanding of the evolution of Korean theatre during the 20th century and explores the moments of rupture and innovation within the chronological history of theatre.The book is a vital resource of interest to scholars and students interested in East Asian culture and theatre, specifically Korean culture.
Inoculations: Four Plays
by Darren O'DonnellThese four plays - 'White Mice', 'Who Shot Jacques Lacan?', 'Radio Rooster Says That's Bad' and 'Over' - written by Darren O'Donnell for his theatre company, Mammalian Diving Reflex, will challenge your politics, your ontology and everything you hold to be safe, stable and sacrosanct.
Insecurity: Perils and Products of Theatres of the Real (G - Reference, Information and Interdisciplinary Subjects)
by Jenn StephensonThe early years of the twenty-first century have witnessed a proliferation of non-fiction, reality-based performance genres, including documentary and verbatim theatre, site-specific theatre, autobiographical theatre, and immersive theatre. Insecurity: Perils and Products of Theatres of the Real begins with the premise that although the inclusion of real objects and real words on the stage would ostensibly seem to increase the epistemological security and documentary truth-value of the presentation, in fact the opposite is the case. Contemporary audiences are caught between a desire for authenticity and immediacy of connection to a person, place, or experience, and the conditions of our postmodern world that render our lives insecure. The same conditions that underpin our yearning for authenticity thwart access to an impossible real. As a result of the instability of social reality, the audience, Jenn Stephenson explains, is unable to trust the mechanisms of theatricality. The by-product of theatres of the real in the age of post-reality is insecurity.
Inside/Outside
by Nathalie Handal Ismail Khalidi Naomi WallaceDue to the enormous--and ever-growing--interest in Palestinian plays around the world, Inside/Outside brings together six dynamic Palestinian playwrights from both Occupied Palestine and the Diaspora, making it the very first collection of its kind. These plays take on Palestinian history and culture with irreverence, humor, and, above all, an electrifying creativity. This anthology will be a vital contribution to world theater, introducing six political, social, and culturally relevant plays by Palestinian authors living inside the country, and those of descent living outside: Handala adapted by Abdelfattah Abusrour; 603 by Imad Farajin; Keffiyeh/Made in China by Dalia Taha; Plan D by Hannah Khalil; Tennis in Nablus by Ismail Khalidi; and Territories by Betty Shamieh.Naomi Wallace's award-winning plays, which include One Flea Spare and The Fever Chart, are produced in the United States and around the world. Wallace is a recipient of an Obie Award, the MacArthur Fellowship, and the inaugural Windham Campbell prize for drama in 2013.Ismail Khalidi is a playwright and poet. His plays include Tennis in Nablus, Truth Serum Blues, and Sabra Falling.
Inside The Performance Workshop: A Sourcebook for Rasaboxes and Other Exercises
by Rachel Bowditch Paula Murray Cole Michele MinnickInside The Performance Workshop: A Sourcebook for Rasaboxes and Other Exercises is the first full-length volume dedicated to the history, theory, practice, and application of a suite of performer training exercises developed by Richard Schechner and elaborated on by the editors and contributors of this book. This work began in the 1960s with The Performance Group and has continued to evolve. Rasaboxes—a featured set of exercises—is an interdisciplinary approach for training emotional expressivity through the use of breath, body, voice, movement, and sensation. It brings together: • the concept of rasa from classical Indian performance theory and practice • research on emotion from neuroscience and psychology • experimental and experiential performance practices • theories of ritual, play, and performance This book combines both practical “how-to” guidance and applications from diverse contexts including undergraduate and graduate actor training, television acting, K-12 education, devising, and drama therapy. The book serves as an introduction to the work as well as an essential resource for experienced practitioners.
Inside Story: The Power of the Transformational Arc: The Secret to Crafting Extraordinary Screenplays
by Dara Marks'In the beginning there was Syd Field. Then came McKee and Vogler. Now there is Dara Marks. Marks has long ranked among the top screenwriting theorists, now her teachings are available to everyone.' Creative Screenwriting 'Offers fresh insights into screenwriting structure, enabling writers to hone their craft and elevate their art.' Prof Richard Walter, UCLA Screenwriting Chairman 'This is a book you can read with each script you write, as both guide and inspiration.' Lisa Loomer, Screenwriter, Girl Interrupted and The Waiting Room 'Destined to become a classic.' Scriptwriter magazine Inside Story offers the most important advancement in screenwriting theory to come along in years. This innovative method for structuring a screenplay is designed to keep writers focused on the heart and soul of their story so that plot, character and theme create a unified whole. Marks' method offers an easy to follow template for story construction, helping the writer to identify what the story is actually about: the thematic intention. It then uses the internal character development of the protagonist as a vehicle to drive the thematic intention and the line of action within the story.
Inside the Royal Shakespeare Company: Creativity and the Institution
by Colin ChambersThis is the inside story of the Royal Shakespeare Company - a running historical critique of a major national institution and its location within British culture, as related by a writer who is uniquely placed to tell the tale. It describes what happened to a radical theatrical vision and explores British society's inability to sustain that vision. Spanning four decades and four artistic directors, Inside the Royal Shakespeare Company is a multi-layered chronicle that traces the company's history, offers investigation into its working methods, its repertoire, its people and its politics, and considers what the future holds for this bastion of high culture now in crisis. Inside the Royal Shakespeare Company is compelling reading for anyone who wishes to explore behind the scenes and consider the changing role of theatre in modern cultural life. It offers a timely analysis of the fight for creative expression within any artistic or cultural organisation, and a vital document of our times.
Inside the Seed
by Jason Patrick RotheryWinner of the 2015 Jessie Richardson Award for Outstanding Original ScriptInside the Seed examines the way corporate, institutionalized systems can exert a corrosive, corruptive influence on even the most magnanimous and well-intentioned individual.Jason Rothery is a playwright and collaborative creator with diverse Canadian theater festivals and production companies.
Inspecting Carol
by Daniel Sullivan The Seattle Repertory TheatreHoliday Comedy / 8m, 4f / A Christmas Carol meets The Government Inspector meets Noises Off in this hilarious hit from Seattle. A man who asks to audition at a small theatre is mistaken for an informer for the National Endowment for the Arts. Everyone caters to the bewildered wannabe actor and he is given a role in the current production, A Christmas Carol. Everything goes wrong and hilarity is piled upon hilarity. Perfect anytime, this delight is particularly appropriate at Christmas.
The Inspector
by Nikolai Gogol Larissa Volokhonsky Richard Pevear Richard NelsonA revelatory new translation of Gogol's comedy by renowned playwright Richard Nelson and Richard Pevear & Larissa Volokhonsky - the foremost contemporary translators of classic Russian literature including the best-selling Oprah's Book Club selection, Anna Karenina - marks the first of a series of translations of important Russian plays over the next ten years.
An Inspector Answers
by Norman Phillip HartMystery / 3m, 2f / Interior / The play opens with the seemingly innocent disappearance of Lady Fitzbuttress whose husband, Sir Reginald, is tricked into confessing to her murder by the implacable Inspector from Scotland Yard. From then on, the plot twists and turns as Reginald plans to take his wife's fortune and run off with his mistress. The Inspector, who of course "knows too much," is duly shot. But bodies fall and come to life again as intrigue upon intrigue is revealed. Lady Fitzbuttress reappears. Reginald's mistress turns out to be his wife's cousin after the family inheritance, and the play ends with a "police bust" by one other than the fellow who master minded the whole "fiendishly clever" plot in the first place.
The Inspector-General
by Nikolai GogolWhen rumors of a visit from a high-ranking bureaucrat reach a small town, the chief of police scrambles to conceal the evidence of bribery and other misdeeds. Considered the high point of Gogol's stagecraft and a masterpiece of dramatic satire, this play lampoons the stupidity and greed of provincial Russian officials.
The Inspector General (Dover Thrift Editions: Plays)
by Nikolai GogolConsidered the high point of Gogol's writing for the stage and a masterpiece of dramatic satire, The Inspector General skewers the stupidity, greed, and venality of Russian provincial officials. When it is announced that the Inspector General is coming to visit incognito, Anton, the chief of police, hastens to clean up the town before his arrival. Local officials scurry to hide evidence of bribe-taking and other misdeeds, setting the stage for the arrival from St. Petersburg of Ivan, a penurious gambler and rake who is promptly taken by the townspeople to be the dreaded Inspector General. Ivan, and his servant, Osip, soon take advantage of the situation with hilarious results. First performed in 1836, the play transcends regional and national boundaries to offer a biting, highly entertaining glimpse of universal human foibles and failings.