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iBroadway: Musical Theatre in the Digital Age
by Jessica Hillman-McCordThis book argues that the digital revolution has fundamentally altered the way musicals are produced, followed, admired, marketed, reviewed, researched, taught, and even cast. In the first hundred years of its existence, commercial musical theatre functioned on one basic model. However, with the advent of digital and network technologies, every musical theatre artist and professional has had to adjust to swift and unanticipated change. Due to the historically commercial nature of the musical theatre form, it offers a more potent test case to reveal the implications of this digital shift than other theatrical art forms. Rather than merely reflecting technological change, musical theatre scholarship and practice is at the forefront of the conversation about art in the digital age. This book is essential reading for musical theatre fans and scholars alike.
Ibsen: An Approach (Routledge Revivals #No. 18)
by Janko LavrinThis book, first published in 1950, could best be described as a combination of literary, psychological and social criticism. Considerable space is allotted to the personal inner drama of Ibsen, which provides not only a clue to his art but shows how most of his themes inevitably grew out of the other. The author also explores some of those factors which make Ibsen of interest to the generation that were facing the social and spiritual havoc of the post-war period. This book will be of interest to students of literature and theatre.
Ibsen in Context (Literature in Context)
by Narve Fulsås Tore RemHenrik Ibsen, the 'Father of Modern Drama', came from a seemingly inauspicious background. What are the key contexts for understanding his appearance on the world stage? This collection provides thirty contributions from leading scholars in theatre studies, literary studies, book history, philosophy, music, and history, offering a rich interdisciplinary understanding of Ibsen's work, with chapters ranging across cultural and aesthetic contexts including feminism, scientific discovery, genre, publishing, music, and the visual arts. The book ends by charting Ibsen's ongoing globalization and gives valuable overviews of major trends within Ibsen studies. Accessibly written, while drawing on the most recent scholarship, Ibsen in Context provides unique access to Ibsen the man, his works, and their afterlives across the world.
Ibsen in the Decolonised South Asian Theatre (Routledge Advances in Theatre & Performance Studies)
by Sabiha Huq Srideep MukherjeeThis book maps South Asian theatre productions that have contextualised Ibsen’s plays to underscore the emergent challenges of postcolonial nation formation. The concerns addressed in this collection include politico-cultural engagements with human rights, economic and environmental issues, and globalisation, all of which have evolved through colonial times and thereafter. This book contemplates why and how these Ibsen texts were repeatedly adapted for the stage and consequently reflects upon the political intent of this appropriative journey of the foreign playwright. This book tracks the unmapped agency that South Asian theatre has acquired through aesthetic appropriation of Ibsen and thereby contributes to his global reception. This collection will be of great interest to students and scholars of theatre and performance studies.
Ibsen’s Houses
by Mark B. SandbergHenrik Ibsen's plays came at a pivotal moment in late nineteenth-century European modernity. They engaged his public through a strategic use of metaphors of house and home, which resonated with experiences of displacement, philosophical homelessness, and exile. The most famous of these metaphors - embodied by the titles of his plays A Doll's House, Pillars of Society, and The Master Builder - have entered into mainstream Western thought in ways that mask the full force of the reversals Ibsen performed on notions of architectural space. Analyzing literary and performance-related reception materials from Ibsen's lifetime, Mark B. Sandberg concentrates on the interior dramas of the playwright's prose-play cycle, drawing also on his selected poems. Sandberg's close readings of texts and cultural commentary present the immediate context of the plays, provide new perspectives on them for international readers, and reveal how Ibsen became a master of the modern uncanny.
Ibsen's Kingdom: The Man and His Works
by Evert SprinchornA major biography of one of the most important figures in modern drama, evoked through a biographical reading of his plays Norwegian playwright Henrik Ibsen achieved unparalleled success in his lifetime and remains one of the most important figures in modern drama. The culmination of a lifetime of scholarship, Evert Sprinchorn&’s biography constructs Ibsen&’s life through a biographical reading of his plays with provocative and insightful analyses of his works, placing them and their author within the social, political, and intellectual foment of nineteenth-century Europe. This thought-provoking book will captivate anyone interested in the history of drama and the foundations of modernism.
The Ice Cream Dream
by Patricia Fine Dianna ClevelandA Playbook® Multi-colored and Multi-leveled Role-play Reading Story / Script, A Playbook® Multi-colored and Multi-leveled Role-play Reading Story / Script,A Playbook® Multi-colored and Multi-leveled Role-play Reading Story / Script
The Iceman Cometh
by Eugene O'NeillA critical edition of O&’Neill&’s most complex and difficult play, designed for student readers and performers This critical edition of Eugene O&’Neill&’s most complex and difficult play helps students and performers meet the work&’s demanding cultural literacy. William Davies King provides an invaluable guide to the text, including an essay on historical and critical perspectives; extensive notes on the language used in the play, and its many musical and literary allusions; as well as numerous insightful illustrations. He also gives biographical details about the actual people the characters are based on, along with the performance history of the play, to help students and theatrical artists engage with this labyrinthine work.
The Iceman Cometh
by Eugene O'NeillEugene O’Neill was the first American playwright to win the Nobel Prize in Literature. He completed The Iceman Cometh in 1939, but he delayed production until after the war, when it enjoyed a long run of performances in 1946 after receiving mixed reviews. Three years after O'Neill's death, Jason Robards starred in a Broadway revival that brought new critical attention to O’Neill’s darkest and most nihilistic play. In the half century since, The Iceman Cometh has gained enormously in stature, and many critics now recognize it as one of the greatest plays in American drama. The Iceman Cometh focuses on a group of alcoholics and misfits who endlessly discuss but never act on their dreams, and Hickey, the traveling salesman determined to strip them of their pipe dreams.
The Iceman Cometh
by Eugene O'NeillEugene O'Neill mined the tragedies of his own life for this depiction of a seedy, skid row saloon in 1912, peopled by society's failures: drifters, whores, pimps, and informers.
ICEMEN
by null Vern ThiessenA wealthy businessman wakes up bound and gagged in a utility shed, kidnapped by his own employees—brothers and icemen Joe and Rennie. In the midst of the Great Depression, the brothers’ ice harvesting livelihood in Kempenfelt Bay is melting away due to the advent of refrigeration, only to further line the pockets of their employers. Desperate to claim what is rightfully theirs, these honest workers turned reluctant captors will stop at nothing to bring their greedy boss to a final reckoning. ICEMEN by Governor General’s Literary Award–winning playwright Vern Thiessen is an edge-of-your-seat thriller that exposes the human cost of capitalism and asks, when the wealthy exploit the working class, who are the real criminals?
Iconocalstes
by Hubert GriffithFirst published in 1927. The main argument in this book is that Shakespeare's work is of such intense vitality that it is always modern and that although historical associations may have grown up round it, considerations of the works that grew out of it, or the works that it derives from, are pure irrelevancies. The author maintains that the quality of Shakespeare's achievement has never been surpassed and that all other considerations - date, time, place, conditions of production and historical significance of his plays - have no bearing whatsoever.
Ida Rubinstein: Revolutionary Dancer, Actress, and Impresario
by Judith Chazin-BennahumIda Rubinstein (1883–1960) captivated Paris's dancers, composers, artists, and audiences from her time in the Ballets Russes in 1909 to her final performances in 1939. Trained in Russia as an actress and a dancer, her life spanned the artistic freedom of the Belle Époque through the ravages of World War I, the Depression, and finally World War II. This critical biography carefully examines aspects of Rubinstein's life and career that have previously received little attention. These include her early life in Russia, her writing about performance aesthetics, her curated approach to acting and dancing roles, and her encumbered position as a woman and a Jew. Rubinstein used her considerable fortune to produce dozens of plays, lyric creations, and ballets, making her one of the foremost producers of the first half of the twentieth century. Employing the greatest scenic artists, Léon Bakst and Alexander Benois; the distinguished composers Igor Stravinsky, Arthur Honegger, and Claude Debussy; celebrated writers including Paul Valéry and André Gide; and the brilliant choreographer Bronislava Nijinska, Rubinstein transformed twentieth-century theater and dance.
The Idea of Audience: Artists and the Task of Audience Development in the Era of Creative Industries
by Simon PieningWhat sort of relationship do artists want with their audience? What kind of role do they imagine for the performing arts in their community?Under the “creative industries”, the audience relationship has been increasingly defined and shaped by marketing and/or institutional interests. Wedged between the competing needs of the market, and their belief in the power of art to positively impact their communities, many artists and arts workers are caught in what Julian Meyrick describes as a “confused intellectual terrain”. While much audience scholarship has focused on understanding the motivations of audience members engaging with the arts, there has been considerably less research into the motivations of arts professionals with respect to their relationship with the audience. The Idea of Audience is a critical examination of the current fields of audience development and arts marketing, and explores the relationship between artists and audiences from the perspective of the artists themselves.The book will be of most interest to students and academics of audience development/arts marketing, theatre/performance, and audience studies. It is hoped that the reader will gain greater insight into what artists actually mean when they talk about their audience.
The Idea of the Theater in Latin Christian Thought: Augustine to the Fourteenth Century
by Donnalee DoxMedieval thinkers did not construe drama as theatrical performances, Dox (performance studies, Texas A&M U. ) argues, because of how thought was organized beginning with the late classical transmitters and through the Scholastics. Theater as a performance practice and institutional institution was distinguished from poetry, rhetoric, reading, and writing until the height of the Scholastic period, early in the 14th century, when this categorical distinction began to break down. She says her conclusions complement rather than challenge others derived from the same material. Annotation ©2004 Book News, Inc. , Portland, OR (booknews. com)
Ideal
by Ayn RandIdeal is the story of beautiful but tormented actress Kay Gonda. Accused of murder, she is on the run and turns for help to six fans who have written letters to her, each telling her that she represents their ideal--a respectable family man, a far-left activist, a cynical artist, an evangelist, a playboy, and a lost soul.<P><P> Each reacts to her plight in his own way, their reactions a glimpse into their secret selves and their true values. In the end their responses to her pleas give Kay the answers she has been seeking.Ideal was written in 1934 as a novel, but Ayn Rand thought the theme of the piece would be better realized as a play and put the novel aside.
An Ideal Husband
by Oscar WildeWilde's scintillating drawing-room comedy revolves around a blackmail scheme that forces a married couple to reexamine their moral standards. A supporting cast of young lovers, society matrons, and a formidable femme fatale exchange sparkling repartee, keeping the action of the play at a lively pace.
An Ideal Husband
by Oscar WildeAn Ideal Husband is an 1895 comedic stage play by Oscar Wilde which revolves around blackmail and political corruption, and touches on the themes of public and private honour. The action is set in London, in "the present", and takes place over the course of twenty-four hours. <P> <P> "Sooner or later," Wilde notes, "we shall all have to pay for what we do." But he adds that, "No one should be entirely judged by their past." Together with The Importance of Being Earnest, it is often considered Wilde's dramatic masterpiece. After Earnest, it is his most popularly produced play.
An Ideal Husband: A Play
by Oscar WildeSecrets and political intrigue threaten to destroy the marriage of Sir Robert and Lady Chiltern. Believing her husband to be "ideal," Lady Chiltern is unwilling to accept that their life has been built on a shady financial deal in Sir Robert's past, and that Sir Robert's mistakes are about to be made public by Mrs. Cheveley. Only the intercession of Lord Goring can bring a halt to Mrs. Cheveley's schemes and reconcile Lady Chiltern with her ideal husband.
An Ideal Husband: A Play (Dover Thrift Editions: Plays Ser.)
by Oscar WildeAlthough Oscar Wilde (1854-1900) created a wide range of poetry, essays, and fairy tales (and one novel) in his brief, tragic life, he is perhaps best known as a dramatist. His witty, clever drama, populated by brilliant talkers skilled in the art of riposte and paradox, are still staples of the theatrical repertoire.An Ideal Husband revolves around a blackmail scheme that forces a married couple to reexamine their moral standards -- providing, along the way, a wry commentary on the rarity of politicians who can claim to be ethically pure. A supporting cast of young lovers, society matrons, an overbearing father, and a formidable femme fatale continually exchange sparkling repartee, keeping the play moving at a lively pace.ike most of Wilde's plays, this scintillating drawing-room comedy is wise, well-constructed, and deeply satisfying. An instant success at its 1895 debut, the play continues to delight audiences over one hundred years later. An Ideal Husband is a must-read for Wilde fans, students of English literature, and anyone delighted by wit, urbanity, and timeless sophistication.
An Ideal Husband: A Play
by Oscar WildeThe classic comedic play of blackmail and political corruption from a master dramatist. A blackmail scheme forces a married couple to reexamine their moral standards—providing, along the way, a wry commentary on the rarity of politicians who can claim to be ethically pure. With a supporting cast of young lovers, society matrons, an overbearing father, and a formidable femme fatale exchanging nonstop sparkling repartee, Oscar Wilde&’s classic play moves along at a lively pace. Like most of Wilde&’s works, this scintillating drawing-room comedy is wise, well constructed, and deeply satisfying. An instant success upon its 1895 debut, An Ideal Husband continues to delight audiences over one hundred years later with its wit, urbanity, and timeless sophistication. This ebook has been professionally proofread to ensure accuracy and readability on all devices.
An Ideal Theater
by Todd LondonAn Ideal Theater is a wide-ranging, inspiring documentary history of the American theatre movement as told by the visionaries who goaded it into being. This anthology collects over forty essays, manifestos, letters and speeches that are each introduced and placed in historical context by the noted writer and arts commentator, Todd London, who spent nearly a decade assembling this collection. This celebration of the artists who came before is an exhilarating look backward, as well as toward the future, and includes contributions from:Jane Addams William Ball Julian Beck Herbert Blau Angus Bowmer Bernard Bragg Maurice Browne Robert Brustein Alison Carey Joseph Chaikin Harold Clurman Dudley Cocke Alice Lewisohn Crowley Gordon Davidson R. G. Davis Doris Derby W. E. B. Du Bois Zelda Fichandler Hallie Flanagan Eva Le Gallienne Robert E. Gard Susan Glaspell André Gregory Tyrone Guthrie John Houseman Jules Irving Margo Jones Frederick H. Koch Lawrence Langner W. McNeil Lowry Charles Ludlam Judith Malina Theodore Mann Gilbert Moses Michaela O'Harra John O'Neal Joseph Papp Robert Porterfield José Quintero Bill Rauch Bernard Sahlins Richard Schechner Peter Schumann Maurice Schwartz Gary Sinise Ellen Stewart Lee Strasberg Luis Miguel Valdez Nina Vance Douglas Turner WardAs well as the founding visions of theatres from across the country:The Actors Studio The Actor's Workshop Alley Theatre American Conservatory Theater American Repetory Theater Arena Stage Barter Theatre Bread and Puppet Theater The Carolina Playmakers The Chicago Little Theater Circle in the Square Theatre The Civic Repertory Theatre Cornerstone Theater Company The Federal Theatre Project Ford Foundation Program in Humanities and the Arts The Free Southern Theater The Group Theatre The Hull-House Dramatic Association KRIGWA Players The Living Theatre La MaMa Experimental Theatre Club The Mark Taper Forum The Mercury Theatre Minnesota Theater Company (Guthrie Theater) The National Theatre of the Deaf The Negro Ensemble Company The Negro Theatre Project, Federal Theatre Project The Neighborhood Playhouse New Dramatists The New York Shakespeare Festival The Open Theater Oregon Shakespeare Festival The Performance Group The Provincetown Players The Repertory Theater of Lincoln Center The Ridiculous Theatrical Company Roadside Theater The San Francisco Mime Troupe The Second City Steppenwolf Theatre Company El Teatro Campesino Theater '47 The Theatre Guild The Theatre of the Living Arts The Washington Square Players The Wisconsin Idea Theater Yale Repertory Theatre The Yiddish Art TheatreTodd London is in his 18th season as artistic director of New Dramatists, the nation's oldest center for the creative and professional development of American playwrights. In 2009 Todd became the first recipient of Theatre Communications Group's (TCG) Visionary Leadership Award for "an individual who has gone above and beyond the call of duty to advance the theater field as a whole, nationally and/or internationally." He's the author of The Importance of Staying Earnest: Writings from Inside the American Theatre, 1988-2013 (NoPassport Press), Outrageous Fortune: The Life and Times of the New American Play (with Ben Pesner, Theatre Development Fund), The Artistic Home (TCG), and The World's Room, a novel (Steerforth Press), among others. His column, "A Lover's Guide to American Playwrights," tributes to contemporary
Ideas of Order: A Close Reading of Shakespeare's Sonnets
by Neil L. RudenstineShakespeare's sonnets are the greatest single work of lyric poetry in English, as passionate and daring as any love poems we may ever encounter, and yet, they are often misunderstood. Ideas of Order: A Close Reading of Shakespeare's Sonnets reveals an underlying structure within the 154 poems that illuminates the entire work, and provides a guide—for first-time readers as well as scholars—that inspires a new understanding of this complex masterpiece. Elizabethan scholar and former Harvard University president Neil L. Rudenstine makes a compelling case for the existence of a dramatic arc within the work through an expert interpretation of distinct groups of sonnets in relationship to one another. The sonnets show us a poet in turmoil whose love for a young man—who returns his affections—is utterly transformative, binding him in such an irresistible way that it survives a number of infidelities. And the poet and the young man are drawn in to a cycle of lust and betrayal by a "dark lady," a woman with the "power to make love groan." Rudenstine's reading unveils the relationship between major groups of poems: the expressions of love, the transgressions, the longings, the jealousies, and the reconciliations. This critical analysis is accompanied by the text of all of Shakespeare's sonnets. Accessible and thought-provoking, Ideas of Order is an invaluable companion to this cornerstone of literature.
Identifying Mavor Moore: A Historical and Literary Study
by Allan BossThe enigmatic, obscured figure behind many of the most important moments in building Canada's theatrical and cultural landscape has largely been ignored by history. In this groundbreaking study of his work, Allan Boss re-locates Moore in Canada's cultural history. Moore may be a jack of all trades, but Boss exposes a historical record that seems to conceal Moore's work, challenging the conventions of recorded theatre history in Canada. Painting a picture of Moore's identity and legacy through his theatrical and artistic work and through an assortment of his literary contributions to the theatre, Boss creates an astounding account of a cultural giant who's been lost to history.
Identity and Theatre Translation in Hong Kong
by Shelby Kar-yan ChanIn this book, Shelby Chan examines the relationship between theatre translation and identity construction against the sociocultural background that has led to the popularity of translated theatre in Hong Kong. A statistical analysis of the development of translated theatre is presented, establishing a correlation between its popularity and major socio-political trends. When the idea of home, often assumed to be the basis for identity, becomes blurred for historical, political and sociocultural reasons, people may come to feel "homeless" and compelled to look for alternative means to develop the Self. In theatre translation, Hongkongers have found a source of inspiration to nurture their identity and expand their "home" territory. By exploring the translation strategies of various theatre practitioners in Hong Kong, the book also analyses a number of foreign plays and their stage renditions. The focus is not only on the textual and discursive transfers but also on the different ways in which the people of Hong Kong perceive their identity in the performances.