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by Amy MccollFirst Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Imaginary Friends: A Play With Music
by Nora EphronAlthough Lillian Hellman and Mary McCarthy probably only met once in their lives, their names will be linked forever in the history of American literary feuds: they were legendary enemies, especially after McCarthy famously announced to the world that every word Hellman wrote was a lie, “including ‘and’ and ‘the. ’” The public battle, and the legal squabbling, that ensued ended, unsatisfactorily for all, with Hellman’s death. InImaginary Friends,Nora Ephron brilliantly and hilariously resuscitates these two bigger-than-life women to give them a post-mortem second act, and the chance to really air their differences. From the Trade Paperback edition.
The Imaginary Invalid
by Molière Henri Van LaunThe greatest writer of French classic comedy, the 17th-century playwright Molière was one of the most brilliant satirists in the history of literature. His keen observations and barbed wit deflated the pretensions of society in his day and focused a brilliant light on the universal frailties of humanity.The Imaginary Invalid, one of Molière's funniest and most incisive satires, is also among the most performed worldwide and perennially studied in world literature courses. In this entertaining gem, a hypochondriac, victimized by two pompous doctors, tests his daughter's loyalty and discovers the greed and contempt of his scheming wife.
Imaginary Invalid (Stone)
by MoliereComedy / 8m, 4f / Interior / Monsieur Ardin, the imaginary invalid, is a thoroughgoing hypochondriac. His daughter, Angelique, is in love with Cleante. But Ardin insists that she shall marry the son of a doctor and a doctor himself, Thomas Defois. Toinette, the maid and Beralde, Ardin's brother, do everything possible to dissuade Ardin in his determination to marry Angelique to the stupid Thomas. Beline, Ardin's shrewish wife, is determined that Angelique shall become a nun so that there will be no one but she, Beline, to inherit Ardin's estate. By many tricks, Toinette and Beralde show up Beline as the mercenary she is and the doctors as the fools they are.
Imaginary Performances in Shakespeare
by Aureliu ManeaIn Imaginary Performances in Shakespeare, visionary modernist theatre director Aureliu Manea analyses the theatrical possibilities of Shakespeare. Through nineteen Shakespeare plays, Manea sketches the intellectual parameters, the visual languages, and the emotional worlds of imagined stage interpretations of each; these nineteen short essays are appended by his essay ‘Confessions,’ an autobiographical meditation on the nature of theatre and the role of the director. This captivating book which will be attractive to anyone interested in Shakespeare and modern theatre.
IMAGINE
by Lázaro Droznes Moisés Moreno CostillaJohn Lennon was a musician, singer, songwriter, member of The Beatles, and Knight of the British Empire. He also is one of the maximum music icons of the 20th century. His rejection to the established values and his innovative capability in the musical and personal level are a source of inspiration to every generation that finds within his life a role model in the search of the rupture of the old patterns and in the construction of a new future. In this book John tells stories and situations of his life along with songs written by him which describe his life even better than his stories.
IMAGINE: Vita, opere e canzoni di John Ono Lennon
by Lázaro Droznes Maria Elena VaiasusoMusicista, cantante, compositore, fondatore dei Beatles e Cavaliere dell'Ordine Britannico, John Lennon è una delle icone più importanti della musica e della cultura del XX secolo. Il suo rifiuto dei valori prestabiliti e la sua capacità di innovazione, tanto a livello personale quanto artistico, sono fonte di ispirazione per qualsiasi generazione alla ricerca di un modello di vita che rompa gli schemi imposti e che aspiri alla creazione di un futuro migliore. In quest'opera Lennon ci confida storie e vicende personali, arricchendo il racconto con alcune delle sue canzoni, eloquenti almeno quanto gli stessi aneddoti.
Imagine Being More Afraid of Freedom than Slavery
by Pamela SneedAn incendiary literary work more relevant now than ever.“if anger were an ax/it would split me open/and if this is a sermon/let it be my granddaddy’s sermon/my grandmother’s foottapping/steady rocking/choir singing” —from "It Is Not a New Age"First published in 1998, Imagine Being More Afraid of Freedom than Slavery is the debut collection by acclaimed poet and performer Pamela Sneed. Provocative and potent, it tackles the political and personal issues of enslavement, sexuality, emotional trauma, and abuse. These poems chart the journey of an artist trying to escape cycles of dependency and reclaim lost self and identity. Drawing parallels to Harriet Tubman’s journey on the Underground Railroad, Sneed’s explorations of the woods are a metaphor and emotional path one must explore to attain self-ownership. Sneed’s poems are bound by the search for love, freedom, and justice—from images of lesbian love to Emmet Till’s bloated body, they offer a raging cry and a roadmap for those interested in transforming the personal into social justice and abolitionist practices.
Imagined Theatres: Writing for a Theoretical Stage
by Daniel SackImagined Theatres collects theoretical dramas written by some of the leading scholars and artists of the contemporary stage. These dialogues, prose poems, and microfictions describe imaginary performance events that explore what might be possible and impossible in the theatre. Each scenario is mirrored by a brief accompanying reflection, asking what they might mean for our thinking about the theatre. These many possible worlds circle around questions that include: In what way is writing itself a performance? How do we understand the relationship between real performances that engender imaginary reflections and imaginary conceptions that form the basis for real theatrical productions? Are we not always imagining theatres when we read or even when we sit in the theatre, watching whatever event we imagine we are seeing?
Imagining Bodies and Performer Training: The Legacies of Jacques Lecoq and Gaston Bachelard (Perspectives on Performer Training)
by Ellie NixonThis book is a practical and theoretical exploration of the embodied imagining processes of devised performance in which the human and more-than-human are co-implicated in the creative process.This study brings together the work of French theatre pedagogue Jacques Lecoq (1921–1999) and French philosopher of science and the imagination Gaston Bachelard (1884–1962) to explore the notion of the imagination as embodied, enactive and embedded in the devising process. An exploration of compelling correspondences with Bachelard, whose writings imbue Lecoq’s teaching ethos, offers new practical and theoretical perspectives on Lecoq’s ‘poetic body’ in contemporary devising practices. Interweaving first-hand accounts by the author and interviews with contemporary international creative practitioners who have graduated from or have been deeply influenced by Lecoq, Imagining Bodies in Performer Training interrogates how his teachings have been adapted, developed and extended in various cultural, political and historical settings, in Europe, Scandinavia, Asia, and North and South America.These new and rich insights reveal a teaching approach that resists fixity and instead unfolds, develops and adapts to the diverse cultural and political contexts of its practitioners, teachers and students.
Imagining Human Rights in Twenty-First-Century Theater
by Florian N. Becker Paola S. Hern�ndez Brenda WerthThere is extraordinary diversity, depth, and complexity in the encounter between theatre, performance, and human rights. Through an examination of a rich repertoire of plays and performance practices from and about countries across six continents, the contributors open the way toward understanding the character and significance of this encounter.
Imagining Medea
by Rena FradenThis ain't no Dreamgirls," Rhodessa Jones warns participants in the Medea Project, the theater program for incarcerated women that she founded and directs. Her expectations are grounded in reality, tempered, for example, by the fact that women are the fastest growing population in U.S. prisons. Still, Jones believes that by engaging incarcerated women in the process of developing and staging dramatic works based on their own stories, she can push them toward tapping into their own creativity, confronting the problems that landed them in prison, and taking control of their lives. Rena Fraden chronicles the collaborative process of transforming incarcerated women's stories into productions that incorporate Greek mythology, hip-hop music, dance, and autobiography. She captures a diverse array of voices, including those of Jones and other artists, the sheriff and prison guards, and, most vividly, the women themselves. Through compelling narrative and thoughtful commentary, Fraden investigates the Medea Project's blend of art and activism and considers its limits and possibilities for enacting social change.Rhodessa Jones is co-artistic director of the San Francisco-based performance company Cultural Odyssey and founder of the Medea Project: Theater for Incarcerated Women. An award-winning performer, she has taught at the Yale School of Drama and the New College of California.
Imagining the Audience in Early Modern Drama, 1558–1642
by Jennifer A. Low Nova MyhillThis essay collection builds on the latest research on the topic of theatre audiences in early modern England. In broad terms, the project answers the question, 'How do we define the relationships between performance and audience?'.
Imagining Windmills: Trust, Truth, and the Unknown in the Arts Therapies
by Marián Cao Richard Hougham Sarah ScobleImagining Windmills presents a compilation of scholarly chapters by selected authors of global standing in the arts therapies. This book reflects the theme of the 15th International Conference of the European Consortium for Arts Therapies (ECArTE), held in Alcalá de Henares, Spain, birthplace of Miguel de Cervantes. This innovative work seeks to further understanding of arts therapy education, practice and research and incorporates current thinking from art therapists, dance-movement therapists, dramatherapists and music therapists. Writers from Belgium, Germany, Greece, India, Israel, Italy, The Netherlands, Spain, Sweden, UK and USA combine to give an international voice to the book, which celebrates cultural distinctiveness, while also presenting shared intercultural developments in the professions. This interdisciplinary publication explores questions of the unknown and the imagined, misconception, delusion, truth and trust in the arts therapies. It enquires into ways in which education and the practice of the arts therapies engage with the imagination as a place of multiple realities, which may lead us closer to finding our truth. This book will be of interest and relevance not only to those in the arts therapeutic community, but also to a broad audience including those in related professions – for instance psychology, sociology, the arts, medicine, health and wellbeing and education.
Imitation and Contamination of the Classics in the Comedies of Ben Jonson: Guides Not Commanders (Studies in Performance and Early Modern Drama)
by Tom HarrisonThis book focuses on the influence of classical authors on Ben Jonson’s dramaturgy, with particular emphasis on the Greek and Roman playwrights and satirists. This book illuminates the interdependence of the aspects of Jonson’s creative personality by considering how classical performance elements including the Aristophanic ‘Great Idea,’ chorus, Terentian/Plautine performative strategies, and ‘performative’ elements from literary satire manifest themselves in the structuring and staging of his plays. This fascinating exploration contributes to the ‘performative turn’ in early modern studies by reframing Jonson’s classicism as essential to his dramaturgy as well as his erudition. This book is also a case study for how the early modern education system’s emphasis on imitative-contaminative practices prepared its students, many of whom became professional playwrights, for writing for a theatre that had a similar emphasis on the recycling and recombining performative tropes and structures.
Imitations of Life: Two Centuries of Melodrama in Russia
by Louise Mcreynolds Joan NeubergerImitations of Life views Russian melodrama from the eighteenth century to today as an unexpectedly hospitable forum for considering social issues. The contributors follow the evolution of the genre through a variety of cultural practices and changing political scenarios. They argue that Russian audiences have found a particular type of comfort in this mode of entertainment that invites them to respond emotionally rather than politically to social turmoil. Drawing on a wide variety of sources, including plays, lachrymose novels, popular movies, and even highly publicized funerals and political trials, the essays in Imitations of Life argue that melodrama has consistently offered models of behavior for times of transition, and that contemporary televised versions of melodrama continue to help Russians cope with national events that they understand implicitly but are not yet able to articulate. In contrast to previous studies, this collection argues for a reading that takes into account the subtle but pointed challenges to national politics and to gender and class hierarchies made in melodramatic works from both the nineteenth and twentieth centuries. Collectively, the contributors shift and cross borders, illustrating how the cultural dismissal of melodrama as fundamentally escapist and targeted primarily at the politically disenfranchised has subverted the drama's own intrinsically subversive virtues. Imitations of Life will interest students and scholars of contemporary Russia, and Russian history, literature, and theater. Contributors. Otto Boele, Julie Buckler, Julie Cassiday, Susan Costanzo, Helena Goscilo, Beth Holmgren, Lars Lih, Louise McReynolds, Joan Neuberger, Alexander Prokhorov, Richard Stites
Immaculate Deception and Further Ribaldries: Yet Another Dozen Medieval French Farces in Modern English (The Middle Ages Series)
by Jody EndersDid you hear the one about the Mother Superior who was so busy casting the first stone that she got caught in flagrante delicto with her lover? What about the drunk with a Savior complex who was fool enough to believe himself to be the Second Coming? And that's nothing compared to what happens when comedy gets its grubby paws on the confessional. Enter fifteenth- and sixteenth-century French farce, the "bestseller" of a world that stands to tell us a lot about the enduring influence of a Shakespeare or a Molière. It's the sacrilegious world of Immaculate Deception, the third volume in a series of stage-friendly translations from the Middle French. Brought to you through the wonders of Open Access, these twelve engagingly funny satires target religious hypocrisy in that in-your-face way that only true slapstick can muster. There is literally nothing sacred.Why this repertoire and why now? The current political climate has had dire consequences for the pleasures of satire at a cultural moment when we have never needed it more. It turns out that the proverbial Dark Ages had a lighter side; and France's over 200 rollicking, frolicking, singing, and dancing comedies—more extant than in any other vernacular—have waited long enough for their moment in the spotlight. They are seriously funny: funny enough to reclaim their place in cultural history, and serious enough to participate in the larger conversation about what it means to be a social influencer, then and now. Rather than relegate medieval texts to the dustbin of history, an unabashedly feminist translation can reframe and reject the sexism of bygone days by doing what theater always invites us to do: interpret, inflect, and adapt.
Immeasurable Outcomes: Teaching Shakespeare in the Age of the Algorithm
by Gayle GreeneWhat is the purpose of education? The answer might be found in a Shakespeare class at a small liberal arts college.In this engaging account of teaching a Shakespeare class at a small liberal arts college, Gayle Greene illustrates what is so vital and urgent about the humanities. Follow along with Greene as she introduces us to her students and showcases their strengths, needs, and vulnerabilities, so we can experience the magic of her classroom. In Immeasurable Outcomes, Greene's class builds a complex human ecosystem that pushes students to think more deeply and discover their own interests and potential, all while recognizing the inherent dignity in other people's views and values. Grounding her analyses in half a century of teaching, Greene pushes back against the demand for measurable student learning outcomes and the standardization imposed on K-12 schools in the name of reform. Instead, she draws her conclusions about education directly from the students themselves. Alumni testimonials describe the transformative power of a liberal arts education, recounting how their experience of community and engagement has provided them the tools to navigate the uncertainties of a rapidly changing world while also inspiring the social awareness our democracy depends on. Immeasurable Outcomes rejects claims that the liberal arts are impractical, exposing the political agendas of technocrats and ideologues who would transform higher education into vocational training and programs focused only on profitability. Greene reminds us that the liberal arts have been the basis for the most successful educational system in the world and provides a powerful demonstration that education at a human scale that is relationship-rich and humanities-based should be the model for education in the future.
Immersions in Cultural Difference: Tourism, War, Performance
by Natalie AlvarezIn a time of intensifying xenophobia and anti-immigration measures, this book examines the impulse to acquire a deeper understanding of cultural others. Immersions in Cultural Difference takes readers into the heart of immersive simulations, including a simulated terrorist training camp in Utah; mock Afghan villages at military bases in Canada and the UK; a fictional Mexico-US border run in Hidalgo, Mexico; and an immersive tour for settlers at a First Nations reserve in Manitoba, Canada. Natalie Alvarez positions the phenomenon of immersive simulations within intersecting cultural formations: a neoliberal capitalist interest in the so-called “experience economy” that operates alongside histories of colonization and a heightened state of xenophobia produced by War on Terror discourse. The author queries the ethical stakes of these encounters, including her own in relation to the field research she undertakes. As the book moves from site to site, the reader discovers how these immersions function as intercultural rehearsal theaters that serve a diverse set of strategies and pedagogical purposes: they become a “force multiplier” within military strategy, a transgressive form of dark tourism, an activist strategy, and a global, profit-generating practice for a neoliberal capitalist marketplace.
Immersive Embodiment: Theatres of Mislocalized Sensation (Palgrave Studies in Performance and Technology)
by Liam JarvisThis book offers a wide-ranging examination of acts of ‘virtual embodiment’ in performance/gaming/applied contexts that abstract an immersant’s sense of physical selfhood by instating a virtual body, body-part or computer-generated avatar. Emergent ‘immersive’ practices in an increasingly expanding and cross-disciplinary field are coinciding with a wealth of new scientific knowledge in body-ownership and self-attribution. A growing understanding of the way a body constructs its sense of selfhood is intersecting with the historically persistent desire to make an onto-relational link between the body that ‘knows’ an experience and bodies that cannot know without occupying their unique point of view. The author argues that the desire to empathize with another’s ineffable bodily experiences is finding new expression in contexts of particular urgency. For example, patients wishing to communicate their complex physical experiences to their extended networks of support in healthcare, or communities placing policymakers ‘inside’ vulnerable, marginalized or disenfranchised virtual bodies in an attempt to prompt personal change. This book is intended for students, academics and practitioner-researchers studying or working in the related fields of immersive theatre/art-making, arts-science and VR in applied performance practices.
Immersive Storytelling and Spectatorship in Theatre, Museums, and Video Games
by Kelly I. AlianoImmersive Storytelling and Spectatorship in Theatre, Museums, and Video Games is the first volume to explore immersion as it is experienced in all three of these storytelling forms: the theatre, museums and historic sites, and video games. It theorizes what it means for a work to be called immersive and how immersion impacts audience experience in each of these modes.The presentation of story is deepened when it involves the spectator in an immersive way. Author Kelly I. Aliano concentrates on the central idea that the use of immersion in each medium allows the story being told to feel present for the spectator. It puts them at the center of the experience, making its events for and about them. Throughout, the book discusses how immersion is employed to make narrative feel more resonant and relevant for the audience. Analyzing the impact of offering a first-hand experience of story events, this book looks at how immersive storytelling can highlight the ways in which we can interact with and shape our understandings of ourselves and our society as well as our histories and identities.Ideal for students, scholars, and researchers of immersive theatre, spectatorship, museum studies, and video game studies, this is an innovative study into the power of immersive storytelling across three interactive mediums.
The Immersive Theatre of GAle GAtes (Routledge Advances in Theatre & Performance Studies)
by Daniella Vinitski MooneyThis book focuses on experimental theatre company, GAle GAtes, credited as "the true innovator" of the contemporary immersive movement. The Immersive Theatre of GAle GAtes is a case-study of this little-known but visionary company, with a focus on its development and dramaturgy. Through rare archival and primary research, as well as historical context, the text chronicles company narrative and celebrates the artistic impulse. The book employs descriptive-narrative and dramaturgical analysis and is composed of historical research, rare archives, and primary source interviews. Chapters focus on the trajectory of the avant-garde leading up to the climate in which the company formed, company formative years, and major works and a discussion on the interdisciplinary and theoretical frameworks critical to its understanding. This study will be of great interest to students and scholars in theatre and performance studies and essential reading for theatre artist and historian alike, with a focus on the experimental theatre landscape.
Impacting Theatre Audiences: Methods for Studying Change (Audience Research)
by Dani Snyder-Young Matt OmastaThis edited collection explores methods for conducting critical empirical research examining the potential impacts of theatrical events on audience members. Dani Snyder-Young and Matt Omasta present an overview of the burgeoning subfield of audience studies in theatre and performance studies, followed by an introduction to the wide range of ways scholars can study the experiences of spectators. Consisting of chapter length case studies, the book addresses methodologies for examining spectatorship, including qualitative, quantitative, historical/historiographic, arts-based, participatory, and mixed methods approaches. This volume will be of great interest to theatre and performance studies scholars as well as industry professionals working in marketing, audience development and community engagement.
Imperial Theme - Wilson Knight: Further Interpretations Of Shakespeare's Tragedies Including The Roman Play
by G. Wilson KnightFirst Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Imperial Ventures: Maritime Drama and the Invention of Risk
by Benjamin VanWagonerLinks early modern English drama and empire studies, exploring how staged scenes of maritime peril created a new form of economic uncertaintyImperial Ventures links early modern English drama and empire studies, exploring how staged scenes of maritime peril created a new form of economic uncertainty around the turn of the seventeenth century, amid London’s explosion in commercial colonialism.While the hazards of global maritime trade became increasingly apparent during the late sixteenth and early seventeenth centuries, the word “risk” did not enter English usage until around 1660. The prevailing scholarly narrative has linked uncertainty to concepts such as “chance,” “accident,” and “providence,” but this book reveals that these fragmentary concepts were reordered into an economic abstraction, and that the theater was a key site for that process. Playwrights reached for ways to represent this new uncertainty, and audiences watched perilous voyages set in colonial contexts and dramatized in increasingly typical forms. Imperial Ventures is organized by these forms, with five chapters examining scenes of shipwreck, pirates, enslavement, colonial subjection, and perilous news across a wide range of early modern plays.Benjamin VanWagoner shows how maritime drama connected English venturing to economic vulnerability in increasingly systematic ways, helping to develop the economic logic that would come to be codified as risk. In revealing this process, Imperial Ventures establishes the unique protocolonial status of early modern England—in the theater and at sea—and demonstrates how risk became a perverse instrument for justifying Anglophone imperialism.