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Jacky Ha-Ha: A Graphic Novel (Jacky Ha-Ha #1)
by James Patterson Chris GrabensteinAdapted from James Patterson's #1 bestselling story, this hilarious and heartwarming graphic novel introduces Jacky Ha-Ha, a class clown who makes people laugh with her so they can't laugh at her!With her irresistible urge to tell a joke in every situation--even when it's a bad idea--Jacky Ha-Ha loves to make people laugh. And cracking wise helps distract her from thinking about not-so-funny things in her life, like her mom serving in a dangerous, faraway war, and a dad who's hardly ever home. But no matter how much fun Jacky has, she can't entirely escape her worries. So one starlit night, she makes a promise to keep her family together...even if she has to give up the one thing that makes her happy. But can she stop being Jacky Ha-Ha, if that's who she really is?Bright, funny, and fast-paced artwork will have readers laughing their way through Jacky's ha-ha-heartwarming story!
Jacky Ha-Ha: My Life is a Joke (Jacky Ha-Ha #2)
by James Patterson Chris GrabensteinClass clown Jacky Hart is back and ready for the best summer ever in James Patterson's bestselling graphic novel series! But can she juggle family, friends, and work and still find time to act and sing? Living on the shore is all about fun, fun, FUN! With my starring role in the boardwalk's biggest blockbuster performance, a life of fame and fortune is finally within reach. Until I accidentally lose my job, embarrass myself in front of a crush, AND ruin a friendship, all at the same time. My problems can't always be laughed away--but I sure am going to try. After all, they didn't nickname me Jacky Ha-Ha for nothing!
Jacobean City Comedy (Routledge Library Editions: Renaissance Drama)
by Brian GibbonsThe first decade of the Jacobean age witnessed a sudden profusion of comedies satirizing city life; among these were comedies by Ben Jonson, John Marston and Thomas Middleton, as well as the bulk of the repertory of the newly-established children’s companies at Blackfriars and Paul’s. The playwrights self-consciously forged a new genre which attracted London audiences with its images of folly and vice in Court and City, and hack-writing dramatists were prompt to cash in on a new theatrical fashion. This study, first published in 1980, examines ways in which the Jacobean city comedy reflect on the self-consciousness of audiences and the concern of the dramatists with Jacobean society. This title will be of interest of students of Renaissance Drama, English Literature and Performance.
A Jacobean Company and Its Playhouse
by Eva GriffithEva Griffith's book fills a major gap concerning the world of Shakespearean drama. It tells the previously untold story of the Servants of Queen Anna of Denmark, a group of players parallel to Shakespeare's King's Men, and their London playhouse, The Red Bull. Built in vibrant Clerkenwell, The Red Bull lay within the northern suburbs of Jacobean London, with prostitution to the west and the Revels Office to the east. Griffith sets the playhouse in the historical context of the Seckford and Bedingfeld families and their connections to the site. Utilising a wealth of primary evidence including maps, plans and archival texts, she analyses the court patronage of figures such as Sir Robert Sidney, Queen Anna's chamberlain, alongside the company's members, function and repertoire. Plays performed included those by Webster, Dekker and Heywood -- entertainments characterized by spectacle, battle sequence and court-room drama, alongside London humor and song.
Jacobean Private Theatre (Routledge Library Editions: Renaissance Drama)
by Keith SturgessIn this scholarly and entertaining book, first published in 1987, the author tells the story of Jacobean private theatre. Most of the best plays written after 1610, including Shakespeare’s late plays such as The Tempest, were written for the new breed of private playhouses – small, roofed and designed for an aristocratic, literary audience, as opposed to the larger, open-air houses such as the Globe and the Red Bull, catering for a popular, ‘lowbrow’ audience. The author discusses the polarisation of taste and the effect it had on literary criticism and theatre history. This title will be of interest to students of English Literature, Drama and Performance.
Jacobean Public Theatre (Theatre Production Studies)
by Alexander LeggattJacobean Public Theatre recovers for the modern reader the acting, production and performance values of the public theatre of Jacobean London. It relates this drama to the popular culutre of the day and concludes with a close study of four important plays, including King Lear, which emerge in an unexpected light as the products of popular tradition.
Jacobean Tragedy: The Quest for Moral Order (Routledge Library Editions: Renaissance Drama)
by Irving RibnerThe work of dramatists such as George Chapman, Thomas Heywood, Cyril Tourneur, John Webster, Thomas Middleton and John Ford can profitably be studied as attempts to construct a new moral order in response to the absence or weakening of the religious sanction. In this study, first published in 1962, the author examines these texts in detail, and throws a great deal of light on the plays as plays. This title will be of interest to students of English Literature, Drama and Performance.
Jacques and His Master: A Play
by Milan KunderaA deliciously witty and entertaining "variation" on Diderot's novel Jacques le Fatalist, written for Milan Kundera's "private pleasure" in the aftermath of the Russian invasion of Czechoslovakia.When the "heavy Russian irrationality" fell on Czechoslovakia, Milan Kundera explains, he felt drawn to the spirit of the eighteenth century—"And it seemed to me that nowhere was it to be found more densely concentrated than in that banquet of intelligence, humor, and fantasy, Jacques le Fataliste."The upshot was this "Homage to Diderot," which has now been performed throughout the United States and Europe. Here, Jacques and His Master, newly translated by Simon Callow, is a text that will delight Kundera's admirers throughout the English-speaking world.
Jacques Copeau (Routledge Performance Practitioners)
by Mark EvansThis book examines Jacques Copeau, a leading figure in the development of twentieth-century theatre practice, a pioneer in actor-training, physical theatre and ensemble acting, and a key innovator in the movement to de-centralize theatre and culture to the regions. Noe reissued, Jacques Copeau combines: an overview of Copeau's life and work an analysis of his key ideas a detailed commentary of his 1917 production of Moliere's late farce Les Fourberies de Scapin – the opening performance of his influential New York season a series of practical exercises offering an introduction to Copeau's working methods. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today's student.
Jacques Lecoq (Routledge Performance Practitioners)
by Simon MurrayThis volume offers a concise guide to the teaching and philosophy of one of the most significant figures in twentieth century actor training. Jacques Lecoq's influence on the theatre of the latter half of the twentieth century cannot be overestimated. Now reissued Jacques Lecoq is the first book to combine: an historical introduction to his life and the context in which he worked an analysis of his teaching methods and principles of body work, movement, creativity, and contemporary theatre detailed studies of the work of Theatre de Complicite and Mummenschanz practical exercises demonstrating Lecoq's distinctive approach to actor training.
Jacques Lecoq and the British Theatre
by Franc Chamberlain Ralph YarrowJacques Lecoq and the British Theatre brings together the first collection of essays in English to focus on Lecoq's school of mime and physical theatre. For four decades, at his school in Paris, Jacques Lecoq trained performers from all over the world and effected a quiet evolution in the theatre. The work of such highly successful Lecoq graduates as Theatre de Complicite (The Winter's Tale with the Royal Shakespeare Company and The Visit, The Street of Crocodiles and The Causcasian Chalk Circle with the Royal National Theatre) has brought Lecoq's work to the attention of mainstream critics and audiences in Britain. Yet Complicte is just the tip of the Iceberg. The contributors to this volume, most of them engaged in applying Lecoq's work, chart some of the diverse ways in which it has had an impact on our conceptions of mime, physical theatre, actor training, devising street theatre and interculturalism. This lively - even provocative - collection of essays focuses academic debate and raises awareness of the impact of Lecoq's work in Britain today.
Jagged Little Pill: Our New Musical - Vocal Selections (Piano-vocal-guitar Artist Songbook Ser.)
by Full CastThe official behind-the-scenes look at the powerful new musical based on Alanis Morissette's cult classic album Jagged Little Pill.Celebrating its 25-year anniversary in 2020, singer-songwriter Alanis Morissette's Grammy-Award winning album Jagged Little Pill has come to define a generation. In the "triumphant and moving" (Variety) Broadway musical of the same name, Morissette's iconic numbers -- including smash hits like "Ironic," "You Oughta Know," and "Hand in My Pocket," -- are paired with new songs by the beloved musician and a powerful original story by Academy Award-winning writer Diablo Cody (Juno). Hailed as "urgent, wildly entertaining, and wickedly funny" (The Boston Globe) and "joyful and redemptive, rousing and real" (The New York Times), the Jagged Little Pill musical is a poignant and emotionally revelatory experience that is speaking to audiences across generations. Now, for the first time, this book will take you behind the scenes with stunning photography, original in-depth interviews with the cast, crew, Alanis Morissette, and Diablo Cody, and an introduction from Morissette herself on the album's genesis and journey from release to acclaimed musical -- including details and anecdotes on her collaboration on the show. Including the full annotated libretto and a retrospective look at Alanis's artistic influences and the significance of the album within the cultural context of the 90s as well as its long-term impact on the music world as we know it, this beautifully rendered book is a must-have keepsake for anyone who has been touched by this production or Morissette's music.
James Graham: State of the Nation Playwright
by Maryam PhilpottJames Graham is one of the UK’s leading dramatists, a multi-award-winning writer who for almost 20 years has analysed and articulated concepts of power and authority in modern British society. James Graham: State of the Nation Playwright is the first full-length assessment of the writer’s output, applying core thematic areas - Democracy, Anarchy, Famous Faces and Television - to understand how different power bases operate in modern society, their effectiveness and influence, and how they came to pre-eminence during the last 70 years. The book concludes with an evaluation of Graham’s contribution to state-of-the-nation debates, Britain’s cycles of decline and its consequences for understanding contemporary national identity.
James Joyce's Dublin
by Gene Feist8m, 3f (to perform 32 roles) \ Biographical play with music \ Unit set. \ This extraordinary portrait of Joyce reveals an Irish lad reared by a loving mother and a father proud of his status and middle class proprieties. He was educated at private schools until bad times forced the family to move often, leaving a trail of unpaid rents. At this time Joyce encountered his first sexual temptations and made his choice between chastity and concupiscence. Here are the characters he wrote about: the Dubliners and those who peopled his self portrait of the artist as a young man. \ "Sensitive, satiric, warm, ironic study.... It captures Joyce with love and fidelity." - Record.
James Shirley and Early Modern Theatre: New Critical Perspectives (Studies in Performance and Early Modern Drama)
by Barbara RavelhoferJames Shirley was the last great dramatist of the English Renaissance, shining out among other luminaries such as John Ford, Ben Jonson, or Richard Brome. This collection considers Shirley within the culture of his time, and highlights his contribution to seventeenth-century English literature as poet and playwright. Individual essays explore Shirley’s musical theatre and spoken verse, performance conditions, female agency and politics, and the presentation of his work in manuscript and print. Collectively, the essays assemble a larger picture of Caroline drama, showing it to be more than simply a nostalgic endgame, its poets daintily sipping hemlock on the eve of the Civil Wars. Shirley’s literary versatility and long life, spanning the last days of Queen Elizabeth I to the ascension of Charles II, make him an ideal writer through whom to examine the distinctive qualities of Caroline theatre.
James Skipworth and the Catfish Colonel
by Cy YoungComedy / Characters: 2 male, 1 female / Interior Set / A playwright has vowed to shoot himself unless someone agrees to option his play immediately. He appears at the office of producer Helen Osborne, an attractive and highly theatrical woman who is the reigning queen on a long running soap opera. Anxious to be off to an important meeting at Sardi's, the producer doesn't take the increasingly anxious writer seriously until he nails her door shut. Helen uses all of her feminine wiles to escape as the action escalates into a zany free for all in which writer ties producer to a chair and, with the help of an actor friend in the hall outside, reads the play to her with side splitting results. The producer finally turns the tables on the hapless writer as the action explodes into a fast paced farce uniting all three in an hilarious and madcap finale.
Jana Sanskriti: Forum Theatre and Democracy in India
by Sanjoy GangulyJana Sanskriti Centre for the Theatre of the Oppressed, based in West Bengal, is probably the largest and longest lasting Forum Theatre operation in the world. It was considered by Augusto Boal to be the chief exponent of his methodology outside of its native Brazil. This book is a unique first-hand account - by the group's artistic director Sanjoy Ganguly - of Jana Sanskriti's growth and development since its founding in 1985, which has resulted in a national Forum Theatre network throughout India. Ganguly describes the plays, people and places that have formed this unique operation and discusses its contribution to the wider themes espoused by Forum Theatre. Ganguly charts and reflects on the practice of theatre as politics, developing an intriguing and persuasive case for Forum Theatre and its role in provoking responsible action. His combination of anecdotal insight and lucid discussion of Boal’s practice offers a vision of far-reaching transformation in politics and civil society.
Jana Sanskriti (Routledge Performance Practitioners #24)
by Ralph YarrowRegarded by Augusto Boal as the international icon of his vision, Jana Sanskriti are the leading practitioners of Theatre of the Oppressed and Forum Theatre in India and the East. The group has worked continuously with rural communities in West Bengal since its beginnings in 1985 to reconfigure social and political relationships through theatre, achieving both a solid regional presence and an international reputation. This book combines: a biography of the group, charting their history, methodology and modes of operation an examination of Jana Sanskriti through the writings of their founder, Sanjoy Ganguly a detailed analysis of their performance events and practices, including the plays collected in Ganguly's Where We Stand (2009) practical exercises and games, taken from Jana Sanskriti's workshops and festivals. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.
Jane Austen and William Shakespeare: A Love Affair in Literature, Film and Performance
by Marina Cano Rosa García-PeriagoThis volume explores the multiple connections between the two most canonical authors in English, Jane Austen and William Shakespeare. The collection reflects on the historical, literary, critical and filmic links between the authors and their fates. Considering the implications of the popular cult of Austen and Shakespeare, the essays are interdisciplinary and comparative: ranging from Austen’s and Shakespeare’s biographies to their presence in the modern vampire saga Twilight, passing by Shakespearean echoes in Austen’s novels and the authors’ afterlives on the improv stage, in wartime cinema, modern biopics and crime fiction. The volume concludes with an account of the Exhibition “Will & Jane” at the Folger Shakespeare Library, which literally brought the two authors together in the autumn of 2016. Collectively, the essays mark and celebrate what we have called the long-standing “love affair” between William Shakespeare and Jane Austen—over 200 years and counting.
Japanese Folk Plays: The Ink Smeared Lady and Other Kyogen
by Shio SakanishiThis collection of Japanese folk plays reveals a previously unknown and decidedly unaristocratic element to Japanese theater.<P><P>Interspersed between the stately, slower paced dramas of Japan's Noh theater are the delightful comic plays or interludes known as Kyogen. These brief plays evolved from the bawdy skits that were rousingly enjoyed by the plebeian populaces of the cities in feudal Japan some hundreds of years ago when Noh itself was a pastime and entertainment exclusively reserved for the aristocracy.Today they still provide delightful relief from the sustained and concentrated action of the Noh play that has changed very little throughout the centuries. Among the various forms of classical Japanese drama, the flamboyant action and brilliant coloring Kabuki has perhaps enabled it to be the most easily understood; and the Noh, in a number of excellent translations, has become widely known for its poetic beauty. But the Kyogen, equally deserving of attention, have remained relatively unknown. Only now, with this new edition of Miss Sakanishi's excellent translations, are they at last readily available to the Western reader.
Japanese No Dramas
by Royall TylerJapanese nõ theatre or the drama of 'perfected art' flourished in the fourteenth and fifteenth centuries largely through the genius of the dramatist Zeami. An intricate fusion of music, dance, mask, costume and language, the dramas address many subjects, but the idea of 'form' is more central than 'meaning' and their structure is always ritualized. Selected for their literary merit, the twenty-four plays in this volume dramatize such ideas as the relationship between men and the gods, brother and sister, parent and child, lover and beloved, and the power of greed and desire. Revered in Japan as a cultural treasure, the spiritual and sensuous beauty of these works has been a profound influence for English-speaking artists including W. B. Yeats, Ezra Pound and Benjamin Britten.
Japanese No Masks: With 300 Illustrations of Authentic Historical Examples
by Stanley Appelbaum Friedrich PerzynskiCombining elements of dance, drama, music and poetry, the performances of Japanese No theater are a highly stylized form of entertainment. Accompanying the sumptuous costumes worn during performances are elaborately carved No and Kyogen wooden masks--major works of art in their own right. This book, based on a classic two-volume German study, presents a wealth of illustrations and information relating to these magnificent theatrical devices.A new, informative introduction and extensive captions derived from the original text and newly translated, accompany the heart of the book--more than 120 full-page plates depicting museum-quality masks worn by actors playing gods, warriors, demons, and monsters, beautiful women, feudal lords, mad characters, and supernatural beings. All 303 illustrations from the original two-volume work are included.A unique introduction to classic Japanese theater for Western theatergoers, this volume will also serve as an excellent reference for students, scholars, and enthusiasts of No drama.
Japanese Plays
by Paul S. Atkins A. L. SadlerNothing reflects the beauty of life as much as Japanese theater. It is here that reality is held suspended and emptiness can fill the mind through words, music, dance, and mysticism. A.L. Sadler translates the mysteries of Noh, Kyogen, and Kabuki in his groundbreaking book, Japanese Plays. A seminal classic, it provides a cross section of Japanese theater that gives the reader a sampler of its beauty and power.
Japanese Political Theatre in the 18th Century: Bunraku Puppet Plays in Social Context (Routledge Advances in Theatre & Performance Studies)
by Akihiro Odanaka Masami IwaiBunraku has fascinated theatre practitioners through its particular forms of staging, such as highly elaborated manipulation of puppets and exquisite coordination of chanters and shamisen players. However, Bunraku lacks scholarship dedicated to translating not only the language but also cultural barriers of this work. In this book, Odanaka and Iwai tackle the wealth of bunraku plays underrepresented in English through rexamining their siginifcance on a global scale. Little is written on the fact that bunraku theatre, despites its elegant figures of puppets and exotic stories, was often made as a place to manifest the political concerns of playwrights in the 18th century, hence a reflection of the audience's expectation that could not have materialized outside the theatre. Japanese Political Theatre in the 18th Century aims to make bunraku texts readable for those who are interested in the political and cultural implications of this revered theatre tradition.
The Japanese Shakespeare: Language and Context in the Translations of Tsubouchi Shōyō (ISSN)
by Daniel GallimoreOffering the first book-length study in English on Tsubouchi and Shakespeare, Gallimore offers an overview of the theory and practice of Tsubouchi’s Shakespeare translation and argues for Tsubouchi’s place as "the Japanese Shakespeare." Shakespeare translation is one of the achievements of modern Japanese culture, and no one is more associated with that achievement than the writer and scholar Tsubouchi Shōyō (1859–1935). This book looks at how Tsubouchi received Shakespeare in the context of his native literature and his strategies for bridging the gaps between Shakespeare’s rhetoric and his developing language. Offering a significant contribution to the field of global Shakespeare and literary translation, Gallimore explores dominant stylistic features of the early twentieth-century Shakespeare translations of Tsubouchi and analyses the translations within larger linguistic, historical, and cultural traditions in local Japanese, universal Chinese, and spiritual Western elements. This book will appeal to any student, researcher, or scholar of literary translation, particularly those interested in the complexities of Shakespeare in translation and Japanese language, culture, and society.