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Italian Silent Cinema: A Reader

Italian Silent Cinema: A Reader explores the largely forgotten world of Italian silent cinema, including its historical epics, comedies, serials, and romance melodramas. Thirty essays by leading scholars examine topics such as pre-cinema, international distribution, stardom, acting styles, literary adaptation, futurism, nonfiction filmmaking, and local exhibition. This groundbreaking and richly illustrated volume introduces scholars and students alike to a wealth of films, archival documents, and critical research.

It's a Wonderful Life

Musical / 9m, 4f / 1 Set / About to kill himself on Christmas Eve, George discovers, with the help his guardian angel Clarence, what the world would be like if he had never been born.

It's All Tru

“There used to be people dying and they didn’t know why and there was nothing anyone could do, but most of all—no one cared whether we lived or whether we died.” Love, sex, and pharmaceuticals are put to the test when a gay couple’s open relationship is threatened with dangerous consequences. Kurt, a silver fox dance instructor, and his young fiancé, Travis, have an arrangement: when one’s away, they’re allowed to stray . . . as long as they’re safe. One night, over a dinner conversation about wedding invitations, Travis admits that he had a fling with a man named Gideon whom he believes removed the condom during sex. He also reveals that he didn’t start taking the HIV preventative medication PrEP (Truvada)—as promised—putting himself and Kurt in danger of contracting HIV. When Gideon appears on their doorstep in the middle of the night, the threat against Kurt and Travis’s relationship is an alarming force to be reckoned with.

It's Just Sex

Characters: 3 male, 3 female / Interior / With the kids away, three married couples get together for an evening of relaxation and laughs. But as the liquor flows and secrets are revealed, trust is tested and boundaries are broken. It's Just Sex is a comedic and thought-provoking look at fidelity, lust, communication, and what it really takes for a marriage to survive and thrive. By the end of the evening, what should have been just an innocent party turns into an event that changes all three relationships forever. Winner of the Artistic Director Achievement award for Best Original Production of the Year!"Comic home run!" -The Los Angeles Times"Provocative and surprisingly enlightening." -L.A. Weekly"Convulsively funny!"- Daily Variety"Perfect date night entertainment." -Onstage

It's No Crime

Comedy / 1m, 1f / Simple Set / When a detective interrogates a woman on suspicion of burglary, she reverses the situation and questions him, instead. They soon discover an attraction for each other and after she is cleared of any crime, he invites her to lunch to discuss mutual interests.

Ivanoff

Ivo van Hove Onstage

Since his emergence from the Flemish avant-garde movement of the 1980s, Ivo van Hove's directorial career has crossed international boundaries, challenging established notions of theatre-making. He has brought radical interpretations of the classics to America and organic acting technique to Europe. Ivo van Hove Onstage is the first full English language study of one of theatre's most prominent iconoclasts. It presents a comprehensive, multifaceted account of van Hove's extraordinary work, including key productions, design innovations, his revolutionary approach to text and ambience, and his relationships with specific theatres and companies.

J.B. Priestley: Routledge Modern And Contemporary Dramatists (Routledge Modern and Contemporary Dramatists)

J. B. Priestley is the first book to provide a detailed and up to date analysis of the enormous contribution made by this playwright, novelist, journalist and critic to twentieth century British theatre. Priestley was often criticised for being either too populist or too experimental and this study unpicks the contradictions of a playwright and theatre theorist popular with audiences but too often dismissed by critics; describing and analysing in detail not only his plays but also their specific historical and contemporary productions. Using a combination of archive, review and critical materials, the book re-locates Priestley as a theatre theorist of substance as well as a playwright who challenged theatre conventions and assumptions about audience expectations, at a time when theatre was considered both conservative and lacking in innovation.

J. M. Barrie's Peter Pan (The Fourth Wall)

‘Do you believe in fairies? Say quick that you believe!’ – Peter Pan Peter Pan is a narrative many of us believe we know well, and yet the J.M. Barrie play that premiered on a West End stage in December 1904 is not the depiction of Peter, Wendy, Hook, and Never Land that most people have experienced. It was the critical and commercial success of this particular play which propelled the notoriety and appeal of the story, and without the success of that first production, Peter Pan would not be such a familiar part of our mainstream culture. Lucie Sutherland examines how, and why, this play became so popular, why the trans-Atlantic collaboration of Barrie and Charles Frohman was vital to the success of the 1904 production, and how key versions in England and America have created an iconic narrative that remains popular today. This book charts the ‘awfully big adventure’ of creating Peter Pan, as well as the many entertaining, enthralling, and often extraordinary ways the play has been adapted ever since.

Jabber

Like many outgoing young women, Fatima feels rebellious against parents she sees as strict. It just so happens that she is Egyptian-born and wears a hijab. When anti-Muslim graffiti appears on the walls of her school, Fatima transfers to a new school. The guidance counsellor there, Mr. E., does his best to help Fatima fit in, but despite his advice she starts an unlikely friendship with Jorah, who has a reputation for anger issues. Maybe, just maybe, Fatima and Jorah start to, like, like each other ...As their mutual attraction grows, the lines Fatima and Jorah cross as they grow closer become the subject of an intense exploration of boundaries - personal boundaries, cultural boundaries, and inherited religious and political boundaries. Fatima and Jorah discover that appearances matter; they've been exposed for their whole lives to images that begin to colour their relationship: images of the Middle East, the working class, and how teenage boys and teenage girls behave. Put all these reactive factors together in the social laboratory that is a high school and observe: is there a solution for Fatima and Jorah?High school, like no other social space, throws together people of all histories and backgrounds, and young people must decide what they believe in and how far they are willing to go to defend their beliefs. Inside a veritable pressure cooker, they negotiate cross-cultural respect and mutual understanding. Jabber does its part to challenge appearances - and the judgments people make based on those appearances.

Jack And Jill

Comedy / 1m, 1f, +4 extras / Simple Unit Set / With her signature offbeat humor and fierce passion, the author of Keely and Du and other well known plays examines the many labors of love in a modern comedy of manners. While most romances focus on the search for Mr. or Ms. Right, Jack and Jill explores what happens after two people find the right fit. From an awkward courtship to marital bliss and beyond, the author playfully portrays the hard work of love that requires balancing intimacy with commitment, self discovery and personal change. / "There's humor, there's pathos, but mostly there's yearning throughout." - The Rocky Mountain News. "Actors Theatre audiences have come to count on playwright Jane Martin ... for an undeniably superior play. She's done it again with Jack and Jill. Martin has delivered another hit." - The Louisville Courier Journal. Winner of the 1997 American Theatre Critics Association Award for Best New Play.

Jack and Jill Play on the Hill: An Adaptation of a Nursery Rhyme

NIMAC-sourced textbook

Jack Be Nimble: The Accidental Education of an Unintentional Director

A warm, witty tell-all and history of American regional theater, from one of our best-loved directorsFor Jack O'Brien, there's nothing like a first encounter with a great performer, nothing like the sound of an audience bursting into applause. In short, there's nothing like the theater. Following a fairly normal Midwestern childhood, O'Brien hoped to make his mark by writing lyrics for Broadway but was instead pulled into the growing American regional theater movement by the likes of John Houseman, Helen Hayes, Ellis Rabb, and Eva Le Gallienne. He didn't intend to become a director, or to direct some of the most brilliant—and sometimes maddening—personalities of the age, but in a charming, hilarious, and unexpected way, that's what happened. O'Brien has had a long, successful career on Broadway and as artistic director of San Diego's Old Globe Theatre, but the history of the movement that shaped him has been overlooked. In the middle of the last century, some extraordinary people forged a link in the chain connecting European influences such as the Moscow Art Theatre and Great Britain's National Theatre with the flourishing American theater of today. O'Brien was there to see and record it all, in beautifully vivid detail. Funny, exuberant, unfailingly honest, Jack Be Nimble is the tale of those missing heroes, performances, and cultural battles. It is also the irresistible story of one of our best-loved theater directors, growing into his passion and discovering what he is capable of.

Jack in the Box: or, How to Goddamn Direct

The Tony Award–winning director gathers memories of people, productions, and problems surmounted from his fifty-year career in this one-of-a-kind how-to handbook.What do directors do? Jack O’Brien, the winner of Tony and Drama Desk Awards and the former artistic director of San Diego’s historic Old Globe theatre, describes it like this: “You stand before a situation in which something is presented to you. You’re afforded a challenge. Like catching an enormous ball. And you respond. You come up with a vision of some kind. That is, if you respond to the material at all, and one must, or it’s doomed. You sort of feel that since you relate to the material at hand, you might as well try to be helpful.”In Jack in the Box, O’Brien’s follow-up to his memoir Jack Be Nimble, the director collects stories from the many productions he has worked on, the great talents he encountered and collaborated with (including Tom Stoppard, Mike Nichols, Jerry Lewis, Marsha Mason, and many others), and the choices he made, on the stage and off, that have come to define his career. With humor, warmth, and contagious excitement, O’Brien takes the reader by the shoulder, pulls them in, and tells them how to become a director—or, at the very least, relates an unfailingly honest story of how he did.

Jack & Louisa: Act 2

A show-stopping series about life in the spotlight from Broadway actors and internet sensations Andrew Keenan-Bolger and Kate Wetherhead Shaker Heights Middle School is putting on Guys and Dolls and best friends Jack and Lou are hoping to get lead roles. But a mysterious new director soon arrives to town and threatens to meddle with their dreams. Is Shaker Heights big enough for two Broadway legends? Fans of Tim Federle's Better Nate Than Ever will rejoice to meet Jack & Lou--the newest MTN's (musical theater nerds) on the block.

Jack & Louisa: Act 1 (Jack & Louisa #1)

Twelve-year old Jack Goodrich was a Broadway star, with two shows under his belt and a third in rehearsals. But when his voice changes suddenly, Jack and his parents leave the spotlight and move from New York City to Shaker Heights, Ohio. While Jack hopes to leave his Broadway past behind, his new neighbor refuses to let him off the hook. Louisa is a self proclaimed "musical theater nerd" and can hardly believe when an actor moves to town. What's more, the local theater has announced auditions for her favorite show, "Into the Woods." As the audition date looms nearer, the two are faced with difficult choices. Should Jack risk humiliation and return to the stage? Will Louisa have confidence to go it alone? And can their friendship survive all those complicated octave leaps?

Jack y Rebecca

Jack es un chico de Roma, Rebeca, de New York. El destino los encontrarà, su amor surgirà en el mismo instante en que sus ojos se encuentren. Tienen un pasado difìcil a sus espaldas, su amor serà puesto a pruebas enormes. ¡Lograràn superarlas y estar juntos o serà màs fuerte el fardo de su pasado?

Jackie: An American Life

Full Length, Comedy \ 8 m/f to play multiple roles, optional puppets \ Simple sets \ Here is a hilarious theatrical cartoon about Jackie Kennedy from which only its heroine emerges unscathed. Her life is presented as a fractured fairy tale of deliriously affectionate satire. \ "One of the most irreverent shows to come to Broadway in quite a while.... Jackie is satire with respect!"-WNBC-TV

Jacky Ha-Ha (Jacky Ha-Ha #1)

In his new middle grade novel that debuted at #1 on the New York Times bestseller list, James Patterson introduces his hilarious new heroine, Jacky Ha-Ha, a class clown who makes people laugh with her so they can't laugh at her.With her irresistible urge to tell a joke in every situation--even when she really, really shouldn't--twelve-year-old Jacky Ha-Ha loves to make people laugh. And cracking wise helps distract her from thinking about not-so-funny things in her life, like her mom serving in a dangerous, faraway war, and a dad who's hardly ever home. But no matter how much fun Jacky has, she can't seem to escape her worries. So one starlit night, she makes a promise to keep her family together...even if she has to give up the one thing that makes her happy. But can she stop being Jacky Ha-Ha, if that's who she really is?

Jacky Ha-Ha: My Life Is a Joke (Jacky Ha-Ha #2)

<P>James Patterson's newest hilarious heroine returns in Jacky Ha-Ha: My Life Is a Joke, the sequel to the smash hit Jacky Ha-Ha---a #1 New York Times bestseller! <P>Jacky Hart has found a hidden talent in the performing arts, and she's a triple threat onstage! She wants nothing more than to act and sing all summer--but her parents have other plans for her. Jacky reluctantly signs up for a summer job in her resort town of Seaside Heights, New Jersey, where tourists come to enjoy the beach and fun carnival atmosphere. <P>Now she has serious responsibilities like her job and babysitting her younger sisters, but Jacky longs to perform in the summer stock performance of A Midsummer Night's Dream. Can she handle all of her important commitments and still have fun with her friends--or will she learn that juggling isn't one of her many talents? <P>James Patterson's middle grade jokester Jacky returns in this wild romp through summer in the Jersey Shore, featuring lively illustrations by French artist duo Kerascoët. <P><b>A New York Times Bestseller</b>

Jacky Ha-Ha Gets the Last Laugh (Jacky Ha-Ha #3)

Jacky Ha-Ha is off to theater camp and funnier than ever in this hilarious illustrated novel from James Patterson and Chris Grabenstein's #1 New York Times bestselling series. Jacky Hart finally knows the thrill of having people laugh with her (not at her). She tries to put her comedy and theater skills to use in her summer job, but the boardwalk crowds aren&’t exactly adoring. So Jacky jumps at the opportunity of a lifetime: an all-expense paid trip to theater camp! When Jacky gets to Camp Footlights, she realizes she&’s way out of her depth. The highly trained campers all seem to know everything about performing, and exactly how to command the spotlight. All Jacky wants is to prove she fits in, but the more she tries, the more she stands out—and not in a good way. With help from her new friends, can Jacky Ha-Ha earn her place in the spotlight…or will she flop? Packed with illustrations, jokes, and hijinks, the latest book in the #1 bestselling Jacky Ha-Ha series delivers a hilarious and heartwarming dose of summer fun, perfect for reading all year round!

Jacky Ha-Ha: A Graphic Novel (Jacky Ha-Ha #1)

Adapted from James Patterson's #1 bestselling story, this hilarious and heartwarming graphic novel introduces Jacky Ha-Ha, a class clown who makes people laugh with her so they can't laugh at her!With her irresistible urge to tell a joke in every situation--even when it's a bad idea--Jacky Ha-Ha loves to make people laugh. And cracking wise helps distract her from thinking about not-so-funny things in her life, like her mom serving in a dangerous, faraway war, and a dad who's hardly ever home. But no matter how much fun Jacky has, she can't entirely escape her worries. So one starlit night, she makes a promise to keep her family together...even if she has to give up the one thing that makes her happy. But can she stop being Jacky Ha-Ha, if that's who she really is?Bright, funny, and fast-paced artwork will have readers laughing their way through Jacky's ha-ha-heartwarming story!

Jacky Ha-Ha: My Life is a Joke (Jacky Ha-Ha #2)

Class clown Jacky Hart is back and ready for the best summer ever in James Patterson's bestselling graphic novel series! But can she juggle family, friends, and work and still find time to act and sing? Living on the shore is all about fun, fun, FUN! With my starring role in the boardwalk's biggest blockbuster performance, a life of fame and fortune is finally within reach. Until I accidentally lose my job, embarrass myself in front of a crush, AND ruin a friendship, all at the same time. My problems can't always be laughed away--but I sure am going to try. After all, they didn't nickname me Jacky Ha-Ha for nothing!

Jacobean City Comedy (Routledge Library Editions: Renaissance Drama)

The first decade of the Jacobean age witnessed a sudden profusion of comedies satirizing city life; among these were comedies by Ben Jonson, John Marston and Thomas Middleton, as well as the bulk of the repertory of the newly-established children’s companies at Blackfriars and Paul’s. The playwrights self-consciously forged a new genre which attracted London audiences with its images of folly and vice in Court and City, and hack-writing dramatists were prompt to cash in on a new theatrical fashion. This study, first published in 1980, examines ways in which the Jacobean city comedy reflect on the self-consciousness of audiences and the concern of the dramatists with Jacobean society. This title will be of interest of students of Renaissance Drama, English Literature and Performance.

A Jacobean Company and Its Playhouse

Eva Griffith's book fills a major gap concerning the world of Shakespearean drama. It tells the previously untold story of the Servants of Queen Anna of Denmark, a group of players parallel to Shakespeare's King's Men, and their London playhouse, The Red Bull. Built in vibrant Clerkenwell, The Red Bull lay within the northern suburbs of Jacobean London, with prostitution to the west and the Revels Office to the east. Griffith sets the playhouse in the historical context of the Seckford and Bedingfeld families and their connections to the site. Utilising a wealth of primary evidence including maps, plans and archival texts, she analyses the court patronage of figures such as Sir Robert Sidney, Queen Anna's chamberlain, alongside the company's members, function and repertoire. Plays performed included those by Webster, Dekker and Heywood -- entertainments characterized by spectacle, battle sequence and court-room drama, alongside London humor and song.