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King Lear (Shakespeare Made Easy)
by William Shakespeare Alan DurbandHere are the books that help teach Shakespeare plays without the teacher constantly needing to explain and define Elizabethan terms, slang, and other ways of expression that are different from our own. Each play is presented with Shakespeare's original lines on each left-hand page, and a modern, easy-to-understand "translation" on the facing right-hand page. All dramas are complete, with every original Shakespearian line, and a full-length modern rendition of the text. These invaluable teaching-study guides also include: Helpful background information that puts each play in its historical perspective. Discussion questions that teachers can use to spark student class participation, and which students can use as springboards for their own themes and term papers. Fact quizzes, sample examinations, and other features that improve student comprehension of what each play is about.
King Lear: The 1608 Quarto and 1623 Folio Texts (The Pelican Shakespeare)
by William Shakespeare Stephen Orgel A. R. BraunmullerThe acclaimed Pelican Shakespeare series, now in a dazzling new series designWinner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competitionGold Medal Winner of the 3x3 Illustration Annual No. 14 This edition of King Lear presents a conflated text, combining the 1608 Quarto and 1623 Folio Texts, edited with an introduction by series editor Stephen Orgel and was recently repackaged with cover art by Manuja Waldia. Waldia received a Gold Medal from the Society of Illustrators for the Pelican Shakespeare series. The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
King Lear
by William Shakespeare Paul Werstine Dr Barbara MowatShakespeare's King Lear challenges us with the magnitude, intensity, and sheer duration of the pain that it represents. Its figures harden their hearts, engage in violence, or try to alleviate the suffering of others. Lear himself rages until his sanity cracks. What, then, keeps bringing us back to King Lear? For all the force of its language, King Lear is almost equally powerful when translated, suggesting that it is the story, in large part, that draws us to the play. The play tells us about families struggling between greed and cruelty, on the one hand, and support and consolation, on the other. Emotions are extreme, magnified to gigantic proportions. We also see old age portrayed in all its vulnerability, pride, and, perhaps, wisdom--one reason this most devastating of Shakespeare's tragedies is also perhaps his most moving. The authoritative edition of King Lear from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, is now available as an eBook. Features include: · The exact text of the printed book for easy cross-reference · Hundreds of hypertext links for instant navigation · Freshly edited text based on the best early printed version of the play · Full explanatory notes conveniently placed on pages facing the text of the play · Scene-by-scene plot summaries · A key to famous lines and phrases · An introduction to reading Shakespeare's language · Illustrations from the Folger Shakespeare Library's vast holdings of rare books · An essay by a leading Shakespeare scholar providing a modern perspective on the play
King Lear and the Naked Truth: Rethinking the Language of Religion and Resistance
by Judy KronenfeldTaking King Lear as her central text, Judy Kronenfeld seriously questions the critical assumptions of much of today's most fashionable Shakespeare scholarship. Charting a new course beyond both New Historicist and deconstructionist critics, she suggests a theory of language and interpretation that provides essential historical and linguistic contexts for the key terms and concepts of the play. Opening the play up to the implications of these contexts and this interpretive theory, she reveals much about Lear, English Reformation religious culture, and the state of contemporary criticism.Kronenfeld's focus expands from the text of Shakespeare's play to a discussion of a shared Christian culture--a shared language and set of values--a common discursive field that frames the social ethics of the play. That expanded focus is used to address the multiple ways that clothing and nakedness function in the play, as well as the ways that these particular images and terms are understood in that shared context. As Kronenfeld moves beyond Lear to uncover the complex resonances of clothing and nakedness in sermons, polemical tracts, legislation, rhetoric, morality plays, and actual or alleged practices such as naked revolts by Anabaptists and the Adamians' ritual disrobing during religious services, she demonstrates that many key terms and concepts of the period cannot be tied to a single ideology. Instead, they represent part of an intricate network of thought shared by people of seemingly opposite views, and it is within such shared cultural networks that dissent, resistance, and creativity can emerge. Warning her readers not to take the language of literary texts out of the linguistic context within which it first appeared, Kronenfeld has written a book that reinterprets the linguistic model that has been the basis for much poststructuralist criticism.
King Lear in our Time
by Maynard MackThis edition first published in 1966. Previous edition published 1965 by the University of California Press. Perhaps more than any other play of Shakespeare's King Lear has been subjected to almost totally contradictory interpretations. In the first historical section of the book the author describes the varying concepts of the play and the distortions of text and even plot that have been widely used. Garrick's playing of Lear as a pathetic and down-trodden old man. Laughton's and Olivier's versions and Herbert Blaus's theory of the 'subtext' are described and analysed. The central section of the book examines the medieval, folk and romance sources of the play. The final chapter illustrates how the action of the play and its pervading violence and evil are not explained in terms of human motive and rely for their meaning more on their effects than their antecedents. An important theme is the play's examination of society and the ties of service and family love.
King Leir (Globe Quartos)
by AnonymousPerformed at the Globe Theater in 1605, King Leir is presumed to be a prime source for Shakespeare. Although the story is the same, in this anonymous version the ending is happy. This is the first time this fascinating work is published in a single-play edition
King Oedipus
by SophoclesWidely regarded as one of the greatest Greek tragedies, 'King Oedipus' (or 'Oedipus Rex') is the first play in the Oedipus trilogy (followed by 'Oedipus at Colonus' and then 'Antigone'). After defeating the Sphinx and freeing the kingdom of Thebes from her curse, the flawed hero unwittingly fulfills a prophecy that he would kill his father and marry his mother.
King of Hearts: Drag Kings in the American South
by Baker A. RogersWhile drag subcultures have gained mainstream media attention in recent years, the main focus has been on female impersonators. Equally lively, however, is the community of drag kings: cis women, trans men, and non-binary people who perform exaggerated masculine personas onstage under such names as Adonis Black, Papi Chulo, and Oliver Clothesoff. King of Hearts shows how drag king performers are thriving in an unlikely location: Southern Bible Belt states like Tennessee, Georgia, and South Carolina. Based on observations and interviews with sixty Southern drag kings, this study reveals how they are challenging the region’s gender norms while creating a unique community with its own distinctive Southern flair. Reflecting the region’s racial diversity, it profiles not only white drag kings, but also those who are African American, multiracial, and Hispanic. Queer scholar Baker A. Rogers—who has also performed as drag king Macon Love—takes you on an insider’s tour of Southern drag king culture, exploring its history, the communal bonds that unite it, and the controversies that have divided it. King of Hearts offers a groundbreaking look at a subculture that presents a subversion of gender norms while also providing a vital lifeline for non-gender-conforming Southerners.
King of New York: A New Mafia Tale
by Kathy Iandoli"Fully on par with Mario Puzo's "The Godfather" and Mark Seal's "Leave the Gun, Take the Cannoli" - Midwest Book Review THE KING OF NEW YORK is the story of how one gangster makes it his life goal (and obsession) to dominate across all affiliations of organized crime to achieve the most desired title: The King Of New York.Step into the shadowy corners of New York City with THE KING OF NEW YORK, a riveting mafia thriller that delves deep into the gritty underworld of organized crime. This gripping narrative is perfect for fans of WISE GUY and GOMORRAH, as it portrays the relentless ambition and dangerous power struggles that define the mafia's legacy.Follow the journey of Jimmy Martello as he ascends to the highest ranks of the mafia following a series of family tragedies. As the newly crowned Don, Jimmy must navigate the treacherous waters of mob leadership, engaging in strategic killings and forming murky alliances to keep his empire intact. Set against the backdrop of New York City&’s infamous crime network, his quest for power leads him through a maze of dark alliances and brutal betrayals that are characteristic of the mafia world.Engage with notorious factions like the Russian Mob, the Yakuza, the Cartel, and the Black Mafia Family. Each page of this mafia narrative crackles with action and strategic maneuvering as Jimmy vies to claim his title and cement his authority as The King of New York.THE KING OF NEW YORK is the ultimate mafia saga, blending high-stakes drama with a comprehensive exploration of the criminal underworld. It&’s an essential read for anyone interested in mob lore, true crime, and action-packed narratives. Discover a world where the title of Don is synonymous with power and fear, and where achieving the status of The King of New York represents the pinnacle of organized crime achievement.Perfect for readers who enjoy: mafia thrillers, organized crime dramas, crime boss biographies, underworld non-fiction, mob warfare, crime syndicate histories, tales of power struggles, and New York City crime sagas.
King of Shadows
by Susan CooperPlaying deftly with Time and Destiny as she did in her classic fantasy sequence The Dark Is Rising, Susan Cooper tells a vivid, fascinating and ultimately very moving story of the painful business of growing up, against a background of the timeless, glowing magic of the theater.<P><P> Nat Field's short life has been shadowed by loss and horror. His one escape is his talent for acting, and he has been picked by a dazzling international director to perform at Shakespeare's Globe, London's amazing new copy of the theater for which William Shakespeare wrote his plays four hundred years ago.<P> Brought from all over the U.S., the members of the American Company of Boys begin to rehearse at the Globe. But strange, eerie echoes of the past begin creeping in. Nat goes to bed mysteriously sick -- is it the dreadful bubonic plague of the sixteenth century? He wakes up healthy, but he's no longer in the present, he's in 1599, acting at the original Globe. And his costar is Shakespeare: no longer a vague historical figure, but a quirky, warm-hearted writer/actor whose friendship changes Nat forever.<P> Nat has a new life, blazing with excitement, edged with danger, but why is he here? Is he trapped in Elizabethan London? Will he ever go home?
King of Thieves
by George F. WalkerNew York City, 1928. Master thief Mac must join an FBI sting operation against a cadre of corrupt bankers. Music, murder, and mayhem ensue, both at the speakeasy where criminals scheme and on Wall Street where financiers conspire. This satirical play with songs exposes the world of corporate crime and, like The Beggar's Opera of 1728 that inspired it, challenges the conservatism that is increasingly apparent today.George F. Walker is one of Canada's most prolific playwrights, having written more than thirty works for the stage since the debut of his first play in 1971. Walker has also spent much of his career writing for radio and television, including for the CBS series Due South and CBC's The Newsroom.
King Oidipous
by Sophocles Ruby BlondellThis is an English translation of Sophocles' famous tragedy of Oedipus and the fate he so much tries to avoid. Focus Classical Library provides close translations with notes and essays to provide access to understanding Greek culture.
King Richard II: With Preface, Glossary, Andc (Dover Thrift Editions)
by William Shakespeare"Not all the water in the rough rude sea/Can wash the balm off from an anointed king," declares the soon-to-be deposed ruler of this historical drama. Confident in his divine right, Richard II is an ineffective and unpopular king who abuses his power and sows the seeds of his own downfall. Toppled from the throne by Henry, his ambitious cousin, Richard only learns to value kingship after he loses it, achieving a tragic dignity only with his downfall.The first play in Shakespeare's "Henriad" series -- followed by Henry IV, Parts I and II, and Henry V -- Richard II portrays intense psychological struggles as well as a taut political drama. The only one of Shakespeare's plays written entirely in verse, it offers a grand, lyrical allegory and a poignant exploration of character.
King Richard II (The New Cambridge Shakespeare)
by William Shakespeare Andrew GurrAndrew Gurr has added a new section to the Introduction of this updated edition in which he describes the growing interest in new historical and political analysis of the play. He also surveys a number of important professional theatre productions and guides the reader through scholarly criticism of recent years. The Reading List has been revised and augmented.
King Richard III
by William ShakespeareFinal play in Shakespeare's masterly dramatization of the struggle for power between the Houses of York and Lancaster. Richard is a stunning archvillain who schemes, seduces, betrays and murders his way to the throne, yet is capable of eliciting sympathy for his plight at the end.
King Richard the Second
by William ShakespeareWritten in 1595, Richard II occupies a significant place in the Shakespeare canon, marking the transition from the earlier history plays dominated by civil war and stark power to a more nuanced representation of the political conflicts of England's past where character and politics are inextricably intertwined. It is the first of four connected plays--including 1 Henry IV, 2 Henry IV, and Henry V--generally considered Shakespeare's finest history plays. The drama of Richard II centers on the power struggle between the grandiloquent King Richard and the plain-spoken, blunt Henry Bolingbroke, who is banished from Britain at the beginning of the play. But when Henry's father, John of Gaunt, dies, Richard confiscates his property with no regard to his son's rights, and Bolingbroke returns to confront the king, who surrenders his crown and is imprisoned in Pomfret Castle, where he is soon murdered.
A Kingdom for a Stage
by Heidi HeiligCaught in a war between the rebels and the invading colonizers, Jetta must make an impossible choice—save her people or protect her sanity.The second book in Heidi Heilig’s acclaimed Shadow Players trilogy blends traditional storytelling with ephemera to weave an enthralling fantasy that fans of Leigh Bardugo and Sabaa Tahir will sink into.Jetta is a wanted criminal. The army wants her for treason against the crown, for the sabotage of Hell’s Court temple, and for the murder of General Legarde. They also want her for the power in her blood—the magic that captures wandering spirits to give life to puppets, to rocks, to paper . . . to weapons. They’re willing to trade the elixir that treats Jetta’s madness for the use of her blood. The rebels want her, too, to help them reclaim their country. Jetta may be the one who can tip the scales in this war.But Jetta fears using her power will make her too much like Le Trepas, the terrifying and tyrannical necromancer who once held all Chakrana under his thumb—and who is Jetta’s biological father. She’s already raised her brother from the dead, after all. And scared off Leo, the only person who saw her as she truly is. With Le Trepas at large and a clash between the army and the rebels becoming inevitable, Jetta will have to decide if saving her country is worth sacrificing her soul.Acclaimed author Heidi Heilig creates a rich world inspired by Southeast Asian cultures and French colonialism. Told from Jetta’s first-person point-of-view, as well as chapters written as play scripts, and ephemera such as songs, maps, and letters, A Kingdom for a Stage is a vivid, fast-paced journey that weaves magic, simmering romance, and the deep bonds of family with the high stakes of epic adventure. It will thrill fans of Stephanie Garber and Renée Ahdieh.
Kings of the Court
by Alison HughesWhen the Gladiators basketball team's nasty coach finally gets turfed midseason, things couldn't possibly get worse. The team hasn't won a game yet, and morale is at rock bottom. Sameer, who announces the games and keeps score, and Vijay, the team mascot, have their hands full keeping the team's spirits up. When they get promoted to assistant coach and manager, can they help a small, unathletic, Shakespeare-quoting drama teacher coach the team to victory, or at least to dignity? Or will the courtside drama eclipse even the school play?
Kingship, Madness, and Masculinity on the Early Modern Stage: Mad World, Mad Kings (New Interdisciplinary Approaches to Early Modern Culture)
by Christina Gutierrez-DennehyKingship, Madness, and Masculinity examines representations of mad kings in early modern English theatrical texts and performance practices. Although there have been numerous volumes examining the medical and social dimensions of mental illness in the early modern period, and a few that have examined stage representations of such conditions, this volume is unique in its focus on the relationships between madness, kingship, and the anxiety of lost or fragile masculinity. The chapters uncover how, as the early modern understanding of mental illness refocused on human, rather than supernatural, causes, public stages became important arenas for playwrights, actors, and audiences to explore expressions of madness and to practice diagnoses. Throughout the volume, the authors engage with the field of disability studies to show how disability and mental health were portrayed on stage and what those representations reveal about the period and the people who lived in it. Altogether, the essays question what happens when theatrical expressions of madness are mapped onto the bodies of actors playing kings, and how the threat of diminished masculinity affects representations of power. This volume is the ideal resource for students and scholars interested in the history of kingship, gender, and politics in early modern drama.
KIRCHNER, LOS (EBOOK)
by Joaquin Morales SolaA lo largo de su trabajo periodístico el diario La Nación, Joaquín Morales Solá fue relatando los entretelones del quinquenio kirchnerista. Cada una de sus columnas fue una crónica a la vez que un análisis lúcido acerca del proceso político que permitió transformar a un hombre votado por apenas el 22% de los argentinos en un fenómeno de concentración de poder pocas veces visto en la breve historia democrática argentina. Pero más allá de la crónica y el análisis, Morales Solá supo ver #para enojo del matrimonio Kirchner, que muchas veces usó los atriles para criticarlo# cómo aquel poder hegemónico iba dejando fisuras institucionales, heridas políticas, problemas económicos irresueltos, curiosas interpretaciones históricas que degradarían con mayor rapidez que la que fue necesaria para construirlo el sistema creado por la pareja gobernante. Los Kirchner se lee como un ensayo en tiempo presente y como un drama en varios actos. Cada columna seleccionada por Bartolomé de Vedia parece haber sido escrita ayer mismo. Los personajes principales son siempre los mismos, los secundarios entran y salen de la escena. El libro cierra en el clímax, tras el duro conflicto con el campo, dejando un final abierto. Los que llegaron solos han vuelto a quedarse solos.
A Kiss From Mr Fitzgerald: A captivating love story set in 1920s New York, from the New York Times bestseller
by Natasha LesterFrom New York Times bestselling author of The French Photographer'A glamorous, transporting read' Woman's Weekly . . .IN 1920s NEW YORK, EVERYONE IS CHASING A DREAM . . .The Roaring 20s - a time for glamour, frivolity and freedom for women. But for Evie Lockhart, a small-town girl who is determined to become one of the first female doctors, it means turning her back on her family and the only life she's ever known.In a desperate attempt to support herself through Columbia University's medical school, Evie auditions for the infamous late-night Ziegfeld Follies on Broadway. But if she gets the part, what will it mean for her new relationship with Upper East Side banker Thomas Whitman - a man Evie thinks she could fall for, if only she lived a less scandalous life . . .Captivating and inspirational, A Kiss From Mr Fitzgerald is a love story starring a woman ahead of her time, set against the backdrop of Jazz Age New York. Perfect for fans of Lucinda Riley and Kate Furnivall.'If you're mad about the roaring twenties and all things Gatsby, this romance will have you enchanted' WOMAN'S DAYPRAISE FOR NATASHA LESTER:'A fantastically engrossing story. I love it' KELLY RIMMER'Intrigue, heartbreak... I cannot tell you how much I loved this book' RACHEL BURTON'A gorgeously rich and romantic novel' KATE FORSYTH'If you enjoy historical fiction (and even if you don't) you will love this book' SALLY HEPWORTH'Utterly compelling' GOOD READING
Kiss Or Make Up
by Jack SharkeyComedy / 4m, 3f / Interior / Architect Morgiana Kendrick has found true love at last in the person of Hanley Swope, a city planner for whom she has designed the zoo's new crocodile house. The problem is that, to forestall incessant queries as to why she's not married, she has over the years created an imaginary husband and daughter. Now the Treasury Department, in the person of neophyte agent Barney Benson, is investigating why her husband has not paid taxes. Morgy cons a Casey, a neighbor, into posing as her daughter for Hanely's visit, but Casey's fiance shows up to announce their engagement and she tries to palm off Barney as her visiting brother. A policeman arrives to investigate a peeping tom report thanks to Barney's inept surveillance as all are attacked by parasitic crocodile crabs just when the fiance's Bostonian mother shows up to meet her son's intended. This comedy of mistaken identities, federal foolishness, and desperate romance is one that will have audiences howling.
Kiss the Moon, Kiss the Sun
by Norm FosterA thirty-five-year-old man with the mental capacity of a seven-year-old, meets a pregnant young woman in crisis, and the two form a lasting friendship. A story about people finding the nerve to take responsibility, and about persevering against the odds. One of Norm Foster's most touching plays, about a man who must learn to let go to move on.