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Showing 451 through 475 of 10,075 results

Anton Chekhov: A Brother's Memoir

by Mikhail Chekhov

In a style reminiscent of Anton Chekhov himself--realistic, intimate, and dynamic--Mikhail Chekhov shares unparalleled memories and insights, transporting readers into the world of the Chekhov family. He visits the places where his brother lived and worked and introduces the people he knew and loved, Leo Tolstoy and Piotr Tchaikovsky among them. As a unique eyewitness to the beloved writer's formative years and his artistic maturity, Mikhail Chekhov shows here first-hand the events that inspired the plots for The Seagull, The Black Monk, and The Steppe, among other enduring works. Captivating, surprising, and a joy to read, this memoir reveals the remarkable life of one the most masterful storytellers of our time.

Anton Chekhov (Routledge Modern and Contemporary Dramatists)

by Rose Whyman

Anton Chekhov offers a critical introduction to the plays and productions of this canonical playwright, examining the genius of Chekhov's writing, theatrical representation and dramatic philosophy. Emphasising Chekhov’s continued relevance and his mastery of the tragicomic, Rose Whyman provides an insightful assessment of his life and work. All of Chekhov’s major dramas are analysed, in addition to his vaudevilles, one-act plays and stories. The works are studied in relation to traditional criticism and more recent theoretical and cultural standpoints, including cultural materialism, philosophy and gender studies. Analysis of key historical and recent productions, display the development of the drama, as well as the playwright’s continued appeal. Anton Chekhov provides readers with an accessible comparative study of the relationship between Chekhov's life, work and ideological thought.

Anton Chekhov at the Moscow Art Theatre: Illustrations of the Original Productions

by Vera Gottlieb

The Moscow Art Theatre is still recognized as having more impact on modern theatre than any company in the world. This lavishly illustrated and beautifully produced facsimile edition of a Russian journal from 1914 documents, photographically, the premieres of all of Anton Chekhov's plays produced by the Moscow Art Theatre, including:*The Seagull, *Three Sisters*Uncle Vanya*Cherry Orchard*Ivanov.Edited by renowned theatre historian Vera Gottlieb, the volume also reproduces - for the first time in an English translation - introductions by Stanislavsky's collaborators Nemirovich-Danchenko and Efros. With 175 unique photographs, this is a significant contribution to our understanding of the origins of today's theatre.

Anton Chekhov's Selected Plays

by Anton Chekov Laurence Senelick

Anton Chekhov revolutionized Russian theater through his inimitable portrayals of characters faced with complex moral dilemmas. This Norton Critical Edition includes five of Chekhov’s major plays―Ivanov, The Seagull, Uncle Vanya, Three Sisters, and The Cherry Orchard―and three early one-act farces that inform his later work―The Bear, The Wedding, and The Celebration. Laurence Senelick’s masterful translations closely preserve Chekhov’s singular style―his abundant jokes and literary allusions and his careful use of phrase repetition to bind the plays together. <p><p> "Letters" is the largest collection of Chekhov’s commentary on his plays ever to appear in an English-language edition. <p><p> "Criticism" includes eleven essays by leading European and Russian Chekhov scholars, most appearing in English for the first time, including those by Boris Zingerman, Maria Deppermann, and Lev Shestor. This volume also provides discussion of Chekhov’s plays by some of the twentieth century’s great directors, including Konstantin Stanislavsky, Peter Brook, and Mark Rozovsky. <p><p> A Chronology and Selected Bibliography are also included.

Antonin Artaud (Routledge Performance Practitioners)

by Blake Morris

Routledge Performance Practitioners is a series of introductory guides to the key theatre-makers of the last century. Each volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance. Antonin Artaud was an active theatre-maker and theorist whose ideas reshaped contemporary approaches to performance. This is the first book to combine an overview of Artaud’s life with a focus on his work as an actor and director; an analysis of his key theories, including the Theatre of Cruelty and the double; a consideration of his work as a director at the Théâtre Alfred Jarry and his production of Strindberg’s A Dream Play; and a series of practical exercises to develop an approach to theatre based on Artaud’s key ideas. As a first step towards critical understanding and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.

Antonin Artaud: The Scum Of The Soul (Palgrave Studies in Modern European Literature)

by Ros Murray

This book serves as analysis of the aesthetics of materiality in the multifaceted work of Antonin Artaud, one of Twentieth-Century France's most provocative and influential figures, spanning literature, performance, art, cinema, media and critical theory.

Antony and Cleopatra

by A. R. Braunmuller Stephen Orgel William Shakespeare

The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Antony and Cleopatra

by Eric Rasmussen William Shakespeare Jonathan Bate

A magnificent drama of love and war, this riveting tragedy presents one of Shakespeare's greatest female characters--the seductive, cunning Egyptian queen Cleopatra. The Roman leader Mark Antony, a virtual prisoner of his passion for her, is a man torn between pleasure and virtue, between sensual indolence and duty . . . between an empire and love. Bold, rich, and splendid in its setting and emotions, Antony And Cleopatra ranks among Shakespeare's supreme achievements.

Antony and Cleopatra

by William Shakespeare

Written at the pinnacle of Shakespeare's career and featuring his most soaring poetic idiom, Antony and Cleopatra is both an immortal love story and a political drama played out on a global scale.

Antony and Cleopatra: A Tragedy

by William Shakespeare

Antony, the soldier of Rome, and Cleopatra, the queen of Egypt, struggle with tragic consequences against the power and authority of the emerging Roman Empire.

Antony and Cleopatra

by William Shakespeare

Antony and Cleopatra is a play by William Shakespeare, often considered a tragedy although this is debated and originally printed in the First Folio of 1623. The plot is based or thought to be on Thomas North's translation of Plutarch's Life of Markus Antonius and follows the relationship between Cleopatra and Mark Antony from the time of the Parthian War to Cleopatra's suicide. The major antagonist is Octavius Caesar, one of Antony's fellow triumvirs and the future first emperor of Rome. The tragedy is a Roman play characterized by swift, panoramic shifts in geographical locations and in registers, alternating between sensual, imaginative Alexandria and the more pragmatic, austere Rome. Many consider the role of Cleopatra in this play one of the most complex female roles in Shakespeare's work. She is frequently vain and histrionic, provoking an audience almost to scorn; at the same time, Shakespeare's efforts invest both her and Antony with tragic grandeur. These contradictory features have led to famously divided critical responses. Excerpted from Wikipedia, the free encyclopedia.

Antony and Cleopatra: A Tragedy In Five Acts (Dover Thrift Editions)

by William Shakespeare

In this extraordinary play, one of Shakespeare's finest tragedies, a once-great general finds himself torn between his duty to the Roman Empire and his passionate attachment to Cleopatra, the alluring "Queen of the Nile." In depicting the collision of two contrasting cultures -- Antony's world of political conniving and the hedonistic pleasures of Cleopatra's court -- the playwright portrays a timeless paradox of human nature, the quest for seemingly irreconcilable goals.The action of the play ranges from Alexandria and Rome to Syria and Athens, from the rugged quarters of military camps to the luxurious atmosphere of the Egyptian court. In the latter milieu Antony lingers, shamed by his overwhelming passion for Cleopatra yet irresistibly drawn toward love as a source of vitality and renewal. After ignoring increasingly urgent demands by his co-ruler, Octavius Caesar, for his return to Rome, Antony reluctantly obeys at last, marrying Octavius's sister and forming a fragile political alliance. This bond shatters when he returns to Cleopatra's side. Octavius declares war on the lovers, forcing them into a battle for world domination with dramatic and unforgettable consequences.Brimming with Shakespeare's matchless poetry, Antony and Cleopatra is one of the world's great plays. In this inexpensive edition, it will enthrall students of drama and literature, poetry lovers, and all who appreciate Shakespeare's art.

Antony and Cleopatra (First Avenue Classics ™)

by William Shakespeare

Two years after the assassination of Julius Caesar in 44 BC, three men—Octavius Caesar, Lepidus, and Mark Antony—rule the Roman Republic. Antony should be in Rome, helping to stop Pompey's rebel army, but he rarely leaves the side of his lover, Egypt's beautiful Queen Cleopatra. With war against Pompey imminent and tensions deepening between Rome's rulers, Antony agrees to marry Caesar's sister as a show of political loyalty. But Caesar has grander plans: he defeats Pompey, imprisons Lepidus, and then turns his sights on Antony. Can Cleopatra and Antony hope to stand against Caesar's powerful navy? A tale of ill-fated romance and warring empires, this is an unabridged version of one of English playwright William Shakespeare's last great tragedies, first performed in 1607 and published in Shakespeare's First Folio in 1623.

Antony and Cleopatra

by William Shakespeare

'Shakespeare's play is death-haunted from the start, and its self-glorifying lovers exist in a dream of passion' GuardianA battle-hardened soldier, Antony is one of the three leaders of the Roman world. But he is also a man in the grip of an all-consuming passion for the tempestuous and alluring queen of Egypt, Cleopatra. And when their life of pleasure together is threatened by encroaching politics, the conflict between love and duty has devastating consequences. A tragic drama of love and loss, sex and power, told in language of poetic sublimity, Antony and Cleopatra is one of Shakespeare's supreme imaginative achievements.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by Emrys JonesIntroduction by René Weis

Antony and Cleopatra

by William Shakespeare David Bevington James Hammersmith Robert Kean Turner Joseph Papp David Scott Kastan

A magnificent drama of love and war, this riveting tragedy presents one of Shakespeare's greatest female characters--the seductive, cunning Egyptian queen Cleopatra. The Roman leader Mark Antony, a virtual prisoner of his passion for her, is a man torn between pleasure and virtue, between sensual indolence and duty... between an empire and love. Bold, rich, and splendid in its setting and emotions,Antony And Cleopatra ranks among Shakespeare's supreme achievements.

Antony and Cleopatra

by William Shakespeare Paul Werstine Dr Barbara Mowat

Antony and Cleopatra dramatizes a major event in world history: the founding of the Roman Empire. The future first emperor, Octavius Caesar (later called Augustus Caesar), cold-bloodedly manipulates other characters and exercises iron control over himself. At first, he shares power with Mark Antony, Rome's preeminent military leader, and the weaker Lepidus. Caesar needs Antony to fend off other Roman strongmen like Pompey; he even offers his sister Octavia to him as a bride, despite Antony's reputation as a libertine and his past rivalry with Caesar. Once Caesar defeats Pompey, however, he needs no allies. He brings charges against Lepidus, denies Antony his spoils from Pompey's defeat, and seizes cities in the eastern Roman colonies that Antony rules. The play's emphasis, however, is on those whom Caesar defeats: Antony and his wealthy Egyptian ally, Queen Cleopatra. The play does not sugarcoat Antony and Cleopatra's famous love affair, including her calculated attempts to seduce Antony from his duties and his rage when he thinks she has betrayed him to Caesar. Nonetheless, the lovers find such sensual and emotional satisfaction that Caesar's world conquest seems smaller than what they find in each other. The authoritative edition of Anthony and Cleopatra from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, is now available as an eBook. Features include: · The exact text of the printed book for easy cross-reference · Hundreds of hypertext links for instant navigation · Freshly edited text based on the best early printed version of the play · Full explanatory notes conveniently placed on pages facing the text of the play · Scene-by-scene plot summaries · A key to famous lines and phrases · An introduction to reading Shakespeare's language · Illustrations from the Folger Shakespeare Library's vast holdings of rare books · An essay by a leading Shakespeare scholar providing a modern perspective on the play

Antony and Cleopatra (The New Cambridge Shakespeare)

by William Shakespeare David Bevington

A magnificent drama of love and war, this riveting tragedy presents one of Shakespeare's greatest female characters--the seductive, cunning Egyptian queen Cleopatra. The Roman leader Mark Antony, a virtual prisoner of his passion for her, is a man torn between pleasure and virtue, between sensual indolence and duty . . . between an empire and love. Bold, rich, and splendid in its setting and emotions, Antony And Cleopatra ranks among Shakespeare's supreme achievements.

ANU Productions: The Monto Cycle

by Brian Singleton

This book sets out strategies of analysis of the award-winning tetralogy of performances (2010-14) by ANU Productions known as 'The Monto Cycle'. Set within a quarter square mile of Dublin's north inner city, colloquially known as The Monto, these performances featured social concerns that have blighted the area over the past 100 years, including prostitution, trafficking, asylum-seeking, heroin addiction, and the scandal of the Magdalene laundries. While placing the four productions in their social, historical, cultural and economic contexts, the book examines these performances that operated at the intersection of performance, installation, visual art, choreography, site-responsive and community arts. In doing so, it explores their concerns with time, place, history, memory, the city, 'affect', and the self as agent of action.

Any Given Day

by Frank D. Gilroy

Full Length Drama / 6m, 3f / Interior / This engrossing drama by the author of The Subject Was Roses covers eighteen months in the life of the Benti family during 1942 and 1943. The household is ruled by Mrs. Benti, a prescient and iron willed widow, and includes her three adult children: Carmen, Nettie (a main character in Roses), and Eddie as well as Carmen's illegitimate son Willis whom the others orbit like the sun. Eighteen year old Willis is mentally impaired and in a wheelchair. He appears both younger and older as he presides in often startling and humorous ways over the conflicting dreams, desires and passions that ebb and flow about him. The family appears to be making noble sacrifices in Willis' behalf, but each is actually using him for selfish ends. / "A drama of soaring beauty and power ... sprinkled with comedy."-Reuters

Any Number Can Die

by Fred Carmichael

An hilarious take off on the mystery plays of the Twenties complete with sliding panels, robed figures, wills being read at midnight, etc. The idioms, costumes, hairdos, and make up of the period add to the thrills and laughter. Four ingenious murders take place in an island mansion as a pair of elderly detectives set to work on their first case. The ever popular storm, the unexpected guests, the cryptic poem, and the missing fortune all add to the intricate and inventive mystery off which the laughs bounce.

Aos Pés do David

by Rossella Scatamburlo

Aos pés do David por Rossella Scatamburlo Uma história de amor marcada pela arte, com um toque de mistério. Somos o fruto das nossas relações. O nosso Eu é o somatório das experiências, do contato com os outros, das leituras, das memórias. Quando olhamos no espelho, vemos um reflexo de nós mesmos, efêmero, ligado a um hic et nunc irrepetível, visto que, no momento seguinte, já não nos parecemos mais a nós mesmos porque tudo isso com o que estivemos em contato nos transforma, e nós transformamos aquilo com o que nos relacionamos. Assim, mesmo os objetos que tocamos não são mais os mesmos depois que deixamos nossas digitais sobre eles, enquanto vestígios estratificados e indeléveis. Nisto pensava Beatrice Verdi após ter concluído a sua tese de graduação sobre o David de Michelangelo e depois de ter-se aprofundado no tema da Síndrome de Stendhal. A sua pesquisa havia-a levado a ter contato com o fascinante professor Carlo Regis, mas também com o diabólico Stefano Corona, vigia de sala na Galeria da Academia de Belas Artes de Florença, que nela descobriu sua musa inspiradora para a criação da sua obra perfeita, elaborando às suas costas um terrível plano...

Aotearoa New Zealand in the Global Theatre Marketplace: Travelling Theatre (Routledge Advances in Theatre & Performance Studies)

by James Wenley

Aotearoa New Zealand in the Global Theatre Marketplace offers a case study of how the theatre of Aotearoa has toured, represented and marketed itself on the global stage. How has New Zealand work attempted to stand out, differentiate itself, and get seen by audiences internationally? This book examines the journeys of a dynamic range of culturally and theatrically innovative works created by Aotearoa New Zealand theatre makers that have toured and been performed across time, place and theatrical space: from Moana Oceania to the Edinburgh Festival Fringe, from a Māori Shakespeare adaptation to an immersive zombie theatre experience. Drawing on postcolonialism, transnationalism, cosmopolitanism and globality to understand how Aotearoa New Zealand has imagined and conceived of itself through drama, the author investigates how these representations might be read and received by audiences around the world, variously reinforcing and complicating conceptions of New Zealand national identity. Developing concepts of theatrical mobility, portability and the market, this study engages with the whole theatrical enterprise as a play travels from concept and scripting through to funding, marketing, performance and the critical response by reviewers and commentators. This book will be of global interest to academics, producers and theatre artists as a significant resource for the theory and practice of theatre touring and cross-cultural performance and reception.

Apasionada por un idiota

by Divino B'Atista

"¿Has pasado por tu mente en apasionarse por el mismo tipo en que has jurado conseguir unirlo con otra persona?", Pues fue exactamente lo que le pasó a Ana Clara la protagonista de esta historia. Ana Clara estudia en la misma sala donde el actual chico se encuentra. Y ya no tiene más coraje de conversar con el galán de esta historia después de descubrir que está locamente, incondicionalmente, perdidamente enamorada de él. Lo peor de todo es, aun sabiendo que él podría ser su PRÍNCIPE ENCANTADO, Ana Clara ya había hecho cuestión de arreglar a otra princesa para ocupar su corazón. Después de descubrir que su talento para '' encontrar '' y '' juntar '' almas gemelas era sólo una farsa, ella decide entonces destruir ese noviazgo para intentar conquistar al tipo idiota por el que se enamoró.

Apes and Monkeys on the Early Modern Stage, 1603–1659 (Early Modern Literature in History)

by Teresa Grant

This book is the first full-length study of apes and monkeys on the early modern stage. It broadens the scope of existing scholarship by situating the apes glimpsed in Shakespeare’s plays in the wider context of the many uncelebrated uses by other playwrights, c. 1603-1659. The book investigates the theatrical appearances of real monkeys, actors dressed up as apes, and characters mistaken for them, arguing that the ape trope is so insistent in early modern drama that it becomes a structural metaphor. It addresses both plays and masques across the period, arguing that the ways of seeing in these different kinds of theatre make apes mean differently in their generic contexts. Grounded in historicist readings, this book also draws significantly on the field of ritual studies and the new intersectional discipline of animal performance studies.

Apologies to Lorraine Hansberry (Yale Drama Series)

by Rachel Lynett

The 2021 winner of the Yale Drama Series prize explores &“Blackness&” and the reasons why joy and peace might be harder to get than we think &“A taut examination of the impact of racism in a future African American state. With a metatheatrical playfulness and a direct inclusion of actors and audience alike, Rachel Lynett&’s play exposes the many layers to the notion of race in order to awaken us.&” —Paula Vogel What does it mean to be safe when you&’re a person of color in the United States? If you were given the chance to leave and create a utopia, would you? Is utopia possible with all of our subconscious bias? Rachel Lynett&’s highly satirical and funny play is set in the fictional world following a second Civil War. Bronx Bay, an all-Black state (and neighborhood), is established in order to protect &“Blackness.&” When Jules&’s new partner, Yael, moves into town, community members argue over whether Yael, who is Dominican, can stay. Questions of safety and protection surround both Jules and Yael as the utopia of Bronx Bay confronts within itself where the line is when it comes to defining who is Black and who gets left out in the process. The play is the fourteenth winner of the Yale Drama Series prize and the first one chosen by the Pulitzer Prize–winning playwright Paula Vogel.

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