- Table View
- List View
Local/Global Shakespeare and Advertising (Routledge Studies in Shakespeare)
by Márta Minier Cristina Paravano Maria Elisa MontironiLocal/ Global Shakespeare and Advertising examines the local/ global and rhizomatic phenomenon of Shakespeare as advertised and Shakespeare as advertising. Starting from the importance and the awareness of advertising practices in the early modern period, the volume follows the evolution of the use of Shakespeare as a promotional catalyst up to the twenty-first century. The volume considers the pervasiveness of Shakespeare’s marketability in Anglophone and non-Anglophone cultures and its special engagement with creative and commercial industries. With its inter-and transdisciplinary perspective and its international scope, this book brings new insights into Shakespeare’s selling power, Shakespeare as the object of advertising and Shakespeare as part of the advertising vehicle, in relation to a range of crucial cultural, ideological and political issues.
Local Shakespeares: Proximations and Power
by Martin OrkinThis remarkable volume challenges scholars and students to look beyond a dominant European and North American 'metropolitan bank' of Shakespeare knowledge. As well as revealing the potential for a new understanding of Shakespeare's plays, Martin Orkin adopts a fresh approach to issues of power, where 'proximations' emerge from a process of dialogue and challenge traditional notions of authority. Divided into two parts this book: encourages us to recognise the way in which 'local' or 'non-metropolitan' knowledges and experiences might extend understanding of Shakespeare's texts and their locations demonstrates the use of local as well as metropolitan knowledges in exploring the presentation of masculinity in Shakespeare's late plays. These plays themselves dramatise encounters with different cultures and, crucially, challenges to established authority.
L'odio per il teatro
by Lord SchadtUn pezzo teatrale furioso, un cannone di insulti alla cultura teatrale tedesca che non lascia nulla all'immaginazione. (Südkurier) Teatro d'intrattenimento postmoderno che provoca, che si agita, che infastidisce, che si lamenta, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che scoppia, che assilla, che si lamenta, rimproverando, schernendo, prendendo in giro, imbarazzando, punzecchiando, disilludendo, mettendo alla berlina, punzecchiando, disincantando, mettendo in imbarazzo, snobbando, e piagnucolando il tutto attraverso un'attrice. Genere: DRAMA
Logomimesis: A Treatise On The Performing Body (Routledge Advances in Theatre & Performance Studies)
by Esa KirkkopeltoHow can the dichotomy between body and language be overcome by means of the performing arts? What does the art of performing contribute to philosophical, ethical, and political thinking today?This book is a study of the body and language on the stage. Inspired by contemporary artistic research and performance philosophy, Esa Kirkkopelto proposes a new understanding of embodiment that has no direct counterpart in existing philosophies of the body, in natural science, or in everyday experience. The way a performer imagines their body in performance breaks with body–language dichotomies, so language and body can be conceived as co-original phenomena, beyond their anthropomorphic framing. Once we recognize the native relationship between body and language, we can acquire an evolutive perspective which reaches beyond ontological or transcendental paradigms, towards a more linguistic and corporeal coexistence of diverse beings.This book shows how radically different the universe appears when conceived through the performing body. It addresses artists and philosophers alike.
Lolita: A Screenplay (Vintage International)
by Vladimir NabokovThe screenplay for Kubrik's 1962 film tells the story of an older man's obsession with a young girl.
London Bridge Has Fallen Down: An Adaptation of a Nursery Rhyme
by Brooke Harris Lyn Boyer Jeffrey B. FuerstThe old bridge fell down. What will the people of London do?
The London Merchant: Or, The History Of George Barnwell. As It Is Acted At The Theatre-royal In Drury-lane. By His Majesty's Servants. By Mr. Lillo. T
by George Lillo William H. McBurneyMrs. Millwood is beautiful, intelligent, and ambitious, but London gives her no means of support except to seduce men. Love for her leads eighteen-year-old Barnwell to deceit, theft, and murder."What are your laws," Mrs. Millwood asks, "but the fool’s wisdom and the coward’s valor, the instrument and screen of all your villainies by which you punish in others what you act out yourselves, had you been in their circumstances? The judge who condemns the poor man for being a thief had been a thief himself, had he been poor. Thus you go on deceiving and being deceived, harassing, plaguing, and destroying one another, but women are your universal prey."First performed in 1731, The London Merchant became on of the most popular plays of the century. A chronicler of the age, Theophilus Cibber called it "almost a new species of tragedy."
London Opera Observed 1711-1844, Volume I: 1711-1763
by Michael BurdenThe thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which — during the seventeenth, eighteenth and nineteenth centuries — used the concept of ‘spying’ or ‘observing’ by a narrator, or rambler, as a means of establishing a discourse on aspects of London life. The material in this five-volume reset edition examines opera not simply as a genre of performance, but as a wider topic of comment and debate. The stories that surrounded the Italian opera singers illuminate contemporary British attitudes towards performance, sexuality and national identity. The collection includes only complete, published material organised chronologically so as to accurately retain the contexts in which the original readers encountered them — placing an emphasis on rare texts that have not been reproduced in modern editions. The aim of this collection is not to provide a history of opera in England but to facilitate the writing of them or to assist those wishing to study topics within the field. Headnotes and footnotes establish the publication information and provide an introduction to the piece, its author, and the events surrounding it or which caused its publication. The notes concentrate on attempting to identify those figures mentioned within the texts. The approach is one of presentation, not interpretation, ensuring that the collection occupies a position that is neutral rather than polemical.
London Opera Observed 1711-1844, Volume II: 1763-1782
by Michael BurdenThe thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which — during the seventeenth, eighteenth and nineteenth centuries — used the concept of ‘spying’ or ‘observing’ by a narrator, or rambler, as a means of establishing a discourse on aspects of London life. The material in this five-volume reset edition examines opera not simply as a genre of performance, but as a wider topic of comment and debate. The stories that surrounded the Italian opera singers illuminate contemporary British attitudes towards performance, sexuality and national identity. The collection includes only complete, published material organised chronologically so as to accurately retain the contexts in which the original readers encountered them — placing an emphasis on rare texts that have not been reproduced in modern editions. The aim of this collection is not to provide a history of opera in England but to facilitate the writing of them or to assist those wishing to study topics within the field. Headnotes and footnotes establish the publication information and provide an introduction to the piece, its author, and the events surrounding it or which caused its publication. The notes concentrate on attempting to identify those figures mentioned within the texts. The approach is one of presentation, not interpretation, ensuring that the collection occupies a position that is neutral rather than polemical.
London Opera Observed 1711-1844, Volume III: 1783-1792
by Michael BurdenThe thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which — during the seventeenth, eighteenth and nineteenth centuries — used the concept of ‘spying’ or ‘observing’ by a narrator, or rambler, as a means of establishing a discourse on aspects of London life. The material in this five-volume reset edition examines opera not simply as a genre of performance, but as a wider topic of comment and debate. The stories that surrounded the Italian opera singers illuminate contemporary British attitudes towards performance, sexuality and national identity. The collection includes only complete, published material organised chronologically so as to accurately retain the contexts in which the original readers encountered them — placing an emphasis on rare texts that have not been reproduced in modern editions. The aim of this collection is not to provide a history of opera in England but to facilitate the writing of them or to assist those wishing to study topics within the field. Headnotes and footnotes establish the publication information and provide an introduction to the piece, its author, and the events surrounding it or which caused its publication. The notes concentrate on attempting to identify those figures mentioned within the texts. The approach is one of presentation, not interpretation, ensuring that the collection occupies a position that is neutral rather than polemical.
London Opera Observed 1711-1844, Volume IV: 1799-1821
by Michael BurdenThe thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which — during the seventeenth, eighteenth and nineteenth centuries — used the concept of ‘spying’ or ‘observing’ by a narrator, or rambler, as a means of establishing a discourse on aspects of London life. The material in this five-volume reset edition examines opera not simply as a genre of performance, but as a wider topic of comment and debate. The stories that surrounded the Italian opera singers illuminate contemporary British attitudes towards performance, sexuality and national identity. The collection includes only complete, published material organised chronologically so as to accurately retain the contexts in which the original readers encountered them — placing an emphasis on rare texts that have not been reproduced in modern editions. The aim of this collection is not to provide a history of opera in England but to facilitate the writing of them or to assist those wishing to study topics within the field. Headnotes and footnotes establish the publication information and provide an introduction to the piece, its author, and the events surrounding it or which caused its publication. The notes concentrate on attempting to identify those figures mentioned within the texts. The approach is one of presentation, not interpretation, ensuring that the collection occupies a position that is neutral rather than polemical.
London Opera Observed 1711-1844, Volume V: 1821-1844
by Michael BurdenThe thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which — during the seventeenth, eighteenth and nineteenth centuries — used the concept of ‘spying’ or ‘observing’ by a narrator, or rambler, as a means of establishing a discourse on aspects of London life. The material in this five-volume reset edition examines opera not simply as a genre of performance, but as a wider topic of comment and debate. The stories that surrounded the Italian opera singers illuminate contemporary British attitudes towards performance, sexuality and national identity. The collection includes only complete, published material organised chronologically so as to accurately retain the contexts in which the original readers encountered them — placing an emphasis on rare texts that have not been reproduced in modern editions. The aim of this collection is not to provide a history of opera in England but to facilitate the writing of them or to assist those wishing to study topics within the field. Headnotes and footnotes establish the publication information and provide an introduction to the piece, its author, and the events surrounding it or which caused its publication. The notes concentrate on attempting to identify those figures mentioned within the texts. The approach is one of presentation, not interpretation, ensuring that the collection occupies a position that is neutral rather than polemical.
Lone Star Love Potion
by Michael ParkerFarce / 3m, 4f / The wealthy owner of a 200,000 acre Texas ranch has died. His butler Jarvis, an alluring maid, the rancher's niece his only living relative and her husband are gathered for the reading of the will. Oddly, Miss Tammy Jo Harper, a neighbor, has also been invited. As expected, the niece inherits everything. Jarvis then produces from the safe a reputed love potion. Does it work? Before long, everyone is sipping the sample with hilarious results. As the audience vacillates between thinking the potion is potent and believing it's a ruse, they are drawn into the mystery and hilarity. The flow of characters in, out and from under the beds reaches a frenetic pace before the startling truth is revealed.
Lonelyhearts: The Screwball World of Nathanael West and Eileen McKenney
by Marion MeadeA &“breezily entertaining&” look at the comic couple who hobnobbed with Dorothy Parker, S. J. Perelman, Bennett Cerf, and other luminaries of their day (The New York Times Book Review). Nathanael West—author, screenwriter, playwright—was famous for two masterpieces: Miss Lonelyhearts and The Day of the Locust, which remains one the most penetrating novels ever written about Hollywood. He was also one of the most gifted and original writers of his generation, a scathing satirist whose insight into the brutalities of modern life proved prophetic. Eileen McKenney—accidental muse, literary heroine—grew up corn-fed in the Midwest and moved to Manhattan&’s Greenwich Village when she was twenty-one. The inspiration for her sister Ruth&’s stories in the New Yorker under the banner of &“My Sister Eileen,&” she became an overnight celebrity, and her star eventually crossed with that of the man she would impulsively marry. Together, Nathanael and Eileen had entrée into a social circle that included F. Scott Fitzgerald, Dashiell Hammett, Katharine White, and many of the literary, theatrical, and film luminaries of the era. But their carefree, offbeat Broadway-to-Hollywood love story would flame out almost as soon as it began. Now, with &“a great marriage of scholarship and gossip&” (Minneapolis Star-Tribune), this biography restores West and McKenney to their rightful place in the popular imagination, offering &“a shrewd portrait of two people who in their different ways were noteworthy participants in American culture during one of its liveliest periods&” (Los Angeles Times). &“Opens a window onto the lives of writers in 1930s America as they struggled with anxieties, pretensions, temptations and myths that confound our culture to this day.&” —Salon.com &“The first to fully chronicle and entwine these careening lives, Meade forges an engrossing, madcap, and tragic American story of ambition, reinvention, and risk.&” —Booklist, starred review
Lonesome West
by Martin McDonaghValene and Coleman, two brothers living alone in their father’s house after his recent death, find it impossible to exist without massive and violent disputes over the most mundane and innocent of topics. Only father Welsh, the local young priest, is prepared to try to reconcile the two before their petty arguments spiral into vicious and bloody carnage. Methuen Drama Modern Classics span the period in drama literature from the 1950s to present day. These are the most often taught plays in college and graduate studies and many Modern Classic editions feature an academic Introduction essay.
The Long Christmas Ride Home
by Paula Vogel"Brilliant . . . even more ambitious than Vogel's How I Learned to Drive . . . it covers more ground and is bolder in its storytelling. Vogel's language is at its most poetic, eloquent and elegiac. In fact, its vivid imagery rivals the prose style of any great American short story writer. The play sounds like it might have been adapted from a beautiful, undiscovered novella."--New Haven Register"One of the most absorbing evenings of theatre to come along in some time."--VarietyPast and present collide on a snowy Christmas Eve for a troubled family of five. Humorous and heart-wrenching, this beautifully written play proves that magic can be found in the simplest breaths of life. Combining the elements of No theatre and Bunraku with contemporary Western sensibilities, Vogel's Ride is a mesmerizing homage to the works of Thornton Wilder, including Our Town. A moving and memorable study of the American family careening near the edge of oblivion.Paula Vogel's plays include The Baltimore Waltz, Mineola Twins, Hot 'n' Throbbing, Desdemona, And Baby Makes Seven, among others. Ms. Vogel will be the resident playwright during the Signature Theatre's 2004-05 season dedicated to her works. She has taught at Brown University in the MFA playwriting program since 1985.
Long Day's Journey into Night
by Eugene O'Neill<P>Eugene O'Neill's autobiographical play Long Day's Journey into Night is regarded as his finest work. <P>First published by Yale University Press in 1956, it won the Pulitzer Prize in 1957 and has since sold more than one million copies. <P>This edition, which includes a new foreword by Harold Bloom, coincides with a new production of the play starring Brian Dennehy, which opens in Chicago in January 2002 and in New York in April.
Long Day's Journey into Night
by Eugene O'Neill Harold BloomEugene O'Neill's autobiographical play Long Day's Journey into Night is regarded as his finest work. First published by Yale University Press in 1956, it won the Pulitzer Prize in 1957 and has since sold more than one million copies. This edition, which includes a new foreword by Harold Bloom, coincides with a new production of the play starring Brian Dennehy, which opens in Chicago in January 2002 and in New York in April.
Long Day's Journey Into Night
by Eugene O'Neill Jessica Lange William Davies KingEugene O'Neill's autobiographical play Long Day's Journey into Night is regarded as his masterpiece and a classic of American drama. With this new edition, at last it has the critical edition that it deserves. William Davies King provides students and theater artists with an invaluable guide to the text, including an essay on historical and critical perspectives; glosses of literary allusions and quotations; notes on the performance history; an annotated bibliography; and illustrations.<P> "This is a worthy new edition, one that I'm sure will appeal to many students and teachers. William Davies King provides a thoughtful introduction to Long Day's Journey into Night--equally sensitive to the most particular and most encompassing of the play's materials. "--Marc Robinson
Long Day's Journey Into Night (SparkNotes Literature Guide Series)
by SparkNotesLong Day's Journey Into Night (SparkNotes Literature Guide) by Eugene O'Neill Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
Long Suffering: American Endurance Art as Prophetic Witness
by Karen Gonzalez RiceLong Suffering productively links avant-garde performance practices with religious histories in the United States, setting contemporary performances of endurance art within a broader context of prophetic religious discourse in the United States. Its focus is on the work of Ron Athey, Linda Montano, and John Duncan, American artists whose performances involve extended periods of suffering. These unsettling performances can disturb, shock, or frighten audiences, leaving them unsure how to respond. The book examines how these artists work at the limits of the personal and the interpersonal, inflicting suffering on themselves and others, transforming audiences into witnesses, straining social relations, and challenging definitions of art and of ethics. By performing the death of self at the heart of trauma, strategies of endurance signal artists' attempts to visualize, legitimize, and testify to the persistent experience of being wounded. The artworks discussed find their foundations in artists' early experiences of religion and connections with the work of reformers from Angelina Grimké to Rev. Martin Luther King, Jr., who also used suffering as a strategy to highlight social injustice and call for ethical, social, and political renewal.
Long, Tall Texans: Callaghan & Matt (Long, Tall Texans)
by Diana PalmerEnjoy two classic Lone Star romances from New York Times bestselling author Diana Palmer!CallaghanRugged as an oak, moody as a thundercloud, rancher Callaghan Hart awed women and intimidated men. So how could one scrappy little redhead nearly bring Callaghan to his knees? Easy! Tess Brady, the ranch's new housekeeper, was soft and sweet. Her youthful innocence drew him like a moth to a flame. But there was no way Callaghan would ever consider marriage, and a casual fling was out of the question. Somehow, he had to resist her, no matter how tempting she was….MattMatt Caldwell must be the hardest-hearted man in the Lone Star State. The last thing he wants to do is open up to a woman—let alone trust her! —and risk getting hurt. So he's sworn off spending any time with a member of the fairer sex…until his beautiful new assistant walks through the office door. What's a mogul to do?
The Long Voyage Home and Other Plays (Dover Thrift Editions)
by Eugene O'NeillPlaywright Eugene O'Neill (1888-1953) spent his early years as a merchant seaman and drifter on the waterfronts of New York, Liverpool, and Buenos Aires. From these experiences came the inspiration and subject matter for four of his finest short plays, collected in this volume.Written between 1913 and 1917 and considered to have made O'Neill's reputation, the plays comprise a tetralogy, all concerning the same ship, the S.S. Glencairn. The plays are Bound East for Cardiff, In the Zone, The Long Voyage Home, and The Moon of the Caribbees. These realistically presented melodramas depict moody, intense, and fascinating characters entrapped by larger forces, usually represented by the sea. This edition, which offers all four plays in a single inexpensive volume, provides a splendid introduction to the work of an important modern dramatist.
The Long Weekend: Three Plays - Maggie's Getting Married / Here On The Flight Path / The Long Weekend
by Norm FosterThe truth and lies of a friendship come to the surface during a weekend visit between two couples. There are plenty of surprises along the way in this comedy of manners. "...just enough sex, just enough smart talk, just enough preposterous plot twists to keep you titillated." —Gary Smith, Hamilton Spectator
The Longman Anthology of Drama and Theater: A Global Perspective, Compact Edition
by Roger Schultz Michael Greenwald Roberto PomoThe Longman Anthology of Drama and Theater, Compact Edition, is a fully-integrated text/anthology of drama with a global emphasis for the Introduction to Drama course. <p><p> The Compact Edition is divided into three parts. Part One examines the roots of theater and the theoretical and critical foundations of theater and drama. Part Two, an anthology of Western Theater, and Part Three, an anthology of non-western theater, are divided into historical and geographical sections, each preceded by a brief overview of the cultural and historical context that shaped the plays. A map and timeline of key historical, cultural, and artistic events precedes each section in Parts II and III. <p><p> Preceding each section of plays is a brief overview of the history of the theater from its origins in Europe, Asia, Africa, and the Americas to the present. The ideas that inspired the dramas are considered, as well as the particulars of each performance. In the interest of creating a clean, uncluttered text, selected bibliographies are at the end of the book. <p><p> Questions for Discussion and Writing are included in the accompanying Instructor's Manual, as well as more thorough bibliographies and a comprehensive list of films and videos that illustrate the ideas in the text.