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Martin Crimp’s Power Plays: Intertextuality, Sexuality, Desire (Routledge Advances in Theatre & Performance Studies)
by Vicky AngelakiThis book covers playwright Martin Crimp’s recent work showing how it captures the nuances in our interpersonal contemporary experience. Examining the bold and exciting body of writing by Crimp, the book delves into his depiction of intersections between narratives, as well as between private and public, through an honest look at power structures and shifts, marriages and relationships, sexuality, and desire. This book will be of great interest to students and scholars in Drama, Theatre and Performance, English Literature, and Opera Studies.
Martin McDonagh (Routledge Modern and Contemporary Dramatists)
by Catherine ReesThis comprehensive, accessible introduction to one of Britain’s leading contemporary playwrights and filmmakers outlines Martin McDonagh’s body of work, the key critical contexts for understanding and exploring his career, analysis of productions, and includes an exclusive interview with the director of his most recent stage work. Analysis of McDonagh’s writing is broken down into three periods – his early Irish plays, his screenplays, and his later plays that move away from and outside of Ireland. Works are discussed thematically, giving a dynamic reading of the scripts and the ideas around which they circle. The book’s final section then delves in more detail into selected seminal productions of McDonagh’s writing, outlining key phases and transitions in his career.Part of the Routledge Modern and Contemporary Dramatists series, Martin McDonagh is an essential guide for scholars and students who are setting out to understand the life and work of one of the most popular and acclaimed British dramatists and filmmakers of the twenty-first century.
Martin McDonagh: A Casebook (Casebooks on Modern Dramatists)
by Richard Rankin RussellThis book represents the first collection of original critical material on Martin McDonagh, one of the most celebrated young playwrights of the last decade. Credited with reinvigorating contemporary Irish drama, his dark, despairing comedies have been performed extensively both on Broadway and in the West End, culminating in an Olivier Award for the The Pillowman and an Academy Award for his short film Six Shooter. In Martin McDonagh, Richard Rankin Russell brings together a variety of theoretical perspectives – from globalization to the gothic – to survey McDonagh’s plays in unprecedented critical depth. Specially commissioned essays cover topics such as identity politics, the shadow of violence and the role of Catholicism in the work of this most precocious of contemporary dramatists. Contributors: Marion Castleberry, Brian Cliff, Joan Fitzpatrick Dean, Maria Doyle, Laura Eldred, José Lanters, Patrick Lonergan, Stephanie Pocock, Richard Rankin Russell, Karen Vandevelde
Marty McGuire (Marty Mcguire Ser. #1)
by Kate Messner Brian FlocaIn this fun & accessible chapter book, an irrepressible, third-grade tomboy is cast in the class play and brings her own chaotic spin to the show.Marty McGuire would rather spend recess catching frogs in the pond than playing dress-up with the other girls in third grade. So when her teacher casts Marty as the princess in the class play, Marty’s absolutely, positively sure that there’s been a huge mistake. But after a special lesson in the art of improvisation, Marty comes up with her OWN plan to IMPROVE the play: Why use stuffed-animal frog onstage when a live one would be so much better? In the end, Marty’s one-of-a-kind performance makes for an unforgettable show. Maybe Marty CAN live happily ever after, after all!
Martyrs and Players in Early Modern England: Tragedy, Religion and Violence on Stage (Studies in Performance and Early Modern Drama)
by David K. AndersonFocusing on Christopher Marlowe, William Shakespeare, John Webster and John Milton, Martyrs and Players in Early Modern England argues that the English tragedians reflected an unease within the culture to acts of religious violence. David Anderson explores a link between the unstable emotional response of society to religious executions in the Tudor-Stuart period, and the revival of tragic drama as a major cultural form for the first time since classical antiquity. Placing John Foxe at the center of his historical argument, Anderson argues that Foxe’s Book of Martyrs exerted a profound effect on the social conscience of English Protestantism in his own time and for the next century. While scholars have in recent years discussed the impact of Foxe and the martyrs on the period’s literature, this book is the first to examine how these most vivid symbols of Reformation-era violence influenced the makers of tragedy. As the persecuting and the persecuted churches collided over the martyr’s body, Anderson posits, stress fractures ran through the culture and into the playhouse; in their depictions of violence, the early modern tragedians focused on the ethical confrontation between collective power and the individual sufferer. Martyrs and Players in Early Modern England sheds new light on the particular emotional energy of Tudor-Stuart tragedy, and helps explain why the genre reemerged at this time.
The Marvels
by Brian SelznickDon't miss Selznick's other novels in words and pictures, The Invention of Hugo Cabret and Wonderstruck, which together with The Marvels, form an extraordinary thematic trilogy!A breathtaking new voyage from Caldecott Medalist Brian Selznick.Two stand-alone stories--the first in nearly 400 pages of continuous pictures, the second in prose--create a beguiling narrative puzzle.The journey begins at sea in 1766, with a boy named Billy Marvel. After surviving a shipwreck, he finds work in a London theatre. There, his family flourishes for generations as brilliant actors until 1900, when young Leontes Marvel is banished from the stage.Nearly a century later, runaway Joseph Jervis seeks refuge with an uncle in London. Albert Nightingale's strange, beautiful house, with its mysterious portraits and ghostly presences, captivates Joseph and leads him on a search for clues about the house, his family, and the past.A gripping adventure and an intriguing invitation to decipher how the two stories connect, The Marvels is a loving tribute to the power of story from an artist at the vanguard of creative innovation.
Marxist Shakespeares (Accents on Shakespeare)
by Jean E. HowardMarxist Shakespeares uses the rich analytic resources of the Marxist tradition to look at Shakespeare's plays afresh. The book offers new insights into the historical conditions within which Shakespeare's representations of class and gender emerged, and into Shakespeare's role in the global culture industry stretching from Hollywood to the Globe Theatre. A vital resource for students of Shakespeare which includes Marx's own readings of Shakespeare, Derrida on Marx, and also Bourdieu, Bataillle, Negri and Alice Clark.
Mary Magdalene and the Drama of Saints
by Theresa ColettiA sinner-saint who embraced then renounced sexual and worldly pleasures; a woman who, through her attachment to Jesus, embodied both erotic and sacred power; a symbol of penance and an exemplar of contemplative and passionate devotion: perhaps no figure stood closer to the center of late medieval debates about the sources of spiritual authority and women's contribution to salvation history than did Mary Magdalene, and perhaps nowhere in later medieval England was cultural preoccupation with the Magdalene stronger than in fifteenth-century East Anglia.Looking to East Anglian texts including the N-Town Plays, The Book of Margery Kempe, The Revelations of Julian of Norwich, and Bokenham's Legend of Holy Women, Theresa Coletti explores how the gendered symbol of Mary Magdalene mediates tensions between masculine and feminine spiritual power, institutional and individual modes of religious expression, and authorized and unauthorized forms of revelation and sacred speech. Using the Digby play Mary Magdalene as her touchstone, Coletti engages a wide variety of textual and visual resources to make evident the discursive and material ties of East Anglian dramatic texts and feminine religion to broader traditions of cultural commentary and representation.In bringing the disciplinary perspectives of literary history and criticism, gender studies, and social and religious history to bear on specific local instances of dramatic practice, Mary Magdalene and the Drama of Saints highlights the relevance of Middle English dramatic discourse to the dynamic religious climate of late medieval England. In doing so, the book decisively challenges the marginalization of drama within medieval English studies, elucidates vernacular theater's kinship with influential late medieval religious texts and institutions, and articulates the changing possibilities for sacred representation in the decades before the Reformation.
Mary McCarthy's Theatre Chronicles, 1937–1962: Mary Mccarthy's Theatre Chronicles, 1937-1962 And On The Contrary
by Mary McCarthyThe American theatre comes alive in Mary McCarthy&’s provocative anthology of essaysHer literary writings and dramatic criticism have appeared in the New Yorker and the New York Review of Books. Mary McCarthy&’s Theatre Chronicles gathers together a wide-ranging collection featuring a cast of playwrights, actors, and directors that reads like a &“who&’s who&” of American theatre. With chapters ranging from &“The Unimportance of Being Oscar&” to &“Odets Deplored,&” this lively and witty volume opens a revealing window onto every aspect of theatre. McCarthy brings singular productions of the world&’s most famous plays to vivid dramatic life while dissecting literary giants like Tennessee Williams and Arthur Miller. She offers her controversial opinion on everything from the American school of realism as epitomized by Brando to what creates a great actress to how a badly written play can still make for good theatre.With passages on theatre figures from Shakespeare to Shaw to Ibsen and O&’Neill, this is a must-have for theatre lovers and armchair critics everywhere.This ebook features an illustrated biography of Mary McCarthy including rare images from the author&’s estate.
Mary Page Marlowe (TCG Edition)
by Tracy LettsBest known for his portrayals of large-scale family drama, Tracy Letts’ new play narrows in focus, zooming in on the life of just one woman, though her story is no less complex. This intimate snapshot of a simple life provides an enlightening examination of a complicated human mind.
Mary Pickford: Hollywood And The New Woman
by Kathleen A. FeeleyOn screen and off, movie star Mary Pickford personified the "New Woman" of the early 1900s--a moniker given to women who began to demand more autonomy inside and outside the home. Well educated and career-minded, these women also embraced the new mass culture in which consumption and leisure were seen to play a pivotal role in securing happiness. Mary Pickford: Hollywood and the New Woman examines Pickford's role in the rise of industrial capitalism and consumer culture, and uses her life and unprecedented career as a wildly popular actress and savvy film mogul to illustrate the opportunities and obstacles faced by American women during this time. Following Pickford's life from her childhood on stage to her rise as a powerful studio executive, this book gives an overview of her enduring contribution to American film and mass culture. It also explores her struggles to surpass her confining public film persona as "America's Sweetheart" with her creative and business achievements--mirroring how women, both then and today, must reconcile domestic life with professional aspirations and work. About the Lives of American Women series: Selected and edited by renowned women's historian Carol Berkin, these brief biographies are designed for use in undergraduate courses. Rather than a comprehensive approach, each biography focuses instead on a particular aspect of a women's life that is emblematic of her time, or which made her a pivotal figure in the era. The emphasis is on a "good read," featuring accessible writing and compelling narratives, without sacrificing sound scholarship and academic integrity. Primary sources at the end of each biography reveal the subject's perspective in her own words. Study questions and an annotated bibliography support the student reader.
Mary Stuart
by Friedrich Schiller“Mary Stuart” is a play that gives us a fictional account of the last days of Mary Queen of Scots. In it we are treated to an entirely made up scene in which Queen Mary and Queen Elizabeth I meet face to face. And it is the stuff of great drama!
Mary Stuart
by Friedrich SchillerThis dramatic story recounts Mary, Queen of Scots's remaining days held captive in Fotheringay Castle. In scenes alternating between Mary's prison and Elizabeth's court at Westminster, Schiller's play gradually builds a compelling picture of a tragic heroine rising above her suffering to gain in insight and spiritual depth. In contrast Elizabeth, in turmoil over the correct course of action for her country and trapped by the cruel demands of Realpolitik, can achieve worldly victory only at a terrible moral cost. Culminating in a fictitious meeting of the two women, Mary Stuart is a dramatic meditation on the nature of political power, but also a deeply moving human tragedy that captures the emotional essence of complex events.
Mary Wigman: Modernity And Mary Wigman, 1886--1973 (Routledge Performance Practitioners)
by Mary Anne Santos NewhallThis book considers dancer, teacher, and choreographer Mary Wigman, a leading innovator in Expressionist dance whose radical explorations of movement and dance theory are credited with expanding the scope of dance as a theatrical art. Now reissued, this book combines: a full account of Wigman’s life and work an analysis of her key ideas detailed discussion of her aesthetic theories, including the use of space as an "invisible partner" and the transcendent nature of performance a commentary on her key works, including Hexentanz and The Seven Dances of Life an extensive collection of practical exercises designed to provide an understanding of Wigman’s choreographic principles and her uniquely immersive approach to dance. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.
Mary Wroth and Shakespeare (Routledge Studies in Shakespeare)
by Paul Salzman Marion Wynne-DaviesOver the last twenty five years, scholarship on Early Modern women writers has produced editions and criticisms, both on various groups and individual authors. The work on Mary Wroth has been particularly impressive at integrating her poetry, prose and drama into the canon. This in turn has led to comparative studies that link Wroth to a number of male and female writers, including of course, William Shakespeare. At the same time no single volume has attempted a comprehensive comparative analysis. This book sets out to explore the ways in which Wroth negotiated the discourses that are embedded in the Shakespearean canon in order to develop an understanding of her oeuvre based, not on influence and imitation, but on difference, originality and innovation.
Mary's Garden: An Adaptation of a Nursery Rhyme
by Brooke Harris Xiao Xin Jeffrey B. FuerstA gardening TV show comes to Mary's Garden and gets a pleasant surprise.
Mary's Wedding
by Stephen MassicotteOn the night before her wedding, Mary dreams of a thunderstorm, during which she unexpectedly meets Charlie sheltering in a barn beside his horse. With innocence and humour, the two discover a charming first love. But the year is 1914, and the world is collapsing into a brutal war. Together, they attempt to hide their love, galloping through the fields for a place and time where the tumultuous uncertainties of battle can’t find them. A play with a heart as big as the skies that serve as its stage, Mary’s Wedding is an epic, unforgettable story of love, hope, and survival.
Masculinities and Manhood in Contemporary Irish Drama: Acting the Man
by Cormac O'BrienThis book charts the journey, in terms of both stasis and change, that masculinities and manhood have made in Irish drama, and by extension in the broader culture and society, from the 1960s to the present. Examining a diverse corpus of drama and theatre events, both mainstream and on the fringe, this study critically elaborates a seismic shift in Irish masculinities. This book argues, then, that Irish manhood has shifted from embodying and enacting post-colonial concerns of nationalism and national identity, to performing models of masculinity that are driven and moulded by the political and cultural practices of neoliberal capitalism. Masculinities and Manhood in Contemporary Irish Drama charts this shift through chapters on performing masculinity in plays set in both the Irish Republic and Northern Ireland, and through several chapters that focus on Women’s and Queer drama. It thus takes its readers on a journey: a journey that begins with an overtly patriarchal, nationalist manhood that often made direct comment on the state of the nation, and ultimately arrives at several arguably regressive forms of globalised masculinity, which are couched in misaligned notions of individualism and free-choice and that frequently perceive themselves as being in crisis.
Masculinities and the Contemporary Irish Theatre
by Brian SingletonIrish theatre and its histories appear to be dominated by men and their actions. This book's socially and culturally contextualized analysis of performance over the last two decades, however reveals masculinities that are anything but hegemonic, played out in theatres and other arenas of performance all over Ireland.
Masculinity and Marian Efficacy in Shakespeare's England (Women and Gender in the Early Modern World)
by Ruben EspinosaMasculinity and Marian Efficacy in Shakespeare's England offers a new approach to evaluating the psychological 'loss' of the Virgin Mary in post-Reformation England by illustrating how, in the wake of Mary's demotion, re-inscriptions of her roles and meanings only proliferated, seizing hold of national imagination and resulting in new configurations of masculinity. The author surveys the early modern cultural and literary response to Mary's marginalization, and argues that Shakespeare employs both Roman Catholic and post-Reformation views of Marian strength not only to scrutinize cultural perceptions of masculinity, but also to offer his audience new avenues of exploring both religious and gendered subjectivity. By deploying Mary's symbolic valence to infuse certain characters, and dramatic situations with feminine potency, Espinosa analyzes how Shakespeare draws attention to the Virgin Mary as an alternative to an otherwise unilaterally masculine outlook on salvation and gendered identity formation.
Masculinity, Crime and Self-Defence in Victorian Literature
by Emelyne GodfreyNow in paperback, this book considers crime fighting from the perspective of the civilian city-goer, from the mid-Victorian garotting panics to 1914. It charts the shift from the use of body armour to the adoption of exotic martial arts through the works of popular playwrights and novelists, examining changing ideals of urban, middle-class heroism.
The Mask: A Periodical Performance by Edward Gordon Craig (Contemporary Theatre Studies #Vol. 30.)
by Olga TaxidouNo study of modern theater is complete without a thorough understanding of the enormous influence of visionary genius Edward Gordon Craig. Born in England in 1872, Craig went on to become famous world-wide as an actor, manager, director, playwright, designer, and most importantly an author and theorist, whose books were translated into German, Russian, Japanese, Dutch, Hungarian, and Danish. Although an essential parallel to the European avant-garde, Craig was often read as "exceptional" and highly innovative in his native Britain, thus, The Mask not only appears as Craig's main cosmopolitan project but also at times functions as a surrogate stage for his experiments in theater practice. The book has a comprehensive chronology, extensive notes and a bibliography making it an essential text for undergraduates, postgraduates, actors, theatre professionals, designers, directors, researchers and writers in the fields of theatre studies (especially theater set and lighting) and theater history.
The Mask Handbook: A Practical Guide
by Toby WilsherThis book, from Europe’s leading Mask director and co-founder of the Trestle Theatre Company, provides a fascinating demystification of the process of using masks. Full of simple explanations, and collating over twenty-five years’ experience of writing for, directing and acting in masks, The Mask Handbook examines how masks have the ability to play the fundamental game of theatre – the suspension of disbelief. The Handbook includes: an introduction to the origin of masks advice on preparing, making and using masks tips on writing, devising and directing maskwork lots of fun and effective practical exercises. This accessible and inspiring handbook will empower teachers, directors and actors to fully explore the world of the mask.
Mask Making Techniques: Creating 3-D Characters from 2-D Designs for Theatre, Cosplay, Film, and TV
by Mary C. McClungMask Making Techniques: Creating 3-D Characters from 2-D Designs for Theatre, Cosplay, Film, and TV, introduces and demonstrates a variety of mask making materials, techniques, and styles to bring extraordinary characters to life. A foundation reference for mask making and design, the book features over 700 color photos and illustrations of different masks, as well as diagrams of construction and finishing techniques. It provides a wealth of practical information about material options, safety, how to build large- and small-scale masks, how to build armatures for appendages, options for coverings, and finishing techniques. Readers will learn how to use a wide range of materials, including latex, paper and fabric mâché, cold foam, thermoplastics, urethane, ethylene vinyl acetate (EVA) foam, resin, found objects, and organic materials. The book also provides tips on topics such as how to create rigid polyfoam head forms and three different ways to create eyes, as well as step-by-step instructions to construct 13 different masks. Mask Making Techniques is written for intermediate mask makers, students of theatrical mask making, costume crafts, and prop making courses, as well as prop builders, costume designers, and artists who create Halloween and cosplay costumes.
Masks
by Tatiana RuizTwo lives, two paths, interconnected by a stronger power then you can imagine. Could these hearts, hidden behind norms and uncertainty, have the strength they need to reveal themselves in a society that condemns the "different"? Or will they keep their faces hidden in an eternal ball of mistakes. Meet Amélia, Patricia, Lucélia and Halaesia and find out that not everything is what it seems to be. We all wears masks... What is yours?