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The Merchant of Venice
by William ShakespeareVenetian nobleman Antonio stands to lose a pound of flesh when he is unable to repay a loan due to the Jewish moneylender Shylock.
Merchant of Venice (Shakespeare Made Easy)
by William ShakespeareHere are the books that help teach Shakespeare plays without the teacher constantly needing to explain and define Elizabethan terms, slang, and other ways of expression that are different from our own. Each play is presented with Shakespeare's original lines on each left-hand page, and a modern, easy-to-understand "translation" on the facing right-hand page. All dramas are complete, with every original Shakespearian line, and a full-length modern rendition of the text. These invaluable teaching-study guides also include: Helpful background information that puts each play in its historical perspective. Discussion questions that teachers can use to spark student class participation, and which students can use as springboards for their own themes and term papers. Fact quizzes, sample examinations, and other features that improve student comprehension of what each play is about.
The Merchant of Venice
by William ShakespeareShakespearean play with two subplots 1) Antonio defaults on a loan from Shylock the Jew, who demands his life as bond 2) Portia must marry the man who passes a test her father arranged.
The Merchant of Venice: With The Extreme Cruelty Of Shylocke The Iew Towards The Saide Merchant, In Cutting An Iust Pound Of His Flesh; And The Obtaining Of Portia, By The Choyse Of Three Caskets (classic Reprint) (Modern Library Classics)
by William ShakespeareANTONIO. In sooth, I know not why I am so sad. It wearies me; you say it wearies you; But how I caught it, found it, or came by it, What stuff 'tis made of, whereof it is born, I am to learn; And such a want-wit sadness makes of me That I have much ado to know myself. SALERIO. Your mind is tossing on the ocean; There where your argosies, with portly sail- Like signiors and rich burghers on the flood, Or as it were the pageants of the sea- Do overpeer the petty traffickers, That curtsy to them, do them reverence, As they fly by them with their woven wings.
The Merchant of Venice: With The Extreme Cruelty Of Shylocke The Iew Towards The Saide Merchant, In Cutting An Iust Pound Of His Flesh; And The Obtaining Of Portia, By The Choyse Of Three Caskets (classic Reprint) (Dover Thrift Editions: Plays)
by William ShakespeareThe Merchant of Venice is an intriguing drama of love, greed, and revenge. At its heart, the play contrasts the characters of the maddened and vengeful Shylock, a Venetian moneylender, with the gracious, level-headed Portia, a wealthy young woman besieged by suitors. At the play's climax, Shylock insists on the enforcement of a binding contract that will cost the life of the merchant Antonio -- inciting Portia to mount a memorable defense.In this richly plotted drama, Shylock, whom Shakespeare endowed with all of the depth and vitality of his greatest characters, is not alone in his villainy. In scene after scene, a large cast of ambitious and scheming characters demonstrates that honesty is a quality often strained where matters of love and money are concerned.The gravity and suspense of the play's central plot, together with its romance, have made The Merchant of Venice a favorite of audiences, and one of the most studied and performed of Shakespeare's plays. It is reprinted here from an authoritative text, complete with explanatory footnotes.
The Merchant of Venice: With The Extreme Cruelty Of Shylocke The Iew Towards The Saide Merchant, In Cutting An Iust Pound Of His Flesh; And The Obtaining Of Portia, By The Choyse Of Three Caskets (classic Reprint) (First Avenue Classics ™)
by William ShakespeareIn order to win the wealthy Portia's hand in marriage, Bassanio thinks he needs money to impress her. He goes to his friend Antonio for help, but Antonio's money is tied up in ships. Antonio brings him to Shylock, a Jewish moneylender. Shylock despises Antonio but agrees to lend Bassanio 3,000 ducats without interest...on one condition: that Antonio surrender a pound of flesh if Bassanio can't repay the loan. Set in Venice, this play addresses the problems that come from acting for one's own benefit, instead of out of love for others. This is an unabridged version of playwright William Shakespeare's dark comedy, first published in England in 1600.
The Merchant of Venice
by William Shakespeare'The man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul' John DrydenAntonio, a Venetian merchant, wishes to help his friend get money to impress a rich heiress. But he is forced to borrow the sum from a cynical, abused Jewish moneylender, Shylock, and signs a chilling contract to honour the debt with a pound of his own flesh. An ambiguous, complex and controversial comedy, The Merchant of Venice explores prejudice, marriage, money and the true nature of justice in an unforgiving world.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by W. Moelwyn Merchant Introduction by Peter Holland
The Merchant of Venice
by William ShakespeareANTONIO. In sooth, I know not why I am so sad. It wearies me; you say it wearies you; But how I caught it, found it, or came by it, What stuff 'tis made of, whereof it is born, I am to learn; And such a want-wit sadness makes of me That I have much ado to know myself. SALERIO. Your mind is tossing on the ocean; There where your argosies, with portly sail- Like signiors and rich burghers on the flood, Or as it were the pageants of the sea- Do overpeer the petty traffickers, That curtsy to them, do them reverence, As they fly by them with their woven wings.
The Merchant of Venice
by William Shakespeare David Bevington David Scott KastanThis is one of Shakespeare's darkest comedies, for the romantic story of a young man, Bassanio, who has squandered his fortune and must borrow money to woo the wealthy lady he loves is set against the more disturbing story of the Jewish moneylender Shylock and his demand for the "pound of flesh" owed him by the Venetian merchant, Antonio. Here pathos and farce combine with moral complexity and romantic entanglement to display the extraordinary power and range of Shakespeare at his best.Each Edition Includes:* Comprehensive explanatory notes * Vivid introductions and the most up-to-date scholarship * Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English* Completely updated, detailed bibliographies and performance histories * An interpretive essay on film adaptations of the play, along with an extensive filmography.
The Merchant of Venice
by William Shakespeare Stephen Orgel A. R. BraunmullerThe acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. From the Trade Paperback edition.
The Merchant of Venice: Critical Essays (Shakespearean Criticism)
by Thomas WheelerOriginally published in 1991. Essays here are arranged chronologically within sections: ‘The Play as Text’, ‘Shylock’ and ‘The Play in the Theatre.’ Collecting previously published important commentaries and scholarly articles, this volume in the Shakespearean Criticism set looks at one of the Bard’s most disturbing plays. These historical critical pieces give witness to the changing attitudes to the play and the characters and provide readers with a wide range of material relating both to performances and to textual readings.
The Merchant of Venice (Folger Shakespeare Library)
by William Shakespeare Barbara A. Mowat Paul WerstineFolger Shakespeare Library The world's leading center for Shakespeare studies Each edition includes: Freshly edited text based on the best early printed version of the play Full explanatory notes conveniently placed on pages facing the text of the play Scene-by-scene plot summaries A key to famous lines and phrases An introduction to reading Shakespeare's language An essay by an outstanding scholar providing a modern perspective on the play Illustrations from the Folger Shakespeare Library's vast holdings of rare books Essay by Alexander Leggatt The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs.
The Merchant of Venice (The New Cambridge Shakespeare)
by William Shakespeare M. M. MahoodCharles Edelman focuses on the play's sexual politics and recent scholarship devoted to the position of Jews in Shakespeare's time in this new edition. He surveys the international scope of theatrical interpretations of The Merchant in the 1980s and 1990s as well as different ways of tackling the troubling figure of Shylock. First Edition Hb (1988): 0-521-22156-0 First Edition Pb (1988): 0-521-29371-5
Merely Players?: Actors' Accounts of Performing Shakespeare
by Jonathan HolmesMerely Players? marks a groundbreaking departure in Shakespeare studies by giving direct voice to the Shakespearean performer. It draws on three centuries worth of actors' written reflections on playing Shakespeare and brings together the dual worlds of performance and academia, providing a unique resource for the student and theatre-lover alike.
Merry Christmas Miss Vickers
by Stephen LeviComedy / 3m, 9f or 6m, 6f / Unit set / Ghosts, mystery, time travel and the teacher from your worst nightmare return in this exciting sequel to the popular Good Morning Miss Vickers. Five teens are whisked back to 1910 where the ghostly Miss Vickers intends to give her twelve year old self a Christmas present against the wishes of her demonic father, Black Angus (the last pirate). And after Christmas, Miss Vickers intends to keep her five captive students forever.
The Merry Devil of Edmonton (Globe Quartos)
by AnonymousThe Merry Devil of Edmonton lay unperformed from the early seventeenth century until the 1980s. Dating from around 1604, it was first published in 1608 and was performed at the Globe Theatre by the King's Men. With its scenes of magic, deer poaching, and abduction from a nunnery, The Merry Devil of Edmonton combines romance and comedy in a highly entertaining way, and was a favorite production on the seventeenth century stage.
Merry Widow
by Charles GeorgeOperetta \ 6 m, 12 f w/flexible chorus. \ Int. \ All the world famous songs have been retained, embellished with new lyrics that critics believe to be the best words ever to the Lehar score. There's a new story of a dashing European prince and his romance with a beautiful American widow. The comedy is clever and wholesome and is not difficult to cast or stage.
The Merry Wives of Windsor: The 30-Minute Shakespeare
by Nick NewlinPlanning a school or amateur Shakespeare production? The best way to experience the plays is to perform them, but getting started can be a challenge: The complete plays are too long and complex, while scene selections or simplified language are too limited."The 30-Minute Shakespeare" is a new series of abridgements that tell the "story" of each play from start to finish while keeping the beauty of Shakespeare's language intact. Specific stage directions and character suggestions give even inexperienced actors the tools to perform Shakespeare with confidence, understanding, and fun!This cutting of THE MERRY WIVES OF WINDSOR begins with one of Shakespeare's favorite fat knights, Sir John Falstaff, announcing his intention to woo both Mistress Ford and Mistress Page simultaneously, to the delight of his cohorts Bardolph, Pistol, and Nym, who then decide to double-cross Falstaff. The characters' movements on stage are clearly denoted so that even inexperienced actors can give the scenes life: Robin is nearsighted, Bardolph is a drunk who tries to juggle, and Pistol and Nym are constantly jostling for position. Other key moments include the hilarious wooing of Mistress Ford by Falstaff and the hysterical concealment of Falstaff in the laundry basket. The cutting ends in the woods with Falstaff dressed as a stag, being tormented by fairies for his comeuppance.The edition also includes an essay by editor Nick Newlin on how to produce a Shakespeare play with novice actors, and notes about the original production of this abridgement at the Folger Shakespeare Library's annual Student Shakespeare Festival.
The Merry Wives of Windsor: New Critical Essays (Shakespeare Criticism)
by Phyllis Rackin Evelyn GajowskiThe Merry Wives of Windsor has recently experienced a resurgence of critical interest. At times considered one of Shakespeare’s weaker plays, it is often dismissed or marginalized; however, developments in feminist, ecocritical and new historicist criticism have opened up new perspectives and this collection of 18 essays by top Shakespeare scholars sheds fresh light on the play. The detailed introduction by Phyllis Rackin and Evelyn Gajowski provides a historical survey of the play and ties into an evolving critical and cultural context. The book’s sections look in turn at female community/female agency; theatrical alternatives; social and theatrical contexts; desire/sexuality; nature and performance to provide a contemporary critical analysis of the play.
The Merry Wives of Windsor
by William Shakespeare"The Merchant of Venice" is the story of Antonio, the drama's title character, and his friend Bassanio. Bassanio is in need of money so that he may woo Portia, a wealthy heiress. Bassanio asks Antonio for a loan and Antonio agrees to this loan, however all his money is tied up in shipping ventures. Together the two go to Shylock, a Jewish moneylender, to request a loan for Bassanio to be guaranteed against Antonio's shipping ventures. Shylock agrees to the loan at no interest in the condition that if the debt is not repaid Shylock may collect a pound of Antonio's flesh. At the same time Portia, who is being wooed by various suitors, is upset over a curious stipulation in her father's will regarding the man that she may marry.
The Merry Wives of Windsor
by William ShakespeareMistress Page and Mistress Ford set out to have some fun at the expense of John Falstaff, who courts both in the hopes of securing their fortunes.
The Merry Wives of Windsor: Webster's German Thesaurus Edition (Dover Thrift Editions)
by William ShakespeareAccording to legend, Queen Elizabeth I was so delighted with the character of Sir John Falstaff in Henry IV, Parts I and II, that she commanded Shakespeare to create a romantic comedy depicting the jolly old rogue in love. The obedient playwright responded with The Merry Wives of Windsor, a lively and enduring farce that offers a humorous rebuff to lechery and hypocrisy. Falstaff, whose greed and vanity overwhelm his good sense, determines to seduce a pair of well-to-do country housewives. The portly knight meets his match among the gentlewomen of Windsor, however, who counter his every stratagem with witty maneuvers of their own that expose Sir John's tomfoolery to public mirth. Familiar Shakespearean themes and devices -- romance, jealousy, disguises, and mistaken identities -- enrich the plot, along with a sparkling cast of supporting characters, including rival wooers, informers, and witty go-betweens.This madcap romp has been a favorite of readers and playgoers for over 400 years. Students, teachers, and all lovers of literature and drama will appreciate this inexpensive edition of an ageless comic gem.
The Merry Wives of Windsor
by William ShakespeareIn need of money, the fat and foolish Falstaff devises a scheme to seduce two married women and steal their husbands' wealth. By talking to each other, however, the wives soon discover his plan and begin to plot their own revenge. Relentlessly inventive, this comic humiliation of a foolish would-be seducer is a lively, compelling and ultimately joyous celebration of the all-conquering power of laughter.This book includes a general introduction to Shakespeare's life and the Elizabethan theatre, a separate introduction to Merry Wives of Windsor, a chronology, suggestions for further reading, an essay discussing performance options on both stage and screen, and a commentary.
The Merry Wives of Windsor (Modern Library Classics)
by William Shakespeare Jonathan Bate Eric Rasmussen"Why, then the world's mine oyster."--The Merry Wives of Windsor Eminent Shakespearean scholars Jonathan Bate and Eric Rasmussen provide a fresh new edition of this popular comedy of love, laughter, and merriment--along with more than a hundred pages of exclusive features, including * an original Introduction to The Merry Wives of Windsor* incisive scene-by-scene synopsis and analysis with vital facts about the work* commentary on past and current productions based on interviews with leading directors, actors, and designers* photographs of key RSC productions* an overview of Shakespeare's theatrical career and chronology of his plays Ideal for students, theater professionals, and general readers, these modern and accessible editions from the Royal Shakespeare Company set a new standard in Shakespearean literature for the twenty-first century.From the Trade Paperback edition.
The Merry Wives of Windsor (The Pelican Shakespeare)
by William Shakespeare Russ Mcdonald Stephen Orgel A. R. BraunmullerThe acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.