- Table View
- List View
The Michael Chekhov Handbook: For the Actor
by Lenard PetitThe Michael Chekhov Handbook is a practical guide to Chekhov’s supportive techniques for actors, fully updated with new exercises that examine the relationship between the sensations of the physical body and the imagination. Lenard Petit draws on 25 years of teaching experience to unlock and illuminate Michael Chekhov’s philosophy, and offers guiding principles and effective tools that actors can apply in rehearsal and performance. The second edition focuses on the building blocks of drama and an exploration of the five senses as an expressive springboard, with a new section on the function of the Archetype in the Chekhov method. Theory and practice are treated here with clarity and simplicity. Dedicated to students and teachers of acting, The Michael Chekhov Handbook provides readers with the essential tools they need to put the rewarding principles of this technique into use.
Michel and Ti-Jean
by George RideoutIn this probing character study, Rideout fashions a hypothetical 1969 meeting in a bar in St. Petersburg, Florida, between Quebec playwright Michel Tremblay and an individual whom he believes to be a truly great writer - beat generation author Jack Kerouac, whose Francophone mother affectionately called him Ti-Jean. At the time of their meeting, Kerouac is forty-seven years old and only months away from death, destroyed by drink in an attempt to live up to the wild image of the "beatnik" stereotype he coined in his novel On the Road. Michel Tremblay is twenty-seven and his first widely produced play, Les Belles Soeurs, has premiered a year before.As he encounters his writing idol, the younger man must break through the older man's emotional barriers to establish common ground. Ultimately, Kerouac's Québécois background helps Tremblay understand his work, recognize the role religion takes, and the place women play in his psyche, as stated metaphorically in the various female characters who populate Les Belles Soeurs.
Michel-Jean Sedaine: Theatre, Opera and Art (Routledge Revivals)
by David Charlton Mark LedburyOriginally published in 2000, this book highlights the interst Sedaine's life and work is now, belatedly, provoking in many scholarly disciplines. If Sedaine speaks today to literary history, theatre history and opera studies, it is because he possessed a multivalent vision, one which accounts for both his past neglect and is present rediscovery. Like many others, he believed that the established, 'official' genres needed to be reformed; unlike many, he made it his business to transform the actual language and operation of the theatre arts he practised. Until late eighteenth-century opera and drama in France become better understood, Sedaine's immense importance for the development of Romantic opera and theatre risks remaining generally concealed; to reveal something of this importance is one main reason for publishing the present volume. This book includes chapters on Sedaine and the question of genre, the representation of the female in the dramas of Sedaine, and the words, gestures and other signs in the era of Sedaine.
Michigan's Drive-In Theaters
by Harry SkrdlaFew American phenomena are more evocative of time, place, and culture than the drive-in theater. From its origins in the Great Depression, through its peak in the 1950s and 1960s and ultimately its slow demise in the 1980s, the drive-in holds a unique place in the country's collective past. Michigan's drive-ins were a reflection of this time and place, ranging from tiny rural 200-car "ozoners" to sprawling 2,500-car behemoths that were masterpieces of showmanship, boasting not only movies and food, but playgrounds, pony rides, merry-go-rounds, and even roving window washers.
Microdramas: Crucibles for Theater and Time
by John H. MuseIn Microdramas, John H. Muse argues that plays shorter than twenty minutes deserve sustained attention, and that brevity should be considered a distinct mode of theatrical practice. Focusing on artists for whom brevity became both a structural principle and a tool to investigate theater itself (August Strindberg, Maurice Maeterlinck, F. T. Marinetti, Samuel Beckett, Suzan-Lori Parks, and Caryl Churchill), the book explores four episodes in the history of very short theater, all characterized by the self-conscious embrace of brevity. The story moves from the birth of the modernist microdrama in French little theaters in the 1880s, to the explicit worship of speed in Italian Futurist synthetic theater, to Samuel Beckett’s often-misunderstood short plays, and finally to a range of contemporary playwrights whose long compilations of shorts offer a new take on momentary theater. Subjecting short plays to extended scrutiny upends assumptions about brief or minimal art, and about theatrical experience. The book shows that short performances often demand greater attention from audiences than plays that unfold more predictably. Microdramas put pressure on preconceptions about which aspects of theater might be fundamental and about what might qualify as an event. In the process, they suggest answers to crucial questions about time, spectatorship, and significance.
Midas and the Donkey Ears: A Play [Approaching Level, Grade 3]
by Elizabeth BreretonNIMAC-sourced textbook
Middle of the Night
by Paddy ChayefskyDrama / Characters: 3 male, 8 femaleScenery: Interior. Edward G. Robinson starred on Broadway with Gena Rowlands in this May-December romance. He is an over-50 dress manufacturer and she a 20-ish young bride. When they meet and begin an affair, their love creates a dynamic fissure among the respective families as the 'real world' looks on in disapproval.
Middle School's a Drag, You Better Werk!
by Greg HowardIn this heartfelt and hilarious new novel from Greg Howard, an enterprising boy starts his own junior talent agency and signs a thirteen-year-old aspiring drag queen as his first client.Twelve-year-old Mikey Pruitt--president, founder, and CEO of Anything, Inc.--has always been an entrepreneur at heart. Inspired by his grandfather Pap Pruitt, who successfully ran all sorts of businesses from a car wash to a roadside peanut stand, Mikey is still looking for his million-dollar idea. Unfortunately, most of his ideas so far have failed. A baby tornado ran off with his general store, and the kids in his neighborhood never did come back for their second croquet lesson. But Mikey is determined to keep at it.It isn't until kid drag queen Coco Caliente, Mistress of Madness and Mayhem (aka eighth grader Julian Vasquez) walks into his office (aka his family's storage/laundry room) looking for an agent that Mikey thinks he's finally found his million-dollar idea, and the Anything Talent and Pizzazz Agency is born!Soon, Mikey has a whole roster of kid clients looking to hit it big or at least win the middle school talent show's hundred-dollar prize. As newly out Mikey prepares Julian for the gig of a lifetime, he realizes there's no rulebook for being gay--and if Julian can be openly gay at school, maybe Mikey can, too, and tell his crush, dreamy Colton Sanford, how he feels.Full of laughs, sass, and hijinks, this hilarious, heartfelt story shows that with a little effort and a lot of love, anything is possible.
Middleton and Rowley
by David NicolCan the inadvertent clashes between collaborators produce more powerful effects than their concordances? For Thomas Middleton and William Rowley, the playwriting team best known for their tragedy The Changeling, disagreements and friction proved quite beneficial for their work.This first full-length study of Middleton and Rowley uses their plays to propose a new model for the study of collaborative authorship in early modern English drama. David Nicol highlights the diverse forms of collaborative relationships that factor into a play's meaning, including playwrights, actors, companies, playhouses, and patrons. This kaleidoscopic approach, which views the plays from all these perspectives, throws new light on the Middleton-Rowley oeuvre and on early modern dramatic collaboration as a whole.
Middleton and Time: Clocks, Calendars, and Temporality
by Eric DunnumA great deal has been written about early modern temporality, both by scholars of Renaissance drama and historians of chronometry. Much of the former has focused, unsurprisingly, on Shakespeare. This book seeks to broaden the discussion of temporality and the early modern stage by focusing on “our other Shakespeare” – Thomas Middleton, a writer preoccupied with issues of time, chronometry, and temporality. In this first book length study of Middleton’s portrayal of time, his representations of clocks and calendars are explored as a way of understanding early modern time consciousness. Middleton, more than any other playwright of his era, was aware of the alienating qualities of these chronometric devices and showed how the subject’s experience of time was influenced by them, while also demonstrating how choices in chronometry were influenced by gender, class and religious identity. As a result, his texts explore the complex intersections between sexuality, economic systems, and temporality in the early modern world.
Middletown
by Will Eno"Will Eno is an original, a maverick wordsmith whose weird, wry dramas gurgle with the grim humor and pain of life."-GuardianA moving and funny new play exploring the universe of a small American town. As a friendship develops between longtime resident John Dodge and new arrival Mary Swanson, the lives of the inhabitants of Middletown intersect in strange and poignant ways in a journey that takes them from the local library to outer space and points between.
Midnight Champagne: A Novel
by A. Manette AnsayApril Liesgang and Caleb Shannon have known each other for just three short months, so their Valentine's Day wedding at a chapel near the shores of Lake Michigan has both families in an uproar. As the festivities unfold (and the cash bar opens), everyone has an opinion and a lively prediction about April and Caleb's union, each the reflection of a different marital experience.Meanwhile, at the nearby Hideaway Lodge, a domestic quarrel ends in tragedy. As April and Caleb's life together begins, death parts another man and woman in angry violence—and as the two stories gradually intersect, their juxtaposition explores the tangled roots of vulnerability and desire.By the time the last polka has been danced and the bouquet tossed, Midnight Champagne has cast an extraordinary spell. From the novel's opening epigraph from Chekhov—"If you fear loneliness, then marriage is not for you"—to its final moments in the honeymoon suite, A. Manette Ansay weaves tenderness and fury, passion and wonder into a startling tapestry of love in all its paradox and power.
Midnight's Children (dramatization)
by Salman Rushdie Simon Reade Tim SuppleMidnight's Children tells three main tales: the turbulent history of twentieth-century India, Pakistan and Bangladesh; the saga of a Muslim family; and the story of one man, Saleem Sinai. This is a play based on the book.
A Midsummer Night's Dork (Dork #3)
by Carol GormanWhile preparing for his school's Shakespeare fundraiser, dorky Jerry Flack goes head to head with the school bullyJerry Flack's first order of business as the new sixth-grade class president? Raising money to help make Hawthorne Middle School the coolest, starting with an Elizabethan fundraising festival to coincide with the class reading of Shakespeare's A Midsummer Night's Dream. There's just one problem: As class president, Jerry is going to have to make a speech in front of everybody to kick off the event. What's worse, class bully Craig Fox will see to it that Jerry embarrasses himself during his big moment. What's a dorky class president to do?With a lot of hard work and a little bit of help from his best friends, Jerry is determined to make this event a success. Can he rise to the occasion and show Craig that the school's biggest dork can organize the coolest Shakespeare festival ever?
A Midsummer Night's Dream (Cambridge School Shakespeare Ser.)
by Linda Buckle Rex Gibson Vicki Wienand Richard Andrews William ShakespeareAn improved, larger-format edition of the Cambridge School Shakespeare plays, extensively rewritten, expanded and produced in an attractive new design. An active approach to classroom Shakespeare enables students to inhabit Shakespeare's imaginative world in accessible and creative ways. Students are encouraged to share Shakespeare's love of language, interest in character and sense of theatre. Substantially revised and extended in full colour, classroom activities are thematically organised in distinctive 'Stagecraft', 'Write about it', 'Language in the play', 'Characters' and 'Themes' features. Extended glossaries are aligned with the play text for easy reference. Expanded endnotes include extensive essay-writing guidance for 'A Midsummer Night's Dream' and Shakespeare. Includes rich, exciting colour photos of performances of 'A Midsummer Night's Dream' from around the world.
A Midsummer Night's Dream: The 30-Minute Shakespeare
by Nick NewlinPlanning a school or amateur Shakespeare production? The best way to experience the plays is to perform them, but getting started can be a challenge: The complete plays are too long and complex, while scene selections or simplified language are too limited."The 30-Minute Shakespeare" is a new series of abridgements that tell the "story" of each play from start to finish while keeping the beauty of Shakespeare's language intact. Specific stage directions and character suggestions give even inexperienced actors the tools to perform Shakespeare with confidence, understanding, and fun!This cutting focuses on three ridiculously funny and vibrant scenes from A MIDSUMMER NIGHT'S DREAM. The first scene starts with Puck mistakenly anointing the eyes of the wrong lovers with love potion, leading to a madcap chase scene between Helena, Lysander, Hermia, and Demetrius. Scene two features Bottom's magical transformation to an ass, always an audience favorite. The final scene is the classic play within a play, where the "Rude Mechanicals" act out with "tragical mirth" the story of Pyramus and Thisbe, with specific comic suggestions for the characters, including Lion chasing Thisbe into the audience!The edition also includes an essay by editor Nick Newlin on how to produce a Shakespeare play with novice actors, and notes about the original production of this abridgement at the Folger Shakespeare Library's annual Student Shakespeare Festival.
A Midsummer Night's Dream
by Stephen Orgel Russ Mcdonald William Shakespeare A. R. Braunmuller"I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation." (Patrick Stewart) The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged. Each volume features: * Authoritative, reliable texts * High quality introductions and notes * New, more readable trade trim size * An essay on the theatrical world of Shakespeare and essays on Shakespeare's life and the selection of texts
A Midsummer Night's Dream (No Fear Shakespeare)
by ShakespeareThe complete text of the original play, A line-by-line translation that puts the words into everyday language, A complete list of characters, with descriptions, Plenty of helpful commentary."
A Midsummer Night's Dream (Shakespeare made easy Series)
by Alan Durband ShakespearePresents the original text of Shakespeare's play side by side with a modern version, discusses the author and the theater of his time, and provides quizzes and other study activities.
A Midsummer Night's Dream
by William ShakespeareHermia refuses to marry Demetrius because she loves Lysander, and her friend Helena loves Demetrius. The romantic confusion thickens when Puck, a troublesome sprite, interferes. Shakespeare's beloved comedy ends happily after a string of mishaps and mistaken identities have been resolved.
A Midsummer Night's Dream
by William ShakespeareThe fairies of the forest interfere with the lives of mortals attending the wedding feast of Theseus, Duke of Athens, and Hipployta, and the realms of mortals and fairies collide on one magical midsummer night.
A Midsummer Night's Dream: Prestwick House Literary Touchstone Edition
by William ShakespeareWritten in the 1590s'reportedly for a wedding party attended by Queen Elizabeth I?A Midsummer Night's Dream has all the charm of an afternoon frolic in the countryside. Fairies and magical potions add to the delight as love is turned upside down. Shakespeare moves us with the imagery and rhythms of his verse, and we revel in the sharpness of his insight into life, love, and the human condition. Memorable characters abound, playfulness and mischief control the plot, and the play-within-a-play remains one of the great scenes in English comedy. To make A Midsummer Night's Dream more accessible for the modern reader, our Prestwick House Literary Touchstone Edition includes a glossary of the more difficult words, as well as convenient sidebar notes to enlighten the reader on aspects that may be confusing or overlooked. In doing this, it is our intention that the reader may more fully enjoy the beauty of the verse, the wisdom of the insights, and the impact of the play.
A Midsummer Night's Dream: Classics Illustrated
by William ShakespearePerhaps the most popular of all of Shakespeare's comedies, A Midsummer Night's Dream humorously celebrates the vagaries of love. The approaching wedding festivities of Theseus, Duke of Athens, and his bride-to-be, Hippolyta, Queen of the Amazons, are delightfully crisscrossed with in-again, off-again romances of two young pairs of Athenian lovers; a fateful rivalry between the King and Queen of the Fairies; and the theatrical aspirations of a bumbling troupe of Athenian laborers. It all ends happily in wedding-night revelry complete with a play-within-a-play presented by the laborers to the ecstatic amusement of all. This edition, complete with explanatory footnotes, is reprinted from a standard British edition.
Midsummer Night's Dream (Shakespeare Made Easy)
by William ShakespeareA Simon & Schuster eBook. Simon & Schuster has a great book for every reader.
A Midsummer Night's Dream (First Avenue Classics ™)
by William ShakespeareHermia's father has given her a seemingly impossible decision: marry Demetrius, a man she doesn't love, or die. Instead, she decides to take fate into her own hands and run off with her true love, Lysander. Demetrius sets off into the forest to find them, followed by Helena, a young woman smitten with Demetrius, whom he constantly ignores. But the forest is filled with fairies—including the mischievous Puck—whose magic just might spoil everything. This is an unabridged version of William Shakespeare's multilayered comedy, first published in England in 1600.