- Table View
- List View
Oleanna: A Play
by David MametIn David Mamet's latest play, a male college instructor and his female student sit down to discuss her grades and in a terrifyingly short time become the participants in a modern reprise of the Inquisition. Innocuous remarks suddenly turn damning. Socratic dialogue gives way to heated assault. And the relationship between a somewhat fatuous teacher and his seemingly hapless pupil turns into a fiendishly accurate X ray of the mechanisms of power, censorship, and abuse.
Olive And The Bitter Herbs
by Charles BuschComedy / 3m, 2f / Unit Set / Olive Fisher is an elderly character actress whose claim to fame were the iconic "Gimme the Sausage" commercials of the 1980's. She's a classic New York curmudgeon, at war with the world and in particular her next door neighbors. Her closed-off life is shaken by the appearance of a spectral male figure viewed through her living room mirror. A series of strange and outrageous coincidences reveals that the man in the mirror has intimate links to everyone in Olive's world and most revealingly to Olive, encouraging her that it's never too late to change one's life. / "A colorful, sweet-and-sour Busch dish, laced with plenty of laughs." -- The Associated Press
Olive and the Backstage Ghost
by Michelle SchustermanA ghost story with a literary heart for fans of Neil Gaiman’s Coraline and The Graveyard Book. Theater kids and ghost-story readers alike will find new meaning in the term stage fright. All great theaters have their ghosts. . . . After Olive Preiss freezes during a theater camp audition, she flees in despair. She finds herself at Maudeville, a beautiful old theater that she’s never noticed before. She enters, goes onstage, and sings her song. “Thank you for that lovely audition, darling,” comes a voice from the shadows. “I believe I have just the part for you.” Olive is thrilled to work with Maude Devore, the glamorous actress who owns the theater, and her eclectic cast of misfits. Yet gradually there are signs that Maudeville isn’t exactly what it seems. Sometimes—just for a moment!—it feels wrong. As opening day approaches, Olive’s doubts and fears grow. But no matter what, this show must go on . . . and on . . . and on. . . . “Equal parts heart and bone-deep creepiness.” —Claire Legrand, author of The Cavendish Home for Boys and Girls
Olivier
by Philip ZieglerHollywood superstar; Oscar-winning director; greatest stage actor of the twentieth century. The era abounded in great actors - Gielgud, Richardson, Guinness, Burton, O'Toole - but none could challenge Laurence Olivier's range and power. By the 1940s he had achieved international stardom. His affair with Vivien Leigh led to a marriage as glamorous and as tragic as any in Hollywood history. He was as accomplished a director as he was a leading man: his three Shakespearian adaptations are among the most memorable ever filmed. And yet, at the height of his fame, he accepted what was no more than an administrator's wage to become the founding Director of the National Theatre. In 2013 the theatre celebrates its fiftieth anniversary; without Olivier's leadership it would never have achieved the status that it enjoys today. Off-stage, Olivier was the most extravagant of characters: generous, yet almost insanely jealous of those few contemporaries whom he deemed to be his rivals; charming but with a ferocious temper. With access to more than fifty hours of candid, unpublished interviews, Philip Ziegler ensures that Olivier's true character - at its most undisguised - shines through as never before.
Olivier
by Philip ZieglerHollywood superstar; Oscar-winning director; greatest stage actor of the twentieth century. The era abounded in great actors - Gielgud, Richardson, Guinness, Burton, O'Toole - but none could challenge Laurence Olivier's range and power. By the 1940s he had achieved international stardom. His affair with Vivien Leigh led to a marriage as glamorous and as tragic as any in Hollywood history. He was as accomplished a director as he was a leading man: his three Shakespearian adaptations are among the most memorable ever filmed. And yet, at the height of his fame, he accepted what was no more than an administrator's wage to become the founding Director of the National Theatre. In 2013 the theatre celebrates its fiftieth anniversary; without Olivier's leadership it would never have achieved the status that it enjoys today. Off-stage, Olivier was the most extravagant of characters: generous, yet almost insanely jealous of those few contemporaries whom he deemed to be his rivals; charming but with a ferocious temper. With access to more than fifty hours of candid, unpublished interviews, Philip Ziegler ensures that Olivier's true character - at its most undisguised - shines through as never before.
Olympia
by VoltaireYet it is too soon. When I possess the crown, your faithful eyes Shall be the witnesses of all my deeds. Stay in this porch, the priestesses to-day Present Olympia to the powers divine: This day in secret she must expiate, Sins which are even to herself unknown. This day a better life I shall begin. O! dear Olympia, may you never know The heinous crime that's hardly yet effaced, To whom your birth you owe, what blood I've shed. Wilder Publications is a green publisher. All of our books are printed to order. This reduces waste and helps us keep prices low while greatly reducing our impact on the environment.
On a First Name Basis
by Norm FosterDavid, a successful novelist with writer's block, has received some devastating news he's kept to himself. Lucy, his housekeeper of twenty-eight years, has her own secret that she's afraid to admit. As Lucy is getting ready to end her shift, David invites her to stay and have a drink, curious about the woman who's been tending to his house all these years. But as the night sets in and the drinks start to flow, secrets reveal themselves, for better or worse.
On Angels and Devils and Stages Between: Contemporary Lives in Contemporary Dance (Choreography and Dance Studies Series #Vol. 19)
by David WoodFirst published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
On Cue (Orca Currents)
by Cristy WatsonIn this high-interest novel for young readers, fourteen-year-old Randi has to balance theater studies with caring for her brother with autism.
On Directing and Dramaturgy: Burning the House
by Eugenio Barba"A theatre which is able to speak to each spectator in a different and penetrating language is not a fantastic idea, nor a utopia. This is the theatre for which many of us, directors and leaders of groups, trained for a long time....." - from the Introduction On Directing is Eugenio Barba's unprecedented account of his own life and work. This is a major retrospective of Barba's working methods, his practical techniques, and the life experiences which fed directly into his theatre-making. On Directing is an inspirational resource. It is a dramaturgy of dramaturgies, and a professional autobiography, from one of the most significant and influential directors and theorists working today. It provides unique insights into a philosophy and practice of directing for the beginning student, the experienced practitioner, and everyone in between.
On Directing Film
by David MametCalling on his unique perspective as playwright, screenwriter, and director of his own critically acclaimed movies like House of Games, State and Main, and Things Change, David Mamet illuminates how a film comes to be. He looks at every aspect of directing—from script to cutting room—to show the many tasks directors undertake in reaching their prime objective: presenting a story that will be understood by the audience and has the power to be both surprising and inevitable at the same time. Based on a series of classes Mamet taught at Columbia University's film school, On Directing Film will be indispensible not only to students but to anyone interested in an overview of the craft of filmmaking. "Passion, clarity, commitment, intelligence—just what one would expect from Mamet." —Sidney Lumet, Academy Award-nominated director of 12 Angry Men, Dog Day Afternoon, Network, and The Verdict
On Directing Shakespeare (Routledge Library Editions: Shakespeare in Performance)
by Ralph BerryFor producers and directors planning a production, several questions inevitably arise: Which play is appropriate for the contemporary audience? Should the text and setting be altered? Twelve leading contemporary directors answer these questions in interviews in this book and shed light on what Shakespeare means to them and to their audiences. Originally published in 1977.
On Ecstasy
by Barrie Kosky'My polish grandmother made a chicken soup like no other chicken soup. To this day, it has, to my knowledge and experience, never been bettered ... Her chicken soup was the Caravaggio of soups. The Rainer Marie Rilke of soups. The Arturo Benedetti Michelangeli of soups.'A compelling and entertaining stoyteller, Barrie Kosky explores the feelings of intense joy and delight, as well as the power and terror that is ecstasy.
On Edge: Performance at the End of the Twentieth Century
by C. CarrThrough her engaged and articulate essays in the Village Voice, C. Carr has emerged as the cultural historian of the New York underground and the foremost critic of performance art. On Edge brings together her writings to offer a detailed and insightful history of this vibrant brand of theatre from the late 70s to today. It represents both Carr's analysis as a critic and her testament as a witness to performances which, by their very nature, can never be repeated.Carr has organized this collection both chronologically and thematically, ranging from the emphasis on bodily manipulation/endurance in the 70s to the underground club scene in New York to an insider's analysis of the Tompkins Square Riot as a manifestation of the cultural and social conflicts that underlie much of performance art. She examines the transgressive and taboo-shattering work of Ethyl Eichelberger, Karen Finley, and Holly Hughes; documents specific performances by Annie Sprinkle and Lydia Lunch; and maps the development of such artists as Robbie McCauley, Blue Man Group, and John Jesurun. She also describes the "cross-over" phenomenon of the mid-80s and considers the far-right backlash against this mainstreaming as cultural reactionaries sought to curb the influence of these new artists.CONTRIBUTORS: Linda Montano, Chris Burden, G.G Allin, Jean Baudrillard, Patty Hearts, Dan Quayle, Anne Magnouson, John Jesurun, John Kelly, Shu Lea Changvv, Diamanda Galas, Salley May, Rafael Mantanez Ortiz, Sherman Fleming, Kristine Stiles, Laurie Carlos, Jessica Hafedorn, Robbie McCormick, Karen Finley, Poopo Shiraishi, Donna Henes, Holey Hughe, Ela Troyano, Michael Smith, Harry Koipper, John Sex, Nina Jagen, Ethyl Eichelberge, Marina Abramovic, Ulay.Ebook Edition Note: All illustrations have been redacted from the ebook edition.
On Further Reflection: 60 Years of Writing
by Jonathan MillerA selection of his best writing from the last six decades and compiled for the first time, On Further Reflection is a showcase of Jonathan Miller's distinguished thoughts on art, science, and many topics in between. Actor, doctor, sculptor, TV personality, director of both film and opera--Sir Jonathan Miller's career covers a vast range of artistic endeavors and intellectual pursuits. Common amongst all of these trades, though, is Miller's exceptional talent for writing about them. Because his work has been published in locations as numerous and diverse as his interests, On Further Reflection is the necessary gathering-together of excerpts from Miller's best and most memorable pieces from the last six decades, and serves as a staggering indicator of the depth and variety of his preoccupations. The collection features his writing on mesmerism and neurology, art history and drama; it contains thoughts on how we interact with our own bodies, and how television changed in the wake of the Kennedy assassination. For each extract he provides a small introduction, placing the writing in the context of his work in the arts and sciences. Miller casts light on many oft-overlooked aspects of the world, and reminds us with his trademark wit and perception that to this day he is a unique presence on the cultural scene. A celebration of one of our finest minds, On Further Reflection brings together the best of Jonathan Miller for the first time in one collection.
On Further Reflection: 60 Years of Writing
by Jonathan MillerA selection of his best writing from the last six decades and compiled for the first time, On Further Reflection is a showcase of Jonathan Miller's distinguished thoughts on art, science, and many topics in between. Actor, doctor, sculptor, TV personality, director of both film and opera—Sir Jonathan Miller's career covers a vast range of artistic endeavors and intellectual pursuits. Common amongst all of these trades, though, is Miller’s exceptional talent for writing about them. Because his work has been published in locations as numerous and diverse as his interests, On Further Reflection is the necessary gathering-together of excerpts from Miller’s best and most memorable pieces from the last six decades, and serves as a staggering indicator of the depth and variety of his preoccupations. The collection features his writing on mesmerism and neurology, art history and drama; it contains thoughts on how we interact with our own bodies, and how television changed in the wake of the Kennedy assassination. For each extract he provides a small introduction, placing the writing in the context of his work in the arts and sciences. Miller casts light on many oft-overlooked aspects of the world, and reminds us with his trademark wit and perception that to this day he is a unique presence on the cultural scene. A celebration of one of our finest minds, On Further Reflection brings together the best of Jonathan Miller for the first time in one collection.
On Hamlet
by Salvador MadariagaPublished in the year 1964, On Hamlet is a valuable contribution to the field of Performance.
"On My Way": The Untold Story of Rouben Mamoulian, George Gershwin, and Porgy and Bess
by Joseph HorowitzA revelatory history of the operatic masterpiece that both made and destroyed Rouben Mamoulian, its director and unsung hero. "Bring my goat!" Porgy exclaims in the final scene of Gershwin's opera Porgy and Bess. Bess, whom he loves, has left for New York City, and he's determined to find her. When his request is met with astonishment--New York is a great distance from South Carolina's Catfish Row--Porgy remains undaunted. He mounts his goat-cart and leads the community in an ecstatic finale, "Oh Lawd, I'm on my way." Stephen Sondheim has called "Bring my goat!" "one of the most moving moments in musical theater history." For years it was assumed that DuBose Heyward--the author of the seminal novella and subsequent play, Porgy, and later the librettist for the opera Porgy and Bess--penned this historic line. In fact, both it and "Oh Lawd, I'm on my way" were added to the play eight years earlier by that production's unheralded architect: Rouben Mamoulian. Porgy and Bess as we know it would not exist without the contributions of this master director. Culling new information from the recently opened Mamoulian Archives at the Library of Congress, award-winning author Joseph Horowitz shows that, more than anyone else, Mamoulian took Heyward's vignette of a regional African-American subculture and transformed it into an epic theater work, a universal parable of suffering and redemption. Part biography, part revelatory history, "On My Way" re-creates Mamoulian's visionary style on stage and screen, his collaboration with George Gershwin, and the genesis of the opera that changed the face of American musical life.
On Power
by William ShakespeareThese are Shakespeare's greatest writings on power in all its forms - in love, in war, in politics and in the family. From Macbeth's vaulting ambition to Richard II's fragile grip on authority, from the violent rivalries of King Lear to the exquisite poetry of the love sonnets, these pieces show, with philosophical subtlety and psychological acuity, how we manipulate and dominate each other.Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.
On Stage (Fountas & Pinnell LLI Red #Level Q)
by Karen BaickerMonkeying around Jayne loved being part of the class play. But a classmate's teasing just might spoil her fun. If she doesn't figure out how to stop him, she's just gonna go ape!
On Stage: Theater Games and Activities for Kids
by Lisa Bany-WintersLights, camera, play! With this second edition of On Stage: Theater Games and Activities for Kids, budding thespians will have fun under the footlights as they choose from more than 125 theater games that spark creativity, boost confidence, and encourage collaboration. They'll learn all about how to make a stage performance great with improvisational games such as Freeze, Party Quirks, the Yes Game, and Gibberish; they'll make puppets, discover makeup secrets, and design and build a set. This revised and expanded edition features 35 new improvisational games and ready-to-use monologues, scenes, and short plays. Whether playing alone or in a group, everyone can have theater fun with On Stage!
On the Art of the No Drama: The Major Treatises of Zeami (Princeton Library of Asian Translations #158)
by J. Thomas Rimer Yamazaki MasakazuThis annotated translation is the first systematic rendering into any Western language of the nine major treatises on the art of the Japanese No theater by Zeami Motokivo (1363-1443). Zeami, who transformed the No from a country entertainment into a vehicle for profound theatrical and philosophical experience, was a brilliant actor himself, and his treatises touch on every aspect of the theater of his time. His theories, mixing philosophical and practical insights, often seem strikingly contemporary. Since their discovery early in this century. these secret treatises have been considered among the most valuable and representative documents in the history of Japanese aesthetics. They discuss subjects from the art of the playwright to the reciprocal nature of the relationship between performer and audience.
On the Art of the Theatre
by Edward Gordon CraigFirst published in 1911, On the Art of the Theatre remains one of the seminal texts of theatre theory and practice. Actor, director, designer and pioneering theorist, Edward Gordon Craig was one of twentieth century theatre’s great modernisers. Here, he is eloquent and entertaining in expounding his views on the theatre; a crucial and prescient contribution that retains its relevance almost a century later. This reissue contains a wealth of new features: a specially written Introduction and notes from editor Franc Chamberlain an updated bibliography further reading. Controversial and original, On the Art of the Theatre stands as one of the most influential books on theatre of the twentieth century.
On the Open Road
by Steve TesichComic drama / 4m, 1m child, 1f child / Unit set / While fleeing a civil war, Al comes across Angel trussed up and waiting to be hung. Al is pulling a cart loaded with art treasures he has salvaged from bombed out churches and museums. He hopes to barter his way into The Land of the Free with them, but the cart has become too heavy for Al to pull. He rescues the brutish Angel to help. On the open road Al teaches Angel about literature, music and art history so that he will make a good citizen. When they reach the border, they are told they must execute a troublemaker named Jesus Christ to earn their freedom. He has been severely tortured and is catatonic, though he can still play the cello beautifully. Angel and Al are unable to do the deed so the monk in charge takes care of it and has them crucified.
On the Other Side of the Fence
by Andrea GreenMusical / On the Other Side of the Fence is a story about two farms separated by a big, strong fence. The fence was put up because of a long standing feud between Farmer Franklin and Farmer Fred. Because of their differences, they have forbidden the animals on their individual farms to have anything to do with the animals on the other side. One day over by the fence, the two pigs, Ham and Bacon, develop a special friendship. The farmers warn them that this is unacceptable, but the pigs and many of the animals wonder why this has to be. The animals look to each other for answers. Finally, out of desperation, Ham and Bacon escape their farms together. The animals on both sides of the fence are saddened by their absence and discover, in their shared concern, that they share many of the same feelings. The animals prevail upon the farmers to end their feud and make peace with one another. A vote is taken and unanimously the decision is made to ''take the fence away." The farmers begin to see each other in a new way -- the animals are jubilant -- the pigs return -- and acceptance, friendship and understanding are the result.