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Networked Music Performance: Theory and Applications

by Miriam Iorwerth

Networked Music Performance (NMP) is the essential guide to both playing music online and ensemble music through networks. Offering a range of case studies, from highly technical solutions to inclusive community projects, this book provides inspiration to musicians to try NMP whatever their level of technical expertise. Drawing upon recent research to examine the background and history of the practice as well as specific practical approaches, technical and musical considerations are included for readers, as are ideas around accessibility and creativity. Accessibility is considered in the context of the opportunities that NMP gives to musicians working remotely, as well as some of the barriers to participation in NMP and how these can be overcome. Synchronous and asynchronous approaches to NMP are explored in detail, examining the technical and musical affordances and challenges of working remotely for musicians. Networked Music Performance will appeal to music and music technology students as well as professional musicians and technicians who have started working online and wish to improve their practice. As NMP in the context of music education and community music are also explored, this book supplies educators and community leaders with knowledge and practical guidance on how to move their practice online.

Networking Print in Shakespeare’s England: Influence, Agency, and Revolutionary Change (Stanford Text Technologies)

by Blaine Greteman

In Networking Print in Shakespeare's England, Blaine Greteman uses new analytical tools to examine early English print networks and the systemic changes that reshaped early modern literature, thought, and politics. In early modern England, printed books were a technology that connected people—not only readers and writers, but an increasingly expansive community of printers, publishers, and booksellers—in new ways. By pairing the methods of network analysis with newly available digital archives, Greteman aims to change the way we usually talk about authorship, publication, and print. As Greteman reveals, network analysis of the nearly 500,000 books printed in England before 1800 makes it possible to speak once again of a "print revolution," identifying a sudden tipping point at which the early modern print network became a small world where information could spread in new and powerful ways. Along with providing new insights into canonical literary figures like Milton and Shakespeare, data analysis also uncovers the hidden histories of key figures in this transformation who have been virtually ignored. Both a primer on the power of network analysis and a critical intervention in early modern studies, the book is ultimately an extended meditation on agency and the complexity of action in context.

Neva: English/Spanish

by Guillermo Calderón Andrea Thome

"Guillermo Calderón is an authentic genius of the theater . . . you can't say you've heard or seen any of it before, which may make you want to hear and see it again."--The New Yorker"Neva's neobrutalist punch demonstrates . . . the enduring power of art."--Time Out New York"Brilliant and provocative."--TheatreMania"A lovely, disturbing drama . . . Calderón's drama is Chekhovian in the best sense."--The Village VoiceThis politically charged, haunting yet humorous meditation on theater and the revolutionary impulse tells the story of three actors, including Anton Chekhov's widow, who gather to rehearse scenes from The Cherry Orchard as Russia faces an impending revolution. A savage examination of the relationship between theater and historical context, Neva is the author's first play, which he directed for its English language premiere at the Public Theater in New York City.Guillermo Calderon is Chile's foremost contemporary theater artist. His plays include Diciembre (December), Clase (Class), Villa, Discurso (Speech), Quake, and Escuela (School), and his productions have toured extensively through South America and Europe. His co-written screenplay Violeta won the World Cinema Jury Prize for Drama at the 2012 Sundance Film Festival, and other awards include Best Play of the Year (Art Critics Circle of Chile), three Chilean Altazor Awards for Best Playwright and Best Director, and the 2010 Bank of Scotland Angel Award (Edinburgh Fringe Festival).

Never Kiss A Naughty Nanny

by Michael Parker

4 or 5m, 2f / Farce / Interior / Mr. Broadbent, a developer and builder, has created "THE HOUSE OF THE FUTURE". He has filled it with gadgets such as: self lighting fire places, a self cleaning bathroom, central trash disposal units, automatic closets, hidden telephones, and his masterpiece "The Personal Ion Chamber". The house, however, has remained unsold for four years, probably because, as we see in the course of the play, most of the innovations of the future fail to work properly. He has, at last found prospective buyers, Fred and Gladys McNicoll, and invites them to stay in the house. He is determined to offload this huge "White Elephant". He bribes two members of his staff, Casey Cody and Ben Adams, to pose as a married couple, who are renting the house. They are to extol its virtues and explain how everything works. He is pulling out all the stops. The fridge is full of expensive wine and he has hired a chef to prepare a gourmet meal. Unknown to The McNicolls', he even has his maintenance man Eddie Cott on hand to make running repairs. He thinks he has all the bases covered. When Gladys hears Casey refer to Mr. Cott by name, the cat seems to be out of the bag, but Casey quickly recovers by saying she didn't say "Mister Cott" but "Mm Turcotte", the children's nanny. Eddie Cott now spends the rest of the play as Nanny Turcotte. A surprise visitor, Mr. Brooks, takes an almost insane fancy to "Nanny" who now has to defend 'her' honor, as well as fix the gadgets, all of which, without exception, misbehave.

Never Swim Alone & This Is A Play: 2nd Edition

by Daniel Macivor

A funny, satirical story, Never Swim Alone is about Frank and Bill, two egotisitical men locked in a ruthless competition of one-upmanship for seemingly no reason. A hilarious metaplay, This Is A Play follows three actors who, while performing, reveal their own thoughts and motivations as they struggle through crazy stage directions and an unoriginal musical score.

New

by Pamela Sinha

Comedy! Not just in laughs but in structure!About marriage and an almost irreverent look at the Immigrant experience.Honours previous generations of immigrants as young, fun, sexy, and complicated.Strong appeal to 60-70something generation but also to their kids and younger.Joyous, hopeful, surprise ending about the complex nature of love and the meaning of freedom.First-wave feminism / 1970s.Most of the characters work in academia.Not just an "Indian' story but one that explores universal themes of being "new."Necessary Angel Theatre Company in association with Canadian Stage and the Royal Manitoba Theatre Centre: RMTC November 2–19, 2022, and Canadian Stage April 25–May 14, 2023.

New Approaches to Decolonizing Fashion History and Period Styles: Re-Fashioning Pedagogies

by Ashley Bellet

New Approaches to Decolonizing Fashion History and Period Styles: Re-Fashioning Pedagogies offers a wide array of inclusive, global, practical approaches for teaching costume and fashion history. Costume designers, technicians, and historians have spent the last several years re-evaluating how they teach costume and fashion history, acknowledging the need to refocus the discourse to include a more global perspective. This book is a collection of pedagogical methods aimed to do just that, with an emphasis on easy reference, accessible activities, and rubrics, and containing a variety of ways to restructure the course. Each chapter offers a course description, syllabus calendar, course objectives, and learning outcomes, as well as sample activities from instructors across the country who have made major changes to their coursework. Using a combination of personal narratives, examples from their work, bibliographies of helpful texts, and student responses, contributors suggest a variety of ways to decolonize the traditionally Western-focused fashion history syllabus. This collection of pedagogical approaches is intended to support and inspire instructors teaching costume design, costume history, fashion history, period styles, and other aesthetic histories in the arts.

New Approaches to Decolonizing Fashion History and Period Styles: Re-Fashioning Pedagogies

by Ashley Bellet

New Approaches to Decolonizing Fashion History and Period Styles: Re-Fashioning Pedagogies offers a wide array of inclusive, global, practical approaches for teaching costume and fashion history.Costume designers, technicians, and historians have spent the last several years re-evaluating how they teach costume and fashion history, acknowledging the need to refocus the discourse to include a more global perspective. This book is a collection of pedagogical methods aimed to do just that, with an emphasis on easy reference, accessible activities, and rubrics, and containing a variety of ways to restructure the course. Each chapter offers a course description, syllabus calendar, course objectives, and learning outcomes, as well as sample activities from instructors across the country who have made major changes to their coursework. Using a combination of personal narratives, examples from their work, bibliographies of helpful texts, and student responses, contributors suggest a variety of ways to decolonize the traditionally Western-focused fashion history syllabus.This collection of pedagogical approaches is intended to support and inspire instructors teaching costume design, costume history, fashion history, period styles, and other aesthetic histories in the arts.

The New Cambridge Companion to Shakespeare

by Margreta De Grazia Stanley Wells

Written by a team of leading international scholars, this Companion is designed to illuminate Shakespeare's works through discussion of the key topics of Shakespeare studies. Twenty-one brand new essays provide lively and authoritative approaches to recent scholarship and criticism for readers keen to expand their knowledge and appreciation of Shakespeare. The book contains stimulating chapters on traditional topics such as Shakespeare's biography and the transmission of his texts. Individual readings of the plays are given in the context of genre as well as through the cultural and historical perspectives of race, sexuality and gender, and politics and religion. Essays on performance survey the latest digital media as well as stage and film. Throughout the volume, contributors discuss Shakespeare in a global as well as a national context, a dramatist with a long and constantly mutating history of reception and performance.

New Canadian Kid & Invisible Kids

by Dennis Foon Marcus Youssef

Two of the most produced, popular, and important Canadian plays for young audiences are back in an updated edition. In New Canadian Kid, Nick has just moved to Canada from a country called Homeland, where he is forced to grapple with his fears of a new culture and language as well as cope with classmates who taunt him for being different. After a series of confrontations, Nick, his family, and his peers start to learn how to accept one another and find a comfortable middle ground. In Invisible Kids, a group of children from a variety of backgrounds discover playground politics. The class is overjoyed when the new kid, Ranim, a Syrian refugee, wins a science-fair contest which grants everyone a trip to an amusement park in the US. But when they find out Ranim is not allowed to cross the border, they have to put aside their already developed discouragement and make their voices heard.

A New Companion to Greek Tragedy (Routledge Revivals)

by Andrew Brown

That the works of the ancient tragedians still have an immediate and profound appeal surely needs no demonstration, yet the modern reader continually stumbles across concepts which are difficult to interpret or relate to – moral pollution, the authority of oracles, classical ideas of geography – as well as the names of unfamiliar legendary and mythological figures. A New Companion to Greek Tragedy provides a useful reference tool for the ‘Greekless’ reader: arranged on a strictly encyclopaedic pattern, with headings for all proper names occurring in the twelve most frequently read tragedies, it contains brief but adequately detailed essays on moral, religious and philosophical terms, as well as mythical genealogies where important. There are in addition entries on Greek theatre, technical terms and on other writers from Aristotle to Freud, whilst the essay by P. E. Easterling traces some connections between the ideas found in the tragedians and earlier Greek thought.

A New Companion to Renaissance Drama (Blackwell Companions to Literature and Culture)

by Arthur F. Kinney Thomas Warren Hopper

A New Companion to Renaissance Drama provides an invaluable summary of past and present scholarship surrounding the most popular and influential literary form of its time. Original interpretations from leading scholars set the scene for important paths of future inquiry. A colorful, comprehensive and interdisciplinary overview of the material conditions of Renaissance plays, England's most important dramatic period Contributors are both established and emerging scholars, with many leading international figures in the discipline Offers a unique approach by organizing the chapters by cultural context, theatre history, genre studies, theoretical applications, and material studies Chapters address newest departures and future directions for Renaissance drama scholarship Arthur Kinney is a world-renowned figure in the field

New Directions in Tarot: Decoding the Tarot Illustrations of Pamela Colman Smith

by Scott Martin

A look at how Pamela Colman Smith's theatrical knowledge and experience came into play when she drew the iconic cards of the Rider-Waite-Smith deck. The &“secrets&” in this book have been known all along, and they work in all who read Tarot on a subconscious level. This insightful book delves deeply into the images Pamela Colman Smith created for the Rider-Waite-Smith Tarot, and reminds us of what we may have known intuitively but had not been aware of on a conscious level. • A brand-new approach that focuses on how, in her images, Smith utilized a sense of direction, body movement, posture, gait, facial expression, and more • Compares the Tarot Minors to technical elements of theater, including plot, conflict, elements of a play, thought/theme, dialogue, music, and actors&’ positions on stage • Provides powerful tools for interpreting the cards and discovering new meanings that the reader can make their own • Includes thought-provoking exercises that guide the reader in the mastery of these new insights The result is a fresh take on Tarot that brings new meanings to light and enables the reader to evaluate what the Tarot provides like never before.

New Directions in Teaching Theatre Arts

by Anne Fliotsos Gail S. Medford

This book reflects the changes in technology and educational trends (cross-disciplinary learning, entrepreneurship, first-year learning programs, critical writing requirements, course assessment, among others) that have pushed theatre educators to innovate, question, and experiment with new teaching strategies. The text focuses upon a firm practice-based approach that also reflects research in the field, offering innovative and proven methods that theatre educators may use to actively engage students and encourage student success. The sixteen essays in this volume are divided into five sections: Teaching with Digital Technology, Teaching in Response to Educational Trends, Teaching New Directions in Performance, Teaching Beyond the Traditional, and Teaching Collaboratively or Across Disciplines. Study of this book will provoke readers to question both teaching methods and curricula as they consider the ever-shifting arts landscape and the potential careers for theatre graduates.

New Dramaturgies: Strategies and Exercises for 21st Century Playwriting (Focus on Dramaturgy)

by Mark Bly

In New Dramaturgies: Strategies and Exercises for 21st Century Playwriting, Mark Bly offers a new playwriting book with nine unique play-generating exercises. These exercises offer dramaturgical strategies and tools for confronting and overcoming obstacles that all playwrights face. Each of the chapters features lively commentary and participation from Bly’s former students. They are now acclaimed writers and producers for media such as House of Cards, Weeds, Friday Night Lights, Warrior, and The Affair, and their plays appear onstage in major venues such as the Roundabout Theatre, Yale Rep, and the Royal National Theatre. They share thoughts about their original response to an exercise and why it continues to have a major impact on their writing and mentoring today. Each chapter concludes with their original, inventive, and provocative scene generated in response to Bly’s exercise, providing a vivid real-life example of what the exercises can create. Suitable for both students of playwriting and screenwriting, as well as professionals in the field, New Dramaturgies gives readers a rare combination of practical provocation and creative discussion.

New Dramaturgies of Contemporary Opera: The Practitioners’ Perspectives (ISSN)

by Jingyi Zhang

New Dramaturgies of Contemporary Opera is the first and only book that approaches the dramaturgy of contemporary opera from the unique perspectives of living practitioners (composers, librettists, directors, producers, singers, dramaturgs, and administrators) who provide valuable first-hand insight into the coming into being of an opera today.The edited collection captures the ethos of contemporary opera-making in the global context and serves as a timely intervention in addressing the array of heterogenous dramaturgical practices that go into making an opera today in an era of flux. The collection is split into four parts: Part I presents the new dramaturgical considerations that the field is currently exploring; Part II investigates the ways in which non-Western cultures and perspectives can and have been represented; Part III explores the roles of space, nature, and environment in contemporary opera; and finally, Part IV looks at the ways in which technology has intersected with the creation of contemporary opera.With perspectives from practitioners throughout, this collection is essential reading for advanced students, researchers, and scholars of contemporary opera, as well as practicing dramaturgs in this field.

A New Guide to Italian Cinema

by Carlo Celli Marga Cottino-Jones

A Student's Guide to Italian Film (1983, 1993) . This guide retains earlier editions' interest in renowned films and directors but is also attentive to the popular films which achieved box office success among the public.

New Historicism and Renaissance Drama (Longman Critical Readers)

by Richard Wilson Richard Dutton

New Historicism has been one of the major developments in literary theory over the last decade, both in the USA and Europe. In this book, Wilson and Dutton examine the theories behind New Historicism and its celebrated impact in practice on Renaissance Drama, providing an important collection both for students of the genre and of literary theory.

A New History of Medieval Japanese Theatre: Noh and Kyōgen from 1300 to 1600 (Palgrave Studies in Theatre and Performance History)

by Noel John Pinnington

This book traces the history of noh and kyōgen, the first major Japanese theatrical arts. Going beyond P. G. O'Neill's Early Nō Drama of 1958, it covers the full period of noh's medieval development and includes a chapter dedicated to the comic art of kyōgen, which has often been left in noh's shadow. It is based on contemporary research in Japan, Asia, Europe and America, and embraces current ideas of theatre history, providing a richly contextualized account which looks closely at theatrical forms and genres as they arose. The masked drama of noh, with its ghosts, chanting and music, and its use in Japanese films, has been the object of modern international interest. However, audiences are often confused as to what noh actually is. This book attempts to answer where noh came from, what it was like in its day, and what it was for. To that end, it contains sections which discuss a number of prominent noh plays in their period and challenges established approaches. It also contains the first detailed study in English of the kyōgen repertoire of the sixteenth-century.

A New History of Theatre in France

by Clare Finburgh Delijani Christian Biet

Theatre in France was the first in Europe to be written in the vernacular as opposed to Latin. It has provided the English language with the medieval word farce, the early-modern word role, and the modern term mise en scène. Molière is single-handedly responsible for launching European-style playwriting in North Africa. Today, it is only a slight exaggeration to say that it's harder to get tickets for the Festival d'Avignon, one of the world's largest theatre festivals, than for the Rolling Stones' farewell tour. Containing chapters by globally eminent theatre experts, many of whom will be read in English for the first time, this collaborative history testifies to the central part theatre has played for over a thousand years in both French culture and world culture. Crucially, too, it places centre-stage the genders, ethnicities and classes that have had to wait in the wings of theatres, and of theatre criticism.

New Hollywood Cinema: An Introduction

by Geoff King

What is "New Hollywood"? The "art" cinema of the Hollywood "Renaissance" or the corporate controlled blockbuster? The introverted world of Travis Bickle or the action heroics of Indiana Jones, Buzz Lightyear, and Maximus the Gladiator? Innovative departures from the "classical" Hollywood style or superficial glitz, special effects, and borrowings from MTV? Wholesale change or important continuities with Hollywood's past? The answer suggested by Geoff King in New Hollywood Cinema is all of these and more. He examines New Hollywood from three main perspectives: film style, industry, and the social-historical context. Each is considered in its own right, sometimes resulting in different ways of defining New Hollywood. But one of the book's central arguments is that a combination of these approaches is needed if we are to understand the latest incarnations of the cinema that continues to dominate the global market. King looks at the Hollywood "Renaissance" from the late 1960s to the late 1970s, industrial factors shaping the construction of the corporate blockbuster, the role of auteur directors, genre and stardom in New Hollywood, narrative and spectacle in the contemporary blockbuster, and the relationship between production for the big and small screens.

The New Humor in the Progressive Era

by Rick Desrochers

By tracing the effects of unprecedented immigration, the advent of the new woman, and the little-known vaudeville careers of performers like the Elinore Sisters, Buster Keaton, and the Marx Brothers, DesRochers examines the relation between comedic vaudeville acts and progressive reformers as they fought over the new definition of "Americanness. "

New Light Shine

by Shannon Murdoch

When he was twelve, Joe snuck into the field on the edge of town and saw the Town Mayor with his sister Peregrine. This one moment has overwhelmed and transformed his life, becoming the only thing that holds any importance to him. Years later, in jail for murder, Joe waits for Peregrine so that he can explain his plan for her future, a plan so intricately assembled that he has given it a name—New Light Shine. Four characters in Shannon Murdoch's bold new play are trapped in an argument of memory that threatens to turn perception into truth. Their task is to dig through years of silence and half-truths to arrive at a future that may at last bring peace. In the ensuing struggles, disturbing questions arise—about female and child sexuality as well as the responsibilities of government and community in raising children. Selecting Murdoch'sNew Light Shinefrom more than 800 submissions that arrived from the far reaches of the English-speaking world, contest judge John Guare praises the distinct voice of this play and its challenging subject. "I read it, put it aside, went back to it, couldn't get it out of my head," he recollects. "This raw, haunting, richly poetic, deeply emotional play affected me as no other entry did. "

New Magic Valley Fun Town

by Daniel MacIvor

From the acclaimed playwright behind A Beautiful View, The Best Brothers, and This is What Happens Next comes a moving portrait about what we choose to forget and how we decide to move on. Cape Bretoner Dougie hasn’t seen his childhood best friend Allen in thirty years. Based on what can be seen on Facebook, things have changed, but Dougie has no doubt they’ll easily reconnect when Allen comes to visit. With the added flair of Dougie’s ex-wife Cheryl and daughter Sandy, the group spends a night reminiscing, drinking, and dancing. But as the party progresses, shadows from Dougie and Allen’s past come out to play, bringing along tough questions that have to be answered.

New Media Dramaturgy

by Peter Eckersall Helena Grehan Edward Scheer

This book illuminates the shift in approaches to the uses of theatre and performance technology in the past twenty-five years and develops an account of new media dramaturgy (NMD), an approach to theatre informed by what the technology itself seems to want to say. Born of the synthesis of new media and new dramaturgy, NMD is practiced and performed in the work of a range of important artists from dumb type and their 1989 analog-industrial machine performance pH, to more recent examples from the work of Kris Verdonck and his A Two Dogs Company. Engaging with works from a range of artists and companies including: Blast Theory, Olafur Eliasson, Nakaya Fujiko and Janet Cardiff, we see a range of extruded performative technologies operating overtly on, with and against human bodies alongside more subtle dispersed, interactive and experiential media.

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