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Northrop Frye On Shakespeare

Criticism and interpretation of Romeo and Juliet, A Midsummer Night's Dream, Richard III, Henry IV, Hamlet, King Lear, Antony and Cleopatra, Measure for Measure, The Winter's Tale, and The Tempest.

Northrop Frye's Writings on Shakespeare and the Renaissance (Collected Works of Northrop Frye #28)

This collection of Northrop Frye's writings on Shakespeare and the Renaissance spans forty years of his career as a university teacher, public critic, and major theorist of literature and its cultural functions. Extensive annotations and an in-depth critical introduction demonstrate Frye's wide-ranging knowledge of Renaissance culture, the pivotal place of the Renaissance in his oeuvre, his impact on Renaissance criticism and on the Stratford Festival, and his continuing importance as a literary theorist.This volume brings together Frye's extensive writings on Shakespeare and other Renaissance writers (excluding Milton, who is featured in other volumes), and includes major articles, introductions, public lectures, and four previously published books on Shakespeare. Frye's insightful analyses offer not just a formidable knowledge of Renaissance culture but also a transformative experience, moving the reader imaginatively towards an experience of created reality.

The Norton Anthology of Drama

Comprehensive and up-to-date, now with more instructor resources <p><p>Choose from the most comprehensive collection of plays. Enjoy accessible apparatus that helps students better analyze the works. Savor an eye-catching and informative illustration program focusing on performance.

Not a Genuine Black Man: Or, How I Claimed My Piece of Ground in the Lily-White Suburbs

Based on the longest-running one-man show in San Francisco history--now coming to Off-Broadway--a hilarious, poignant, and disarming memoir of growing up black in an all-white suburb In 1972, when Brian Copeland was eight, his family moved from Oakland to San Leandro, California, hoping for a better life. At the time, San Leandro was 99.4 percent white, known nationwide as a racist enclave. This reputation was confirmed almost immediately: Brian got his first look at the inside of a cop car, for being a black kid walking to the park with a baseball bat. Brian grew up to be a successful comedian and radio talk show host, but racism reemerged as an issue--only in reverse--when he received an anonymous letter: "As an African American, I am disgusted every time I hear your voice because YOU are not a genuine Black man!" That letter inspired Copeland to revisit his difficult childhood, resulting in a hit one-man show that has been running for nearly two years--which has now inspired a book. In this funny, surprising, and ultimately moving memoir, Copeland shows exactly how our surroundings make us who we are.

Not About Nightingales

This early full-length play put a young Tennessee Williams' passion for social justice in the spotlight. "Haunting, searing, unforgettable" —London Herald In early 1998, sixty years after it was written, one of Tennessee Williams' first full-length plays, Not About Nightingales, was premiered by Britain's Royal National Theatre and was immediately hailed as "one of the most remarkable theatrical discoveries of the last quarter century (London Evening Standard). Brought to the attention of the director Trevor Nunn by the actress Vanessa Redgrave (who has contributed a Foreword to this edition), "this early work...changed our perception of a major writer and still packs a hefty political punch" (London Independent). Written in 1938 and based on an actual newspaper story, the play follows the events of a prison atrocity which shocked the nation: convicts leading a hunger strike in a Pennsylvania prison were locked in a steam-heated cell and roasted to death. Williams later said: "I have never written anything since that could compete with it in violence and horror." Its sympathetic treatment of black and homosexual characters may have kept the play unproduced in its own time. But its flashes of lyricism and compelling dialogue presage the great plays Williams has yet to write. Not About Nightingales shows us the young playwright (for the first time using his signature "Tennessee") as a political writer, passionate about social injustice, and reflecting the plight of outcasts in Depression America. The stylistic influences of European Expressionism, radical American theatre of the 1930s, and popular film make it unique among the group of four early plays. Not About Nightingales has been edited by eminent Williams scholar Allean Hale, who has also provided an illuminating historical introduction.

Not Enough Rope

Farce / 1m, 2f / Interior / In a rooming house, a young man is unpacking when in walks a young lady looking for rope. She wants to hang herself. Well, the man hasn't any, but has some twine; so in desperate seriousness, they barter. Finally she takes the twine to her room, puts on the phonograph, and prepares to hang herself; while he unpacks. The first effort fails, but the second is succeeding nicely, when suddenly the record stops. She tries to get down to fix the phonograph, but can't. And both the young man and the doddering old lady who wheels herself into view will not lend a hand to help her. It's only because he decides to move out of this crazy place, and needs the twine to pack, that the girl finally is freed.

Not in Front of the Audience: Homosexuality On Stage

First published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.

Not Quite Snow White

A picture book for magical yet imperfect children everywhere, written by debut author Ashley Franklin and perfect for fans of such titles as Matthew A. Cherry's Hair Love, Grace Byers's I Am Enough, and Lupita Nyong'o's Sulwe.Tameika is a girl who belongs on the stage. She loves to act, sing, and dance—and she’s pretty good at it, too. So when her school announces their Snow White musical, Tameika auditions for the lead princess role.But the other kids think she’s “not quite” right to play the role. They whisper, they snicker, and they glare.Will Tameika let their harsh words be her final curtain call?Not Quite Snow White is a delightful and inspiring picture book that highlights the importance of self-confidence while taking an earnest look at what happens when that confidence is shaken or lost. Tameika encourages us all to let our magic shine.

Not Since Carrie: Forty Years of Broadway Musical Flops

If you love Broadway musicals, this book is for you. While Broadway has had its share of musical triumphs, it has also seen hundreds of musicals that had brief runs, lost millions of dollars, and broke the hearts of their creators and performers. For every hit musical, there are roughly five others that are quick flops, and even the most celebrated names in show business are not immune to them. Ken Mandelbaum offers the behind-the-scenes story of the development of almost two hundred musical flops that played Broadway between 1950 and 1990, along with a reevaluative and often revisionist study of their quality. Here they all are, from such legendary catastrophes as Carrie, Kelly, Breakfast at Tiffany’s, and Legs Diamond, to flops that starred Lucille Ball and Bette Davis, to the failures of Rodgers and Hammerstein, Jule Styne, Jerry Herman, Alan Jay Lerner, Gower Champion, and many others. Not Since Carrie makes a case for the strengths of certain unsuccessful works, points out some that might be worthy of revival, and allows the reader to relive some of Broadway’s most infamous moments. A reexamination of neglected, forgotten, and often catastrophic musicals, Not Since Carrie will remain the definitive volume on a colorful and vital segment of "lost” theatre history. Ken Mandelbaum has written on musical theatre for The New York Times, Playbill, Stagebill, Billboard, Show Music, and Sony/Columbia Records. He is currently the musical theatre critic for Theater Week magazine. In 1989, he won acclaim for his first book, A Chorus Line and the Musicals of Michael Bennett (St. Martin’s Press). He lives in New York City, and his favorite song is "I Wish It So” from the flop Juno. If you subscribe to a music service like Amazon or Spotify, you can listen to many of the songs described. At the end of the book there is a Shows Index and a Names Index.

Not Since Carrie: 40 Years of Broadway Musical Flops

Not Since Carrie is Ken Mandelbaum's brilliant survey of Broadway's biggest flops. This highly readable and entertaining book highlights almost 200 musicals created between 1950 and 1990, framed around the notorious musical adaptation of Carrie, and examines the reasons for their failure. "Essential and hilarious," raves The New Yorker, and The New York Times calls the book "A must-read."

Not So Grimm Fairy Tales

Satire / 15f (doubling possible) / Bare stage / Five scenes present unusual variations on familiar tales. In Little Red and the Big Bad She Wolf Red is invited by Mae Wolf to quit Harvard Business School and get a start in the service selling business despite Granny's opposition (she is Mae's senior partner). In Bumble Stiltskin and the Baby Business Rumpel's put upon wife implores the Queen to keep her royal baby and offers to set up a Day Care Center if she gets government support. Also included are Snow White and the Anti Freeze, Jack and the Marijuana Stalk and Cinderella.

Not Starring Zadie Louise

In this &“entertaining and moving&” (Kirkus Reviews) middle grade novel that&’s perfect for fans of Tim Federle and Gordon Korman, Zadie is determined to spend the summer helping at the community theater—but things go hilariously awry!Zadie loves Tae Kwon Do, comic books, and outer space. She also loves visiting the community theater that her mom runs, especially the lighting grid over the stage and the stage manager&’s booth, which is filled with levers and buttons like a spaceship control panel. So when the family&’s finances suffer a blow and Zadie has to give up her usual activities to spend the summer at the theater, she doesn&’t mind too much. After all, she&’s always wanted to tech a show. She knows she&’d be great at it, but her mom and the new stage manager are totally opposed to the idea of having a kid do tech. Instead, Zadie&’s stuck handing out snacks and folding flyers. But the future of the theater rides on this show, and Zadie is determined to help. She&’s going to make Spinderella the hit of the season—unless she accidentally turns it into a disaster.

Not the Other Avant-Garde: The Transnational Foundations of Avant-Garde Performance

Almost without exception, studies of the avant-garde take for granted the premise that the influential experimental practices associated with the avant-garde began primarily as a European phenomenon that in turn spread around the world. These ten original essays, especially commissioned for Not the Other Avant-Garde, forge a radically new conception of the avant-garde by demonstrating the many ways in which the first- and second-wave avant-gardes were always already a transnational phenomenon, an amalgam of often contradictory performance traditions and practices developed in various cultural locations around the world, including Africa, the Middle East, Mexico, Argentina, India, and Japan. Essays from leading scholars and critics-including Marvin Carlson, Sudipto Chatterjee, John Conteh-Morgan, Peter Eckersall, Harry J. Elam Jr., Joachim Fiebach, David G. Goodman, Jean Graham-Jones, Hannah Higgins, and Adam Versényi-suggest collectively that the very concept of the avant-garde is possible only if conceptualized beyond the limitations of Eurocentric paradigms. Not the Other Avant-Garde is groundbreaking in both avant-garde studies and performance studies and will be a valuable contribution to the fields of theater studies, modernist studies, art history, literature, and music history.

Not Your Average Cowboy

THE DESERT NEWSIs Rattlesnake Ranch ready for prime time?Stop the presses! Miss Hospitality herself, Meredith Bingham Turner, has been spotted bringing her unmistakable decorative flair-and delicious recipes-to Rattlesnake Ranch. Rumor has it she’s visiting her best friend, Karen, and helping to spruce up the Porter homestead. But I think there’s a reason she might be extending her stay: her best friend’s brother, the bona fide cowboy, Bucklin Porter.Single dad Buck can be as prickly as an Arizona cactus if he thinks that you’re messing with his home-or with the daughter he adores. But even he has to admit that ranching’s been a hard road recently. Domestic goddess Merry might be the solution to all of Buck’s prayers...in more ways than one!

The Notebook of Trigorin: A Free Adaptation of Chechkov's The Sea Gull

Tennessee Williams freely adapts Anton Chekhov's Russian classic "The Seagull". From the master twentieth-century playwright Tennessee Williams-an adaptation of Chekhov's The Sea Gull, never before available to the general trade. The Notebook of Trigorin is faithful to Chekhov's story of longing and unrequited love. Set on a provincial Russian Estate, its peaceful environs offer stark contrast to the turbulent lives of its characters. Constantine, a young writer, must compete for the attention of his mother, a self-obsessed, often comical aging actress, Madame Arkadina, and his romantic ideal, Nina. His rival for both women is Trigorin, an established author bound to Arkadina by her patronage of his work, and attracted to Nina by her beauty. Trigorin cannot keep himself from consuming everything of value in Constantine's life. Only in the final scenes do all discover that the price for love and fragility can be horribly high. But if the words in The Notebook of Trigorin are essentially Chekhov's, the voice belongs firmly to Tennessee Williams. The dialogue resonates with echoes of the themes Williams developed as his signatures-compassion for the artistic soul and its vulnerability in the face of the world's "successfully practiced duplicity" (Act I).

Notebooks

"Fugard registers and captures the keen images that are the very stuff of vibrant theatre."--Time

Notelets of Filth: A Companion Reader to Morgan Lloyd Malcolm's Emilia (Routledge Advances in Theatre & Performance Studies)

This collection of short, accessible essays serves as a supplementary text to Morgan Lloyd Malcolm’s play, Emilia. Critically acclaimed and beloved by audiences, this innovative and ground-breaking show is a speculative history, an imaginative (re)telling of the life of English Renaissance poet Aemilia Bassano Lanyer. This book features essays by theatre practitioners, activists, and scholars and informed by intersectional feminist, critical race, queer, and postcolonial analyses will enable students and their teachers across secondary school and higher education to consider the play’s major themes from a wide variety of theoretical and interdisciplinary perspectives. This volume explores the current events and cultural contexts that informed the writing and performing of Emilia between 2017 and 2019, various aspects of the professional London productions, critical and audience responses, and best practices for teaching the play to university and secondary school students. It includes a foreword by Emilia playwright Morgan Lloyd Malcolm This book will be of great interest to students and scholars of theatre, arts activism, feminist literature, and theory.

Notes From An Odin Actress: Stones of Water

‘As an actress I sit, speak, run, sweat and, simultaneously, I represent someone who sits, speaks, runs and sweats. As an actress, I am both myself and the character I am playing. I exist in the concreteness of the performance and, at the same time, I need to be alive in the minds and senses of the spectators. How can I speak of this double reality?’ – Julia Varley This is a book about the experience of being an actress from a professional and female perspective. Julia Varley has been a member of Odin Teatret for over thirty years, and Notes from an Odin Actress is a personal account of her work with Eugenio Barba and this world-renowned theatre company. This is a unique window onto the in-depth exercises and day-to-day processes of an Odin member. It is a journal to enlighten anyone interested in the performances, the discoveries and the hard physical work that accompany a life in theatre.

Notes from the Field

Anna Deavere Smith’s extraordinary form of documentary theater shines a light on injustices by portraying the real-life people who have experienced them. In Notes from the Field, she renders a host of figures who have lived and fought the system that pushes students of color out of the classroom and into prisons. (As Smith has put it: “Rich kids get mischief, poor kids get pathologized and incarcerated.”) Using people’s own words, culled from interviews and speeches, Smith depicts Rev. Jamal Harrison Bryant, who eulogized Freddie Gray; Niya Kenny, a high school student who confronted a violent police deputy; activist Bree Newsome, who took the Confederate flag down from the South Carolina State House grounds; and many others. Their voices bear powerful witness to a great iniquity of our time—and call us to action with their accounts of resistance and hope.

Notes From Underground

Includes Bogosian's Notes from Underground, the "diary," of an increasingly disturbed and disturbing urban recluse, together with Scenes from the New World, an early dramatic work.

Notes on a Cowardly Lion: The Biography of Bert Lahr

John Lahr&’s stunning and complex biography of his father, the legendary actor and comedian Bert Lahr Notes on a Cowardly Lion is John Lahr&’s masterwork: an all-encompassing biography of his father, the comedian and performer Bert Lahr. Best known as the Cowardly Lion in MGM&’s classic The Wizard of Oz, Lahr was a consummate artist whose career spanned burlesque, vaudeville, Broadway, and Hollywood. While he could be equally raucous and polished in public, Lahr was painfully insecure and self-absorbed in private, keeping his family at arm&’s length as he quietly battled his inner demons. Told with an impressive objectivity and keen understanding of the construction—and destruction—of the performer, Notes on a Cowardly Lion is more than one man&’s quest to understand his father; it is an extraordinary examination of a life in American show business.

Notes On Directing: 130 Lessons In Leadership From The Director&apos;s Chair

Some years ago, Frank Hauser, then a retired freelance director, and writer Russell Reich, his former student, self-published Notes on Directing in hardcover. It was immediately acclaimed as “a gem-witty and full of insight;” “so sensible, so complete, and so right;” and “amazingly illuminating” by the likes of Judi Dench, Edward Albee, and Terry Teachout. Gathered over Frank Hauser's long career, and polished to a sharp edge by Russell Reich, the 130 "Notes" address a wide range of topics, from understanding the script and defining the director's role, to casting, how to handle a first read-through of a script, rules for rehearsal, how to talk to actors, how to get a laugh, and the key elements of staging. Filled with enduring good advice expressed in assertive, no-nonsense language, and supported with explanatory commentary, insightful quotes and examples, and six valuable appendices, this deceptively slim book has the impact of a privileged apprenticeship, providing deep insight into the hidden process of creating a live, shared experience. For the student or professional engaged in a directing or acting career, the executive or manager looking for inspiring new ideas on leadership, or the arts lover wanting insight into the creative process, this book will be an invaluable experience. This new edition includes an interview with the co-author.

Nothing Like a Dame: My Autobiography

'How did I end up here?' A question Elaine C. Smith asked herself when sitting in the dressing-room of a top theatre in London's West End, about to go on stage with one of the UK's most successful plays.In Nothing Like a Dame, Elaine reflects on a 50-year journey that took her to the peak of the entertainment world. She recounts her long struggle to make it in a male-dominated, working-class society when women were supposed to just shut up and stay thin, especially in the sexist world of theatre and television, where she was told, 'Look, women just aren't funny.'Despite many highs and lows, she proceeded to forge a stellar career in show business, hosting her own TV series and becoming a household name thanks to her comic portrayal of Mary Nesbitt, the long-suffering wife in the award-winning BBC comedy Rab C. Nesbitt.Nothing Like a Dame is a heart-warming memoir: candid, outspoken, hilarious and at times deeply sad.

Notre-Dame de Paris (The Hunchback of Notre Dame)

Noura

As Noura and her husband Tariq prepare to celebrate a traditional Christmas, she looks forward to welcoming a special guest—Maryam, a young Iraqi refugee. But the girl’s arrival opens wounds the family has tried to leave behind, forcing them to confront where they are, where they’ve been and who they have become.