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Oedipus at Colonos
by SophoclesOedipus was the son of King Laius and Queen Jocasta. Before he was born, his parents consulted the Oracle at Delphi. The Oracle prophesied that Oedipus would murder his father and marry his mother. In an attempt to prevent this prophecy's fulfillment, Laius ordered Oedipus's feet to be bound together, and pierced with a stake. Afterwards, the baby was given to a herdsman who was told to kill him. Unable to go through with his orders, he instead gave the child to a second herdsman who took the infant, Oedipus, to the king of Corinth, Polybus. Polybus adopted Oedipus as his son. Oedipus was raised as the crown prince of Corinth. Many years later Oedipus was told that Polybus was not his real father. Seeking the truth, he sought counsel from an Oracle and thus started the greatest tragedy ever written. The middle of the three Theban plays, 'Oedipus at Colonos' (Colonus) describes the end of Oedipus' tragic life, during which the blinded Oedipus discusses his fate as related by the oracle, and claims that he is not fully guilty.
Oedipus at Colonus
by David MulroyOedipus at Colonus is the third in Sophocles' trilogy of plays about the famous king of Thebes and his unhappy family. It dramatizes the mysterious death of Oedipus, by which he is transformed into an immortal hero protecting Athens. This was Sophocles' final play, written in his mid-eighties and produced posthumously. Translator David Mulroy's introduction and notes deepen the reader's understanding of Oedipus' character and the real political tumult that was shaking Athens at the time that Sophocles wrote the play. Oedipus at Colonus is at once a complex study of a tragic character, an indictment of Athenian democracy, and a subtle endorsement of hope for personal immortality. As in his previous translations of Oedipus Rex and Antigone, Mulroy combines scrupulous scholarship and textual accuracy with a fresh poetic style. He uses iambic pentameter for spoken passages and short rhymed stanzas for choral songs, resulting in a text that is accessible and fun to read and perform.
Oedipus at Colonus (Dover Thrift Editions)
by SophoclesThis outstanding drama of classical antiquity, part of the Cadmean trilogy that includes Oedipus Rex and Antigone, was first presented in 405 B.C. Thought to be among Sophocles' last works, it represents the great playwright's crowning achievement in depicting the painful quest for truth and self-knowledge that leads to spiritual triumph.Blinded and disgraced, Oedipus dwells quietly in Thebes until the kingdom is roiled by discord attributed to his presence and the curse put upon him by the gods. The citizens banish their erstwhile sovereign to years of lonely exile. Finally, the aging king finds refuge in a sacred olive grove at Colonus, near Athens. In the meantime, Oedipus' two sons wage a struggle for control of Thebes. Secure in the protection of Theseus, ruler of Athens, and faithfully attended by his daughters Antigone and Ismene, Oedipus is a towering tragic figure whose final years comprise a moving portrayal of the perseverance of human dignity in the face of an incomprehensible and impersonal universe.Students, teachers, and lovers of classical drama will welcome this inexpensive edition of an enduring literary and theatrical landmark.
Oedipus at Kolonos
by SophoclesAmong the most celebrated plays of ancient Athens, Oedipus at Kolonos is one of seven surviving dramas by the great Greek playwright, Sophocles, now available from Harper Perennial in a vivid and dynamic new translation by award-winning poet Robert Bagg. Oedipus at Kolonos continues the story of Thebes’s tragic, now-blinded hero in the last days of his life, as he attempts to answer for his shocking crimes of incest and patricide, and seeks forgiveness before his impending death. This is Sophocles, vibrant and alive, for a new generation.
The Oedipus Cycle
by SophoclesThe most celebrated plays of ancient Athens in vibrant new translations by award-winning poet Robert Bagg Sophocles' three great masterpieces, gathered here in one volume, dramatize the inexplicable animosity directed at three generations of Thebes' royal family by Apollo, the inscrutable god who terrifies and deceives his victims into acts of incest, betrayal, and kin murder. These fifth-century BCE family dramas--Oedipus the King, Oedipus at Kolonos, and Antigone--are fraught with horrific crises, confrontations, and excruciating choices, all of which still rivet theatergoers and readers in the twenty-first century. Bagg's translations are modern in idiom while faithful to the Greek. They preserve the complexity of Sophocles' characters and their dialogue (whether searingly raw, subtly inflected, or infused with humor) and render Sophocles' choral odes in resonant poetry. The three plays of The Oedipus Cycle, already proven stageworthy, refresh and clarify Sophocles' narratives for a new generation about to discover timeless sources of pleasure and illumination in classical Greek drama. [This text is listed as an example that meets Common Core Standards in English language arts in grades 9-10 at http://www.corestandards.org.]
The Oedipus Cycle: Antigone, Oedipus at Colonus, and Oedipus Rex (The Oedipus Cycle #1)
by SophoclesThe doomed king of Thebes brings shame on his family in this iconic three-play cycle of ancient Greek literature, a foundational work of Western drama. Oedipus Rex: As a young man, Oedipus was told of a prophecy that he would kill his father and marry his mother. Fleeing his home to escape his destiny, he becomes the king of Thebes by marrying the former king&’s widow. But now Thebes is cursed until Oedipus discovers who killed his predecessor—a mystery that will lead him to his own doom. Oedipus at Colonus: Blind and exiled from his own country, Oedipus takes up residence in Colonus while his two sons battle for the throne of Thebes. An oracle has pronounced that the location of their disgraced father&’s final resting place will determine which of them will win. But an old enemy has his own plans for the burial. Antigone: The war is over and Thebes&’s ruler, Creon, decrees that the body of Polynices—Oedipus&’s son—is not to be buried. But Antigone, the late warrior&’s sister, answers to a higher authority. When she breaks the law to bury her brother with proper rites, her act of civil disobedience will unleash great upheaval.
Oedipus for Kids
by Gil Varod2m 1f / Musical Comedy / Unit set / Unfolding in real-time, Oedipus for Kids! turns the audience into attendees of the latest performance of the Fuzzy Duck Theatre Company, a three-person troupe dedicated to performing the classics for children. Having had success with previous offerings such as Uncle Tommy's Cabin, company founder Alistair has decided that the next logical step is tackling Sophocles' Oedipus Rex with songs such as "What's It Like When Ya Get The Plague?" and "A Little Complex." But all is not as pleasant as it seems with the Fuzzy Ducks: Alistair is in the middle of a bitter divorce with troupe member Catalina, who suspects something is up when she learns that tonight's audience includes the executives from sponsor Beanz! Coffee for Kids. Evan, the third troupe member, is a newly-trained recent hire with questionable acting methods. He uses these to play Oeddy, "a little boy a lot like you," who runs away from home when he finds out that he is destined to do something terrible to his Mommy and Daddy. On his journey, he meets a shady Baklava dealer named King Laius, a magical mythological coffee-drinking puppet named Sphinxy, and the Theban Queen, Jocasta, who wants to marry him regardless of their disproportionate age difference. While King Oedipus tries to solve the exciting mystery of who murdered the former king, the off-stage disagreements between the cast members spill onstage. The three insult each other, inflict flesh wounds, and fornicate during intermission. When Catalina learns that her ex-husband has bought her share in the Fuzzy Ducks only to sell it to Beanz! Coffee for ten times net value, Catalina decides to sabotage the production. What was once a misguided--albeit--educational theatrical experience swiftly spirals into a Charybdis-like whirlpool of suck, and Catalina's revenge leads to a darkly comic denouement. Please note: this play is not for young audiences.
The Oedipus Plays of Sophocles: Oedipus The King; Oedipus At Colonus; Antigone
by Paul Roche SophoclesRevising and updating his classic 1958 translation, Paul Roche captures the dramatic power and intensity, the subtleties of meaning, and the explosive emotions of Sophocles' great Theban trilogy. In vivid, poetic language, he presents the timeless story of a noble family moving toward catastrophe, dragged down from wealth and power by pride, cursed with incest, suicide, and murder.
Oedipus Rex
by David MulroyOedipus Rexis the greatest of the Greek tragedies, a profound meditation on the human condition. The story of the mythological king, who is doomed to kill his father and marry his mother, has resonated in world culture for almost 2,500 years. But Sophocles' drama as originally performed was much more than a great story--it was a superb poetic script and exciting theatrical experience. The actors spoke in pulsing rhythms with hypnotic forward momentum, making it hard for audiences to look away. Interspersed among the verbal rants and duels were energetic songs performed by the chorus. David Mulroy's brilliant verse translation ofOedipus Rexrecaptures the aesthetic power of Sophocles' masterpiece while also achieving a highly accurate translation in clear, contemporary English. Speeches are rendered with the same kind of regular iambic rhythm that gave the Sophoclean originals their drive. The choral parts are translated as fluid rhymed songs. Mulroy also supplies an introduction, notes, and appendixes to provide helpful context for general readers and students.
Oedipus Rex
by SophoclesConsidered by many the greatest of the classic Greek tragedies, Oedipus Rex is Sophocles' finest play and a work of extraordinary power and resonance. <P><P>Aristotle considered it a masterpiece of dramatic construction and refers to it frequently in the Poetics. <P>In presenting the story of King Oedipus and the tragedy that ensues when he discovers he has inadvertently killed his father and married his mother, the play exhibits near-perfect harmony of character and action. <P>Moreover, the masterly use of dramatic irony greatly intensifies the impact of the agonizing events and emotions experienced by Oedipus and the other characters in the play. <P>Now these and many other facets of this towering tragedy may be studied and appreciated in Dover's attractive inexpensive edition of one of the great landmarks of Western drama. <P>A selection of the Common Core State Standards Initiative.
Oedipus Rex
by SophoclesOne of the greatest of the classic Greek tragedies and a masterpiece of dramatic construction. Catastrophe ensues when King Oedipus discovers he has inadvertently killed his father and married his mother. Masterly use of dramatic irony greatly intensifies impact of agonizing events. Sophocles' finest play, Oedipus Rex ranks as a towering landmark of Western drama. Explanatory footnotes. Translated by Sir George Young.
Oedipus the King
by Nicholas Rudall SophoclesThe tragedy of Oedipus, who unknowingly slays his father and marries his mother, is one of the mythical cornerstones of Western civilization. Nicholas Rudall's new translation remains true to Sophocles original text while fashioning a language of grace and power, with contemporary players and theatergoers in mind.
Oedipus the King: A New Translation
by SophoclesAward–winning poet Robert Bagg presents a dynamic translation of Sophocles&’s celebrated play of ancient Athens, Oedipus the King. Praised by Aristotle as the pinnacle of Greek drama, Oedipus the King is one of seven surviving dramas by the great Greek playwright, Sophocles. The ancient world&’s most shocking and memorable tragedy, it is the story of Thebes&’s resilient hero and his royal family brought to hellish ruin by fate, manipulation of the Olympian gods, and all-too-human weakness.
Oedipus the King
by Sophocles David GreneAvailable for the first time as an independent work, David Grene's legendary translation of Oedipus the King renders Sophocles' Greek into cogent, vivid, and poetic English for a new generation to savor. Over the years, Grene and Lattimore's Complete Greek Tragedies have been the preferred choice of millions of readers--for personal libraries, individual study, and classroom use. This new, stand-alone edition of Sophocles' searing tale of jealousy, rage, and revenge will continue the tradition of the University of Chicago Press's classic series. [This text is listed as an example that meets Common Core Standards in English language arts in grades 9-10 at http://www.corestandards.org.]
Oedipus the King: Oedipus Rex (Enriched Classics)
by Sophocles Bernard KnoxA great masterpiece on which Aristotle based his aesthetic theory of drama in the Poetics and from which Freud derived the Oedipus complex, King Oedipus puts out a sentence on the unknown murderer of his father Laius. By a gradual unfolding of incidents, Oedipus learns that he was the assassin and that Jocasta, his wife, is also his mother. [This text is listed as an example that meets Common Core Standards in English language arts in grades 9-10 at http://www.corestandards.org.]
Oedipus Trilogy: New Versions of Sophocles' Oedipus the King, Oedipus at Colonus, and Antigone
by SophoclesFresh, new translations of Sophocles's three Theban plays by acclaimed theater director Bryan Doerries, which emphasize the contemporary relevance of these classic Greek tragedies.Here are Oedipus the King, Oedipus at Colonus, and Antigone in fresh new versions for contemporary readers and audiences. Each has been the basis for groundbreaking theatrical performances by Theater of War Productions, in which actors present dramatic readings, followed by town hall-style discussions. These forums are designed to confront social issues by evoking raw, personal reactions to themes highlighted in the plays. The Oedipus Project is an innovative digital initiative that presents scenes from Oedipus the King as a catalyst for frank and restorative online conversations about the impact of the COVID-19 pandemic on diverse communities. First performed in 429 BC during the time of a plague that killed one-third of the Athenian population, it is a story of arrogant leadership, ignored prophecy, and a pestilence that ravages the city of Thebes—a story that is as relevant now as it was in its own time. The Oedipus at Colonus Project presents readings of scenes from Sophocles&’ final play, Oedipus at Colonus, for powerful, community-driven conversations about homelessness, the immigration and refugee crises, and the challenges of eldercare during and after the pandemic.Antigone in Ferguson is a pioneering project that fuses dramatic readings from Antigone with live choral music, culminating in powerful, healing discussions about race and social justice. Antigone in Ferguson was conceived in the wake of Michael Brown's death in 2014, through a collaboration between Theater of War Productions and community members from Ferguson, Missouri, and premiered at Normandy High School, Michael Brown's alma mater.
The Oedipus Trilogy — Oedipus the King, Oedipus at Colonus, Antigone (First Avenue Classics ™)
by Sophocles SophoclesDisregard for messages from the oracles and gods doesn't turn out well for characters in Greek stories, and Oedipus is no exception. Encompassing murder and betrayal, incest and patricide, this set of three plays follows the life of a man doomed to suffer from birth. Sophocles wrote these classic Greek tragedies in fifth century BCE. This English translation, by F. Storr, was first published in 1912.
Oedipus Tyrannos (The Norton Library #0)
by Sophocles"Oedipus?Tyrannos?is the first Greek play many readers encounter, and this version is their ideal gateway. Emily Wilson's verse line is effortlessly graceful, whether in taut, tense dialogue exchanges or in the lyrical choral odes.”? —JAMES ROMM,?Bard College??
Oedipus Tyrannus
by Sophocles Theodore F. Brunner Luci BerkowitzThe text is accompanied by a wealth of carefully chosen background materials and essays. "Passages from Ancient Authors" includes selections from Homer's Odyssey, Thucydides' account of the plague, and Euripedes' Phoenissae. The best of ancient and modern criticism is represented, encouraging discussion from psychological, religious, anthropological, dramatic, and literary perspectives. Under the heading "Religion and Psychology" are included writings on the Oedipus myth by Martin P. Nilsson, Meyer Fortes, Gordon M. Kirkwood, Thalia Phillies Feldman, and Sigmund Freud. The authors of the selections in "Criticism" are Aristotle, C. M. Bowra, R. C. Jebb, S. M. Adams, A. J. A. Waldock, Albin Lesky, Werner Jaeger, Friedrich Nietzsche, John Jones, D. W. Lucas, Bernard M. W. Knox, Cedric H. Whitman, Richmond Lattimore, Robert Cohen, Francis Fergusson, and H. D. F. Kitto. The special question of Oedipus's guilt or innocence is addressed in essays by J. T. Sheppard, Laszlo Versenyi, P. H. Vellacott, E. R. Dodds, Thomas Gould, and Philip Wheelwright.
Oedipus Tyrannus
by Paul Woodruff Peter Meineck SophoclesPeter Meineck and Paul Woodruff's collaboration on this new translation combines the strengths that have recently distinguished both as translators of Greek tragedy: expert knowledge of the Greek and of the needs of the teaching classicist, intimate knowledge of theatre, and an excellent ear for the spoken word. Their Oedipus Tyrannus features foot-of-the-page notes, an Introduction, stage directions and a translation characterized by its clarity, accuracy, and power.
Of Bondage
by Amanda BaileyThe late sixteenth-century penal debt bond, which allowed an unsatisfied creditor to seize the body of his debtor, set in motion a series of precedents that would shape the legal, philosophical, and moral issue of property-in-person in England and America for centuries. Focusing on this historical juncture at which debt litigation was not merely an aspect of society but seemed to engulf it completely, Of Bondage examines a culture that understood money and the body of the borrower as comparable forms of property that impinged on one another at the moment of default.Amanda Bailey shows that the early modern theater, itself dependent on debt bonds, was well positioned to stage the complex ethical issues raised by a system of forfeiture that registered as a bodily event. While plays about debt like The Merchant of Venice and The Custom of the Country did not use the language of political philosophy, they were artistically and financially invested in exploring freedom as a function of possession. By revealing dramatic literature's heretofore unacknowledged contribution to the developing narrative of possessed persons, Amanda Bailey not only deepens our understanding of creditor-debtor relations in the period but also sheds new light on the conceptual conditions for the institutions of indentured servitude and African slavery. Of Bondage is vital not only for students and scholars of English literature but also for those interested in British and colonial legal history, the history of human rights, and the sociology of economics.
Of Human Bondage
by Vern ThiessenWhen Philip meets Mildred, a disarming tea-shop waitress, he finds his yearning for art and experience consumed by his intense attraction to her. Mildred, for all her teasing, isn’t all that interested in Philip, but rather in flattery, possessions, and security. Yet Philip, in a powerful haze of passion and pride, obsessively pursues Mildred despite the anguish and emotional carnage that repels and binds them at all costs. Of Human Bondage is a grand story of lust, unrequited love, and the pursuit of beauty.
Of Human Bondage
by Vern Thiessen Heidi Janz Tracy BealerWhen Philip meets Mildred, a disarming tea-shop waitress, he finds his yearning for art and experience consumed by his intense attraction to her. Mildred, for all her teasing, isn’t all that interested in Philip, but rather in flattery, possessions, and security. Yet Philip, in a powerful haze of passion and pride, obsessively pursues Mildred despite the anguish and emotional carnage that repels and binds them at all costs. Of Human Bondage is a grand story of lust, unrequited love, and the pursuit of beauty.
Of Human Kindness: What Shakespeare Teaches Us About Empathy
by Paula Marantz CohenAn award-winning scholar and teacher explores how Shakespeare&’s greatest characters were built on a learned sense of empathy While exploring Shakespeare&’s plays with her students, Paula Marantz Cohen discovered that teaching and discussing his plays unlocked a surprising sense of compassion in the classroom. In this short and illuminating book, she shows how Shakespeare&’s genius lay with his ability to arouse empathy, even when his characters exist in alien contexts and behave in reprehensible ways. Cohen takes her readers through a selection of Shakespeare&’s most famous plays, including Hamlet, Othello, King Lear, and The Merchant of Venice, to demonstrate the ways in which Shakespeare thought deeply and clearly about how we treat &“the other.&” Cohen argues that only through close reading of Shakespeare can we fully appreciate his empathetic response to race, class, gender, and age. Wise, eloquent, and thoughtful, this book is a forceful argument for literature&’s power to champion what is best in us.
Of Kings and Clowns: Leadership in Contemporary Egyptian Theatre Since 1967 (Routledge Advances in Theatre & Performance Studies)
by Tiran ManucharyanThis book examines the transformations Egyptian theatre has undergone since 1967. Through detailed analyses of the plays, the book investigates the ways Egyptian theatre represents, formulates, and imagines political and cultural leadership and, by implication, enacts its own leadership. Alongside the work of established playwrights, such as Yusuf Idris, Abul-ʿEla El-Salamouny, Fathia El-ʿAssal and Lenin El-Ramly, it also discusses the input in theatre of a younger generation, reflecting the new transformations in Egyptian theatre following the 2011 revolution. Relating the theoretical underpinnings of its analyses to theoretical discussions by Egyptian playwrights, the book contributes to current English-language scholarship in theatre studies, by providing a discourse largely absent from it. Considering the growing sense in English-language academia on the need for research and education beyond the Western canon this book offers an important addition to the study resources. This book will interest both scholars and students who study the Arab world, and researchers and students with an interest in cultural studies, more specifically twentieth- and twenty-first-century theatre, and literature studies. The book’s specific focus on political theatre and its gender perspective make it also of interest to the fields of political and gender studies.