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Sam Shepard: Seven Plays
by Sam ShepardBrilliant, prolific, uniquely American, Pulitzer prizewinning playwright Sam Shepard is a major voice in contemporary theatre. And here are seven of his very best: Buried Child, Curse of the Starving Class, The Tooth of Crime, La Turista, Tongues, Savage Love, True West
Samagra Ekankika FYBA - SPPU: समग्र एकांकिका एफ.वाय.बी.ए. - सावित्रीबाई फुले पुणे यूनिवर्सिटी
by Premanand Gajviया एकांकिकांविषयी कोणतेही भाष्य करणं उचित ठरणार नाही. हा कलावंतांचा, रसिकांचा अधिकार. तरीही एक सांगितलं पाहिजे. "घोटभर पाणी' ही एकच एकांकिका प्रेमानंद गज्वीनी लिहिली असती नि नंतर काहीच लिहिलं नसतं तरी गज्वीचं नाव मराठी नाटयवाङ्मयाच्या इतिहासात सन्मानानं घेतलं गेलं असतं." असं म्हटलं गेलंय. अशा या एकांकिकेचे एकूण ३००० प्रयोग झाले असून ४५७ पारितोषिकं तिला प्राप्त झाले आहेत. या एकांकिकेचा इंग्रजीसह सर्व भारतीय भाषात अनुवाद झालेला आहे. आता पर्यंत लिहिलेल्या सोळा एकांकिका या पुस्तकात समग्र स्वरुपात प्रकाशित होत आहेत.
Samhain: October 1901 - November 1908 (Routledge Revivals)
by W. B. YeatsFirst published in 1970, this book includes all of the annual editions and also a final pamphlet of Samhain: October 1901 – November 1908, a literary magazine edited by W. B. Yeats. Samhain was one of the several magazines that the Irish Literary Theatre (later to become The Abbey Theatre) produced and it was born when the original magazine, Beltaine, came to an end in 1900. Yeats’s editorial role was essential to the publication which served to publicize the work of the Theatre, promote current works of Irish playwrights and challenging those of their English opponents.The magazine mainly consists of a series of essays on the theatre in Dublin, and supplementing these are explanations and discussions of new plays, excerpts from which are often included. This book will be of interest to those with an interest in Yeats, early nineteenth-century literature, and Irish theatre.
Sampling and Remixing Blackness in Hip-hop Theater and Performance
by Nicole Hodges PersleySampling and Remixing Blackness is a timely and accessible book that examines the social ramifications of cultural borrowing and personal adaptation of Hip-hop culture by non-Black and non-African American Black artists in theater and performance. In a cultural moment where Hip-hop theater hits such as Hamilton offer glimpses of Black popular culture to non-Black people through musical soundtracks, GIFs, popular Hip-hop music, language, clothing, singing styles and embodied performance, people around the world are adopting a Blackness that is at once connected to African American culture--and assumed and shed by artists and consumers as they please. As Black people around the world live a racial identity that is not shed, in a cultural moment of social unrest against anti-blackness, this book asks how such engagements with Hip-hop in performance can be both dangerous and a space for finding cultural allies. Featuring the work of some of the visionaries of Hip-hop theater including Lin-Manuel Miranda, Sarah Jones and Danny Hoch, this book explores the work of groundbreaking Hip-hop theater and performance artists who have engaged Hip-hop's Blackness through popular performance. The book challenges how we understand the performance of race, Hip-hop and Blackness in the age of Instagram, TikTok and Facebook. In a cultural moment where racial identity is performed through Hip-hop culture's resistance to the status quo and complicity in maintaining it, Hodges Persley asks us to consider who has the right to claim Hip-hop's blackness when blackness itself is a complicated mixtape that offers both consent and resistance to transgressive and inspiring acts of performance.
Samuel Beckett (Routledge Revivals)
by Francis DohertyOriginally published in 1971, this book elucidates Beckett’s work in the light of his concern with literary form. This is seen as an increasingly compressed and dense medium for the purer and purer statement of his view of man’s existence, and Beckett’s Man is seen as the medium for the articulation of a view of the world which is both comically cruel and anti-theological, but not atheist. The book discusses his work as a novelist and playwright – his best-known play, Waiting for Godot, being seen in the context of his many other important plays, and more than twenty years of previous writing.
Samuel Beckett Comment C'est How It Is And / et L'image: A Critical-Genetic Edition Une Edition Critic-Genetique
by Samuel BeckettThis book contains the English and French texts and a complete record of the genesis of each. Besides Comment C'est How It Is, O'Reilly has included L'Image and an excerpt from Comment C'est that was published later in another volume.
Samuel Beckett and BBC Radio
by Matthew Feldman Erik Tonning David AddymanThis book is the first sustained examination of Samuel Beckett's pivotal engagements with post-war BBC radio. The BBC acted as a key interpreter and promoter of Beckett's work during this crucial period of his "getting known" in the Anglophone world in the 1950s and 1960s, especially through the culturally ambitious Third Programme, but also by the intermediary of the house magazine, The Listener. The BBC ensured a sizeable but also informed reception for Beckett's radio plays and various "adaptations" (including his stage plays, prose, and even poetry); the audience that Beckett's works reached by radio almost certainly exceeded in size his readership or theatre audiences at the time. In rethinking several key aspects of his relationship with the BBC, a mix of new and familiar Beckett critics take as their starting point the previously neglected BBC radio archives held at the Written Archive Centre in Caversham, Berkshire. The results of this extended reassessment are timely and, in many cases, quite surprising--for readers of Beckett and for scholars of radio, "late modernism," and post-war British culture more broadly.
Samuel Beckett and Catastrophe
by Mariko Hori Tanaka Yoshiki Tajiri Michiko TsushimaSamuel Beckett and Catastrophe is a groundbreaking collection of original essays that explore the relation between Samuel Beckett and catastrophe in terms of war, the Holocaust, nuclear disasters and ecological crisis. Responding to the post-catastrophic situations in the twentieth century, Beckett created characters who often seem to have been through an unknown catastrophe. Although the importance of catastrophe in Beckett has been noted sporadically, there has been no substantial attempt to discuss his aesthetics and work in relation to it. This collection will therefore serve as the first sustained study to explore the theme of catastrophe in Beckett and will be a highly significant contribution to Beckett studies.
Samuel Beckett and Disability Performance (New Interpretations of Beckett in the Twenty-First Century)
by Hannah SimpsonBeckett’s plays have attracted a striking range of disability performances – that is, performances that cast disabled actors, regardless of whether their roles are explicitly described as ‘disabled’ in the text. Grounded in the history of disability performance of Beckett’s work and a new theorising of Beckett’s treatment of the impaired body, Samuel Beckett and Disability Performance examines four contemporary disability performances of Beckett’s plays, staged in the UK and US, and brings the rich fields of Beckett studies and disability studies into mutually illuminating conversation. Pairing original interviews with the actors and directors involved in these productions alongside critical analysis underpinned by recent disability and performance theory, this book explores how these productions emphasise or rework previously undetected indicators of disability in Beckett’s work. More broadly, it reveals how Beckett’s theatre compulsively interrogates alternative embodiments, unexpected forms of agency, and the extraordinary social interdependency of the human body.
Samuel Beckett and the Visual Arts
by Conor CarvilleSamuel Beckett and the Visual Arts is the first book to comprehensively assess Beckett's knowledge of art, art history and art criticism. In his lifetime Beckett thought deeply about visual culture from ancient Egyptian statuary to Dutch realism, from Quattrocento painting to the modernists and after. <P><P>Drawing on a wide range of published and unpublished sources, this book traces in forensic detail the development of Beckett's understanding of painting in particular, as that understanding developed from the late 1920s to the 1970s. In doing so it demonstrates that Beckett's thinking about art and aesthetics radically changes in the course of his life, often directly responding to the intellectual and historical contexts in which he found himself. Moving fluently between art history, philosophy, literary analysis and historical context, Samuel Beckett and the Visual Arts rethinks the trajectory of Beckett's career, and reorients his relationship to modernism, late modernism and the avant-gardes.<P> Draws on a wide range of new sources, both published and unpublished.<P> Demonstrates the changes in Beckett's thinking about art and aesthetics over his career.<P> Reorients Beckett's relationships with modernism, late modernism and the avant-gardes.
Samuel Beckett's Critical Aesthetics
by Tim LawrenceThis book considers how Samuel Beckett’s critical essays, dialogues and reflections drew together longstanding philosophical discourses about the nature of representation, and fostered crucial, yet overlooked, connections between these discourses and his fiction and poetry. It also pays attention to Beckett’s writing for little-magazines in France from the 1930s to the 1950s, before going on to consider how the style of Beckett’s late prose recalls and develops figures and themes in his critical writing. By providing a long-overdue assessment of Beckett’s work as a critic, this study shows how Beckett developed a new aesthetic in knowing dialogue with ideas including phenomenology, Kandinsky’s theories of abstraction, and avant-garde movements such as Surrealism. This book will be illuminating for students and researchers interested not just in Beckett, but in literary modernism, the avant-garde, European visual culture and philosophy.
Samuel Beckett's Krapp's Last Tape (The Fourth Wall)
by Daniel Sack"We lay there without moving. But under us all moved, and moved us." - Krapp Samuel Beckett’s most accessible play is also one of the twentieth century’s most moving dramas about aging, memory, and disappointment. Daniel Sack offers the first comprehensive survey of Krapp’s Last Tape (1958) with a general reader in mind. Structured around a series of questions, five approachable sections contextualize the play in the larger career of its Nobel-Prize-winning writer, explore its major thematic concerns, and offer comparative analyses with Beckett’s other signal works. Sack also uses discussions of significant productions, including those directed by the playwright himself, to ground interpretation of the play in terms of its performance and provide a useful resource to directors and actors. Both a critical and personal exploration of this haunting play, this volume is a must-read for anyone with an interest in Beckett’s work.
Samuel Beckett: A Casebook (Casebooks On Modern Dramatists Ser. #25)
by Jennifer M. JeffersFirst published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Samuel Beckett: Anatomy of a Literary Revolution
by Pascale CasanovaIn this fascinating new exploration of Samuel Beckett&’s work, Pascale Casanova argues that Beckett&’s reputation rests on a pervasive misreading of his oeuvre, which neglects entirely the literary revolution he instigated. Reintroducing the historical into the heart of this body of work, Casanova provides an arresting portrait of Beckett as radically subversive—doing for writing what Kandinsky did for art—and in the process presents the key to some of the most profound enigmas of Beckett&’s writing.
Samuel Beckett’s Italian Modernisms: Tradition, Texts, Performance (Routledge Advances in Theatre & Performance Studies)
by Michela Bariselli Davide Crosara Antonio Gambacorta Mario MartinoIn the wake of both Joycean and Dantean celebrations, this volume aims to investigate the fecund influence of Italian culture on Samuel Beckett’s work, with a specific focus on the twentieth century.Located at the intersection of historical avant-garde movements and a renewed interest in tradition, Italian modernism reimagined Italy and its culture, projecting it beyond the shadow of fascism. Following in Joyce’s footsteps, Samuel Beckett soon became an attentive reader of Italian modernist authors. These had a profound effect on his early work, shaping his artistic identity. The influence of his early readings found its way also into Beckett’s postwar writing and, most poignantly, in his theatre. The contributions in this collection rekindle the debate around Beckett as modernist author through the lenses of Italian culture.This study will be of particular interest to students and scholars in theatre and performance studies, Italian studies, English studies, and comparative literature.
Samuel Beckett’s Legacies in American Fiction: Problems in Postmodernism (New Interpretations of Beckett in the Twenty-First Century)
by James BaxterSamuel Beckett’s Legacies in American Fiction provides an overdue investigation into Beckett’s rich influences over American writing. Through in-depth readings of postmodern authors such as Robert Coover, Donald Barthelme, Thomas Pynchon, Don DeLillo, Paul Auster and Lydia Davis, this book situates Beckett’s post-war writing of exhaustion and generation in relation to the emergence of an explosive American avant-garde. In turn, this study provides a valuable insight into the practical realities of Beckett’s dissemination in America, following the author’s long-standing relationship with the countercultural magazine Evergreen Review and its dramatic role in redrawing the possibilities of American culture in the 1960s. While Beckett would be largely removed from his American context, this book follows his vigorous, albeit sometimes awkward, reception alongside the authors and institutions central to shaping his legacies in 20th and 21st century America.
Samuel Beckett’s Theatre in America
by Natka BianchiniA study of the 30-year collaboration between playwright Samuel Beckett and director Alan Schneider, Bianchini reconstructs their shared American productions between 1956 and 1984. By examining how Beckett was introduced to American audiences, this book leads into a wider historical discussion of American theatre in the mid-to-late 20th century.
Samuel Phelps and Sadler's Wells Theatre
by Shirley S. AllenThis is the definitive biography of the actor Samuel Phelps (1804-1878) who brought the Shakespeare’s original plays back to the forefront of theatre after over 100 years of derived versions, and revolutionized theater design in the 20th Century. In an era when performances of Shakespeare’s works had been replaced with derived versions of themselves, Phelps became known for his exquisite productions of Shakespeare that were faithful to their original versions. Phelps revolutionized Shakespearean theatre when he took over management of Sadler’s Wells Theatre. As manager and director, he brought to each production—whether of Shakespeare or of Restoration or contemporary pieces—his own total concept, in which acting, setting, and staging were integrated under his supervision to produce fresh, striking effects. He preserved the best of the traditional past; he pioneered in directions the theatre would follow for decades afterward. This carefully researched and fluently written book covers the full range of Phelps’s half-century career, with special emphasis on his fruitful decades at Sadler’s Wells and on his work as performer and producer of Shakespearian drama. Scholar Shirley S. Allen presents the background against which Phelps worked: the theatrical monopoly, traditional techniques of acting, the repertory system, the advent of melodrama, and the social milieu. She also examines Phelps’s important contemporaries in the theatre—Macready, Charles Kean, Ben Webster, Mrs. Warner, and more—especially as their careers were intertwined with his. This book, first published in 1971, is widely considered the definitive work on Phelps and adds substantially to our understanding of the London stage and of Victorian England.
Sand Pies & Scissorlegs
by Mark DunnComedy / Mark Dunn / 2 m., 4 f. / This gentle southern comedy by the author of Belles and Minus Some Buttons is about two sisters and a brother who find themselves at a crossroads in their lives. As children they ran away from an unhappy foster home in Ohio and headed for Disney World. They made it as far as a small resort town on the Alabama gulf coast where they moved in with a couple with Down's Syndrome who became their surrogate parents. It's now one year after the couple's death and tough decisions must be made about the beach house which has been Parry and Joshalynn and Nicky's home for the last twenty years, and about what these three will be doing with the rest of their lives. It's a play about the sometimes reluctant passage from childhood to adulthood and about how difficult it is to trade the safety and security of youth for the problems and responsibilities of the world of the adult.
Sanders Family Christmas
by Connie Ray Gary Fagin John FoleyMusical Comedy / 4m, 3f / Interior / In this sequel to the ever popular New York hit Smoke on the Mountain, the Sanders family returns to Mount Pleasant, NC, home of the Mount Pleasant Pickle Factory. It's Christmas Eve, 1941. Reverend Oglethorpe has invited them to the Baptist Church to sing and witness, getting the congregation into the down home holiday spirit before the boys, including one of the Sanders' own, are shipped off to World War II. More than two dozen Christmas carols, many of them vintage hymns, and hilarious yuletide stories from the more or less devote Sanders family keep the audience laughing, clapping and singing along with bluegrass Christmas favorites. Richly entertaining, this wildly infections musical brings cheer to audiences eager to see how their friends from Smoke on the Mountain have been getting along.
Sang Thong: A Dance-Drama From Thailand
by King Rama II Fern IngersollSang Thong: A Dance-Drama from Thailand, a beloved treasure of Thailand's classical theater is now available for the first time in English.<P><P>Composed by King Rama II and his court poets early in the 19th century, this captivating dance-drama blends ribald humor, sharp observation, and graceful poetry. Its incidents are based on age-old Asian legends and on vigorous folk-traditions of the Thai countryside, where King Rama II had been raised as a commoner before his father ascended the throne. Into his retelling of the story Sang Thong, a child of godlike beauty whose strange birth in a conch shell caused him to be exiled from his kingdom, the dramatist king wove reflections on the mysterious workings of fate, legends of spirits and ogres, and episodes in which the machinations of courtiers and foibles of lovers play important parts. The world transformed by the beliefs and values of an ancient civilization.For the modern Thais, Sang Thong is a rich and pervasive cultural influence. For Western readers, this translation will provide valuable insights into a fascinating, hitherto unknown literary masterpiece. Sang Thong: A Dance Drama From Thailand will offer stimulating cultural data for years to come.
Sangram: संग्राम
by Premchand"संग्राम" प्रेमचंद की एक प्रमुख कृति है, जो भारतीय समाज में व्याप्त सामाजिक और आर्थिक असमानताओं को उजागर करती है। इस उपन्यास में प्रेमचंद ने भारतीय समाज के निम्न वर्ग के संघर्षों और उनके जीवन की कठिनाइयों का संवेदनशील चित्रण किया है। कहानी उन गरीब और दबे-कुचले लोगों के इर्द-गिर्द घूमती है, जो समाज में सम्मान और समानता की खोज में संघर्षरत हैं। प्रेमचंद ने इस उपन्यास के माध्यम से जाति व्यवस्था और शोषण के कुप्रभावों को बारीकी से दर्शाया है, जहां उच्च वर्ग के लोग अपने स्वार्थ और सत्ता के बल पर निम्न वर्ग का शोषण करते हैं। उपन्यास के पात्र सामाजिक अन्याय और आर्थिक शोषण के खिलाफ संघर्ष करते हुए दिखाए गए हैं, जो अपने अधिकारों के लिए लड़ाई लड़ते हैं। "संग्राम" में प्रेमचंद ने समाज में व्याप्त असमानताओं और जातिगत भेदभाव पर करारी चोट की है, और यह संदेश दिया है कि समाज में न्याय और समानता की स्थापना के बिना विकास संभव नहीं है। प्रेमचंद का यह उपन्यास सामाजिक सुधार की आवश्यकता और समाज के सभी वर्गों के लिए समान अवसरों और सम्मान की अनिवार्यता पर बल देता है। "संग्राम" न केवल सामाजिक और राजनीतिक दृष्टिकोण से महत्वपूर्ण है, बल्कि यह प्रेमचंद की लेखनी की गहराई और उनकी समाज के प्रति प्रतिबद्धता का भी प्रतीक है। यह उपन्यास पाठकों को सामाजिक न्याय और समानता के संघर्ष के प्रति जागरूक करता है और उन्हें समाज में बदलाव लाने के लिए प्रेरित करता है।
Sarah Bernhardt: The Divine and Dazzling Life of the World's First Superstar
by Catherine ReefA tantalizing biography for teens on Sarah Bernhardt, the first international celebrity and one of the greatest actors of all time, who lived a highly unconventional, utterly fascinating life. Illustrated with more than sixty-five photos of Bernhardt on stage, in film, and in real life. Sarah Bernhardt was a French stage actor who became a global superstar in the late nineteenth century—the Lady Gaga of her day—and is still considered to be one of the greatest performers of all time. This fast-paced account of her life, filled with provocative detail, brilliantly follows the transformation of a girl of humble origins, born to a courtesan, into a fabulously talented, wealthy, and beloved icon. Not only was her acting trajectory remarkable, but her personal life was filled with jaw-dropping exploits, and she was extravagantly eccentric, living with a series of exotic animals and sleeping in a coffin. She grew to be deeply admired around the world, despite her unabashed and public promiscuity at a time when convention was king; she slept with each of her leading men and proudly raised a son without a husband. A fascinating and fast-paced deep dive into the world of the divine Sarah. Illustrated with more than sixty-five photos of Bernhardt on stage, in film, and in real life.
Sarah Kane's 4.48 Psychosis (The Fourth Wall)
by Glenn D'Cruz"Everything passes/Everything perishes/Everything palls" – 4.48 Psychosis <P><P> How on earth do you award aesthetic points to a 75-minute suicide note? The question comes from a review of 4.48 Psychosis’ inaugural production, the year after Sarah Kane took her own life, but this book explores the ways in which it misses the point. Kane’s final play is much more than a bizarre farewell to mortality. It’s a work best understood by approaching it first and foremost as theatre – as a singular component in a theatrical assemblage of bodies, voices, light and energy. The play finds an unexpectedly close fit in the established traditions of modern drama and the practices of postdramatic theatre. <P><P> Glenn D’Cruz explores this theatrical angle through a number of exemplary professional and student productions with a focus on the staging of the play by the Belarus Free Theatre (2005) and Melbourne’s Red Stitch Theatre (2007).
Satire & The State: Sketch Comedy and the Presidency
by Matt FotisSatire & The State focuses on performance-based satire, most often seen in sketch comedy, from 1960 to the present, and explores how sketch comedy has shaped the way Americans view the president and themselves. Numerous sketch comedy portrayals of presidents that have seeped into the American consciousness – Chevy Chase’s Gerald Ford, Dana Carvey’s George H.W. Bush, and Will Ferrell’s George W. Bush all worked to shape the actual politician’s public persona. The book analyzes these sketches and many others, illustrating how comedy is at the heart of the health and function of American democracy. At its best, satire aimed at the presidency can work as a populist check on executive power, becoming one of the most important weapons for everyday Americans against tyranny and political corruption. At its worst, satire can reflect and promote racism, misogyny, and homophobia in America. Written for students of Theatre, Performance, Political Science, and Media Studies courses, as well as readers with an interest in political comedy, Satire & The State offers a deeper understanding of the relationship between comedy and the presidency, and the ways in which satire becomes a window into the culture, principles, and beliefs of a country.