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Raisin
by Robert NemiroffBased on Lorraine Hansberry's A Raisin in the Sun / Musical Drama / 9m, 6f, chorus and extras / Unit set / This winner of Tony and Grammy awards as Best Musical ran for three years on Broadway and enjoyed a record breaking national tour. A proud family's quest for a better life meets conflicts that span three generations and set the stage for a drama rich in emotion and laughter. Taking place on Chicago's Southside, it explodes in song, dance, drama and comedy. "Pure magic ... dazzling! Tremendous!... Warms the heart and touches the soul ... with a human dimension that takes the measurement of man!"- N.Y. Times "A tidal wave of soul!" - Ebony.
A Raisin in the Sun
by Lorraine Hansberry"Never before, the entire history of the American theater, has so much of the truth of black people's lives been seen on the stage," observed James Baldwin shortly before A Raisin in the Sun opened on Broadway in 1959.Indeed Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America--and changed American theater forever. The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun.""The events of every passing year add resonance to A Raisin in the Sun," said The New York Times. "It is as if history is conspiring to make the play a classic." This Modern Library edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff. [This text is listed as an example that meets Common Core Standards in English language arts in grades 11-12 at http://www.corestandards.org.]
A Raisin in the Sun
by Lorraine HansberryNever before, in the entire history of the American theater, has so much of the truth of Black people's lives been seen on the stage," observed James Baldwin shortly before A Raisin in the Sun opened on Broadway in 1959. This edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff. Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of Black America--and changed American theater forever. The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun." "The events of every passing year add resonance to A Raisin in the Sun," said The New York Times. It is as if history is conspiring to make the play a classic.
Raising the Stakes (Orca Limelights)
by Trudee TomanekIt's the start of a new season for Harrington High's improv team--and Chloe is determined that this will be the year they make it all the way to the top. Her teammates (who also happen to be her closest friends) are a talented bunch, and she knows they can do it. They have to. Because getting to nationals is Chloe's best chance to prove--to her parents, to the improv scouts and, most of all, to herself--that she has what it takes to succeed. Chloe is doing everything she can to help her teammates perform better. So why are they all mad at her?
The Ramplings
by Stephen LeviFull Length, Farce / 2 m, 2 f / Interior / Nothing is as it appears and everything is as it should be is the motto of coastal Maine's Singapore Inn, where three guests pursue different ends on a snowy Christmas eve. Hector, a celebrity race car driver and an impeccable Irish drunk who speaks with a lilting brogue, desperately seeks an elusive bottle of Irish whisky. His wife wants to lay a wreath on her mother's grave on this first anniversary of her death in an automobile accident she blames on Hector. The only other guest also has plans for that bottle of whiskey: it will certainly coax her husband-who also died exactly a year ago-from his grave. Invisible cats, flying ghosts and an ageless innkeeper who may or may not be an angel spell madcap merriment that concludes with lives restored and relationships healed. This holiday delight is by the author of Good Morning Miss Vickers and other popular comedies.
Ranna: Gadāyuddham – The Duel of the Maces
by R.V.S. Sundaram Ammel Sharon AkkamahadeviThe Gadāyuddham (The Duel of the Maces) is a kāvya (poetry) composed in classical Kannada literary style at the turn of the eleventh century. It is written in campū, a genre that developed in the tenth century as a mixture of poetry and prose. Ranna’s poem is remarkably dramatic in nature and is a meditation on the cost of war. Crisp dialogue, body gestures and imagery fill the poem. It is as if the poet were giving us directions for a play.Ranna employs ‘flashbacks’, a technique called simhāvalōkana, that is, a lion turning casually to glance behind him. Ranna builds up to the duel through characters recalling episodes of injury or through lamentation. The duel occupies only a short space in the eighth canto, but Ranna takes this time to fill in past episodes and reflect on the impact of war. This thousand-year-old poem will interest scholars as well as lay readers. Please note: This title is co-published with Manohar Publishers, New Delhi. Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka
Rapa Nui Theatre: Staging Indigenous Identities in Easter Island (Routledge Advances in Theatre & Performance Studies #1)
by Moira Fortin CornejoThis book examines the relationships between theatrical representations and socio-political aspects of Rapa Nui culture from pre-colonial times to the present. This is the first book written about the production of Rapa Nui theatre, which is understood as a unique and culturally distinct performance tradition. Using a multilingual approach, this book journeys through Oceania, reclaiming a sense of connection and reflecting on synergies between performances of Oceanic cultures beyond imagined national boundaries. The author argues for a holistic and inclusive understanding of Rapa Nui theatre as encompassing and being inspired by diverse aspects of Rapa Nui performance cultures, festivals, and art forms. This book will be of great interest to students and scholars of Indigenous studies, Pacific Island studies, performance, anthropology, theatre education and Rapa Nui community, especially schoolchildren from the island who are learning about their own heritage.
Raparigas como nós
by Helena MagalhãesIsabel e Alice são inseparáveis. Afonso e Ventura já não sabem o que os une. Simão e Zeca querem mudar quem são. E Marisa talvez seja apenas a vilã. Uma reflexão sobre a juventude, pressão dos pares, laços de amizade entre raparigas, festas, drogas, depressão, morte e autodescoberta. Uma reflexão que é também o retrato de uma geração e a ânsia de pertencer. Raparigas como nós é uma viagem entre Lisboa, Cascais e Madrid, contada pela voz de Isabel e que, numa narrativa veloz, nos revela o impacto que podemos ter na vida uns dos outros. Um romance sobre a eletricidade do primeiro amor e os intensos emaranhados das relações de amizade e das memórias de infância.
A Rasa Reader: Classical Indian Aesthetics (Historical Sourcebooks in Classical Indian Thought)
by Sheldon PollockFrom the early years of the Common Era to 1700, Indian intellectuals explored with unparalleled subtlety the place of emotion in art. Their investigations led to the deconstruction of art's formal structures and broader inquiries into the pleasure of tragic tales. Rasa, or taste, was the word they chose to describe art's aesthetics, and their passionate effort to pin down these phenomena became its own remarkable act of creation.This book is the first in any language to follow the evolution of rasa from its origins in dramaturgical thought—a concept for the stage—to its flourishing in literary thought—a concept for the page. A Rasa Reader incorporates primary texts by every significant thinker on classical Indian aesthetics, many never translated before. The arrangement of the selections captures the intellectual dynamism that has powered this debate for centuries. Headnotes explain the meaning and significance of each text, a comprehensive introduction summarizes major threads in intellectual-historical terms, and critical endnotes and an extensive bibliography add further depth to the selections. The Sanskrit theory of emotion in art is one of the most sophisticated in the ancient world, a precursor of the work being done today by critics and philosophers of aesthetics. A Rasa Reader's conceptual detail, historical precision, and clarity will appeal to any scholar interested in a full portrait of global intellectual development. A Rasa Reader is the inaugural book in the Historical Sourcebooks in Classical Indian Thought series, edited by Sheldon Pollock. These text-based books guide readers through the most important forms of classical Indian thought, from epistemology, rhetoric, and hermeneutics to astral science, yoga, and medicine. Each volume provides fresh translations of key works, headnotes to contextualize selections, a comprehensive analysis of major lines of development within the discipline, and exegetical and text-critical endnotes, as well as a bibliography. Designed for comparativists and interested general readers, Historical Sourcebooks is also a great resource for advanced scholars seeking authoritative commentary on challenging works.
El Rastro del Fuego: de Notre Dame a la Mole Antonelliana.
by Claudio CalzoniEl Rastro del Fuego de Claudio Calzoni El Rastro del Fuego: de Notre Dame a la Mole Antonelliana. Hay una estela de fuego detrás de la muerte de tantas personas, la destrucción de monumentos que custodian la memoria de la Humanidad y una reliquia, la más importante que la cristiandad ha conservado durante milenios. El juego de ajedrez entre el Bien y el Mal ha comenzado. Los jugadores mueven sus piezas. Ganará el que ponga en jaque al Rey. No es fácil de encontrar pero el rastro del Fuego está en el aire...
The Rational Shakespeare: Peter Ramus, Edward de Vere, and the Question of Authorship
by Michael WainwrightThe Rational Shakespeare: Peter Ramus, Edward de Vere, and the Question of Authorship examines William Shakespeare’s rationality from a Ramist perspective, linking that examination to the leading intellectuals of late humanism, and extending those links to the life of Edward de Vere, Seventeenth Earl of Oxford. The application to Shakespeare’s plays and sonnets of a game-theoretic hermeneutic, an interpretive approach that Ramism suggests but ultimately evades, strengthens these connections in further supporting the Oxfordian answer to the question of Shakespearean authorship.
The Raven (Books That Changed the World)
by Lou ReedThe legendary musician’s distinctive artistic take on Edgar Allan Poe includes “some of the most personal lyrics of his career” (Rolling Stone).One of the most influential and innovative recording artists of the past three decades, Lou Reed has always offered a shrewd view of life in the big city in all its colors. It is no surprise, then, that he considers Edgar Allan Poe a spiritual forefather. In The Raven, Reed immerses himself in Poe’s enigmatic world and sets out to reimagine his work to mesmerizing effect. In 2001 Lou Reed, legendary theater director Robert Wilson, and an all-star cast presented the musical POEtry at the Brooklyn Academy of Music. Reed’s subsequent studio adaptation, The Raven, has been hailed as one of his more daring and challenging albums. Here, accompanied by photographs by the acclaimed artist and director Julian Schnabel, is the definitive text of the CD release. The Raven includes Reed's distinctive takes on Poe’s most celebrated works, as well as song lyrics written for the musical. It is a fascinating meeting between a dark chronicler of the twentieth century and his nineteenth-century counterpart; the work of one iconoclastic genius offering a haunting exploration of another.
The Raven's Gift
by Don ReardenJohn Morgan and his wife can barely contain their excitement upon arriving as the new teachers in a Yup'ik Eskimo village on the windswept Alaskan tundra. But their move proves disastrous when a deadly epidemic strikes and the isolated community descends into total chaos. When outside aid fails to arrive, John's only hope lies in escaping the snow-covered tundra and the hunger of the other survivors--he must make the thousand-mile trek across the Alaskan wilderness for help. He encounters a blind Eskimo girl and an elderly woman who need his protection, and he needs their knowledge of the terrain to survive. The harsh journey pushes him beyond his limits as he discovers a new sense of hope and the possibility of loving again.
The Raven's Gift
by Don ReardenWinner, Alaskan Novel of the Year, 2011 Shifting from contemporary Eskimo village life to a gripping post-apocalyptic nightmare, The Raven's Gift dares to confront the terrifying possibility of an impending catastrophic loss of human life--and love. Lured north to a Yup'ik village on the Alaskan tundra in search of adventure, John Morgan and his wife Anna can barely contain their excitement. But something is about to go terribly wrong. What happens when an epidemic strikes--and no one comes to help? Don Rearden lives in the mountain community of Bear Valley, Alaska, and is an Associate Professor of Developmental Studies at the University of Alaska, Anchorage, where he teaches young writers how to develop their creative voices. textpublishing. com. au 'The Raven's Gift has a winning plot, characters we've never met before, and intriguing details of a world most of us will never venture to--creating a read that opens our eyes and finds the fault lines of a heart in one breathless sitting. ' Jodi Picoult 'Don Rearden has created a kind of allegory for a people and place at risk, a generous and honest portrait of Yup'ik communities. His Alaska is one you won't yet have seen. ' David Vann, author of bestselling novels Legend of a Suicide and Caribou Island 'The book is fantastic, one of the best books about Alaska I have ever read. It calls to mind Cormac McCarthy and Stephen King, but at the same time it is all its own. The Raven's Gift is the story of a couple teaching in a remote Alaskan village when a epidemic sweeps through. People are dying in isolation, and others descending into savage violence. It is a survival story and an edge-of-the-seat thriller. ' Eoywyn Ivy, author of The Snow Child 'The Raven's Gift is a disturbingly believable tale of a world on the edge, given the slight push to send it over. Rearden knows his Alaska, his snow and cold, the isolation in these pages enough to make you pull up the blankets and wonder what you'd do without rescue, without communication, with no one to go to for help, no one coming to the rescue. Like McCarthy's The Road, there are pages in here you might shy away from reading, but hang on, once you start, you'll be along for the ride. ' Pete Fromm author of Indian Creek Chronicles and How This All Started. An epic adventure, a work of mythical proportions, never to be forgotten. ' Daniel Quinn, author of bestselling novels Ishmael and The Story of B 'A post-apocalyptic novel that will set your hair on end. ' Sun Times 'The Raven's Gift is both thriller and love story, a tale full of anthropological suspense and with a stunning geographical tour of Alaska thrown in for good measure It is exciting and fascinating, completely compelling and some of the most original writing I have read in a very long time. Snuggle up on a cold winter's night and enjoy!' ABC Queensland, Weekend Bookworm
Ravenscroft
by Don NigroMystery / 1m, 5f / Simple unit set This psychological drama is a thinking person's Gothic thriller, a dark comedy that is both funny and frightening. On a snowy night, Inspector Ruffing is called to a remote house to investigate the headlong plunge of Patrick Roarke down the main staircase. He becomes involved in the lives of five alluring and dangerous women: Marcy, the beautiful Viennese governess with a past; Mrs. Ravenscroft, the flirtatious lady of the manor; Gillian, her charming but possibly demented daughter; Mrs. French, the formidable and passionate cook, and Dolly, a terrified maid. They lead him through a bewildering labyrinth of contradictory versions of Patrick's demise and that of the late Mr. Ravenscroft. There are ghosts on the staircase, skeletons in the closet, and much more than the Inspector bargained for. His investigation leads into own tortured soul and the nature of truth itself. You will not guess the ending, but you will be teased, seduced, bewildered, amused, frightened and led to a dark encounter with truth or something even stranger.
Razzle Dazzle: The Battle for Broadway
by Michael Riedel&“A vivid page-turner&” (NPR) detailing the rise, fall, and redemption of Broadway—its stars, its biggest shows, its producers, and all the drama, intrigue, and power plays that happened behind the scenes.&“A rich, lovely, debut history of New York theater in the 1970s and eighties&” (Kirkus Reviews, starred review), Razzle Dazzle is a narrative account of the people and the money and the power that turned New York&’s gritty back alleys and sex-shops into the glitzy, dazzling Great White Way.In the mid-1970s Times Square was the seedy symbol of New York&’s economic decline. Its once shining star, the renowned Shubert Organization, was losing theaters to make way for parking lots and losing money. Bernard Jacobs and Jerry Schoenfeld, two ambitious board members, saw the crumbling company was ripe for takeover and staged a coup and staved off corporate intrigue, personal betrayals and criminal investigations. Once Jacobs and Schoenfeld solidified their power, they turned a collapsed theater-owning holding company into one of the most successful entertainment empires in the world, spearheading the revitalization of Broadway and the renewal of Times Square.&“For those interested in the business behind the greasepaint, at a riveting time in Broadway&’s and New York&’s history, this is the ticket&” (USA TODAY). Michael Riedel tells the stories of the Shubert Organization and the shows that re-built a city in grand style—including Cats, A Chorus Line, and Mamma Mia!—revealing the backstage drama that often rivaled what transpired onstage, exposing bitter rivalries, unlikely alliances, and inside gossip. &“The trouble with Razzle Dazzle is…you can&’t put the damn thing down&” (Huffington Post).
RD vol 41 num 12
by The University of Chicago PressThis is volume 41 issue 12 of Renaissance Drama. Renaissance Drama explores the rich variety of theatrical and performance traditions and practices in early modern Europe and intersecting cultures. The sole scholarly journal devoted to the full expanse of Renaissance theatre and performance, the journal publishes articles that extend the scope of our understanding of early modern playing, theatre history, and dramatic texts and interpretation, encouraging innovative theoretical and methodological approaches to these traditions, examining familiar works, and revisiting well-known texts from fresh perspectives.
Re: A Theoretical and Practical Guide (Worlds of Performance)
by Gabrielle Cody Rebecca SchneiderRe: Direction is an extraordinary resource for practitioners and students on directing. It provides a collection of ground-breaking interviews, primary sources and essays on 20th century directing theories and practices around the world. Helpfully organized into four key areas of the subject, the book explores: * theories of directing * the boundaries of the director's role * the limits of categorization * the history of the theatre and performance art. Exceptionally useful and thought-provoking introductory essays by editors Schneider and Cody guide you through the wealth of materials included here. Re: Direction is the kind of book anyone interested in theatre history should own, and which will prove an indispensable toolkit for a lifetime of study.
Re: Producing Women's Dramatic History
by D. A. HadfieldWithin the last generation, Canadian drama, like other literary forms, has seen the emergence of works by women that re-vision the role of women in history. However, in order to write themselves into theatre history, women have had to negotiate a complex journey through both pages and stages, a network of public production that is highly politically charged at every turn. This book examines the strategies employed by seven feminist productions that have managed to achieve a canonic place in the recorded history of Canadian theatre. All of the plays under consideration here exist (or have existed) in at least one published script form. However, Dorothy Hadfield’s purpose here is not to analyze these scripts for the definitive meaning of the narratives in these plays, nor is she trying to suggest how a reader or audience should inevitably read them. Instead, Hadfield is trying to account for how and why these scripts came to exist in published form, given the strong implicit connection between publication and a public assumption of "good” or "successful” theatre. In a system where textual visibility leads to opportunities for study, reproduction and validation for both play and playwright, the permanence of script publication can have real economic and ideological advantages. By analyzing publicity materials, photos, programs, reviews, box office and theatre records, it is possible to trace the process of creating a theatrical "success,” as well as to assess what effect that critical verdict has on the shape of the script publications of these works. In effect, by placing the textual artifacts left behind by these performances in the context of their production and reception, in part through a carefully constructed ideological compatibility throughout the production process, it is possible to investigate how the politics of the theatrical process influences what we perceive as "good” playwriting.
(What is Theatre?)
by L. Bailey McDanielLooking at a century of American theatre, McDaniel investigates how race-based notions of maternal performance become sites of resistance to cultural and political hierarchies. This book considers how the construction of mothering as universally women's work obscures additional, equally constructed subdivisions based in race and class.
Re-Dressing the Canon: Essays on Theatre and Gender
by Alisa SolomonRe-Dressing the Canon examines the relationship between gender and performance in a series of essays which combine the critique of specific live performances with an astute theoretical analysis. Alisa Solomon discusses both canonical texts and contemporary productions in a lively jargon-free style. Among the dramatic texts considered are those of Aristophanes, Ibsen, Yiddish theatre, Mabou Mines, Deborah Warner, Shakespeare, Brecht, Split Britches, Ridiculous Theatre, and Tony Kushner. Bringing to bear theories of 'gender performativity' upon theatrical events, the author explores: * the 'double disguise' of cross-dressed boy-actresses * how gender relates to genre (particularly in Ibsens' realism) * how canonical theatre represented gender in ways which maintain traditional images of masculinity and femininity.
Re-Enacting the Past: Heritage, Materiality and Performance
by Mads Daugbjerg, Rivka Syd Eisner and Britta Timm KnudsenWhat is re-enactment and how does it relate to heritage? Re-enactments are a ubiquitous part of popular and memory culture and are of growing importance to heritage studies. As concept and practice, re-enactments encompass a wide range of forms: from the annual ‘Viking Moot’ festival in Denmark drawing thousands of participants and spectators, to the (re)staged war photography of An-My Lê, to the Titanic Memorial Cruise commemorating the centennial of the ill-fated voyage, to the symbolic retracing of the Berlin Wall across the city on 9 November 2014 to mark the 25th anniversary of its toppling.Re-enactments involve the sensuousness of bodily experience and engagement, the exhilarating yet precarious combination of imagination with ‘historical fact’, in-the-moment negotiations between and within temporalities, and the compelling drive to re-make, or re-presence, the past. As such, re-enactments present a number of challenges to traditional understandings of heritage, including taken-for-granted assumptions regarding fixity, conservation, originality, ownership and authenticity. Using a variety of international, cross-disciplinary case studies, this volume explores re-enactment as practice, problem, and/or potential, in order to widen the scope of heritage thinking and analysis toward impermanence, performance, flux, innovation and creativity.This book was originally published as a special issue of the International Journal of Heritage Studies.
Re-imagining Western European Geography in English Renaissance Drama
by Monica Matei-ChesnoiuFocusing on how citizens of early modern England tried to locate themselves and their nation through geography and travel writing, Monica Matei-Chesnoiu explores theatrical representations of Western European space and ethnography. Geographic discourses share many features with drama in that they appeal to the readers' and audience's curiosity and imagination. Playwrights use information derived from geography treatises as vehicles to allegorize contemporary English issues in a dialogical mode. While geography and travel texts provide an objective synthesis in describing Western European nations, dramatic interaction destabilizes any preconceived notions and submits contrastive views on imagined global European communities. This book explores representations of France, Spain, Germany, the Low Countries, and Denmark in a wide range of geography texts and offers fresh readings of Shakespeare, Jonson, Marlowe, Middleton, Dekker, Massinger, Marston, and others.
Re-performance, Mourning and Death: Specters of the Past (Adaptation in Theatre and Performance)
by Sarah JuliusThis book examines the recent trend for re-performance and how this impacts on the relationship between live performance and death. Focusing specifically on examples of performance art the text analyses the relationship between performance, re-performance and death, comparing the process of re-performance to the process of mourning and arguing that both of these are processes of adaptation and survival. Using a variety of case studies, including performances by Ron Athey, Julie Tolentino, Martin O’Brien, Sheree Rose, Jo Spence and Hannah Wilke, the book explores performances which can be considered acts of re-performance, as well as performances which examine some of the critical concerns of re-performance, including notions of illness, loss and death. By drawing upon both philosophical and performance studies discourses the text takes a novel approach to the relationship between re-performance, mourning and death.