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Rehearsals of Manhood: Athenian Drama as Social Practice
by John J. WinklerA bold reconception of ancient Greek drama by one of the most brilliant and original classical scholars of his generationWhen John Winkler died in 1990, he left an unpublished manuscript containing a highly original interpretation of the development and meaning of ancient Greek drama. Rehearsals of Manhood makes this groundbreaking work available for the first time, presenting an entirely novel picture of Greek tragedy and a vivid portrait of the cultural poetics of Athenian manhood.Ancient Athens was a military conclave as well as an urban capital, and male citizens were expected to embody the ideal of the Athenian citizen-soldier. Winkler understands Attic drama as a secular manhood ritual, a collaborative aesthetic and civic enterprise focused on the initiation of boys into manhood and the training, testing, and representation of young male warriors. Past efforts to discover the origins and development of Greek tragedy have largely treated drama as a literary genre, isolating it from other Athenian social practices. Winkler returns Greek tragedy to its social context, showing how it was one among many forms of display and performance cultivated by elite males in ancient Greece.The final work of a celebrated classical scholar, Rehearsals of Manhood highlights the civic function of the dramatic festivals at classical Athens as occasions for the examination and representation of boys on the verge of manhood, and offers a fresh explanation of how dramatic performance fit into the social life and gender politics of the Athenian state.
Reimagining Shakespeare for Children and Young Adults (Children's Literature and Culture)
by Naomi MillerFirst published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
La reina de las muñecas y otras historias
by Romana VillariHistorias negras para los que aman recorrer el camino de la inquietud sin parar La reina de las muñecas y otros cuentos El cuerpo de una anciana se encuentra en circunstancias misteriosas. Parece una noticia como muchas otras detrás de la cual se esconde una intriga que Vittoria descubrirá gracias a sus dotes sensoriales. Lo paranormal recorre todas las historias de la colección como hilo conductor.
Reinventing Shakespeare: A Cultural History, from the Restoration to the Present
by Gary TaylorRelates the various interpretations of Shakespeare's plays to the concerns and values of the particular era, and uses the contrasts to examine the bases of aesthetic judgment.
Reinventing the Renaissance
by Sarah Annes Brown Robert I. Lublin Lynsey MccullochThe plays of Shakespeare and his contemporaries has inspired interpretations in every genre and medium. This book offers perspectives on the ways in which practitioners have used Renaissance drama to address contemporary concerns and reach new audiences. It provides a resource for those interested in the creative reception of Renaissance drama.
Relatively Close
by James ShermanCharacters: 4 male, 3 female Interior. In Relatively Close, James Sheridan scrutinizes human relationships by inviting us to the summer home of one quirky and quarrelsome extended family. But then, what family isn't? Three sisters return to the house on the shores of Lake Michigan where they spent the summers of their youth. Now, the sisters are grown, their parents are gone, and the house is just sitting there. One sister wants to keep it, one sister wants to sell it, and one sister just wants everyone to get along. They each have brought a husband combining three men with very little hope of finding any common ground. And one sister has one very disgruntled teenage son in tow who may be the hope for the future or the downfall of the present. "Warm, witty, and hilariously engaging." - Southtown Star "A comedic doppleganger of August: Osage County." - Daily Herald "Filled with laughs from start to finish!" - TheatreInChicago.com
Relevance and Marginalisation in Scandinavian and European Performing Arts 1770–1860: Questioning Canons
by Randi Margrete SelvikRelevance and Marginalisation in Scandinavian and European Performing Arts 1770–1860: Questioning Canons reveals how various cultural processes have influenced what has been included, and what has been marginalised from canons of European music, dance, and theatre around the turn of the nineteenth century and the following decades. This collection of essays includes discussion of the piano repertory for young ladies in England; canonisation of the French minuet; marginalisation of the popular German dramatist Kotzebue from the dramatic canon; dance repertory and social life in Christiania (Oslo); informal cultural activities in Trondheim; repertory of Norwegian musical clocks; female itinerant performers in the Nordic sphere; preconditions, dissemination, and popularity of equestrian drama; marginalisation and amateur staging of a Singspiel by the renowned Danish playwright Oehlenschläger, also with perspectives on the music and its composers; and the perceived relevance of Henrik Ibsen’s staged theatre repertory and early dramas. By questioning established notions about canon, marginalisation, and relevance within the performing arts in the period 1770–1860, this book asserts itself as an intriguing text both to the culturally interested public and to scholars and students of musicology, dance research, and theatre studies.
Religion and Drama in Early Modern England: The Performance of Religion on the Renaissance Stage (Studies In Performance And Early Modern Drama Ser.)
by Elizabeth WilliamsonOffering fuller understandings of both dramatic representations and the complexities of religious culture, this collection reveals the ways in which religion and performance were inextricably linked in early modern England. Its readings extend beyond the interpretation of straightforward religious allusions and suggest new avenues for theorizing the dynamic relationship between religious representations and dramatic ones. By addressing the particular ways in which commercial drama adapted the sensory aspects of religious experience to its own symbolic systems, the volume enacts a methodological shift towards a more nuanced semiotics of theatrical performance. Covering plays by a wide range of dramatists, including Shakespeare, individual essays explore the material conditions of performance, the intricate resonances between dramatic performance and religious ceremonies, and the multiple valences of religious references in early modern plays. Additionally, Religion and Drama in Early Modern England reveals the theater's broad interpretation of post-Reformation Christian practice, as well as its engagement with the religions of Islam, Judaism and paganism.
Religion and Spanish Film: Luis Buñuel, the Franco Era, and Contemporary Directors
by Elizabeth ScarlettTreatments of religion found in Spanish cinema range from the pious to the anticlerical and atheistic, and every position in between. In a nation with a strong Catholic tradition, resistance to and rebellion against religious norms go back almost as far as the notion of "Sacred Spain." Religion and Spanish Film provides a sustained study of the religious film genre in Spain practiced by mainstream Francoist film makers, the evolving iconoclasm, parody, and reinvention of the Catholic by internationally renowned Surrealist Luis Buñuel, and the ongoing battle of the secular versus the religious manifested in critically and popularly acclaimed directors Pedro Almodóvar, Julio Medem, Alejandro Amenábar, and many others. The conflicted Catholicism that emerges from examining religious themes in Spanish film history shows no sign of ending, as unresolved issues from the Civil War and Franco dictatorship, as well as the unsettled relationship between Church and State, continue into the present.
Religion Around Shakespeare: Religion Around Shakespeare (Religion Around #1)
by Peter Iver KaufmanFor years scholars and others have been trying to out Shakespeare as an ardent Calvinist, a crypto-Catholic, a Puritan-baiter, a secularist, or a devotee of some hybrid faith. In Religion Around Shakespeare, Peter Kaufman sets aside such speculation in favor of considering the historical and religious context surrounding his work. Employing extensive archival research, he aims to assist literary historians who probe the religious discourses, characters, and events that seem to have found places in Shakespeare’s plays and to aid general readers or playgoers developing an interest in the plays’ and playwright’s religious contexts: Catholic, conformist, and reformist. Kaufman argues that sermons preached around Shakespeare and conflicts that left their marks on literature, law, municipal chronicles, and vestry minutes enlivened the world in which (and with which) he worked and can enrich our understanding of the playwright and his plays.
Religion Around Shakespeare (Religion Around)
by Peter Iver KaufmanFor years scholars and others have been trying to out Shakespeare as an ardent Calvinist, a crypto-Catholic, a Puritan-baiter, a secularist, or a devotee of some hybrid faith. In Religion Around Shakespeare, Peter Kaufman sets aside such speculation in favor of considering the historical and religious context surrounding his work. Employing extensive archival research, he aims to assist literary historians who probe the religious discourses, characters, and events that seem to have found places in Shakespeare’s plays and to aid general readers or playgoers developing an interest in the plays’ and playwright’s religious contexts: Catholic, conformist, and reformist. Kaufman argues that sermons preached around Shakespeare and conflicts that left their marks on literature, law, municipal chronicles, and vestry minutes enlivened the world in which (and with which) he worked and can enrich our understanding of the playwright and his plays.
Religion, Democracy and Israeli Society
by Charles S. LiebmanFirst Published in 1997. The essays in this volume are revisions, in some cases substantial, to the 1995 Sherman Lectures which the author delivered at SOAS, the School of Oriental and African Studies of the University of London.
Religion, Theatre, and Performance: Acts of Faith (Routledge Advances in Theatre & Performance Studies)
by Lance GharaviThe intersections of religion, politics, and performance form the loci of many of the most serious issues facing the world today, sites where some of the world’s most pressing and momentous events are contested and played out. That this circumstance warrants continued, thoughtful, and imaginative engagement from those within the fields of theatre and performance is one of the guiding principles of this volume. This collection features a diverse set of perspectives, written by some of the top scholars in the relevant fields, on the many modern intersections of religion with theatre and performance. Contributors argue that religion can no longer be conceived of as a cultural phenomenon that is safely sequestered in the "private sphere." It is instead an explicitly public force that stimulates and complicates public actions, and thus a crucial component of much performance. From mystic theologies of acting to the neuroscience of spirituality in rituals to the performance of secularism, these essays address a broad variety of religious traditions, sharing a common conception of religion as a crucial object of discourse—one that is formed by, and significantly formative of, performance.
Reluctant Debutante
by William Douglas HomeComedy \ 3 m., 5 f. \ Int. \ Some witty repartee and some spirited characters won the Broadway critics to this English comedy, following its London run. Mother is doing a bit of matchmaking for her daughter before her debut. Father wishes they'd both forget the whole thing and save him the thousands of pounds. But Mother is one tracked on the point; and besides, she has to do a better job of matchmaking for her daughter than her friend does for hers. A knock kneed aristocrat flops all over himself proposing to the girl, but she has her heart set on a dashing man about town; so much so that even Father gets worried. But things turn out nicely when the dashing one comes into his own titled inheritance. \ "Refreshingly .... droll [and] thoroughly delightful." N.Y. Times.
Remapping Performance: Common Ground, Uncommon Partners
by Jan Cohen-CruzCompleting a trilogy of works by Jan Cohen-Cruz, Remapping Performance focuses on the work of artists and experts who collaborate across fields to address social issues. The book explores work of a range of artists who employ artistic training, methodologies and mind-sets in their work with experts from other sectors such as medicine and healthcare and from other disciplines, to draw an expanded map of performance platforms including university/ community partnerships, neighbourhood-bases, and cultural diplomacy. Case studies include ArtSpot Productions/Mondo Bizarro's Cry You One about climate change in southern Louisiana, incorporating theatrics and organizing; Michael Rohd/Sojourn Theatre's social and civic practices; Anne Basting's University of Wisconsin-Milwaukee-based integration of performance and creative aging; and the collaborative cultural diplomacy experiment, smARTpower. Short companion pieces add expertise from Helen Nicholson, Todd London, Julie Thompson Klein, Nancy Cantor, Maria Rosario Jackson, and Penny Von Eschen. Jan Cohen-Cruz ends with suggestions for fully integrating performance in cross-sector initiatives. This latest book by a leading figure in engaged/ applied theatre and performance builds on its predecessors by offering a future-oriented perspective, a vision of art and performance interacting with a range of social sectors and with an emphasis on HE in such partnerships, and will be a 'must-read' for all students and scholars working in this field.
Remapping Performance: Common Ground, Uncommon Partners
by Jan Cohen-CruzCompleting a trilogy of works by Jan Cohen-Cruz, Remapping Performance focuses on the work of artists and experts who collaborate across fields to address social issues. The book explores work of a range of artists who employ artistic training, methodologies and mind-sets in their work with experts from other sectors such as medicine and healthcare and from other disciplines, to draw an expanded map of performance platforms including university/ community partnerships, neighbourhood-bases, and cultural diplomacy. Case studies include ArtSpot Productions/Mondo Bizarro's Cry You One about climate change in southern Louisiana, incorporating theatrics and organizing; Michael Rohd/Sojourn Theatre's social and civic practices; Anne Basting's University of Wisconsin-Milwaukee-based integration of performance and creative aging; and the collaborative cultural diplomacy experiment, smARTpower. Short companion pieces add expertise from Helen Nicholson, Todd London, Julie Thompson Klein, Nancy Cantor, Maria Rosario Jackson, and Penny Von Eschen. Jan Cohen-Cruz ends with suggestions for fully integrating performance in cross-sector initiatives. This latest book by a leading figure in engaged/ applied theatre and performance builds on its predecessors by offering a future-oriented perspective, a vision of art and performance interacting with a range of social sectors and with an emphasis on HE in such partnerships, and will be a 'must-read' for all students and scholars working in this field.
The Remarkable Flight of Marnie McPhee
by Daniel KarasikConvinced she is not like the rest of her boring family, nine-year-old Marnie McPhee decides it's time to leave Earth and take her place among the stars. But as she builds her spaceship, she realizes that maybe Earth isn't so bad after all, even if it is filled with imperfect human families. The Remarkable Flight of Marnie McPhee is a charming story of the infinite reaches of the imagination and the pleasure of dreaming.
Remediating Shakespeare in the Eighteenth and Nineteenth Centuries
by Howard MarchitelloRemediating Shakespeare in the Eighteenth and Nineteenth Centuries analyzes literary remediations of Shakespeare’s works, particularly those written for young readers. This book explores adaptations, revisions, and reimaginings by Lewis Theobald, the Bowdlers, the Lambs, and Mary Cowden Clarke, among others, to provide a theoretical account of the poetics and practices of remediating literary texts. Considering the interplay between the historical fascination with Shakespeare and these practices of adaptation, this book examines the endless attempt to mediate our relationship to Shakespeare. Howard Marchitello investigates the motivations behind various forms of remediation, ultimately expanding theories of literary adaptation and appropriation.
Remember Me Always
by Michael OakesComedy/Drama / 4m, 5f / Interior / The chairperson of the Senior So Long Dance enlists eight students to decorate. As they transform the gym (stage) with streamers, stars and balloons, they learn about each other and themselves. Day turns to night, the dance begins and they pledge to remember all they've been through. Developed with teenagers in the Drama Workshop of the Greenwich Village Youth Council in New York, Remember Me Always captures the voice of today's youth.
Remember My Name
by Joanna Halpert KrausDrama / 5m, 5f / Area Staging / This prize winning drama tells of a young girl's survival in wartime France and the courage of the those who protect her from the Nazi holocaust. Apart from her parents, her heritage, and her name, the young Jewish girl matures from a sheltered child to a determined adolescent who fights for her country and her life. She is befriended by a priest, a widow, and a teacher who is a member of the underground resistance. A Nazi lieutenant nearly catches the girl and her brave protectors. Inspired by historical accounts, this work by a popular author of plays for youthful audiences won first prize in the IUPUT National Playwriting Competition.
Remembering Mr. Maugham
by Garson KaninMemoirCharacters: 2 maleRemembering Mr. Maugham is an intimate glimpse into the life of W. Somerset Maugham - one of the most brilliant, prolific and secretive writers of the 20th century. This graceful two-character, one-act play adapted by Garson Kanin from his memoir is a treasure trove of private conversations, amusing anecdotes and candid recollections of his beloved friend and confidant. Through decades of friendship, Kanin and Maugham poignantly reminisce about life, art and the unconquerable human spirit.
Reminiscence Theatre: Making Theatre from Memories
by Faith Gibson Pam SchweitzerReminiscence theatre is about seeing and realising the dramatic potential in real life stories. It takes verbatim memories as the basis for theatre scripts, using the experiences of older people as a source of artistic productions and therapeutic creativity. This book is a comprehensive guide to the nature, practice and therapeutic effects of reminiscence theatre. Drawing on examples from a range of real-life case studies, Pam Schweitzer provides practical advice on the process of taking an oral history, creating from it a written script and developing that into a dramatic production, on whatever scale. The book outlines five components of key significance that the form affords: artistic development through creating original productions; cultural development, by creating reminiscence theatre in multi-cultural contexts, including dual-language productions; educational development through the intergenerational sharing and enactment of memories; psycho-social development for older people by reliving and reshaping past experiences; and health care, by using improvised reminiscence drama therapeutically with people with dementia and their carers. This book will be of great interest to theatre workers, social work professionals and carers of older people, arts therapy practitioners and students in these fields.
The Renaissance and the Postmodern: A Study in Comparative Critical Values (Routledge Studies in Renaissance Literature and Culture)
by Thomas L Martin Duke PestaThe Renaissance and the Postmodern reconsiders postmodern readings of Renaissance texts by engaging in a dialectics the authors call comparative critical values. Rather than concede the contemporary hierarchy of theory over literature, the book takes the novel approach of consulting major Renaissance writers about the values at work in postmodern representations of early modern culture. As criticism seeks new directions and takes new forms, insufficient attention has been paid to the literary and philosophical values won and lost in the exchanges. One result is that the way we understand the logical connections, the literary textures, and the philosophical impulses that make up the literature of writers like Spenser, Shakespeare, and Milton has fundamentally changed. Examining theoretical debates now in light of polemical controversies then, the book goes beyond earlier studies in that it systematically examines the effects of these newer critical approaches across their materialist, historicist, deconstructive, and psychoanalytic manifestations. Bringing gravity and focus to this question of critical continuities and discontinuities, each chapter counterposes one major Renaissance voice with a postmodern one to probe these issues and with them the value of the cultural past. As voices on both sides of the historical divide illuminate key differences between the Renaissance and the Postmodern, a critical model emerges from the book to re-engage this period’s humane literature in a contemporary context with intellectual rigor and a renewed sense of cultural enrichment.
Renaissance Drama and the English Church Year
by Rudolph Chris Hassel Jr.Evidence encouraging a new and productive approach to Renaissance drama has long been available in the records of Renaissance court perfon-nances compiled by E. K. Chambers and Gerald Eades Bentley.' Over fifty years ago Chambers noticed the persistent correlation between the dates of dramatic performance at Elizabeth's court and certain liturgical festivals of the English church year. Whether in Whitehall or elsewhere, the twelve days of Christmas from the Nativity to the Epiphany, were a season of high revels.... Twelfth Night [6 Jan.] itself, with St. Stephen's [26 Dec.] , St. John's [27 Dec.], Innocents' [28 Dec.], and New Year's Day [circumcision], were regularly appointed for plays and masks, which often overflowed on to other nights during the period.... The revels were renewed for Candlemas [2 Feb.] and for Shrovetide [Sunday, Monday, and Tuesday before Ash Wednesday] , either at the Christmas headquarters or at some other palace to which the court had meanwhile removed. . . . Easter, with the distribution of alms and washing of feet on Maunday Thursday, and Whitsuntide, were kept as ecclesiastical, rather than secular feasts. [1: 19-201 Gradually emerging during the sixteenth century, this calendar tradition seems to have peaked in the period 1570-85, continued strong until Elizabeth's death, diminished and changed somewhat during the Jacobean and Caroline periods, and then disappeared completely after 1640.