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Richard III
by William ShakespeareAn account of the brutal and bloody rise of King Richard III to the throne, Shakespeare's play depicts the short-lived monarch's ruthless campaign for power, which resulted in the deaths of two of his brothers.
Richard III
by William ShakespeareRichard III, the hunchback Duke of Gloucester, becomes King Richard III through a series of manipulations and evil schemes. His ambition is the driving force for the plot and he finds little to stand in his way as he strives for domination of all of England.
Richard III
by William ShakespeareRichard III, the hunchback Duke of Gloucester, becomes King Richard III through a series of manipulations and evil schemes. His ambition is the driving force for the plot and he finds little to stand in his way as he strives for domination of all of England.
Richard III: Large Print (Dover Thrift Editions: Plays)
by William ShakespeareThe final play in Shakespeare's masterly dramatization of the strife between the Houses of York and Lancaster, Richard III offers a stunning portrait of an archvillain--a man of cunning and ruthless ambition who seduces, betrays and murders his way to the throne. In the process, Richard delivers great speeches and engages in formidable confrontations with a large cast of characters, almost all of them caught up in the terrible struggle for power that dominates the play. It is a tribute to Shakespeare's dramatic genius and knowledge of human psychology that by the end of the drama the detestable Richard begins to elicit some sympathy for the awful plight in which he finds himself. Explanatory footnotes and an introductory note are included.
Richard III: Large Print (First Avenue Classics ™)
by William ShakespeareTrouble is brewing for King Edward IV. Edward's youngest brother, Richard, is jealous of Edward's power and influence. Richard will do anything to overthrow the king: He manipulates a noblewoman into marrying him. He arranges for his brother Clarence to be executed, then blames Clarence's death on King Edward. After Edward becomes ill and dies, Richard attains the throne through villainous means. But Richard's trail of deception, manipulation, and murder might eventually be the cause of his own downfall. This unabridged edition of the history play written by English playwright William Shakespeare was written around 1592 and first published in 1597.
Richard III
by William Shakespeare'Now is the winter of our discontent Made glorious summer by this sun of York'Shakespeare's final drama of the Wars of the Roses cycle begins as the dust settles on England after bloody civil war, and the bitter hunchback Richard, brother of the king, secretly plots to seize the throne. Charming and duplicitous, powerfully eloquent and viciously cruel, he is prepared to go to any lengths to achieve his goal. Richard III shows a man who, in his skilful manipulation of events and people, is a chilling incarnation of the temptations of power in a land shocked by war.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by E. A. J. HonigmannIntroduction by Michael Taylor
Richard III (Modern Library Classics)
by William Shakespeare Jonathan Bate Eric RasmussenAn exciting new edition of the complete works of Shakespeare with these features: Illustrated with photographs from New York Shakespeare Festival productions, vivid readable readable introductions for each play by noted scholar David Bevington, a lively personal foreword by Joseph Papp, an insightful essay on the play in performance, modern spelling and pronunciation, up-to-date annotated bibliographies, and convenient listing of key passages.From the Paperback edition.
Richard III (No Fear Shakespeare)
by SparkNotesRead Shakespeare's plays in all their brilliance--and understand what every word means! Don't be intimidated by Shakespeare! These popular guides make the Bard's plays accessible and enjoyable. Each No Fear guide contains: The complete text of the original play A line-by-line translation that puts the words into everyday language. A a complete list of characters, plenty of helpful commentary.
Richard III's Bodies from Medieval England to Modernity: Shakespeare and Disability History
by Jeffrey R. WilsonRichard III will always be central to English disability history as both man and myth—a disabled medieval king made into a monster by his nation’s most important artist. In Richard III’s Bodies from Medieval England to Modernity, Jeffrey Wilson tracks disability over 500 years, from Richard’s own manuscripts, early Tudor propaganda, and x-rays of sixteenth-century paintings through Shakespeare’s soliloquies, into Samuel Johnson’s editorial notes, the first play produced by an African American Theater company, Freudian psychoanalysis, and the rise of disability theater. For Wilson, the changing meanings of disability created through shifting perspectives in Shakespeare’s plays prefigure a series of modern attempts to understand Richard’s body in different disciplinary contexts—from history and philosophy to sociology and medicine. While theorizing a role for Shakespeare in the field of disability history, Wilson reveals how Richard III has become an index for some of modernity’s central concerns—the tension between appearance and reality, the conflict between individual will and external forces of nature and culture, the possibility of upward social mobility, and social interaction between self and other, including questions of discrimination, prejudice, hatred, oppression, power, and justice.
Richard Lederer's Classic Literary Trivia: From Mythology, Shakespeare, and the Bible
by Richard LedererIn this follow-up to Richard Lederer&’s Literary Trivia, the author delves into curious facts and anecdotes about mythology, Shakespeare, and the Bible. Through his numerous books and syndicated columns, Richard Lederer&’s infectious love of language and literature has inspired and intrigued readers for decades. Now the author of Lederer on Language and Anguished English delivers a volume full of fascinating trivia about some of Western literature&’s most foundational works. Here you will be able to test—and expand—your knowledge of the Bible, ancient Greek mythology, and the plays and poetry of William Shakespeare.
Richard Rodgers
by Geoffrey BlockGeoffrey Block examines the entire range of Rodgers's work, providing rich details about the creation, staging, and critical reception of some of his most popular musicals.
Rick: The Rick Hansen Story
by Dennis FoonFifteen-year-old Rick Hansen is confident, outgoing, and the star of his high-school basketball team. He has his whole life planned out, until a tragic accident severs his spinal cord, leaving him in a wheelchair. Rick's accident forces him to adapt his positivity to deal with his new life, while helping to strengthen the relationship with his guilt-stricken best friend. Refusing to be put at a disadvantage, Rick conquers the challenges presented to him with a smile and changes the definition of what it means to be disabled. Based on the true story of the man who inspired millions with his Man In Motion World Tour, Rick is a triumphant play that showcases the importance of optimism and perseverance, encouraging audiences to make their own paths to change the world.
Rickenbacker Guitars: The definitive history of a 20th-century icon
by Martin Kelly Paul KellyA STUNNING NEW AND COMPLETELY REVISED EDITION OF THE RICKENBACKER BIBLE FOR 2023'Knowing Martin and Paul Kelly's perfectionism and attention to detail it's no surprise that this is the ultimate and complete story of all things Rickenbacker.' - Johnny Marr'A wonderful history of my favourite guitar. The attention to detail is amazing!' - Roger McGuinn'There are few things more satisfying than the shimmer of an open chord played on a Rickenbacker through a Fender Deluxe Reverb amplifier. Martin and Paul have given us the definitive history of these magical instruments.' - Susanna HoffsRickenbacker Guitars is the highly anticipated follow up to Fender: The Golden Age, charting the story of one of the most important and influential guitar makers of all time. From George Beauchamp's invention of the world's first commercially viable electric guitar in 1931, through the company's heyday during the 1960s - when their instruments were favoured by The Beatles, The Byrds and The Who - and up to the continuing legacy of Rickenbacker today.This definitive collection features unprecedented access to the company archives, 350 beautifully photographed original instruments - including all 7 surviving Beatles owned Rickenbackers - and new interviews with legendary Rickenbacker players such as Roger McGuinn, Peter Buck, Susanna Hoffs, Johnny Marr, Mike Campbell, Geddy Lee and Paul Weller.Rickenbacker Guitars is the most comprehensive history of the brand to date and a must-have for all guitar enthusiasts.
Rickenbacker Guitars: The definitive history of a 20th-century icon
by Martin Kelly Paul KellyA STUNNING NEW AND COMPLETELY REVISED EDITION OF THE RICKENBACKER BIBLE FOR 2023'Knowing Martin and Paul Kelly's perfectionism and attention to detail it's no surprise that this is the ultimate and complete story of all things Rickenbacker.' - Johnny Marr'A wonderful history of my favourite guitar. The attention to detail is amazing!' - Roger McGuinn'There are few things more satisfying than the shimmer of an open chord played on a Rickenbacker through a Fender Deluxe Reverb amplifier. Martin and Paul have given us the definitive history of these magical instruments.' - Susanna HoffsRickenbacker Guitars is the highly anticipated follow up to Fender: The Golden Age, charting the story of one of the most important and influential guitar makers of all time. From George Beauchamp's invention of the world's first commercially viable electric guitar in 1931, through the company's heyday during the 1960s - when their instruments were favoured by The Beatles, The Byrds and The Who - and up to the continuing legacy of Rickenbacker today.This definitive collection features unprecedented access to the company archives, 350 beautifully photographed original instruments - including all 7 surviving Beatles owned Rickenbackers - and new interviews with legendary Rickenbacker players such as Roger McGuinn, Peter Buck, Susanna Hoffs, Johnny Marr, Mike Campbell, Geddy Lee and Paul Weller.Rickenbacker Guitars is the most comprehensive history of the brand to date and a must-have for all guitar enthusiasts.
The Ride Down Mt. Morgan
by Arthur MillerA car wreck on the slopes of Mt. Morgan puts poet and insurance tycoon Lyman Felt in the hospital. While Lyman recovers, two women meet in the hospital to discover that they are both married to him. With his secrets exposed, Lyman tries to justify himself to the two women--the prim, cultured Theo and the restless, ambitious Leah--at the same time hoping to convince himself that he is blameless. Moving between broad farce and delicate tragedy, The Ride Down Mt. Morgan reveals the struggle between honesty with others and honesty with oneself. This new edition incorporates the revisions Miller wrote for the acclaimed 1998 Public Theatre production starring Patrick Stewart.
Riders to the Sea
by J. M. SyngeThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Right Bed Wrong Husband
by Neil SchaffnerFarce / 4m, 3f / Interior / In order to have his allowance increased, young bachelor Ted has written his pinchpenny uncle that he is married, though in fact he is only engaged. Suddenly one day uncle drops in unexpectedly, and very much against his will Ted is drawn into the vortex of an intrigue initiated entirely by the uncle when he mistakes a pretty girl, married to Ted's best friend, as Ted's wife. Ted is basically honest and does not want to deceive his uncle, but every time uncle kisses the "wife" he ups the ante to say nothing of kindling the ire of Ted's friend; and Ted is not sap enough to turn that down. Complications come tumbling after when the maid calls and is mistaken for something else; when the real fiancee returns and is caught kissing Ted; but especially at night then the time comes to retire. Add the neighborhood drunk who habitually sacks in with Ted when he's locked out of his own house, and you have a climax of enormous merriment.
Right You Are, If You Think You Are: Six Characters In Search Of An Author Henry Iv. Right You Are! (if You Think So) (classic Reprint) (Dover Thrift Editions: Plays)
by Luigi PirandelloWinner of the Nobel Prize for Literature in 1934, Italian playwright Luigi Pirandello (1867-1936) explored such themes as the relativity of truth, the vanity and necessity of illusion, and the instability of human personality. In this famous play, an expressionistic parable set in a small Italian town in the early twentieth century, Pirandello skillfully dramatizes these issues.The observer Laudisi derides the townspeople for their insistence on knowing the secrets of Mrs. Frola and her married daughter: Why does Mrs. Frola live alone and not with her daughter? Why do the two never visit each other? The answers to these questions lie at the heart of this play and at the center of Pirandello's artistic vision. Presented in an excellent new English translation, this inexpensive edition will delight students and lovers of modern drama.
The Rise and Fall of a Theater Geek
by Seth Rudetsky<P>Broadway, New York. The shows, the neon lights . . . the cute chorus boys! It's where Justin has always wanted to be--and now, with a winter internship for a famous actor, he finally has his chance to shine. If only he could ditch his kind, virtuous, upright, and--dare he say it?--uptight boyfriend, Spencer. <P>But once the internship begins, Justin has more to worry about than a cramped single-guy-in-the-city style. Instead of having his moment in the spotlight, he's a not-so-glorified errand boy. Plus, Spencer is hanging out with a celebra-hottie, Justin's best friend Becky isn't speaking to him, and his famous actor boss seems headed for flopdom. Justin's tap-dancing as fast as he can, but all his wit and sass might not be enough to switch his time in New York from nightmare-terrible to dream-come-true terrific. <P>Seth Rudetsky's second YA novel is endearingly human, laugh-out-loud funny, and for any kid who's ever aspired to Broadway but can only sneak in through the stage door.
The Rise and Fall of the Well-Made Play (Routledge Revivals)
by John Russell TaylorFirst published in 1967, this title considers the idea of the ‘well-made play’ in the context of how and why it has been devalued and how far, in allowing it to be devalued, we have lost sight of certain important elements of the theatre. The focus of the book is largely on the development of British theatre and those who have been instrumental to it. This is an indispensable introduction for any student with an interest in the history and development of the British theatre.
The Rise of Performance Studies
by James M. Harding Cindy RosenthalThe essays in this anthology are situated within the larger context of a critical engagement with Richard Schechner's work as a theatre practitioner, teacher, scholar, activist, and visionary. Through a wide variety of approaches, the contributors acknowledge the profound impact that Schechner's work has had on our understanding of performance as a mode of cultural practice and on the emergence of Performance Studies as a discipline. Some essays are embedded in intensely personal reflections on Schechner's work as a practitioner and teacher, while others take stock of critical concepts that are central to Schechner's work as a theorist and scholar. Yet it is not enough to say that the essays offer a critical survey of the broad spectrum of Schechner's cultural and intellectual endeavours. The essays all converge in an acknowledgement that few individuals within the theatre and performance communities have positioned their work so consistently or so consequentially as Schechner has within the key debates that have defined Performance Studies as a discipline.
The Rise of the Diva on the Sixteenth-Century Commedia dell'Arte Stage
by Rosalind KerrThe Rise of the Diva on the Sixteenth-Century Commedia dell'Arte Stage examines the emergence of the professional actress from the 1560s onwards in Italy. Tracing the historical progress of actresses from their earliest appearances as sideshow attractions to revered divas, Rosalind Kerr explores the ways in which actresses commodified their sexual and cultural appeal.Newly translated archival material, iconographic evidence, literary texts, and theatrical scripts provide a rich repertoire through which Kerr demonstrates how actresses skillfully improvised roles such as the maidservant, the prima donna, and the transvestite heroine. Following the careers of early stars such as Flaminia of Rome, Vincenza Armani, Vittoria Piissimi, and Isabella Andreini, Kerr shows how their fame arose from the combination of dazzling technical mastery and eloquent powers of persuasion. Seamlessly integrating the Italian and English scholarly literature on the subject, The Rise of the Diva is an insightful analysis of one of the modern world's first celebrity cultures.
The Rise of the Modern Yiddish Theater: Avrom Goldfaden And The Jewish Stage (Jews Of Eastern Europe Ser.)
by Alyssa QuintJewish Book Award Finalist: &“Turns the fascinating life of Avrom Goldfaden into a multi-dimensional history of the Yiddish theater&’s formative years.&” —Jeffery Veidinger, author of Jewish Public Culture in the Late Russian Empire In this book, Alyssa Quint focuses on the early years of the modern Yiddish theater, from roughly 1876 to 1883, through the works of one of its best-known and most colorful figures, Avrom Goldfaden. Goldfaden (né Goldenfaden, 1840-1908) was one of the first playwrights to stage a commercially viable Yiddish-language theater, first in Romania and then in Russia. Goldfaden&’s work was rapidly disseminated in print and his plays were performed frequently for Jewish audiences. Sholem Aleichem considered him as a forger of a new language that &“breathed the European spirit into our old jargon.&” Quint uses Goldfaden&’s theatrical works as a way to understand the social life of Jewish theater in Imperial Russia. Through a study of his libretti, she looks at the experiences of Russian Jewish actors, male and female, to explore connections between culture as artistic production and culture in the sense of broader social structures. Quint explores how Jewish actors who played Goldfaden&’s work on stage absorbed the theater into their everyday lives. Goldfaden&’s theater gives a rich view into the conduct, ideology, religion, and politics of Jews during an important moment in the history of late Imperial Russia.
The Rise of the Victorian Actor (Routledge Library Editions: Victorian Theatre #1)
by Michael BakerOriginally published in 1978. Between 1830 and 1890 the English theatre became recognisably modern. Standards of acting and presentation improved immeasurably, new playwrights emerged, theatres became more comfortable and more intimate and playgoing became a national pastime with all classes. The actor’s status rose accordingly. In 1830 he had been little better than a social outcast; by 1880 he had become a member of a skilled, relatively well-paid and respected profession which was attracting new recruits in unprecedented numbers. This is a social history of Victorian actors which seeks to show how wider social attitudes and developments affected the changing status of acting as a profession. Thus the stage’s relationship with the professional world and the other arts is dealt with and is followed by an assessment of the moral and religious background which played so decisive a part in contemporary attitudes to actors. The position of actresses in particular is given special consideration. Many non-theatrical sources are used here and there is a survey of salaries and working conditions in the theatre to show how the rising social status of the actor was matched by changes in his theatrical standing. A novel area of study is covered in tracing the changing social composition of the acting profession over the period and in exploring the case-histories of three generations of performers.
Rising Star: Dandyism, Gender, and Performance in the Fin de Siècle
by Rhonda K. GarelickCelebrity personalities, who reign over much of our cultural landscape, owe their fame not to specific deeds but to the ability to project a distinct personal image, to create an icon of the self. Rising Star is a fascinating look at the roots of this particular form of celebrity. Here Rhonda Garelick locates a prototype of the star personality in the dandies and aesthete literary figures of the nineteenth century, including Beau Brummell, Baudelaire, Mallarmé, and Oscar Wilde, and explores their peculiarly charged relationship with women and performance. When fin-de-siècle aesthetes turned their attention to the new, "feminized" spectacle of mass culture, Garelick argues, they found a disturbing female counterpart to their own highly staged personae. She examines the concept of the broadcasted self-image in literary works as well as in such unwritten cultural texts as the choreography and films of dancer Loie Fuller, the industrialized spectacles of European World Fairs, and the cultural performances taking place today in fields ranging from entertainment to the academy. Recent dandy-like figures such as the artist formerly known as Prince, Madonna, Jacques Derrida, and Jackie O. all share a legacy provided by the encounter between "high" and early mass culture. Garelick's analysis of this encounter covers a wide range of topics, from the gender complexity of the European male dandy and the mechanization of the female body to Orientalist performance, the origins of cinema, and the emergence of "crowd" theory and mass politics.