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The Axe

by Antonio Morcillo Lopez

Two peculiar mechanics in any garage of any town in Spain discover, in the car they are trying to fix, something that will change their humdrum lives and that will get out their darker side. Violence is increasingly present in our daily lives, in our workplace, in our relationships and especially in the media. Gradually serious events like a terrorist attack are becoming in our daily bread, which makes us more increasingly insensitive to them. The play aims to be a mirror in which the spectator looks and recognizes that dark side that none of us are willing to see: Really you would not be able to kill someone? Are we all so civil as not to cross the line that would make us terrorists? How much blame the media have all these? To what extent are we able to exercise this violence on ourselves?.

B Is for Broadway: Onstage and Backstage from A to Z

by John Robert Allman

&“A must-have for all Broadway lovers—B Is for Broadway—a book I am actually in!!! I am buying a dozen.&” —ROSIE O&’DONNELL, Isabelle Stevenson Award recipient, three-time Tony Awards host, and Emmy Award winnerNew from the creators of A Is for Audra: Broadway's Leading Ladies from A to Z! From AUDITIONS to ZIEGFELD, grab a ticket to this smash-hit, rhythmic alphabet book featuring your favorite performers, creators, songs, and shows from the Broadway stage!Step into the spotlight and celebrate a cavalcade of Broadway legends! Start with "A" for "audition" with the iconic line-up from A Chorus Line, then peek behind "B" to see the "backstage" buzz, and dance along with "C" for "choreographers".Children and grown-ups alike can spot beloved stars and creators from today and yesterday, such as Lin-Manuel Miranda, Patti LuPone, Michael Bennett, Jennifer Holliday, Ethel Merman, and Billy Porter. Readers will also see famous New York theaters, beloved shows such as Hamilton and Hairspray, and the crew, stylists, and technicians who are vital to each performance. It's a celebration of the American stage that no fan is going to want to miss.A portion of the proceeds from the sale of this book is donated to The Actors Fund.&“We are honored that a portion of the proceeds of author John Robert Allman and illustrator Peter Emmerich&’s B is For Broadway will go to support our programs. The Actors Fund is proud to be at the forefront of helping everyone in the entertainment community with emergency financial assistance and supportive services, and we&’re grateful that this wonderful new work will help those in need in our performing arts community.&” —Joseph P. Benincasa, President & CEO, The Actors FundB Is for Broadway is a hit with the stage's greatest stars!&“B Is for Broadway celebrates the entire Broadway community—backstage, onstage, everyone! who works in our performing arts and entertainment community. I&’m honored to be a part of that beautiful community, and this lovely book.&” —BEBE NEUWIRTH, Tony and Emmy Award–winning dancer, singer, actress (Sweet Charity, Chicago, Cheers), and Vice Chair of The Actors Fund &“E is for excited, which is what I am to be included in this book to benefit the incredible work of The Actors Fund.&” —BRIAN STOKES MITCHELL, Tony Award–winning actor and Board Chair of The Actors Fund &“The illustrations—gorgeous. The rhymes—delicious. This book—a must-have! B is for Broadway and buy-it-now!&” —KRISTIN CHENOWETH, Tony Award–winning actress (You&’re a Good Man, Charlie Brown) &“What a dynamite willkommen to the world of Broadway!&” —JOEL GREY, Tony Award and Oscar–winning actor (Cabaret) &“B Is for Broadway is a gorgeous children&’s book that will introduce a young person to all the magic of theater!&” —ALI STROKER, Tony Award–winning actress (Oklahoma!)

Ba mo nyakele kae

by Mj Mokaba

"Nepokgolo ya padi ye ke go re ruta se sengwe ka ga bophelo le go kgala mekgwa ya go se loke yeo batho ba e dirago. Ga se sephiri gore tšeo di tšweletšwago ka mo gare ga padi ye ke ditiragalo tšeo di diregago bathong ebile di diregelago batho".

Ba mo nyakele kae: UBC Uncontracted

by Mj Mokaba

"Nepokgolo ya padi ye ke go re ruta se sengwe ka ga bophelo le go kgala mekgwa ya go se loke yeo batho ba e dirago. Ga se sephiri gore tšeo di tšweletšwago ka mo gare ga padi ye ke ditiragalo tšeo di diregago bathong ebile di diregelago batho".

Baa Baa Black Sheep Sells Her Wool: An Adaptation of a Nursery Rhyme

by Jeffrey B. Fuerst

NIMAC-sourced textbook

Babes And Brides

by Eric Berlin

A collection of two short plays. In the first of these one act comedies, The Line That's Picked Up 1000 Babes And How It Can Work for You!, six people in a bar are in search of companionship, a one night stand or a life-long relationship. Benny is employing the title handbook while his friend Alan insists that women don't fall for pick up lines. There are surprises for everyone at the bar tonight. In The Midnight Moonlight Wedding Chapel, Peter and Walter are vacationing in Las Vegas. Peter gets drunk with a cocktail waitress and they decide to marry, enjoy a one night honeymoon, and divorce the next day. When he wakes up his bride has vanished. Both plays are well suited for scene work. FEE: $35 per performance, per play.

Baby

by Conrad E. Davidson

Comedy / 4m, 4f, 4 m or f / In this fast paced play Baby completely forgets his (or her) pre baby training and is completely overwhelmed by adults from birth to the first birthday. Bad breath in the face, being tossed high into the air, and unwanted vocabulary lessons assail the infant before Baby is coached to employ tricks that drive adults to distraction.

Baby Doll & Tiger Tail: A screenplay and play by Tennessee Williams

by Tennessee Williams

A taut, vivid drama of a voluptuous child-bridge who refuses to consummate her marriage to an older, down-on-his-luck cotton-gin owner. In 1956, Time magazine called Tennessee Williams' Baby Doll "just possibly the dirtiest American-made motion picture that has ever been legally exhibited." The taut, vivid drama of a voluptuous child-bridge, who refuses to consummate her marriage to an older, down-on-his-luck cotton-gin owner in Tiger Tail County, Mississippi until she is "ready," has gained in humor and pathos over the years as society has caught up with the author's savagely honest view of bigotry and lust in the rural South. But Tennessee Williams was first and foremost a writer for the stage, and this reissue of his original screenplay for the Elia Kazan movie of Baby Doll is now accompanied by the script of the full-length stage play, Tiger Tail, developed from that screenplay during the '70s. The text, which incorporates the author's final revisions, records the play as it was produced at the Hippodrome Theatre Workshop in Gainesville, Florida, in 1979.

Baby Taj

by Tanya Shaffer

Comedy / Characters: 2m, 3f / "I've dreamed you for so long, I can hardly believe you're with me now. Yet here you are: a tiny human voyager, sleeping off the shock of migration..." The legendary Taj Mahal is the next assignment for Rachel, an American travel writer whose failed romances have led her to ask: Why not have the baby she craves - on her own? She finds unexpected answers - and larger questions - among the glittering legacies of India's past. Alive with the sounds and colors of a remarkable country, this bittersweet comedy of mischievous matchmaking raises provocative questions about love, friendship, family, and what it means to be ready to be a parent. Baby Taj had developmental readings at Jeffrey Bihr Studio in Berkeley, California; The Lark Theatre in New York City; and TheatreWorks in Mountain View, California. It premiered at TheatreWorks in October, 2005, in a production directed by Matt August, to great critical acclaim. It was selected as one of the Top Ten Shows of the Year by the San Francisco Chronicle, the Oakland Tribune, and the San Jose Mercury News, and nominated for an American Theatre Critics' Association Steinberg Award and a Bay Area Theatre Critics' Award. "A captivating inquiry into love and freedom... Thrives on a witty, probing clash between freethinking modernity and tradition." -Robert Hurwitt, San Francisco Chronicle "A bundle of cross-cultural joy... Marries the breezy cynicism of the now with the eternal power of India... [Shaffer's] ear for mod-groovy lingo gives the play a to-die-for sparkle." -Karen D'Souza, San Jose Mercury News "...Filled with a savvy traveler's enthusiasm for the cultural and historical rewards of her journey." -Chad Jones, Oakland Tribune "...Depicts the characters in all their contradictions and with such clarity that t

Babylon Heights

by Dean Cavanagh Irvine Welsh

If you put four dwarfs in a room with enough opium and alcohol, it's bound to end in tears. In 1935, MGM studios embarked on a movie adaptation of L. Frank Baum's The Wizard of Oz. The production called for the casting of many dwarfs to play the Munchkins of the mythical Land of Oz, and the studio began recruiting 'small persons' from all over the world. During production, rumors spread around Hollywood of wild Munchkin sex orgies, drunken behavior and general dwarf debauchery. More sinisterly, a Munchkin is said to have committed suicide by hanging himself on the set during filming--what appears to be a small human body is clearly visible hanging from a tree in the Tin Man scene. It is a claim that has passed into Hollywood legend. Set in a hotel room in Culver City, California, Babylon Heights is Irvine Welsh and Dean Cavanagh's scabrous and hilarious imaging of what could, very possibly, have led to the dwarf suicide.

The Babylon Line

by Richard Greenberg

An electrifying new play by Tony Award-winning playwright Richard Greenberg, The Babylon Line opens at Lincoln Center Theater on December 5, 2016. A thirty-eight-year-old writer from Greenwich Village, Aaron is painfully aware of his failures as an artist when his desperate need for a job forces him to commute along the Babylon Line to Levittown to teach. What awaits him is a classroom of varyingly unwilling students, some who attend because their preferred course was full, others who are attentive enough but sit silently at their desks--and all of whom have yet to set pen to paper. Over the course of the semester, Aaron's adult pupils write increasingly more honest life accounts and stories, and cracks begin to appear in their small-town community. A particularly bold and troubled student, Joan, strikes up a rapport with Aaron that threatens to become something more, as the pair bond over their failing marriages and creative frustrations. In the end, we observe the life-changing effects of artistic expression as Greenberg maps out the rest of each of the characters' lives, full of triumphs and newfound joy that can be traced back directly to those few weeks in a classroom in 1967. Richard Greenberg's intelligent, nuanced, and perceptive dialogue has been described by the New York Times as "exquisite . . . sparkling gems that [he] delivers with gratifying frequency." One of America's most loved and frequently produced playwrights, Greenberg has wisdom that runs deep, and his humor and charm make his work destined to be read and performed for generations to come.From the Trade Paperback edition.

The Bacchae

by Euripides

Classic Greek tragedy concerns the catastrophe that ensues when the King of Thebes imprisons Dionysus and attempts to suppress his cult. Full of striking scenes, frenzied emotion, and choral songs of great power and beauty, the play is a fine example of Euripides' ability to exploit Greek myth to probe human psychology.

Bacchae (Focus Classical Library)

by Euripides

An English translation of Euripides' tragedy based on the mythological story of King Pentheus of Thebes and his fateful encounter with the god DIonysus. Includes an introductory essay, extensive notes, appendices on lacuna, a geneological chart of the gods, and an essay by Valerie M. Warrior: "The Roman Bid to Control Bacchic Worship". The Focus Classical Library provides close translations with notes and essays to provide access to understanding Greek culture and the roots of contemprary thought.

Bacchae (The Norton Library #0)

by Euripides

About Aaron Poochigian’s translation “Poochigian’s translation is a triumph—a remarkably lucid and vibrant rendition . . . The script’s language is precise yet sonorous, expertly constructed in iambic pentameter to both moving and chilling effect.” --Aram Kouyoumdjian, Asbarez “By far the most theatrically assured rendition of the play I’ve encountered. The fluid translation by Aaron Poochigian is as mercurial as the staging.” --Charles McNulty, The Los Angeles Times

Bacchae (Dover Thrift Editions)

by Euripides

Classic Greek tragedy concerns the catastrophe that ensues when the King of Thebes imprisons Dionysus and attempts to suppress his cult. Full of striking scenes, frenzied emotion, and choral songs of great power and beauty, the play is a fine example of Euripides' ability to exploit Greek myth to probe human psychology.

Bacchae

by Euripides Paul Woodruff

[Woodruff's translation] is clear, fluent, and vigorous, well thought out, readable and forceful. The rhythms are right, ever-present but not too insistent or obvious. It can be spoken instead of read and so is viable as an acting version; and it keeps the lines of the plot well focused. The Introduction offers a good survey of critical approaches. The notes at the foot of the page are suitably brief and nonintrusive and give basic information for the non-specialist. --Charles Segal, Harvard University

The Bacchae and Other Plays

by Euripides

Through their sheer range, daring innovation, flawed but eloquent characters and intriguing plots, the plays of Euripides have shocked and stimulated audiences since the fifth century BC. <p><p> Phoenician Women portrays the rival sons of King Oedipus and their mother's doomed attempts at reconciliation, while Orestes shows a son ravaged with guilt after the vengeful murder of his mother. <p><p> In the Bacchae, a king mistreats a newcomer to his land, little knowing that he is the god Dionysus disguised as a mortal, while in Iphigenia at Aulis, the Greek leaders take the horrific decision to sacrifice a princess to gain favour from the gods in their mission to Troy. <p><p> Finally, the Rhesus depicts a world of espionage between the warring Greek and Trojan camps.

The Bacchae and Other Plays

by Euripides

Through their sheer range, daring innovation, flawed but eloquent characters and intriguing plots, the plays of Euripides have shocked and stimulated audiences since the fifth century BC. Phoenician Women portrays the rival sons of King Oedipus and their mother's doomed attempts at reconciliation, while Orestes shows a son ravaged with guilt after the vengeful murder of his mother. In the Bacchae, a king mistreats a newcomer to his land, little knowing that he is the god Dionysus disguised as a mortal, while in Iphigenia at Aulis, the Greek leaders take the horrific decision to sacrifice a princess to gain favour from the gods in their mission to Troy. Finally, the Rhesus depicts a world of espionage between the warring Greek and Trojan camps.

Bacchae and Other Plays (Oxford World's Classics)

by Eurípides Edith Hall James Morwood

The four plays newly translated for this volume are among Euripides most exciting works. Iphigenia among the Taurians is a story of escape contrasting Greek and barbarian civilization, set on the Black Sea at the edge of the known world. Bacchae, a profound exploration of the human psyche, deals with the appalling consequences of resistance to Dionysus, god of wine and unfettered emotion. Iphigenia at Aulis centers on the ultimate dysfunctional family as emotion is tested in the crucible of the Greek expedition against Troy. And Rhesus, probably the work of another playwright, is an action-packed Iliad in miniature, dealing with a grisly event in the Trojan War.

The Bacchae and Other Plays: Ion the Women of Troy Helen the Bacchae

by Philip Vellacott

The plays of Euripides have stimulated audiences since the fifth century BC. This volume, containing Phoenician Women, Bacchae, Iphigenia at Aulis, Orestes, and Rhesus.

The Bacchae of Euripides: A New Translation with a Critical Essay

by Euripides Donald Sutherland

This new translation of The Bacchae—that strange blend of Aeschylean grandeur and Euripidean finesse—is an attempt to reproduce for the American stage the play as it most probably was when new and unmutilated in 406 B.C. The achievement of this aim involves a restoration of the "great lacuna" at the climax and the discovery of several primary stage effects very likely intended by Euripides. These effects and controversial questions of the composition and stylistics are discussed in the notes and the accompanying essay.

Bach at Leipzig: A Play

by Itamar Moses

Leipzig, Germany, 1722: Johann Kuhnau, revered organist of the Thomaskirche, suddenly dies, leaving his post vacant. In order to fill the position, the city council invites a small number of musicians to audition for the appointment, including Johann Sebastian Bach. This, however, is not his story. Based on actual events, Bach at Leipzig imagines with uncommon intelligence and wit how six little-known musicians resorted to bribery, blackmail, and betrayal in an attempt to secure the most coveted musical post in all of Europe.

Back Back Back; Celebrity Row; Outrage: Three Plays

by Itamar Moses

Itamar Moses has been hailed as one of America's most talented young playwrights since his critically acclaimed Bach at Leipzig debuted in 2005. In this anthology of three new plays, Moses blurs the line between fact and fiction, dramatizing today's most infamous news stories. In Back Back Back, the pressures of performance and reputation get the best of three professional baseball players when they are forced to reveal their not-so-natural secrets to winning the game. In Celebrity Row, Moses imagines what Timothy McVeigh, Ted Kaczynski, the 1993 World Trade Center bomber Ramzi Yousef, and the Latin Kings leader Luis Felipe would have philosophized about when they were inhabitants of the same maximum security prison in Colorado. Finally, in Outrage, the dangerous teacher-disciple relationship calls all of academia into question with the help of none other than Socrates and Bertolt Brecht.

The Back Stage Guide to Stage Management, 3rd Edition

by Thomas A. Kelly

The Most Widely Used Manual For Aspiring And Veteran Stage Managers - Now Revised and ExpandedThe next best thing to shadowing a Broadway stage manager, this detailed, behind-the-scenes book as been brought completely up to date. First published in 1991, it is widely used and has been lauded as the most comprehensive, educational book on stage management available. From preproduction planning and first rehersals to opening night and final strike, all the essentials of the profession are presented here in a friendly, engaging style.Blending how-to information with anecdotes from his own career, author Thomas A. Kelly explains the entire theatrical process, including:- Organizing all rehearsals and performances- Maintaining the working script, cue sheets, and daily records- Supervising the technical aspects of the show- Running shows outdoors and at other non-theatrical venues- Dealing with performers and crew members on all levelsThis new edition reflects all the latest developments and innovations in the industry and adds a totally new chapter on opera stage management, complete with an in-depth breakdown of the challenges this style of production presents. The text is supported by sample documents, diagrams, and charts that straddle time-honored approaches with what can be generated by today's computer software. All the latest stage machinery is discussed, along with tips on finding employment. This guide remians the first choice for anyone who works in any branch of the profession, whether amateur, educational, or professional.From the Trade Paperback edition.

Back to Methuselah

by George Bernard Shaw

Back to Methuselah (A Metabiological Pentateuch) is a 1921 series of five plays and a preface by George Bernard Shaw. The five plays are:In the Beginning: B.C. 4004 (In the Garden of Eden); The Gospel of the Brothers Barnabas: Present Day; The Thing Happens: A.D. 2170; Tragedy of an Elderly Gentleman: A.D. 3000; As Far as Thought Can Reach: A.D. 31,920 The plays were published with a preface titled The Infidel Half Century, and first performed in 1922 by the New York Theatre Guild at the Garrick Theatre.

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