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See Me: Prison Theater Workshops and Love
by Jan Cohen-CruzEncounters, transformations, and reflections from in-prison and post-release theater workshopsSee Me is a collection of intimate dialogues about collective experiences in the context of prison theater workshops. Each essay is a collaboration between two or three people who connected profoundly in the temporary community that a workshop can create. Part I is an exchange grounded in the prison theater workshop between the author and one of the incarcerated participants. They alternately tell the story of what they found in the workshop, each other, the future they imagined together, and the social turmoil and utopian aspirations of the times. Part II consists of essays jointly written by eight other people impacted by close relationships spawned in diverse in-prison and re-entry theater workshops.
See You In Bells
by Edie ClaireThe mother of the bride has every reason to panic. Three generations of Bower family weddings - three inexplicable disasters. Now, with the church building falling down, half the wedding party AWOL, and the bride's sisters still fighting over what happened at the last family wedding, daughter Jenna's nuptials seem hopelessly doomed. But peacemaking brother Brian is determined to end the sisters' feud - and the family curse. All he needs is to stage a rip-roaring intervention - and pray it turns divine!
Seeds
by Annabel SoutarPart courtroom drama and part social satire, Seeds presents an intelligent portrait of farming and scientific communities in conflict and at the same time penetrates the complex science of genetically modified crops. The play documents the 2004 Supreme Court of Canada showdown between Saskatchewan farmer Percy Schmeiser and biotech multinational Monsanto Inc., a David-and-Goliath struggle that cast Schmeiser as the small-farmer underdog fighting the unscrupulous major corporation. Monsanto accused him of growing their genetically patented Round-up Ready canola seeds on his property without paying the licensing fee they require. Through a suspenseful labyrinth of legal conflicts regarding patent rights, scientific showdowns about GM food and property clashes between farmers and the biotechnology industry, Seeds asks the essential question: "Can you patent a living thing?" Or as Schmeiser famously asked, "Who owns life?"A most interesting aspect of the play is the ambiguity around the hero Percy Schmeiser. Is he a victim or an opportunist and self-publicist? Certainly, he's no innocent; as he keeps telling us, he's an experienced politician, in fact an ex-mayor. He's a believer who knows how to frame his beliefs to advantage. He can be grand and he can be petty - and as such he is antihero as much as hero.Named the top play of the decade by Rover Arts in its review of English theatre in Montreal between 2000 and 2010, Seeds takes us back to the seminal moment when a single farmer stood up to international agribusiness and almost won.Cast of 4 women and 3 men.
Seeing Cinderella
by Jenny LundquistMagical realism and a modern Cinderella story makes for a fun and relatable M!X read.Sixth grade is not going well for Calliope Meadow Anderson. Callie's hair is frizzy, her best friend, Ellen, is acting weird, and to top things off, she has to get glasses. And her new specs aren't even cute, trendy glasses--more like hideously large and geeky. But Callie soon discovers that her glasses have a special, magical perk: When she wears them, she can read people's thoughts. Crazy glasses aside, Callie has more drama to face when she's cast as the lead in the school play--and instead opts to be an understudy, giving the role of Cinderella to Ellen. Can Callie's magic glasses help her see her way to leading lady, or is she destined to stay in the background forever?
Seeing Cinderella
by Jenny LundquistMagical realism and a modern Cinderella story makes for a fun and relatable M!X read.Sixth grade is not going well for Calliope Meadow Anderson. Callie's hair is frizzy, her best friend, Ellen, is acting weird, and to top things off, she has to get glasses. And her new specs aren't even cute, trendy glasses--more like hideously large and geeky. But Callie soon discovers that her glasses have a special, magical perk: When she wears them, she can read people's thoughts. Crazy glasses aside, Callie has more drama to face when she's cast as the lead in the school play--and instead opts to be an understudy, giving the role of Cinderella to Ellen. Can Callie's magic glasses help her see her way to leading lady, or is she destined to stay in the background forever?
Seeing Shakespeare’s Style (Routledge Studies in Early Modern Authorship)
by Douglas BrusterSeeing Shakespeare’s Style offers new ways for readers to perceive Shakespeare and, by extension, literary texts generally. Organized as a series of studies of Shakespeare’s plays and poems, poetry and prose, it looks at the inner functioning of language and form in works from all phases of this writer’s career. Because the very concept of literary style has dropped out of so many of our conversations about writing, we need new ways to understand how words, phrases, speeches, and genres in literature work. Responding to this need, this book shows how visual representations of writing can lead to a deeper understanding of language’s textures and effects. Beginning with chapters that a beginning reader of Shakespeare can benefit from, its second half puts these tools to use in more in-depth examinations of Shakespeare’s language and style. Although focused on Shakespeare’s works, and the works of his contemporaries, this book provides tools for all readers of literature by defining style as material, graphic, and shaped by the various media in which all writers work.
Seeing Stars in Dixie
by Ron OsborneComedic Drama / 1m, 4f / It's 1956 and Hollywood has arrived in Natchez, Mississippi with its brightest stars to film Raintree County . Meanwhile at Clemmie's, a Natchez tea room, the widowed proprietor who has a fascination with movies and a secret admirer, oversees her own cast of characters: Tootie, her take charge friend; Jo Beth, a former beauty queen; Glease, a man more comfortable with women than macho men, and Marjorie, an unethical social climber. Competition for a small role in the movie brings out the best and worst of these memorable characters. Twists, turns and revelations lead Clemmie to trade a moment of fame for love and the chance to impact the lives of people dear to her. Originally produced at the Sonoma County Repertory Theatre in Sebastopol, CA.
Seeing Theater: The Phenomenology of Classical Greek Drama
by Naomi WeissThis is the first book to approach the visuality of ancient Greek drama through the lens of theater phenomenology. Gathering evidence from tragedy, comedy, satyr play, and vase painting, Naomi Weiss argues that, from its very beginnings, Greek theater in the fifth century BCE was understood as a complex interplay of actuality and virtuality. Classical drama frequently exposes and interrogates potential viewing experiences within the theatron—literally, "the place for seeing." Weiss shows how, in so doing, it demands distinctive modes of engagement from its audiences. Examining plays and pottery with attention to the instability and ambiguity inherent in visual perception, Seeing Theater provides an entirely new model for understanding this ancient art form.
Seeing Things
by Alan AckermanA technological revolution has changed the way we see things. The storytelling media employed by Pixar Animation Studios, Samuel Beckett, and William Shakespeare differ greatly, yet these creators share a collective fascination with the nebulous boundary between material objects and our imaginative selves. How do the acts of seeing and believing remain linked? Alan Ackerman charts the dynamic history of interactions between showing and knowing in Seeing Things, a richly interdisciplinary study which illuminates changing modes of perception and modern representational media.Seeing Things demonstrates that the airy nothings of A Midsummer Night's Dream, the Ghost in Hamlet, and soulless bodies in Beckett's media experiments, alongside Toy Story's digitally animated toys, all serve to illustrate the modern problem of visualizing, as Hamlet put it, 'that within which passes show.' Ackerman carefully analyses such ghostly appearances and disappearances across cultural forms and contexts from the early modern period to the present, investigating the tension between our distrust of shadows and our abiding desire to believe in invisible realities. Seeing Things provides a fresh and surprising cultural history through theatrical, verbal, pictorial, and cinematic representations.
Seidman & Son
by Elick MollComedy \ 9 m., 10 f. \ 5 Ints. \ Morris Seidman is a lovable guy who has come up the hard way. His daughter is boy crazy and his son is a militant idealist. Morris has problems at work, too, due to hiring his son. Morris not only loses one of his biggest buyers, but loses some of his most valuable workers. But he did not get to his present position without resources, and in his genial way he concludes about his son that every generation has to learn from its own experiences.
Seite A und Seite B - Patchwork einer Liebesgeschichte
by Cesar Rodrigo Mendonca da CostaRobert entdeckt die Leidenschaft seines Lebens nachdem Jennifer in das Haus gegenüber zieht. Eine unschuldige Liebesgeschichte entfaltet sich zwischen ihnen, voller Begegnungen, Missverständnissen, Freuden und Trauer. Als die Beziehung des Paares sich endlich zum Guten wendet, ist dann plötzlich doch nicht mehr alles so, wie es scheint, denn jede Geschichte hat nicht nur eine Seite. Dieses Buch von Cesar Costa bringt eine dramatische Handlung mit überraschender Wendung und unerwartetem Ausgang mit sich. Wie weit kann eine bedingungslose Liebe gehen? Genre: Romantik, Drama Schlüsselwörter: Cesar Costa, Romantik, Drama, Seite A und Seite B, überraschende Wendung, Überraschunge
Selected Plays: George Shiels
by Christopher MurrayContains The Retrievers (hitherto unpublished), Professor Tim, The New Gossoon, The Passing Day, The Rugged Path, and The Summit, bibliographical checklist. George Shiels (1886-1949) was one of the most prolific and most successful playwrights in the history of the Abbey Theatre. Before his debut at the Abbey, Shiels's early work was staged by the Ulster Literary Theatre in Belfast and later on his work was taken up by the dynamic Group Theatre, also in Belfast. As a Northerner, Shiels embraced the whole island in his work, his use of dialect and his characterisation. Moreover, while his plays were broadly popular and wonderfully well suited to the acting talents of theatre companies North and South, his all-Ireland perspective lent his work a keen critical edge masked by easy realism and hilarious comedy. Nowadays, we turn to the dark comedy of a play like The Passing Day to re-adjust our view of Shiels and to see his plays as seriously concerned with the land question and issues of identity, gender and the law in post-colonial Ireland. From that perspective, The New Gossoon and in particular The Rugged Path (which in 1940 broke all previous box-office receipts at the Abbey, when the production played for an unprecedented twelve weeks, all previous plays having been limited to two) challenge us to look again at Shiels and see him as public commentator as well as consummate entertainer.
Selected Plays (Penguin Modern Classics)
by William YeatsThe 18 plays are: The Shadowy Waters; Cathleen in Houlihan; The Hour Glass; On Baile's Strabd; The Green Helmet; Deirdre; At the Hawk's Well; The Dreaming of the Bones; The Cat and the Moon; The Only Jealousy of Emer; Calvary; Sophocles' King Oedipus; The Resurrection; The Words Upon the Windwo-FPane; The King of the Great Clock Tower; The herne's Egg; Purgatory; The Death of Cuchulain.
The Selected Plays of Hélène Cixous
by Hélène CixousCixous' work as a playwright - working mainly with Theatre du Soleil and their director Ariane Mnouchkine - establishes her as a participant in some of the most adventurous European theatre making of the last 40 years.This collection brings together for the first time, four translations into English of Helene Cixous' plays. It is a unique and extraordinary resource for scholars, students and theatre-makers. The collection includes: *The Perjured City, translated by Bernadette Fort*Black Sail, White Sail, translated by Donald Watson*Portrait of Dora, translated by Ann Liddle*Drums on the Dam, translated by Judith G. Miller and Brian J. MalletThis exciting new anthology will disseminate her work to a wide and receptive English-speaking audience.
Selected Plays of Stan Lai: Volume 2: The Village and Other Plays
by Stan LaiStan Lai (Lai Shengchuan) is one of the most celebrated theatre practitioners working in the Chinese-speaking world. His work over three decades has pioneered the course of modern Chinese language theatre in Taiwan, China, and other Chinese speaking regions. "The preeminent Chinese playwright and stage director of this generation." (China Daily) "The best Chinese language playwright and director in the world." (BBC) Lai's works include masterpieces of the modern Chinese language theatre like Secret Love in Peach Blossom Land, The Village, and his epic 8 hour A Dream Like A Dream, all of which are in this collection. These volumes feature works from across Lai’s career, providing an exceptional selection of a diverse range of performances. Volume Two contains: Millennium Teahouse Sand on a Distant Star Like Shadows The Village Writing in Water
Selected Plays of Stan Lai: Volume 3: A Dream Like a Dream and Ago
by Stan LaiStan Lai (Lai Shengchuan) is one of the most celebrated theatre practitioners working in the Chinese-speaking world. His work over three decades has pioneered the course of modern Chinese language theatre in Taiwan, China, and other Chinese speaking regions. "The preeminent Chinese playwright and stage director of this generation." (China Daily) "The best Chinese language playwright and director in the world." (BBC) Lai's works include masterpieces of the modern Chinese language theatre like Secret Love in Peach Blossom Land, The Village, and his epic 8 hour A Dream Like A Dream, all of which are in this collection. These volumes feature works from across Lai’s career, providing an exceptional selection of a diverse range of performances. Volume Three contains: A Dream Like a Dream Ago
Selected Plays of Stan Lai: Volume 1: Secret Love in Peach Blossom Land and Other Plays
by Stan LaiStan Lai (Lai Shengchuan) is one of the most celebrated theatre practitioners working in the Chinese-speaking world. His work over three decades has pioneered the course of modern Chinese language theatre in Taiwan, China, and other Chinese speaking regions. "The preeminent Chinese playwright and stage director of this generation." (China Daily) "The best Chinese language playwright and director in the world." (BBC) Lai's works include masterpieces of the modern Chinese language theatre like Secret Love in Peach Blossom Land, The Village, and his epic 8 hour A Dream Like A Dream, all of which are in this collection. These volumes feature works from across Lai’s career, providing an exceptional selection of a diverse range of performances. Volume One contains: Secret Love in Peach Blossom Land Look Who's Crosstalking Tonight The Island and the Other Shore I Me She Him Ménage à 13
Selected Poems and Letters
by Arthur RimbaudA phenomenonally precicious schoolboy, Rimbaud was still a teenager when he became notorious as Europe's most shocking and exhilarating poet. During his brief 5-year reign as the enfant terrible of French literature he produced an extraordinary body of poems that range from the exquisite to the obsene, while simultaneously living a life of dissolute excess with his lover and fellow poet, Verlaine. At the age of 21, he abandonned poetry and travelled across Europe before settling in Africa as an arms trader. This edition sets the two sides of Rimbaud side by side with a sparkling translation of his most exhilarating poetry and a generous selection of the letters from the harsh and colourful period of his life as a colonial trader.
Selected Short Plays
by George Bernard ShawThis selection comprises: "THE ADMIRABLE BASHVILLE" "HOW HE LIED TO HER HUSBAND" "PASSION, POISON AND PETRIFACTION" "THE GLIMPSE OF REALITY" "THE DARK LADY OF THE SONNETS" "OVERRULED" "THE MUSIC-CURE" "GREAT CATHERINE" "THE INCA OF PERUSALEM" "O'FLAHERTY V.C." "AUGUSTUS DOES HIS BIT" "ANNAJANSKA, THE BOLSHEVIK EMPRESS" "VILLAGE WOOING" "THE SIX OF CALAIS" and "CYMBELINE REFINISHED".
Selections from the Writings of Lord Dunsay
by Lord DunsanyThese plays and stories have for their continual theme the passing away of gods and men and cities before the mysterious power which is sometimes called by some great god's name but more often "Time." His travelers, who travel by so many rivers and deserts and listen to sounding names none heard before, come back with no tale that does not tell of vague rebellion against that power, and all the beautiful things they have seen get something of their charm from the pathos of fragility. This poet who has imagined colors, ceremonies and incredible processions that never passed before the eyes of Edgar Allen Poe or of De Quincey, and remembered as much fabulous beauty as Sir John Mandeville, has yet never wearied of the most universal of emotions. . . . He can show us the movement of sand, as we have seen it where the seashore meets the grass, but so changed that it becomes the deserts of the world. Only the sand knew and arose and was troubled and lay down again and the wind knew.
The Self-Centred Art: Ben Jonson's Parts in Performance (Studies in Performance and Early Modern Drama)
by Jakub BoguszakThe Self-Centred Art is a study of the plays of Ben Jonson and the actors who first performed in them. Jakub Boguszak shows how the idiosyncrasies of Jonson’s comic characters were thrown into relief in actors’ part-scripts—scrolls containing a single actor’s lines and cues—some five hundred of which are reconstructed here from Jonson’s seventeen extant plays. Reading Jonson’s spectating parts, humorous parts, apprentice parts, and plotting parts, Boguszak argues that the kind of self-absorption which defines so many of Jonson’s famous comic creations would have come easily to actors relying on these documents. Jonson’s actors would have moreover worked on their cues, studied their speeches, and thought about the information excluded from their parts differently, depending on the type they had to play. Boguszak thus shows that Jonson brilliantly adapted his comedies to the way the actors worked, making the actors’ self-centredness serve his art. This book addresses Jonson’s dealings with the actors as well as the printers of his plays and supplements the discussion of different types of parts with a colourful range of case studies. In doing so, it presents a new way of understanding not just Ben Jonson, but early modern theatre at large.
Self-Help
by Norm FosterA married pair of second-rate theatre actors cast themselves as nationally renowned self-help gurus. Their lives unravel in a farce as they try to conceal a body and hold on to their falsely won fame.
The Self in Performance: Autobiographical, Self-Revelatory, and Autoethnographic Forms of Therapeutic Theatre
by Susana Pendzik, Renée Emunah and David Read JohnsonThis book is the first to examine the performance of autobiographical material as a theatrical form, a research subject, and a therapeutic method. Contextualizing personal performance within psychological and theatrical paradigms, the book identifies and explores core concepts, such as the function of the director/therapist throughout the creative process, the role of the audience, and the dramaturgy involved in constructing such performances. It thus provides insights into a range of Autobiographic Therapeutic Performance forms, including Self-Revelatory and Autoethnographic Performance. Addressing issues of identity, memory, authenticity, self-reflection, self-indulgence, and embodied self-representation, the book presents, with both breadth and depth, a look at this fascinating field, gathering contributions by notable professionals around the world. Methods and approaches are illustrated with case examples that range from clients in private practice in California, through students in drama therapy training in the UK, to inmates in Lebanese prisons.
Selfie
by Christine QuintanaA new year of high school is full of excitement and potential—but three teens didn’t expect it to bring such a dark change to their lives. After spending a summer reinventing herself in Paris, Emma is ready for her new life to start, while her best friend Lily is eager for them to reconnect. Lily throws a last-minute party fuelled by alcohol and Instagram, which leads to a long-awaited encounter between Emma and Lily’s older brother Chris. But the next day Emma feels that something went terribly wrong. When a doctor’s appointment and a visit from police confirm that there was a sexual assault at the party, and the whole school turns against Emma, the three friends grapple with what actually happened between Emma and Chris. This smart and intense play about the complexities of relationships and community opens up a much-needed conversation about the nature of consent.
Sementes de amor
by Uri J. NachimsonAmor, sexo, ambição, as difíceis relações entre dois países vizinhos com culturas e realidades diferentes, que nunca conseguiram sekar a paz. Um amor impossível... todos os ingredientes em uma estória envolvente da primeira à última palavra.