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Talk Radio (TCG Edition)
by Eric Bogosian"Your fear, your own lives, have become your entertainment."--Talk Radio"More timely today than it was twenty years ago . . . Radio crackles with intensity."--Joe Dziemianowicz, New York Daily News"The most lacerating portrait of a human meltdown this side of a Francis Bacon painting. . . . This revival, like the original production, allows its star to grab an audience by the lapels and shake it into submission."--Ben Brantley, The New York TimesEric Bogosian's Talk Radio--his breakthrough 1987 Public Theater hit that was made into a film by Oliver Stone--has been revived in a "mesmerizing" (Newsday) production on Broadway, with Liev Schreiber playing the role of the late-night shock jock that Bogosian himself originated. The drama is set in the studio of Cleveland's WTLK Radio over the course of Barry Champlain's two-hour broadcast, being scrutinized that night by producers with an interest in taking the show national, and fueled as always by coffee, cocaine, and Jack Daniel's. Barry's jousts with his unseen callers--ranging from a white supremacist to a woman obsessed with her garbage disposal--are peppered with insights into his character from his ex-deejay pal and his sometime girlfriend/producer, and punctuated with a transformative visit from an embodied voice. Eric Bogosian is a writer and actor who over the last twenty years has authored five full-length plays and created six full-length solos for himself, including subUrbia; Sex, Drugs, Rock & Roll; Pounding Nails in the Floor with My Forehead;and Drinking in America. He is the recipient of three OBIE Awards and a Drama Desk Award, and has toured throughout the United States and Europe.
Talking With...
by Jane MartinMonologues Jane Martin. Characters: 11 female. Bare Stage.. These extraordinary monologues received a standing ovation at Louisville's Actors Theatre. Idiosyncratic characters amuse, move and frighten, always speaking from the depths of their souls. They include a baton twirler, a fundamentalist snake handler, an ex rodeo rider and an actress willing to go to any length to get a job. . 1982 winner of the American Theatre Critics Association Award for Best Regional Play. . "A dramatist with an original voice ... [and] gladsome humor." N.Y. Times . "With Jane Martin, the monologue has taken on a new poetic form, intensive in its method and revelatory in its impact." Philadelphia Inquirer
Talking to the Audience: Shakespeare, Performance, Self
by Bridget EscolmeThis unique study investigates the ways in which the staging convention of direct address - talking to the audience - can construct selfhood, for Shakespeare's characters. By focusing specifically on the relationship between performer and audience, Talking to the Audience examines what happens when the audience are in the presence of a dramatic figure who knows they are there. It is a book concerned with theatrical illusion; with the pleasures and disturbances of seeing 'characters' produced in the moment of performance.Through analysis of contemporary productions Talking to the Audience serves to demonstrate how the study of recent performance helps us to understand both Shakespeare's cultural moment and our own. Its exploration of how theory and practice can inform each other make this essential reading for all those studying Shakespeare in either a literary or theatrical context.
Tall Grass
by Brian HarrisDark Comedy / Flexible Casting; 2m, 1f or 6m, 3f / Simple Sets Tall Grass is a dark comedy comprised of three one-act plays. Each play requires two males and a female and the same three actors can play the roles for each play. THE BUSINESS PROPOSAL begins with a botched marriage proposal by a nice young man to his type-A girlfriend, who instead informs him that she has just accepted a position to become his boss. Over the next six-months the two try to sort out what they really want out of their professional and personal lives. The solution comes as a surprise, both to themselves and to the audience. The play also features a comic waiter and some voice-overs which can be done by the same actor. THE GERBIL is the story of a burglar caught breaking into the home of a dysfunctional couple, whose love for their daughter is the glue keeping their marriage together. The brutal ending reveals the harm their marriage has taken on the daughter, although she never appears on stage. In TALL GRASS we find an octogenarian couple fighting to maintain their independence. The arrival of a mysterious social worker tests the true extent of their resolve.
Taller Than a Dwarf
by Elaine MayComedy / 5m, 4f, 1 boy / Interior / Matthew Broderick and Parker Posey starred on Broadway as Howard and Selma, just another urban, Jewish, almost generic white couple from Queens, until the mundane stresses of a leaky shower and a citation for littering overwhelm them and Howard takes to bed. His parents, mother-in-law and boss hysterically elevate his childish rebellion to Civil Disobedience worthy of Thoreau in this skewed comic version of an urban angst from veteran humorist Elaine May.
Tallulah!: The Life and Times of a Leading Lady
by Joel LobenthalOutrageous, outspoken, and uninhibited, Tallulah Bankhead was an actress known as much for her vices -- cocaine, alcohol, hysterical tirades, and scandalous affairs with both men and women -- as she was for her winning performances on stage. In 1917, a fifteen-year-old Bankhead boldly left her established Alabama political family and fled to New York City to sate her relentless need for attention and become a star. Five years later, she crossed the Atlantic, immediately taking her place as a fixture in British society and the most popular actress in London's West End. By the time she returned to America in the 1930s, she was infamous for throwing marathon parties, bedding her favorite costars, and neglecting to keep her escapades a secret from the press. At times, her notoriety distracted her audience from her formidable talent and achievements on stage and dampened the critical re-sponse to her work. As Bankhead herself put it, "they like me to 'Tallulah,' you know -- dance and sing and romp and fluff my hair and play reckless parts." Still, her reputation as a wild, witty, over-the-top leading lady persisted until the end of her life at the age of sixty-six.From her friendships with such entertainment luminaries as Tennessee Williams, Estelle Winwood, Billie Holiday, Noël Coward, and Marlene Dietrich, to the intimate details of her family relationships and her string of doomed romances, Joel Lobenthal has captured the private essence of the most public star during theater's golden age. Larger-than-life as she was, friends saw through Bankhead's veneer of humor and high times to the heart of a woman who often felt second-best in her father's eyes, who longed for the children she was unableto bear, and who forced herself into the spotlight to hide her deep-seated insecurities.Drawn from scores of exclusive interviews, as well as previously untapped information from Scotland Yard and the FBI, this is the essential biography of Tallulah Bankhead. Having spent twenty-five years researching Bankhead's life, Joel Lobenthal tells her unadulterated story, as told to him by her closest friends, enemies, lovers, and employees. Several have broken decadelong silences; many have given Lobenthal their final interviews. The result is the story of a woman more complex, more shocking, and yet more nuanced than her notorious legend suggests.
Tamara
by John KrizancAvailable for the first time in over thirty years, John Krizanc’s internationally acclaimed play redefined the limits of theatre with its haunting tale of art, sex, violence, and political intrigue in Fascist Italy. In the late twenties the poet, war hero, and lothario Gabriele d’Annunzio waits in his opulent villa — a gift from Benito Mussolini in return for his political silence — for the arrival of the artist Tamara de Lempicka, who is to paint his portrait. What follows is a tale of art, sex, violence and the meaning of complicity in an authoritarian state. The action is directed by the reader/audience member, who decides which characters to follow and which narratives to experience. John Krizanc’s masterpiece redefined theatre and won six L.A. Drama Critics Circle Awards, six Dora Mavor Moore Awards, six Drama-Logue Awards, and six Mexican Association of Theatre Critics, and Journalists Awards for its original productions. Now available in a handsome new A List edition, Tamara is an astonishing piece of experimental art and a penetrating look into ethical choices in times of encroaching autocracy.
Tamburlaine: In Two Parts (classic Reprint) (Dover Thrift Editions: Plays)
by Christopher MarloweOne of the greatest English playwrights, Christopher Marlowe received the scholarly compliment of having long been considered the author of some plays now attributed to Shakespeare. Marlowe's remarkable inventiveness and powers of poetic expression enabled him to render his first play, Tamburlaine, the relatively new form of English blank verse, establishing the form for later Elizabethan dramatic writing. This heroic epic, his most ambitious work, was also the first genuine English tragedy.Produced around 1587, the two-part romantic drama derives from the historical figure of Tamerlane (1336–1405), a Mongol warrior whose conquests and tyrannical rule extended from the Black Sea to the Upper Ganges. In Part I, Tamburlaine represents the best and most admirable qualities of the Renaissance man — his relentless rise to greatness, his ability to defy the odds and his determined pursuit of all life's possibilities. The first part concludes with the hero at the zenith of his powers, with vivid descriptions of his military victories and the passionate courting of a rival's captive daughter; in Part II, however, Tamburlaine's ambition overrides his better nature, and his greed and vanity ultimately lead to his ruin.Ideal for classroom use, this volume will also be a welcomed addition to the libraries of anyone fond of English literary classics.
Taming of the Shrew (Shakespeare Made Easy)
by William ShakespeareA Simon & Schuster eBook. Simon & Schuster has a great book for every reader.
Taming of the Shrew (Skillan)
by William Shakespeare George SkillanFrench's Acting Edition of Shakespeare's Classic Play
Taming of the Shrew: First Quarto of "Taming of a Shrew" (Shakespearean Originals--first Editions Ser.)
by Graham Holderness Bryan LoughreyFirst Published in 1992. This series puts into circulation single annotated editions of early modern play-texts whose literary and theatrical histories have been overshadowed by editorial practices dominant since the eighteenth century. The text contained in this volume is not what we know as Shakespeare's The Taming of the Shrew, modern editions of which play are all derived from the text printed in the 1623 First Folio edition of Shakespeare's works. The present text is an edition of the play published in 1594 under the title The Taming of a Shrew, which has always been denied the authorising signature of 'Shakespeare', and regarded as an earlier version by another dramatist or as a pirated and corrupt 'memorial reconstruction' of Shakespeare's The Taming of the Shrew.
Tangled Snarl: The Tangled Snarl Ii
by John RustanComedy / 2m, 2f, 1 boy / Interior / To Private Detective Spuds Idaho, life in L.A. is a 24 hour race around a track made of quicksand. When the dying Legs Flamingo leaves him a package to deliver, Spuds gets curious. Why is Leslie Detweiler more interested in the package than in the death of her husband: "Excuse me, but you look pretty collected for a lady whose breadwinner just got sliced four ways." Why was Legs mixed up with mob figure Vito "Fingers" Scampi: "So Fingers had Legs under this thumb." And how did it figure in with the Krieger heist: "The Commissioner was embarrassed. His boys in blue were red in the face." With the aid of his secretary, Ginny, and a wise cracking kid, it all untangles for Spuds Idaho.
Tanqueray
by Stephanie Johnson Brandon Stanton"A deeply touching memoir . . . A beautiful, sometimes shocking NC-17 story, kept out of the lily-white, upper crust canon of literature--until now."" --The Washington Post The storytelling phenomenon Humans of New York and its #1 bestselling books have captivated a global audience of millions with personal narratives that illuminate the human condition. But one story stands apart from the rest... She is a woman as fabulous, unbowed, and irresistible as the city she lives in. Meet TANQUERAY. In 2019, Humans of New York featured a photo of a woman in an outrageous fur coat and hat she made herself. She instantly captured the attention of millions. Her name is Stephanie Johnson, but she's better known to HONY followers as ""Tanqueray,"" a born performer who was once one of the best-known burlesque dancers in New York City. Reeling from a brutal childhood, immersed in a world of go-go dancers and hustlers, dirty cops and gangsters, Stephanie was determined to become the fiercest thing the city had ever seen. And she succeeded. Real, raw, and unapologetically honest, this is the full story of Tanqueray as told by Brandon Stanton--a book filled with never-before-told stories of Tanqueray's struggles and triumphs through good times and bad, personal photos from her own collection, and glimpses of New York City from back in the day when the name "Tanqueray" was on everyone's lips."
Tartuffe and the Bourgeois Gentleman: A Dual-Language Book
by MolièreOften called the "Father of French Comedy," Molière (Jean-Baptiste Poquelin, 1622-1673) was a master at exposing the foibles and complexities of humanity in plays notable for their dramatic construction, varied and diverse humor, and subtlety of psychological observation. This convenient dual-language volume contains the original French texts and English translations of two of Molière's most praised and popular comedies: Tartuffe and The Bourgeois Gentleman. These timeless theatrical works by one of France's greatest and most influential playwrights can be appreciated not only by students of French language and literature but by any aficionado of classic comedy.Tartuffe, a 1664 verse comedy with serious overtones, concerns a scoundrel who impersonates a holy man in order to acquire his gullible host's property and wife. The prose farce The Bourgeois Gentleman, an instant success at its 1670 debut, lampoons the hypocrisy of 17th-century Parisian society with a central character who attempts to adopt the superficial manners, accomplishments, and speech associated with the nobility. Both plays abound in humor, the quips of saucy servants, and a host of satirical plot devices.For this edition, Stanley Appelbaum has provided an informative introduction to the playwright and the plays, and excellent literal English translations on facing pages, offering students an ideal opportunity both to refine their French-language skills and to enjoy Molière in his own words.
Tartuffe or the Hypocrite
by Molière Curtis Hidden PageTartuffe a "man of God" uses his connections to swindle his generous host Orgon out of his wealth and his wife. [This text is listed as an example that meets Common Core Standards in English language arts in grades 11-12 at http://www.corestandards.org.]
Tartuffe: Born Again
by MoliereThis modern adaptation casts Tartuffe as a deposed televangelist who rooks Orgon and his family of their money and property and nearly compromises Orgon's wife. The action takes place in a religious television studio in Baton Rouge where the characters cavort to either prevent or aid Tartuffe in his machinations. Written in modern verse, Tartuffe: Born Again adheres closely to the structure and form of the original. Moliere's legendary comedic characters are delightfully at home in this modern day version that played at New York's Circle in the Square.
Tartuffe: Les Précieuses Ridicules, George Dandin... (Dover Thrift Editions: Plays)
by MolièreRenowned for his satirical works, Molière (Jean-Baptiste Poquelin, 1622–1673) delighted in lampooning the social pretensions and conceits of 17th-century French society. In this 1664 verse comedy with serious overtones, Tartuffe, a penniless scoundrel and religious poseur, is invited by a gullible benefactor to live in his home.Imposing a rigidly puritanical regimen on the formerly happy household, Tartuffe wreaks havoc among family members. He breaks off the daughter's engagement, attempts to seduce the wife of his host, acquires his patron's property, and eventually resorts to blackmail and extortion. But ultimately, his schemes and malicious deeds lead to his own downfall.Attacked by the Church and twice suppressed, Tartuffe opened to packed houses in 1669. Teeming with lively humor and satirical plot devices, this timeless comedy by one of France's greatest and most influential playwrights is essential reading for students of theater and literature.
Te Gusta Morir?
by Federico RomanoDoce historias en primera y tercera persona, los personajes se mueven a lo largo de un hilo intentando mantener el equilibrio entre la fantasía y la realidad.
Tea at Five: [a Play]
by Matthew Lombardo1f / Biographical monologue / Tea at Five captures the fiery spirit of Katherine Hepburn in a one-woman show that recounts her journey from a well-heeled Yankee childhood to winner of four Oscars. Ensconced at her beloved Fenwick home, Ms. Hepburn reflects on the dizzying heights and emotional lows of her upbringing, her adventures in show business and her heartbreaking romance with Spencer Tracy. Audiences leave with new memories of one of the most dearly loved ladies of an era.
Teachers in Early Modern English Drama: Pedagogy and Authority (Studies in Performance and Early Modern Drama)
by Jean LambertStarting from the early modern presumption of the incorporation of role with authority, Jean Lambert explores male teachers as representing and engaging with types of authority in English plays and dramatic entertainments by Shakespeare and his contemporaries from the late sixteenth to the early seventeenth century. This book examines these theatricalized portraits in terms of how they inflect aspects of humanist educational culture and analyzes those ideas and practices of humanist pedagogy that carry implications for the traditional foundations of authority. Teachers in Early Modern English Drama is a fascinating study through two centuries of teaching Shakespeare and his contemporaries and will be a valuable resource for undergraduates, postgraduates, and scholars interested in sixteenth- and seventeenth-century drama, writing, and culture.
Teaching Acting with Practical Aesthetics
by Troy DobosiewiczTeaching Acting with Practical Aesthetics uses constructivist pedagogy to teach acting via Practical Aesthetics, a system of actor training created in the mid-1980s by David Mamet. The book melds the history of Practical Aesthetics, Practical Aesthetics itself, educational theory, and compatible physical work into the educational approach called Praxis to create a comprehensive training guide for the modern actor and theatre instructor. It includes lesson plans, compatible voice and movement exercises, constructivist teaching materials, classroom handouts, and a suggested calendar for Acting courses. Written for Acting instructors at the college and secondary levels, Acting scholars, and professionals looking for a new way to perform, Teaching Acting with Practical Aesthetics offers detailed instructions to help students sharpen their performing skills and excel on stage.
Teaching Costume Design and Costume Rendering: A Guide for Theatre and Performance Educators
by Jennifer Flitton AdamsTeaching Costume Design and Costume Rendering: A Guide for Theatre and Performance Educators clarifies the teaching process for Costume Design and Costume Rendering courses and offers a clear and tested path to success in the classroom. Drawing on the knowledge and experience of the author’s twenty-five years of teaching as well as many decades of work by multiple other educators, this book provides a clear roadmap for teaching these two popular Theatre courses. It includes information on pedagogical theory, creating syllabi, preparing and structuring classes, crafting lectures, and analyzing students’ work, with a heavy focus on specific teaching projects that have been proven to work in the classroom. All aspects of teaching costume design and rendering are considered, including body awareness, cultural sensitivities, script analysis, elements and principles of design, psychology of dress, choosing fabrics, period styling, and requirements of dance costumes. Included in the appendices are sample syllabi, and additional reading and research resources. Teaching Costume Design and Costume Rendering is a guide for theatre and performance educators ranging from secondary education to undergraduate programs and graduate studies. It is a valuable resource both for costume educators approaching costume design and rendering classes for the first time and for experienced instructors looking for new material for these courses.
Teaching Dance Improvisation: A Beginner's Guide (ISSN)
by Matthew FarmerTeaching Dance Improvisation serves as an introduction to, and a springboard for the author’s theories, practices, and curriculum building of dance improvisation as a technique. By taking a similar approach to teaching ballet, modern, jazz, tap, or hip hop, this book supplies its reader with an easy-to-follow roadmap in order to begin building and incorporating dance improvisation into dance studios/classrooms and curriculums.