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Anna Halprin (Routledge Performance Practitioners)
by Libby Worth Helen PoynorAnna Halprin traces the life's work of this radical dance-maker, documenting her early career as a modern dancer in the 1940s through to the development of her groundbreaking approach to dance as an accessible and life-enhancing art form. Now revised and reissued, this book: sketches the evolution of the San Francisco Dancers' Workshop, exploring Halprin's connections with the avant-garde theatre, music, visual art and architecture of the 1950s and 60s offers a detailed analysis of Halprin’s work from this period provides an important historical guide to a time when dance was first explored beyond the confines of the theatre and considered as a healing art for individuals and communities. As a first step towards critical understanding, and an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.
Anna Sokolow: The Rebellious Spirit (Choreography and Dance Studies Series #Vol. 14)
by Larry WarrenA pioneer choreographer in modern American dance, Anna Sokolow has led a bewildering, active international life. Her meticulous biographer Larry Warren once looked up Anna Sokolow in a few reference books and found that she was born in three different years and that her parents were from Poland except when they were in Russia, and found many other inaccuracies. Drawing on material from nearly 100 interviews, Larry Warren has created a fascinating account and assessment of the life and work of Anna Sokolow, whose nomadic career was divided between New York, Mexico, and Israel. Setting her work on more than 70 dance companies, Anna Sokolow not only pioneered the development of a personal approach to movement, which has become part of the language of contemporary dance, but also created such masterpieces as Rooms, dealing with loneliness and alienation, and Dreams, which concerns the inner torment of victims of the Nazi Holocaust.
Anna in the Tropics
by Nilo CruzWinner of the 2003 Pulitizer Prize for Drama. . . there are many kinds of light.The light of fires. The light of stars.The light that reflects off rivers.Light that penetrates through cracks.Then there's the type of light that reflects off the skin.--Nilo Cruz, Anna in the TropicsThis lush romantic drama depicts a family of cigar makers whose loves and lives are played out against the backdrop of America in the midst of the Depression. Set in Ybor City (Tampa) in 1930, Cruz imagines the catalytic effect the arrival of a new "lector" (who reads Tolstoy's Anna Karenina to the workers as they toil in the cigar factory) has on a Cuban-American family. Cruz celebrates the search for identity in a new land."The words of Nilo Cruz waft from the stage like a scented breeze. They sparkle and prickle and swirl, enveloping those who listen in both specific place and time . . . and in timeless passions that touch us all. In Anna in the Tropics, the world premiere work he created for Coral Gables' intimate New Theatre, Cruz claims his place as a storyteller of intricate craftsmanship and poetic power."--Miami HeraldNilo Cruz is a young Cuban-American playwright whose work has been produced widely around the United States including the Public Theater (New York, NY), South Coast Repertory (Costa Mesa, CA), Magic Theatre (San Francisco, CA), Oregon Shakespeare Festival, McCarter Theater (Princeton, NJ) and New Theatre (Coral Gables, FL). His other plays include Night Train to Bolina, Two Sisters and a Piano, Hortensia and the Museum of Dreams, among others. Anna in the Tropics also won the Steinberg Award for Best New Play. Mr. Cruz teaches playwriting at Yale University and lives in New York City.
Anne & Gilbert
by Nancy White Jeff Hochhauser Bob JohnstonMusic by Bob Johnston and Nancy White Book by Jeff Hochhauser Lyrics by Nancy White, Bob Johnston and Jeff Hochhauser Based on the novels Anne of Avonlea and Anne of the Island by L.M. Montgomery Based on the sequel novels to Anne of Green Gables, this new Canadian musical continues the story of Anne Shirley's life. Set in the village of Avonlea and at Redmond College in Halifax, Anne and Gilbert follows Anne's journey to young adulthood and her romance with high school academic rival, Gilbert Blythe. Gilbert is in love with Anne, but she seems to be immune to his declarations of love. In the end, Anne realizes what everyone else already knows: that Gilbert is the love of her life. "Anne and Gilbert is a marvel." - The Toronto Star "When the curtain fell, I was disappointed to see it all end." - Variety "It is funny, charming, and musically and visually sensational. Writers, Jeff Hochauser, Nancy White, and Bob Johnstone...have succeeded in grand fashion. Refreshingly modern, Anne & Gilbert is magically artistic, and oh so romantic!" - The Buzz "Heartwarming, tear-inducing, thoroughly satisfying" - The Halifax Chronicle Herald
Anne Bogart: Viewpoints
by Joel A. Smith Michael Bigelow DixonModern masters; Career development series. Bogart, Anne, -- 1951- -- Criticism and interpretation.
Anne Frank on the Postwar Dutch Stage: Performance, Memory, Affect (Routledge Advances in Theatre & Performance Studies)
by Remco EnselThis book is a case study into the affective history of Holocaust drama offering a new perspective on the impact of The Diary of Anne Frank, the pivotal 1950s play that was a turning point in Holocaust consciousness. Despite its overwhelming success, criticism of the Broadway makeover has been harsh, suggesting that the alleged Americanization would not do justice to the violence of the Holocaust or Anne Frank’s budding Jewishness. This study revisits these issues by focusing on the play’s European appropriation delving into the emotional intensity with which the play was produced and received. The core of the exploration is a history of the Dutch staging in ethnographic detail, based on unique archival material such as correspondence with Otto Frank, prompt books, original tapes, blueprints of the set and oral history. The microhistory of the first Dutch performance of the stage adaptation of Anne Frank’s diary examines the staging in the context of the postwar hesitant development of publicly voiced Holocaust consciousness. Influenced by memory studies and affect theory, the emphasis is on the emotional impact of the drama on both the members of the cast and the audience and will be of great interest to students and scholars in theater and performance studies, memory studies, cultural history, Jewish studies, Holocaust studies and contemporary European history.
Anne-Marie the Beauty
by Yasmina RezaAnother thought-provoking master class in how we perform life by the award-winning novelist and playwright Yasmina Reza."I was bored with my husband," says Anne-Marie, the irrepressible voice of Anne-Marie la Beauté, "but you know, boredom is part of love." Mostly she is speaking here of her more famous friend and colleague, the French actress Giselle Fayolle, in whose shadow she has spent her career. "My life was a near miss," she adds, before explaining that she enunciated well because "I loved to say the words." A very short novel with the power and resonance of a much longer one, Anne-Marie la Beauté is a profound and moving act of remembrance, a clear-eyed assessment of the hard-edged nature of fame, a meditation on aging--and a wonderfully observant and comic exploration of human foibles. In short, another thought-provoking master class in how we perform life by the peerless Yasmina Reza.
Annie Mae's Movement
by Yvette NolanAnnie Mae’s Movement explores what it must have been like to be Anna Mae Pictou Aquash, a woman in a man’s movement, a Canadian in America, an Aboriginal in a white-dominant culture at a time when it felt like we could really change the world. Dying under mysterious circumstances, it is still unclear what really happened to Anna Mae back in the late 70s. Instead of recounting cold facts, this play looks for the truth in examining the life and death of this remarkable Aboriginal woman; that we cannot know the consequences of our actions; that we live on in the work that we do and the people we affect long after we have passed from this world.
Annie Oakley and Buffalo Bill's Wild West
by Isabelle S. Sayers"You are a very, very clever little girl." -- Queen Victoria to Annie OakleyHer life was the stuff of legend -- from humble Quaker origins in Darke County, Ohio, Annie Oakley (nee Phoebe Ann Moses) rose to the heights of renown as a world-famous entertainer and featured performer with Buffalo Bill's Wild West extravaganza. Her self-discipline, showmanship, and legendary gifts as a sharpshooter earned her the adulation of millions; yet to close friends she was always a generous, gentle woman. She excelled in a man's sport but never lost her feminine appeal. This volume provides a wonderful behind-the-scenes look at the life and career of Annie Oakley -- her impoverished girlhood, long and devoted marriage to Frank Butler, early years with the Sells Brothers Circus, and especially seventeen years spent touring with Buffalo Bill (William F. Cody), playing to packed arenas in America and Europe. More than 100 rare photographs, posters, handbills, and other memorabilia document Annie, Buffalo Bill, Johnnie Baker, and other members of the famous troupe; the show on tour in Europe; Annie's celebrated trick shots, famous visitors, etc. In a career that spanned more than 40 years (1882-1925), Annie Oakley accumulated a remarkable store of memorable experiences: command performances before the crowned heads of Europe; adoption by Sitting Bull (who named her "Little Sure Shot"); and an appearance before the first motion-picture camera, Edison's Kinetograph, in 1894. These and many other outstanding moments come to vivid life in Mrs. Sayer's fascinating and informative text. Through the years, the life and legend of Annie Oakley have been immortalized on stage, film and TV, and in books. Yet few presentations offer as revealing and intimate a look at a genuine American folk heroine as this book. In addition, nostalgia buffs, show-business historians, and Americana enthusiasts will find it an informative account of life with one of the greatest entertainment spectacles of nineteenth-century America: Buffalo Bill's Wild West. Original Dover publication.
Another Opening, Another Show: A Lively Introduction To The Theatre
by Tom Markus Linda Sarver Frank KuhnAnother Opening, Another Show derived from the authors asking students what they wanted in an introductory theatre textbook. They've given them exactly that: A book that doesn't cost a lot A book that is fun to read A book that helps them understand and enjoy theatre An insider's look at theatre, not a scholar's critique of it An opportunity to learn about plays on a stage rather than plays on a page Pictures that illustrate the ideas in the text instead of just decorating it Instructors will appreciate the Third Edition's modularity. Each chapter stands on its own, allowing for maximum flexibility for individual course needs. The book's inclusive approach touches on cultural diversity and gender issues in American theatre, as well as adding an entirely new chapter on Asian theatre. Photos of contemporary productions enrich the text, and a variety of side material shows students how the concepts they read about are applied by theatre professionals. Not-for-sale instructor resource material available to college and university faculty only; contact publisher directly.
Answers from The Working Actor: Two Backstage Columnists Share Ten Years of Advice
by Michael Kostroff Jackie ApodacaFor nearly a decade, Jackie Apodaca and Michael Kostroff shared duties as advice columnists for the actors’ trade paper, Backstage. Their highly popular weekly feature, "The Working Actor," fielded questions from actors all over the country. A cross between "Dear Abby" and The Hollywood Reporter, their column was a fact-based, humorous, compassionate take on the questions actors most wanted answered. Using some of their most interesting, entertaining, and informative columns as launch points, Answers from "The Working Actor" guides readers through the ins and outs (and ups and downs) of the acting industry. Apodaca and Kostroff share an approach that is decidedly "on the ground." They’ve both labored in the trenches just like their readers—dealing with auditions, classes, photos, résumés, rehearsals, contract negotiations, representatives, jobs, challenging colleagues, and the search for that elusive life/career balance. There are few absolutes in the acting profession and virtually no proven and reliable steps. Unlike books that claim to offer "Quick Steps to a Successful Acting Career," Answers from "The Working Actor" deals honestly with the realities, providing facts, options, strategies, stories, points of view, and the wisdom of experience, while ultimately challenging readers to make their own decisions. This book will give new actors a head start on their journeys and remind experienced professionals that, in the acting business, there is never only one answer to any question.
Anthony Trollope: His Art And Scope (Routledge Library Editions: The Nineteenth-Century Novel #12)
by P.D. EdwardsFirst published in 1968, this book sets out to refute the idea of Trollope as a ‘mild cathedral-town novelist, describing storms in ecclesiastical tea cups’ which prevailed at the time in spite of his stature during his lifetime. The author reveals the full strength and range of Trollope’s achievement and provides an excellent introduction to further exploration of the novels. Two sections — ‘Narrative Method’ and ‘Subject-Matter’ — are used as the basis from which the author examines key themes in Trollope’s work, with instructive extracts from the novels included to illustrate these points and upon which commentary is provided. This book will be of interest to students of literature.
Anthropocosmic Theatre: Rite in the Dynamics of Theatre (Contemporary Theatre Studies #Vol. 13.)
by Nichos NunezFirst published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Anthropology, Theatre, and Development
by Alex Flynn Jonas TiniusFrom Pussy Riot and the Arab Spring to Italian mafia dance, this collection provides an interdisciplinary analysis of relational reflexivity in political performance. By putting anthropological theory into dialogue with international development scholarship and artistic and activist practices, this book highlights how aesthetics and politics interrelate in precarious spheres of social life. The contributors of this innovative interdisciplinary volume raise questions about the transformativepotential of participating in and reflecting upon political performances both as individual and as collectives. They also argue that such processes provide a rich field and new pathways for anthropological explorations of peoples' own reflections on humanity, sociality, change, and aspiration. Reflecting on political transformations through performance puts centre stage the ethical dimensions of cultural politics and how we enact political subjectivity.
Anti-Black Racism in Early Modern English Drama: The Other “Other” (Routledge Studies in Renaissance Literature and Culture)
by Matthieu ChapmanThis is the first book to deploy the methods and ensemble of questions from Afro-pessimism to engage and interrogate the methods of Early Modern English studies. Using contemporary Afro-pessimist theories to provide a foundation for structural analyses of race in the Early Modern Period, it engages the arguments for race as a fluid construction of human identity by addressing how race in Early Modern England functioned not only as a marker of human identity, but also as an a priori constituent of human subjectivity. Chapman argues that Blackness is the marker of social death that allows for constructions of human identity to become transmutable based on the impossibility of recognition and incorporation for Blackness into humanity. Using dramatic texts such as Othello, Titus Andronicus, and other Early Modern English plays both popular and lesser known, the book shifts the binary away from the currently accepted standard of white/non-white that defines "otherness" in the period and examines race in Early Modern England from the prospective of a non-black/black antagonism. The volume corrects the Afro-pessimist assumption that the Triangle Slave Trade caused a rupture between Blackness and humanity. By locating notions of Black inhumanity in England prior to chattel slavery, the book positions the Triangle Trade as a result of, rather than the cause of, Black inhumanity. It also challenges the common scholarly assumption that all varying types of human identity in Early Modern England were equally fluid by arguing that Blackness functioned as an immutable constant. Through the use of structural analysis, this volume works to simplify and demystify notions of race in Renaissance England by arguing that race is not only a marker of human identity, but a structural antagonism between those engaged in human civil society opposed to those who are socially dead. It will be an essential volume for those with interest in Renaissance Literature and Culture, Shakespeare, Contemporary Performance Theory, Black Studies, and Ethnic Studies.
Anti-War Theatre After Brecht: Dialectical Aesthetics in the Twenty-First Century
by Lara StevensExaminingthe ways in which contemporary Western theatre protests against the 'War onTerror', this book analyses six twenty-first century plays that respond to thepost-9/11 military operations in Afghanistan, Iraq and Palestine. The plays arewritten by some of the most significant writers of this century and the lastincluding Elfriede Jelinek, Caryl Churchill, Hélène Cixous andTony Kushner. Anti-war Theatre After Brecht grapples with theproblem of how to make theatre that protests the policies of democraticallyelected Western governments in a post-Marxist era. It shows how the Internethas become a key tool for disseminating anti-war play texts and how onlinesocial media forums are changing traditional dramatic aesthetics and broadeningopportunities for spectator access, engagement and interaction with a work andthe political alternatives it puts forward.
Antic Street
by Robert NailComedy, 3m, 3f; Placing emphasis on pantomine and character portrayal, it needs only six chairs-- to represent an open touring car. In the car are young people of high school age going on a picnic. There is Ginger, earnest and overbearingly sunny; Robert, the sensitive one, impressed only by poetry (or ants, as a hilarious final scene proves); Blossom, the exuberant and idiotic teenager; Sam and Gwendolyn, the lovers who live-- in thirty minutes-- a life of adolescent violence, ranging from rage to young soulfulness; and Elbert, the little brother who looks with noisy criticism on their actions and suffers their company only for the food likely to be served. The relations of these, oddly assorted six, put to the trials and tribulations of a picnic, result in situations of merriment and in dialogue flippant, fast and rich in performance possibilities.
Antigone
by David MulroySophocles’Antigoneranks with hisOedipus Rexas one of world literature’s most compelling dramas. The action is taut, and the characters embody universal tensions: the conflict of youth with age, male with female, the state with the family. Plot and character come wrapped in exquisite language. Antagonists trade polished speeches, sardonic jibes and epigrammatic truisms and break into song at the height of passion. David Mulroy’s translation ofAntigonefaithfully reproduces the literal meaning of Sophocles’ words while also reflecting his verbal pyrotechnics. Using fluid iambic pentameters for the spoken passages and rhyming stanzas for the songs, it is true to the letter and the spirit of the great Greek original.
Antigone
by Sophocles Michael Townsend Eugene H. FalkCreon, in the Antigone of Sophocles, seems to offer a rather striking example of the theory of tragedy as it is formulated in S. H. Butcher's Aristotle's Theory of Poetry and Fine Arts. Creon is truly engaged in an unequal struggle with destiny; through his ruin the disturbed order of the world is restored and the moral forces reassert their sway.
Antigone
by Paul Woodruff Sophocles<P>Woodruff's work with Peter Meineck makes this text one that is accessible to today's students and could be staged for modern audiences. Line notes printed at the bottom of the page bring a reader further quick assistance. . . . <P>The choral odes as rendered here deserve special notice. After giving a succinct analysis of each in his introduction, Woodruff translates the lyrics into English that is both poetic and comprehensible. . . . <P>Woodruff's rendering of the dialogue moves along easily; these are lines that any contemporary Antigone, Creon or Haemon might speak. Antigone's words on the gods' unwritten laws keep close to the Greek and yet would be authentic for a modern speaker. . . . <P> Woodruff's introduction is a strong, clear, and clever blend of basic traditional information (to those who know Greek tragedy) and fresh insights. . . .
Antigone
by Sophocles Richard BraunBased on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. The series seeks to recover the entire extant corpus of Greek tragedy, quite as though the ancient tragedians wrote in the English of our own time. Under the editorship of Peter Burian and Alan Shapiro, each of these volumes includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the plays. <p><p> This finely tuned translation of Sophocles' Antigone by Richard Emil Braun, both a distinguished poet and a professional scholar critic, offers, in lean, sinewy verse and lyrics of unusual intensity, an interpretation informed by exemplary scholarship and critical insight. Braun presents an Antigone not marred by excessive sentimentality or pietistic attitudes. <p> His translation underscores the extraordinary structural symmetry and beauty of Sophocles' design by focusing on the balanced and harmonious view of tragically opposed wills that makes the play so moving. Unlike the traditionally gentle and pious protagonist opposed to a brutal and villainous Creon, Braun's Antigone emerges as a true Sophoclean heroine with all the harshness and even hubris, as well as pathos and beauty, that Sophoclean heroism requires. Braun also reveals a Creon as stubbornly "principled" as Antigone, instead of simply the arrogant tyrant of conventional interpretations.
Antigone
by Sophocles Ruby BlondellThis is an English translation of Sophocles' tragedy of Antigone and her fate when she decides to bury her dead brother Polyneices. Focus Classical Library provides close translations with notes and essays to provide access to understanding Greek culture.
Antigone
by SophoclesAmong the most celebrated plays of ancient Athens, Antigone is one of the seven surviving dramas by the great Greek playwright, Sophocles, now available from Harper Perennial in a vivid and dynamic new translation by award-winning poet Robert Bagg. Powerfully portraying the clash between civic and familial duty—between morality and obedience—the play brings the Oedipus Cycle to a conclusion with the story of the tragic hero's eldest daughter Antigone, who courts her own death by defying the edict of Thebes's new ruler, her uncle Kreon, which forbids giving her dishonored brother a proper burial. This is Sophocles, vibrant and alive, for a new generation.
Antigone
by SophoclesTo make this quintessential Greek drama more accessible to the modern reader, this Prestwick House Literary Touchstone Edition? includes a glossary of difficult terms, a list of vocabulary words, and convenient sidebar notes. By providing these, it is our intention that readers will more fully enjoy the beauty, wisdom, and intent of the play. The curse placed on Oedipus lingers and haunts a younger generation in this new and brilliant translation of Sophocles? classic drama. The daughter of Oedipus and Jocasta, Antigone is an unconventional heroine who pits her beliefs against the King of Thebes in a bloody test of wills that leaves few unharmed. Emotions fly as she challenges the king for the right to bury her own brother. Determined but doomed, Antigone shows her inner strength throughout the play. Antigone raises issues of law and morality that are just as relevant today as they were more than two thousand years ago. Whether this is your first reading or your twentieth, Antigone will move you as few pieces of literature can.
Antigone
by Sophocles Stanley ApplebaumFilled with passionate speeches and sensitive probing of moral and philosophical issues, this powerful drama reveals the grim fate that befalls the children of Oedipus. When Antigone, the daughter of Oedipus, chooses to obey the law of the gods rather than an unconscionable command from Creon, ruler of Thebes, she is condemned to death. How the gods take their revenge on Creon provides the gripping denouement to this compelling tragedy, still one of the most frequently performed of classical Greek dramas.