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Termiteros de la sabana
by Chinua AchebeChris, Ikem y Beatrice son tres estudiantes que comparten opiniones políticas y tratan de sobrevivir bajo la dictadura de un presidente educado en una academia militar británica. Unidos por la lucha contra la tiranía, la relación entre los tres jóvenes da un giro radical cuando cambia el régimen político y Chris y Beatrice pasan a trabajar para el gobierno, mientras que Ikem se convierte en redactor de un periódico opositor. Pero en un mundo en que cada nuevo día conlleva una nueva traición, Beatrice se niega a rendirse y a renunciar a la esperanza.«Un libro sabio, estimulante y necesario, un poderoso antídoto a los comentaristas cínicos que, desde la otra orilla, jamás ven que salga nada nuevo de África.»Financial Times
Terrence McNally: A Casebook (Casebooks on Modern Dramatists #No. 22)
by Toby Silverman ZinmanFirst Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Terror and Performance
by Rustom Bharucha‘This work goes where other books fear to tread. It reaches the parts other scholars might imagine in their dreams but would neither have the international reach nor the critical acumen and forensic flourish to deliver.’ Alan Read, King's College London ‘This book is not only timely. It is overdue – and it is a masterpiece unrivalled by any book I know of.’ Erika Fischer-Lichte, Freie Universität Berlin ‘The first and only book that focuses on the intersections of performance, terror and terrorism as played out beyond a Euro-American context post-9/11. It is an important work, both substantively and methodologically.’ Jenny Hughes, University of Manchester ‘A profound and tightly bound sequence of reflections … a rigorously provocative book.’ Stephen Barber, Kingston University London In this exceptional investigation Rustom Bharucha considers the realities of Islamophobia, the legacies of Truth and Reconciliation, the deadly certitudes of State-controlled security systems and the legitimacy of counter-terror terrorism, drawing on a vast spectrum of human cruelties across the global South. The outcome is a brilliantly argued case for seeing terror as a volatile and mutant phenomenon that is deeply lived, experienced, and performed within the cultures of everyday life.
Tesla's Letters
by Jeffrey StanleyDrama / 2m, 2f / Tesla's Letters is a drama of ideas about war and peace, the exercise of humanity and the uses of science. Daisy Archer, an American doctoral candidate arrives at the Nikola Tesla Museum in Belgrade to examine its archives for her dissertation on the great scientist's life. She is not prepared for the museum's director, a Serb with family in Croatia, who probes her knowledge of Yugoslav history and of Tesla, the Croatian born Serbian genius who immigrated to the United States in 1884 and gave the world alternating electric current, wireless electric transmission and, perhaps, a death ray capable of inflicting instantaneous death. He also tests her willingness to risk her life and American innocence by entering Croatia to gather photographic evidence in Tesla's birthplace.
Text and Performance in Contemporary British Theatre
by Catherine LoveText and Performance in Contemporary British Theatre interrogates the paradoxical nature of theatre texts, which have been understood both as separate literary objects in their own right and as material for performance. Drawing on analysis of contemporary practitioners who are working creatively with text, the book re-examines the relationship between text and performance within the specific context of British theatre. The chapters discuss a wide range of theatre-makers creating work in the UK from the 1990s onwards, from playwrights like Tim Crouch and Jasmine Lee-Jones to companies including Action Hero and RashDash. In doing so, the book addresses issues such as theatrical authorship, artistic intention, and the apparent incompleteness of plays as both written and performed phenomena. Text and Performance in Contemporary British Theatre also explores the implications of changing technologies of page and stage, analysing the impact of recent developments in theatre-making, editing, and publishing on the status of the theatre text. Written for scholars, students, and practitioners alike, Text and Performance in Contemporary British Theatre provides an original perspective on one of the most enduring problems to occupy theatre practice and scholarship.
Text and Supertext in Ibsen’s Drama (G - Reference, Information and Interdisciplinary Subjects)
by Brian JohnstonBrian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the "realist" method of which hides a much larger poetic intention than has previously been suspected. He believes that the cycle constitutes one of the major works of the European imagination, comparable in scale to Goethe or Dante. And he has shown Ibsen to be the heir to Romantic and Hegelian art and thought, adapting this heritage to the circumstances of his own day.This work demonstrates how the language and scene, characters and "props," of the Ibsen dramas establish a bold and far-reaching theatrical goal: nothing less than an account of our biological and cultural identity in its multilayered totality. Johnston argues that Ibsen's realist text, while stimulating the appearance of nineteenth-century life, also objectively and precisely builds up an alternative image in which archetypal figures and situations from our cultural past repossess the realist stage. Thus he sees the Ibsen "strategy" in his realist plays as twofold: (1) the dialectical subversion of the nineteenth-century reality presented in the plays, and (2) the forced recovery of the archetypal from the past, in a procedure similar to James Joyce's in Ulysses. By "supertext" Johnston means a reservoir of cultural reference upon which Ibsen continuously drew in his realist work just as in is earlier poetic and historical dramas.
Th'owxiya: The Hungry Feast Dish
by Joseph A. DandurandWhen you take something from the earth you must always give something back. From the Kwantlen First Nation village of Squa’lets comes the tale of Th’owxiya, an old and powerful spirit that inhabits a feast dish of tempting, beautiful foods from around the world. But even surrounded by this delicious food, Th’owxiya herself craves only the taste of children. When she catches a hungry mouse named Kw’at’el stealing a piece of cheese from her dish, she threatens to devour Kw’at’el’s whole family, unless he can bring Th’owxiya two child spirits. Ignorant but desperate, Kw’at’el sets out on an epic journey to fulfill the spirit’s demands. With the help of Sqeweqs, two Spa:th and Sasq’ets, Kw’at’el endeavours to find gifts that would appease Th’owxiya and save his family. Similar to “Hansel and Gretel” and the northwest First Nations stories about the Wild Woman of the Woods, Th’owxiya—which integrates masks, song and dance—is a tale of understanding boundaries, being responsible for one’s actions, forgiving mistakes and finding the courage to stand up for what’s right.
Thalian Hall
by D. Anthony RivenbarkThalian Hall is one of the oldest and most beautiful theaters in America. Forming the east wing of Wilmington's iconic city hall, this dual-purpose building has been at the center of the community's cultural and political life since it first opened in 1858. Thalian Hall is the only surviving theater designed by John Montague Trimble, one of America's foremost 19th-century theater architects. It was built at a time when Wilmington was the largest city in North Carolina. Thalian Hall is the embodiment of a tradition of performance that stretches back for over two centuries. It has hosted Shakespearean tragedies, musical concerts, and even boxing and wrestling events. For generations, Wilmington audiences have witnessed touring stars, local actors, musicians, dancers, and movies in a parade of performances and celebratory events. The story of Thalian Hall is an embroidered tapestry reflecting the history of the American theater and the community that built it.
That Berlin Moment
by Sarah Jane DickensonBold, challenging and compelling That Berlin Moment is a play for four adult characters, two female and two male, which explores how memory is more about the present and the future than the past. 'Why don't I feel husband? I look at you and I don't feel husband, I smell you and I don't smell husband, I look at you and I -' A tragic accident has robbed Alex of her memory. Her attentive husband is eager to fill the gaps for her. But the more he tells her the more she hates who he tells her she is. Determined not to remember at all costs and with the help of a young doctor with a head full of maverick theories and a very new stethoscope, she agrees to meet the mysterious fellow patient, Stranger. Together they begin to explore and enjoy the present, but it soon becomes clear that his memories won't stay forgotten with terrifying consequences for both them and the Doctor.
That Elusive Spark
by Janet MunsilNeuropsychologist Helen Harlow is an expert at understanding the functions of the human brain, and yet her own remains a mystery. Turning her back on a once-brilliant future filled with scientific promise, Helen attempts to escape the mess of her life by diving headfirst into a new one: living in a frat-house basement, teaching Psych 101 to clueless freshmen, and confronting both her depression and the puzzling attentions of her slacker housemate Finlay. Pushed to the brink and increasingly desperate for some semblance of normalcy, Helen finds herself in a doctor's office looking for a change. But not everyone chooses to change. Certainly not Phineas Gage, a construction foreman in 1848 who miraculously survives an explosion that shoots an iron rod though his head. While Phineas makes an extraordinary physical recovery, he has a dramatic change in personality. Attended to and observed by the young doctor James Harlow, Helen's ancestor, the legacy of Phineas's dramatic story shows how far we have come scientifically, and yet how little we can comprehend of the mystery of our own hearts and minds.
That Pretty Pretty; Or, The Rape Play
by Sheila CallaghanComedy / Characters: 2m, 3f A pair of radical feminist ex-strippers scour the country on a murderous rampage against right-wing pro-lifers, blogging about their exploits in gruesome detail. Meanwhile, a scruffy screenwriter named Owen tries to bang out his magnum opus in a hotel room as his best friend Rodney ("The Rod") holds forth on rape and other manly enterprises. When Owen decides to incorporate the strippers into his screenplay, the boundaries of reality begin to blur, and only a visit from Jane Fonda can help keep worlds from blowing apart. Sheila Callaghan's That Pretty Pretty; or, The Rape Play is a violently funny and disturbing excavation of the dirty corners of our imaginations. "Mind-blowing images and soul-crushing language flowing wildly." -Back Stage "A submersion in the anarchy of ambivalence: variously a rant, a riff, a rumble - about our notions of naturalism, objectification, perversity, and beauty ... There's sass and sarcasm in Callaghan's high-energy punk writing." -John Lahr, The New Yorker "Raunchy, savvy... the twisted, caffeinated world of the show imagines the collective subconscious of a culture where girls never stiop going wild... [Callaghan] push(es) her audience's buttons with an aggressive treatment of some of the darker corners of the human psyche." -The New York Times
That Shakespeherian Rag: Essays on a critical process
by Terence HawkesFirst published in 1986. This collection of essays focuses on the ways in which our society 'processes' Shakespeare and the purposes for which this seems to be done. The case is made by examining the work of four highly influential critics: A C Bradley, Walter Raleigh, T S Eliot and John Dover Wilson. Terence Hawkes asks whether, beyond the readings to which the plays may be subjected, there lies any final, authoritative or essential meaning to which we can ultimately turn, concluding that jazz music offers the most fruitful model for twentieth-century criticism.
That Summer
by David FrenchIt's Memorial Day, 1990, and Margaret Ryan has returned from Vermont to the Ontario cottage country where, thirty-two years before, she had vacationed with her disintegrating family at a lakeside resort. For herself and her sister Daisy, it was a time of awakening, a time of discovery. Both of the girls fall in love with two of the local boys. Daisy, on the lookout for action, cruising the dances at the resort, can't deal with what she initiates, and falls victim to her own confusion and naiveté. Not even the neighbour, the eccentric, bourbon-drinking, cigar-smoking Mrs. Crump, who knows all the fairy-tale spells to capture the heart of a lover, can save Daisy from drowning in her own misadventure. At the same time, Margaret, bookish and withdrawn, inhabiting a universe defined by poets and novelists, is seduced in spite of herself. As Margaret, the narrator, watches Maggie, her younger self, relive the innocence and beauty of that summer, the play moves inexorably back to the heartbreak of a headlong surrender to experience, both won and lost in a single day. Cinematic in its feel and pacing, recalling the 1950s genre of Dirty Dancing and My American Cousin, That Summer is a meditation on what endures of fleeting moments over time. Cast of 5 women and 2 men.
That Was Entertainment: The Golden Age of the MGM Musical
by Bernard F. DickThat Was Entertainment: The Golden Age of the MGM Musical traces the development of the MGM musical from The Broadway Melody (1929) through its heyday in the 1940s and 1950s and its decline in the 1960s, culminating in the notorious 1970 MGM auction when Judy Garland's ruby slippers from The Wizard of Oz, Charlton Heston's chariot from Ben-Hur, and Fred Astaire's trousers and dress shirt from Royal Wedding vanished to the highest bidders.That Was Entertainment uniquely reconstructs the life of Arthur Freed, whose unit at MGM became the gold standard against which the musicals of other studios were measured. Without Freed, Judy Garland, Gene Kelly, Fred Astaire, Ann Miller, Betty Garrett, Cyd Charisse, Arlene Dahl, Vera-Ellen, Lucille Bremer, Gloria DeHaven, Howard Keel, and June Allyson would never have had the signature films that established them as movie legends.MGM's past is its present. No other studio produced such a range of musicals that are still shown today on television and all of which are covered in this volume, from integrated musicals in which song and dance were seamlessly embedded in the plot (Meet Me in St. Louis and Seven Brides for Seven Brothers) to revues (The Hollywood Revue of 1929 and Ziegfeld Follies); original musicals (Singin' in the Rain, Easter Parade, and It's Always Fair Weather); adaptations of Broadway shows (Girl Crazy, On the Town, Show Boat, Kiss Me Kate, Brigadoon, Kismet, and Bells Are Ringing); musical versions of novels and plays (Gigi, The Pirate, and Summer Holiday); operettas (the films of Jeanette MacDonald and Nelson Eddy); mythico-historical biographies of composers (Johann Strauss Jr. in The Great Waltz and Sigmund Romberg in Deep in My Heart); and musicals featuring songwriting teams (Rodgers and Hart in Words and Music and Kalmar and Ruby in Three Little Words), opera stars (Enrico Caruso in The Great Caruso and Marjorie Lawrence in Interrupted Melody), and pop singers (Ruth Etting in Love Me or Leave Me). Also covered is the water ballet musical--in a class by itself--with Esther Williams starring as MGM's resident mermaid. This is a book for longtime lovers of the movie musical and those discovering the genre for the first time.
Thataway Jack
by John RustanFarce / 6m, 2f / 1 Interior, 1 Exterior / The authors of The Tangled Snarl and The Attempted Murder of Peggy Sweetwater turn their manic imaginations loose in the Wild West in this hilarious spoof about a banker who fears losing his mail order bride to a desperado so he impersonates the outlaw. Things really get rolling when the rhyming cowboy and his faithful friend Talking Boar arrive to capture the badman.
The 'Female' Dancer: a soma-scientific approach
by Claire Farmer Helen KindredThe 'Female' Dancer aims to question dancers’ relationships with ‘female’ through the examination and understandings of biological, anatomical, scientific, and self-social identity. The volume gathers voices of dance scientists, dance scholars, somatic practitioners, and dance artist-educators, to discuss some of the complexities of identities, assumptions and perceptions of a female dancing body in an intersectional and practically focused manner.The book weaves a journey between scientific and somatic approaches to dance and to dancing. Part I: 'Bodily Knowledge' explores body image, hormones and puberty, and discussions around somatic responses to the concept of the gaze. Part II: 'Moving through Change', continues to look at strength, musculature, and female fragility, with chapters interrogating practice around strength training, the dancer as an athlete, the role of fascia, the pelvic floor, pregnancy and post-partum experiences and eco-somatic perceptions of feminine. In 'Taking up Space', Part III, chapters focus on social-cultural and political experiences of females dancing, leadership, and longevity in dance. Part IV: 'Embodied Wisdom' looks at reflections of the Self, physiological, social and cultural perspectives of dancing through life, with life’s seasons from an embodied approach.Drawing together lived experiences of dancers in relationship with scientific research, this book is ideal for undergraduate students of dance, dance artists, and researchers, as well as providing dancers, dance teachers, healthcare practitioners, company managers and those in dance leadership roles with valuable information on how to support female identifying dancers through training and beyond.
The (Post) Mistress
by Tomson HighwayMarie-Louise Painchaud has worked for thirty-five years as post mistress at the post office in Lovely, a francophone Canadian village where she has come to know every client whose mail she handles. The (Post) Mistress is a rollicking, emotional rollercoaster-ride in the form of a one-woman musical, with elements of jazz, Berlin cabaret, French café music, and Brazilian samba.
The 30-Minute Shakespeare Anthology: 18 Student Scenes with Monologues
by William Shakespeare Nick NewlinDrawing on his eighteen years of experience as a teaching artist for Folger Shakespeare Library, Nick Newlin offers eighteen scenes to get young actors on their feet performing Shakespeare with confidence, understanding, and fun!Each scene averages five minutes in length, containing two to six characters, and features a monologue that young performers can use in performance, audition, or competition. Every scene has been "road tested" by one of Newlin's student groups at the Folger's annual Secondary School Shakespeare Festival, and includes dynamic stage directions and incisive performance notes to help teachers and students bring Shakespeare's plays to life.The 30-Minute Shakespeare Anthology includes one scene and monologue from eighteen of Shakespeare's greatest plays, including Romeo and Juliet, Macbeth, Hamlet, Othello, A Midsummer Night's Dream, Julius Caesar, Much Ado About Nothing, As You Like It, The Merchant of Venice, and The Taming of the Shrew.Additionally, the anthology contains a scene and monologue from Henry IV Part I, King Lear, As You Like It, The Comedy of Errors, The Tempest, Twelfth Night, The Merry Wives of Windsor, and Love's Labor's Lost.Also featured is an essay by editor Nick Newlin on how to produce a Shakespeare play with novice actors, and notes about the original production of this abridgment at the Folger Shakespeare Library's annual Student Shakespeare Festival. Each scene and monologue has accompanying notes and performance suggestions.
The 39 Steps
by John Buchan Patrick BarlowFrom the Movie by Alfred Hitchcock, Licensed by ITV Global Entertainment Limited and an original concept by Simon Corble and Nobby Dimon Characters: 3m, 1f Comedy WINNER! 2 Tony® and Drama Desk Awards, 2008 WINNER! BEST NEW COMEDY Laurence Olivier Award, 2007 The 39 Steps, is Broadway's longest running comedy, playing its 500th performance on Broadway, May 19th, 2009! Mix a Hitchcock masterpiece with a juicy spy novel, add a dash of Monty Python and you have The 39 Steps, a fast-paced whodunit for anyone who loves the magic of theatre! This 2-time Tony® and Drama Desk Award-winning treat is packed with nonstop laughs, over 150 zany characters (played by a ridiculously talented cast of 4), an on-stage plane crash, handcuffs, missing fingers and some good old-fashioned romance! In The 39 Steps, a man with a boring life meets a woman with a thick accent who says she's a spy. When he takes her home, she is murdered. Soon, a mysterious organization called "The 39 Steps" is hot on the man's trail in a nationwide manhunt that climaxes in a death-defying finale! A riotous blend of virtuoso performances and wildly inventive stagecraft, The 39 Steps amounts to an unforgettable evening of pure pleasure! "A wonderful triumph of theatre!" -BBC Radio 4 "It's really not so much about a spoof of Hitchcock, which it is, of course; it's really an homage to the theater. Not the contemporary theater, where mermaids traverse the stage on wheels and gargantuan mechanical sets get bigger applause than the actors, but the nostalgic version that survives on greasepaint and hammy actors. It's a valentine to that kind of creativity and imagination, of doing so much with so little..." -The New York Times "THEATER AT ITS FINEST... Absurdly enjoyable! This gleefully theatrical riff on Hitchcock's film is fast and frothy, performed by a cast of four that seems like a cast of thousands." -Ben Brantley, The New York Times "The most entertaining show on Broadway!" -Liz Smith, The New York Post "INGENIOUS! A DIZZY DELIGHT!" -Joe Dziemianowicz, Daily News "RIOTOUS & MARVELOUS!" -Clive Barnes, The New York Post "Whirlwind funny business!" -Michael Sommers, The Star-Ledger "a giddy display of theatrical invention!" -David Rooney, Variety "comedy of the highest order!" -Roma Torre, NY1 "About the cleverest show on Broadway in a long time!" -David Richardson, WOR Radio "Rollicking Fun! Hugely Entertaining!" -Sunday Times "Clever, very funny, imaginative and brilliantly acted!" -The Guardian "Dizzyingly entertaining show!" -Daily Telegraph
The A to Z of Arts Management: Reflections on Theory and Reality
by Ann TonksThe A to Z of Arts Management, Second Edition covers 97 topics about the management of arts and cultural organisations. Each section offers a theoretical and conceptual introduction to the topic, as well as storytelling and reflections about the meaning and application of such theories in the real world. Drawing on the author’s past as a manager running media and performing arts companies and her present as a consultant helping Boards and managers, this book covers a wide range of topics, from leadership, motivation and cultural policy to passion, coffee and laughter. This second edition includes even more coverage and stories about the challenges of arts management, and new topics such as harassment, philanthropy and venues. Written for arts managers, students and Board members anywhere in the world, The A to Z of Arts Management provides information about research and academic best practice in arts management alongside stories about the reality of working in the arts and cultural industries.
The Abduction
by Billy St. JohnThriller \ 5m, 2f \ Interior \ What begins as a pleasant anniversary dinner for novelist Allen Grant, his wife Sheila and her daughter Cindy ends in terror when Cindy is forced off the road and abducted while driving back to college during a thunderstorm. Cindy and the icily determined kidnapper both speak with Allen and Sheila during the abduction via cell phones, the horrifying voice of the abductor coming through their speaker phone eerily distorted by a synthesizer. Tension mounts as Allen tries to raise the demanded ransom by the kidnapper's deadline. Cindy's boyfriend searches for clues to her whereabouts and Shelia, who never fully recovered from the tragic accident that killed her first husband, Cindy's father, totters on the brink of a nervous breakdown. Unrelenting phone calls and a horrifying "souvenir" from the abductor push this thriller to a shattering climax.
The Absent One: Mourning Ritual, Tragedy, and the Performance of Ambivalence
by Susan L. ColeHere is presented a new theory of the origins of tragedy, based on its perceived kinship with mourning ritual. Mourners and tragic protagonists alike journey through dangerous transitional states, confront the uncanny, express themselves in antithetical style, and, above all, enact their ambivalence toward their beloved dead. Elements common to both tragedy and mourning ritual are first identified in actual Chinese, African, and Greek funerary rites and then analyzed in tragedies by Aeschylus, Sophocles, Shakespeare, Racine, Ibsen, O'Neill, Miller, Beckett, and Ionesco. Included is a firsthand account of exploration of the tragedy-mourning link in the rehearsal process of the great experimental theater director, Joseph Chaikin. Opening her first chapter, Dr. Cole says, "The grave is the birthplace of tragic drama and ghosts are its procreators. For tragedy is the performance of ambivalence which ghosts emblematize: what we fear in particular--the revenant, the ghost returning to haunt us--is also what we desire--the extending of life beyond the moment of death. "
The Acharnians
by AristophanesWriting at the time of political and social crisis in Athens, Aristophanes was an eloquent yet bawdy challenger to the demagogue and the sophist. The Achanians is a plea for peace set against the background of the long war with Sparta.
The Acorn-Planter: A California Forest Play
by Jack LondonJack London was an American novelist, journalist, social-activist and short-story writer whose works deal romantically with elemental struggles for survival. At his peak, he was the highest paid and the most popular of all living writers. Because of early financial difficulties, he was largely self educated past grammar school. London drew heavily on his life experiences in his writing. He spent time in the Klondike during the Gold Rush and at various times was an oyster pirate, a seaman, a sealer, and a hobo. His first work was published in 1898. From there he went on to write such American classics as Call of the Wild, Sea Wolf, and White Fang.
The Actor Uncovered
by Michael HowardA Far-Reaching and Truthful Exploration of Acting in All Its FormsThe Actor Uncovered is certainly not a set of rigid rules advocating one "method" or one singular "truth." Departing from the common guidebook format, Michael Howard uses a unique approach to teaching acting, reflecting on his own history and sharing his own experiences as an actor, director, and teacher. How he writes about the process and craft of acting is at once intensely personal and relatable by others.Readers are invited to participate as though present in this master teacher's classes. Each human being, and thus each actor, is unique. Howard encourages actors to uncover their own ways of working, using their particular abilities and personality traits. Going beyond the craft and into human psychology and the importance of acting as a life force, readers will see new and deeper ways to study and practice, to be introspective, and to arrive at places of revelation about their craft.The Actor Uncovered will have much to say to beginners, to those who are advanced, and to professional and working actors. Howard discusses such topics as:Techniques, styles, and methods in a changing societyRelaxation, concentration, and the breathThe relationships among actor, director, and writerMemoryOn camera versus on stageObstaclesAfter more than seventy years as a professional actor, director, and teacher, Howard shows how living creatively and invoking one's own personality can lead to a successful career as an actor.