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Soluzione Carrero: Un nuovo inizio (Serie Carrero. Volume 3 #3)
by L. T. MarshallSINOSSI Un nuovo inizio Capitolo finale della trilogia dedicata a Emma e Jake. Jake Carrero ed Emma Anderson, il capo e la sua assistente, sono passati dall’essere colleghi e amici a innamorati. Ora stanno soffrendo molto a causa dello stupido errore commesso da Jake. Nella loro relazione c’è così tanto che non è stato ancora risolto o detto. E nessuno dei due sa se il danno potrà essere riparato e se troveranno un modo per tornare insieme. Non solo la loro relazione è imperfetta e ha bisogno di basi migliori, ma su di essa incombe ancora un problema di nome Marissa Hartley. E infine, ci sono i loro amici dal cuore spezzato e la madre di Emma che non fa altro che deluderla. Questa è l’ultima puntata della storia di Emma e Jake. Sarà la fine della loro relazione? I personaggi di questo romanzo vi faranno ridere, piangere, sussultare e forse proverete nei loro confronti anche un po’ di affetto. I contenuti e il linguaggio sono adatti a un pubblico adulto.
Somatic Voices in Performance Research and Beyond (Routledge Voice Studies)
by Christina KapadochaSomatic Voices in Performance Research and Beyond brings together a community of international practitioner-researchers who explore voice through soma or soma through voice. Somatic methodologies offer research processes within a new area of vocal, somatic and performance praxis. Voice work and theoretical ideas emerge from dance, acting and performance training while they also move beyond commonly recognized somatics and performance processes. From philosophies and pedagogies to ethnic-racial and queer studies, this collection advances embodied aspects of voices, the multidisciplinary potentialities of somatic studies, vocal diversity and inclusion, somatic modes of sounding, listening and writing voice. Methodologies that can be found in this collection draw on: eastern traditions body psychotherapy-somatic psychology Alexander Technique, Feldenkrais Method Authentic Movement, Body-Mind Centering, Continuum Movement, Integrative Bodywork and Movement Therapy Fitzmaurice Voicework, Linklater Technique, Roy Hart Method post-Stanislavski and post-Grotowski actor-training traditions somaesthetics The volume also includes contributions by the founders of: Shin Somatics, Body and Earth, Voice Movement Integration SOMart, Somatic Acting Process This book is a polyphonic and multimodal compilation of experiential invitations to each reader’s own somatic voice. It culminates with the "voices" of contributing participants to a praxical symposium at East 15 Acting School in London (July 19–20, 2019). It fills a significant gap for scholars in the fields of voice studies, theatre studies, somatic studies, artistic research and pedagogy. It is also a vital read for graduate students, doctoral and postdoctoral researchers.
Some Enchanted Evenings: The Glittering Life and Times of Mary Martin
by David KaufmanMary Martin was one of the greatest stars of her day. Growing up in Texas, she was married early to Benjamin Hagman and gave birth to her first child, Larry Hagman. She was divorced even more quickly. Martin left little Larry with her parents and took off for Hollywood. She didn't make a dent in the movie industry and was lured to New York where she found herself auditioning for Cole Porter and his new show "Leave It to Me!". After she sang the bawdy "My Heart Belongs to Daddy", she ended up on the cover of Life magazine. Six years later, she became the Toast of Broadway when she starred in "South Pacific". After that, she flew as "Peter Pan", yodeled in "The Sound of Music", took "Hello, Dolly!" on the road and shared a four-poster with Robert Preston in "I Do! I Do!". Her personal life was just as interesting: In NYC, she met and married Richard Halliday, a closeted upper-class homosexual who adored her, Broadway and interior decorating (though probably not in that order). They were a powerful twosome. There were rumors about Martin, too, being in a lesbian relationship with both Janet Gaynor and Jean Arthur. Peopled with legends like Ethel Merman, Ezio Pinza, Noel Coward and a starry cast of thousands, David Kaufman's "Some Enchanted Evenings" is the delectable story of the one and only Mary Martin, a woman who described herself as a chicken farmer from Texas only to become Peter Pan and capture America's heart.
Some Facets of King Lear: Essays in Prismatic Criticism
by F. T. Flahiff Rosalie ColieThe image of the prism, with its multiple refractions, offers some sense of the inexhaustible variety of a work of art. Like a prism, King Lear is attractive; like a prism, it is a multiply shaped thing; like a prism, it is an object of admiration, as well as an instrument of analysis. The essays in this book – forming neither a casebook nor a 'perplex' – were written because their authors wanted to understand something specific about this very complicated play. Throughout, the emphasis is on Shakespeare's consciousness of his craft, on his critical use of the materials, notions, and devices available to him – on the play (prism-like) as an instrument of analysis. Although the different contributors have occasionally influenced one another's readings of the play, the essays were written independently; that they are so mutually supportive is the result of the play's central insistence on its own primary meaning, visible from whatever perspective a serious reader may take.
Somebody/Nobody
by Jane MartinComedyCharacterS: 2 male, 2 femaleInteriorSo you think you want to be famous? So did teen idol and "shark-movie" star Sheena Keener, the darling of the press, the obsession of the paparazzi, and the Goddess of the 'E! Channel'. But now she can't stand to be looked at anymore and her Godzilla of an agent is on the warpath. When Sheena ends up on the doorstep of naïve newcomer Loli, a recent arrival from Flatt, Kansas, it's a wild ride on the road to fame. Sheena is a somebody who wants to be a nobody. Loli is a nobody desperate to be a somebody. In this hilarious comedy about Hollywood, fame and the TMZ, renowned playwright Jane Martin takes dead aim at our culture of celebrity. "No question, it's a funny show!" -The Arizona Republic. "The comedy is off-beat and beyond way out there, with an energy level that's full-bore, redline action. Neil Simon this is definitely not... you might as well just give in and start laughing at the beginning, because for sure you'll be laughing by the end." - The Tuscon Citizen.
Somebody's Somebody
by Gary RichardsDrama / 3m, 3f / Unit set / It is a beautiful summer evening on a moonlit beach by the ocean. It's July 20th in the years: 1969, 1994, and 2019. Three sets of actors play Linda and Tommy during different phases of their lives; each twenty-five years apart. In 1969, on the night of the first moonwalk, Tommy and Linda, age fifteen, consummate their solemn vow of love for the first time as one small step is taken for man and one large step is taken or mankind. In 1994, Tom, now forty, physically abuses his wife, Linda, for the very last time. And in 2019, at sixty-five, Thomas returns home to Linda, and to bury their only son. The action in the three eras unfolds simultaneously as we watch the conception, dissolution, and absolution of the lifelong vow of two lovers.
Someone Else
by Kristen ThomsonLately Cathy, a middle-aged comedian, has found very little to laugh about. Everything seems either tragic or frustrating, especially her eighteen-year marriage to Peter, a doctor at a local community clinic. Their list of complaints about one another grows day by day, and their teenage daughter is rarely anything but a handful. Despite a once solid and happy marriage, the couple has hit a snag that even counselling can't repair. While Cathy falls further into a creative slump, Peter starts to fall for April, a troubled young patient who helps him open up. The two are unrecognizable to each other and themselves, and as they navigate middle age they push each other further apart. Can they negotiate their changing relationship and learn to be comfortable with who they've become?
Something Cloudy, Something Clear
by Tennessee WilliamsTennessee Williams returns to a pivotal moment in his stormy youth in Something Cloudy, Something Clear, which introducer Eve Adamson calls "a delicately woven tapestry of past and present, vulnerability and toughness, impetuous action and mature insight." Something Cloudy, Something Clear is, as Tennessee Williams stated, "one of the most personal plays I’ve ever written." Set in Provincetown, Cape Cod, in 1940, the play records Williams’ experiences during that "pivotal summer when I took sort of a crash course in growing up." On the brink of becoming a successful playwright, Williams was also to "come thoroughly out of the closet" and meet Kip, his first great love. Something Cloudy, Something Clearbrilliantly reimagines that long ago time, now recollected through the filter of all the playwright’s successes and failures, joys and regrets. Eve Adamson, director of the original 1981 production, provides an insightful introduction in which she captures the play’s heart-breaking appeal: "It is a delicately woven tapestry of past and present, vulnerability and toughness, impetuous action and mature insight. It seeks a reconciliation between love and art, life and death, and-to use two phrases which recur in the play––exigencies of desperation and negotiation of terms. The cloudy and the clear."
Something in the Basem
by Don NigroPlays include: Something in the Basement Scarecrow Lurker The Devil Bible
Something Wonderful: Rodgers and Hammerstein's Broadway Revolution
by Todd S. PurdumA revelatory portrait of the creative partnership that transformed musical theater and provided the soundtrack to the American CenturyThey stand at the apex of the great age of songwriting, the creators of the classic Broadway musicals Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music, whose songs have never lost their popularity or emotional power. Even before they joined forces, Richard Rodgers and Oscar Hammerstein II had written dozens of Broadway shows, but together they pioneered a new art form: the serious musical play. Their songs and dance numbers served to advance the drama and reveal character, a sharp break from the past and the template on which all future musicals would be built.Though different in personality and often emotionally distant from each other, Rodgers and Hammerstein presented an unbroken front to the world and forged much more than a songwriting team; their partnership was also one of the most profitable and powerful entertainment businesses of their era. They were cultural powerhouses whose work came to define postwar America on stage, screen, television, and radio. But they also had their failures and flops, and more than once they feared they had lost their touch.Todd S. Purdum’s portrait of these two men, their creative process, and their groundbreaking innovations will captivate lovers of musical theater, lovers of the classic American songbook, and young lovers wherever they are. He shows that what Rodgers and Hammerstein wrought was truly something wonderful.
Something Wonderful Right Away: The Birth of Second City—America's Greatest Comedy Theater
by Jeffrey SweetDiscover the behind-the-scenes story of how The Second City theater created a generation of world class great actors, directors, and writers. In the late Fifties and Sixties, iconoclastic young rebels in Chicago opened two tiny theaters—The Compass and The Second City—where they satirized politics, religion, and sex. Building scenes by improvising based on audience suggestions turned out to be a fine way to develop great actors, directors, and writers. Alumni went on to create such groundbreaking works as The Graduate, Groundhog Day, and Don&’t Look Up. Many of them also became stars on Saturday Night Live. Something Wonderful Right Away features the pioneers of the empire that transformed American comedy. This new edition tells even more of the story. Included for the first time is an interview with Viola Spolin, the genius who invented theater games that were the foundation of improvisational theater. Also included are dozens of follow-up stories about Mike Nichols, Barbara Harris, Del Close, Joan Rivers, Alan Arkin, and Gilda Radner, plus &“You Only Shoot the Ones You Love,&” the story of how this book&’s author, playwright Jeffrey Sweet, became so involved in the community he covered that he was captured by it.
Something's Afoot
by David Vos James Mcdonald Robert GerlachMusical Mystery / additional music by Ed Linderman / Casting: 6m, 4f / Scenery: Interior Scored for seven instruments. May be done with one piano. A zany, entertaining show that takes a satirical poke at Agatha Christie mysteries and musical styles of past years. Ten people are stranded in an isolated English country house during a raging thunderstorm. One by one they're picked off by cleverly fiendish devices. As the bodies pile up in the library, the survivors frantically race to uncover the identity and motivation of the cunning culprit. . "The audience adored the show."-- N.Y. Times. . "Engaging, funny, refreshing and original."-- N.Y. Post. . "An enchanting spoof."-- N.Y. Daily News. . "Both a spoof and a tribute to Agatha Christie ... played with fine tuned, flamboyantly melodramatic affectations." -- L.A. Times.
Sondheim: His Life, His Shows, His Legacy
by Stephen M. SilvermanLively, sophisticated, and filled with first-person tributes and glorious images, Sondheim: His Life, His Shows, His Legacy lifts the curtain on a Broadway legend. "Aside from Sondheim's own exceptional books...this may be the best coffee-table volume devoted to his work."(Shelf Awareness) Brimming with insights from a veritable Who's Who of Broadway Babies and complemented by more than two hundred color and black-and-white images, Sondheim: His Life, His Shows, His Legacy offers a witty, multidimensional look at the musical genius behind Company, Follies, A Little Night Music, Into the Woods, Sunday in the Park with George, Sweeney Todd, and the landmark West Side Story and Gypsy. Exploring the unique bond between Sondheim and his audiences, author Stephen M. Silverman further examines the challenging Sondheim works that continue to develop devoted new followings: Anyone Can Whistle, Pacific Overtures, Merrily We Roll Along, Assassins, and Passion. The result is a lavish, highly engrossing documentation of the dynamic force who reshaped twentieth-century American musical history.
Sondheim and Lapine's Into the Woods (The Fourth Wall)
by Olaf Jubin‘The Woods are just Trees. The Trees are just Wood.’ – All together In 1987, Stephen Sondheim and James Lapine combined several classic fairy tales including Little Red Riding Hood, Cinderella, and Jack and the Beanstalk to create Into the Woods. Funny and heartfelt, this musical explores what it might mean to act responsibly in society, both as a parent and as a child. Situating the work within Sondheim’s oeuvre and the Broadway canon, Olaf Jubin first offers a detailed reading of the show itself, before discussing key productions in New York and London, and 2014’s Oscar-nominated screen adaptation. The radically different approaches to staging Into the Woods are testament to how open the musical is to re-interpretation for new audiences. A combination of critical explication with performance and film analysis, as well as an overview of popular and critical reception, this book is meant for anyone who has enjoyed Into the Woods, be it as a musical theatre fan, an enchanted audience member, a student or a dedicated theatre professional.
A Song for the Dark Times: From the iconic #1 bestselling author of IN A HOUSE OF LIES
by Ian RankinFrom the iconic Number One bestseller Ian Rankin, comes one of the must-read books of the year: A SONG FOR THE DARK TIMES 'Genius ... Only great novels capture the spirit of the age. This is one of them.'THE TIMES* * * * *'He's gone...'When his daughter Samantha calls in the dead of night, John Rebus knows it's not good news. Her husband has been missing for two days.Rebus fears the worst - and knows from his lifetime in the police that his daughter will be the prime suspect.He wasn't the best father - the job always came first - but now his daughter needs him more than ever. But is he going as a father or a detective?As he leaves at dawn to drive to the windswept coast - and a small town with big secrets - he wonders whether this might be the first time in his life where the truth is the one thing he doesn't want to find...PRAISE FOR A SONG FOR THE DARK TIMES:'Magnificent ... utterly unputdownable and an immersive pleasure' MARIAN KEYES'This is Rankin at his best, Rebus at his best, storytelling that meets the moment and transcends all genres and expectations' MICHAEL CONNELLY'An outstanding addition to one of the finest bodies of work in crime fiction' MICK HERRON'Rankin remains the king of the castle' THE TIMES'Typically compelling' DAILY TELEGRAPH'Masterly storytelling' SUNDAY EXPRESS'Excellent' LIZ NUGENT'The best that the crime genre can offer' FT'Rankin grows better with time . . . Rebus grows ever more compelling' DAILY MAIL* * * * *PRAISE FOR THE ICONIC NUMBER ONE BESTSELLER:'Ian Rankin is a genius'LEE CHILD'A master storyteller'GUARDIAN'Rebus is one of British crime writing's greatest characters: alongside Holmes, Poirot and Morse'DAILY MAIL'Great fiction, full stop'THE TIMES'One of Britain's leading novelists in any genre'NEW STATESMAN'Rankin is a phenomenon'SPECTATOR'Worthy of Agatha Christie at her best'SCOTSMAN'The king of crime fiction'SUNDAY EXPRESS
A Song for the Dark Times: The Brand New Must-Read Rebus Thriller
by Ian RankinFrom the iconic Number One bestseller Ian Rankin, comes one of the must-read books of the year: A SONG FOR THE DARK TIMES 'Genius ... Only great novels capture the spirit of the age. This is one of them.'THE TIMES* * * * *'He's gone...'When his daughter Samantha calls in the dead of night, John Rebus knows it's not good news. Her husband has been missing for two days.Rebus fears the worst - and knows from his lifetime in the police that his daughter will be the prime suspect.He wasn't the best father - the job always came first - but now his daughter needs him more than ever. But is he going as a father or a detective?As he leaves at dawn to drive to the windswept coast - and a small town with big secrets - he wonders whether this might be the first time in his life where the truth is the one thing he doesn't want to find...PRAISE FOR A SONG FOR THE DARK TIMES:'Magnificent ... utterly unputdownable and an immersive pleasure' MARIAN KEYES'This is Rankin at his best, Rebus at his best, storytelling that meets the moment and transcends all genres and expectations'MICHAEL CONNELLY'An outstanding addition to one of the finest bodies of work in crime fiction' MICK HERRON'Rankin remains the king of the castle' THE TIMES'Typically compelling' DAILY TELEGRAPH'Masterly storytelling' SUNDAY EXPRESS'Excellent' LIZ NUGENT'The best that the crime genre can offer' FT'Rankin grows better with time . . . Rebus grows ever more compelling' DAILY MAIL* * * * *PRAISE FOR THE ICONIC NUMBER ONE BESTSELLER:'Ian Rankin is a genius'LEE CHILD'A master storyteller'GUARDIAN'Rebus is one of British crime writing's greatest characters: alongside Holmes, Poirot and Morse'DAILY MAIL'Great fiction, full stop'THE TIMES'One of Britain's leading novelists in any genre'NEW STATESMAN'Rankin is a phenomenon'SPECTATOR'Worthy of Agatha Christie at her best'SCOTSMAN'The king of crime fiction'SUNDAY EXPRESS
Song Of Extinction
by Em LewisMax, a musically gifted high school student, is falling off the edge of the world -- and his biology teacher is the only one who's noticed. A play about the science of life and loss, the relationships between fathers and sons, Cambodian fields, Bolivian rainforests and redemption. Max Forrestal is going to fail Biology if he doesn't complete a 20-page paper on extinction by 2pm on Tuesday -- but his mother, Lily, is dying of cancer, and school is the last thing on his mind. His father, Ellery, a biologist obsessed with saving a rare Bolivian insect, is incapable of dealing with his wife's impending death, or his son's distress. Max's biology teacher, Khim Phan, tries to figure out why Max is failing the class. Helping Max, however, pushes Khim into a magical journey of his own -- from the Cambodian fields of his youth into the undiscovered country beyond.
The Song of Spider-Man
by Glen BergerFrom the show's cowriter who saw it all firsthand, this is the epic story of the most expensive, ambitious, dangerous, and controversial Broadway musical of all-time: Spider-Man.Never in the history of Broadway has there been anything like Spider-Man: Turn Off the Dark. Lampooned by reviewers, loved and loathed by audiences, and boldly envisioned by its producers, Spider-Man has forever made its mark in pop culture history. Author Glen Berger was present at the creation, when visionary director Julie Taymor selected him to collaborate with her on the book of the musical. For seven years, Berger was an eyewitness to great artistic hopes and battles as Taymor sought to bring her vision to the stage, along with celebrated rock stars Bono and the Edge. But despite terrible reviews and public ridicule, Spider-Man went on to become one of the top ten grossing musicals in the history of Broadway--a feat inseparable from its creators' unassailable passion, immense efforts, and artistic ambition. With a sharp eye for detail and candid sense of humor, Berger reveals every aspect--the highs and lows--of the production and in doing so, takes us inside the theatrical process in a way few authors can. The Song of Spider-Man is the ultimate fly-on-the-wall account of how Broadway works, how big musicals are made, and how great artists continue to dream, even in the midst of a nightmare.
A Songbird in Wartime
by Karen DicksonA wartime family saga, perfect for fans of Rosie Goodwin and Val Wood Shaftesbury, 1936. Mansfield House Hotel has been a refuge for Emily ever since she was orphaned at the age of 16. Not only did they give her employment as a chambermaid, but it&’s also where she met her fiancé Tom. When theatre agent Roland stays at the hotel and hears Emily singing, he is determined to take her away to Bristol and make her a star. But knowing she'd never leave her fiancé, he hatches a plan to get Emily away from Tom. Six years later, Emily has made a name for herself as 'The Bristol Songbird'. Her love for Tom is still as strong as ever, but she's not heard from him since that fateful night so long ago. And with the world enveloped in a war, it seems unlikely the two will ever meet again. Will Emily and Tom ever find their way back to one another? Or will the war – and Roland – succeed in keeping them apart? Praise for Karen Dickson: &‘A compelling saga that will hold you fast from the first page to the last. Loved it&’ VAL WOOD, author of The Lonely Wife 'This rollercoaster of a novel draws you in from the first page… I devoured this in one sitting and look forward to more from this author. In short a gem of a read' FIONA FORD, author of Wartime at Liberty's 'A delight to read... Lily Hayter is a wonderful heroine whose resilience and integrity shine through as she struggles to claim a life of her choosing and find a family. At the heart of the story is a warmth and humanity that makes it a truly uplifting read. I thoroughly enjoyed it and was sorry when I reached the end because I wanted to linger in Dickson&’s world. I eagerly await more from Karen Dickson' VICKI BEEBY, author of The Ops Room Girls &‘An exciting, fresh and talented new voice – a five-star read!&’ CAROL RIVERS, author of Molly&’s Christmas Orphans'The characters in this novel are so believable that I cared deeply about them from the first chapter. A heartfelt, hopeful account of one young woman&’s fight to keep her child safe when all the odds are against her. Atmospheric and beautifully written' JAN CASEY, author of The Women of Waterloo Bridge
Songs of Tagore: Poetry and Melody
by Rabindranath Tagore Satyajit RayRabindranath Tagore composed over 2000 songs that are revered and sung by Bengalis everywhere. However, they remain mostly unknown to listeners from other communities. This book brings the Nobel Laureate’s unique music — Rabindrasangit — to a global audience, with a lucid introduction by Ananda Lal as well as selected songs in international transcription and English translation. It includes an essay written originally in Bengali by the celebrated filmmaker Satyajit Ray, himself a Tagore student and music composer. Ray presents his thoughts on Rabindrasangit, its nuances, music, history, and usage. Lal has also translated this essay into English for the first time. The book also presents for the first time faithful staff notations of all 41 songs in three of Tagore’s major plays — Rakta-karavi, Tapati, and Arup Ratan — providing a thematic unity to the music section. This volume will be of interest to Tagore and Ray enthusiasts and specialists, musicologists, and students of music, theatre, literature, performance studies, and cultural studies. It will appeal not only to scholars but to general readers wanting to know more about Tagore’s songs, as well as directors, arrangers, composers, and singers who may wish to perform or interpret the songs transcribed.
Songs of the Dragons Flying to Heaven and Other Plays
by Young Jean Lee"Bold, unguarded work . . . that resists pat definition. [Young Jean] Lee has penned profane lampoons of motivational bromides (Pullman, WA) and the Romantic poets (The Appeal). Now she piles her deconstructive scorn upon ethnic stereotypes in Songs of the Dragons Flying to Heaven, a sweet-and-sour parade of Asian minstrelsy."--Time Out New York"A perverse, provocative, and very funny festival of racism . . . Songs offers not only chauvinistic monologues and ass-slapping Korean dances, but also a rigorous exploration of art-making and its associated terrors."--The Village Voice"Have you ever noticed how most Asian Americans are slightly brain-damaged from having grown up with Asian parents?" begins the Korean American protagonist of Songs of the Dragons Flying to Heaven, the singular work of Young Jean Lee, whose plays are like nothing you have ever seen or read. This is the first collection by the downtown writer-director, whose explorations of stereotypes of race, gender, and religion are unflinching--and seat-squirming funny. Also includes Groundwork of the Metaphysic of Morals; The Appeal; Pullman, WA; Church; and Yaggoo.Young Jean Lee was born in Korea and moved to the United States at age two. She grew up in Pullman, Washington, and attended college at the University of California, Berkeley, where she also studied Shakespeare in the English PhD program before moving to New York. She is the founder of the Young Jean Lee's Theater Company, where she directs her own work, and has toured internationally in Vienna, Hanover, Berlin, Switzerland, Brussels, Norway, France, and Rotterdam; and across the United States in Portland, Seattle, Pittsburgh, and Minneapolis. She is the recipient of a 2007 Emerging Playwright OBIE Award.
Songwriters of the American Musical Theatre: A Style Guide for Singers
by Nathan HurwitzFrom the favorites of Tin Pan Alley to today’s international blockbusters, the stylistic range required of a musical theatre performer is expansive. Musical theatre roles require the ability to adapt to a panoply of characters and vocal styles. By breaking down these styles and exploring the output of the great composers, Songwriters of the American Musical Theatre offers singers and performers an essential guide to the modern musical. Composers from Gilbert and Sullivan and Irving Berlin to Alain Boublil and Andrew Lloyd Webber are examined through a brief biography, a stylistic overview, and a comprehensive song list with notes on suitable voice types and further reading. This volume runs the gamut of modern musical theatre, from English light opera through the American Golden Age, up to the "mega musicals" of the late Twentieth Century, giving today’s students and performers an indispensable survey of their craft.
Sonic Engagement: The Ethics and Aesthetics of Community Engaged Audio Practice (Routledge Advances in Theatre & Performance Studies)
by Sarah Woodland Wolfgang VachonSonic Engagement examines the relationship between community engaged participatory arts and the cultural turn towards audio, sound, and listening that has been referred to as the 'sonic turn'. This edited collection investigates the use of sound and audio production in community engaged participatory arts practice and research. The popularity of podcast and audio drama, combined with the accessibility and portability of affordable field recording and home studio equipment, makes audio a compelling mode of participatory creative practice. This book maps existing projects occurring globally through a series of case study chapters that exemplify community engaged creative audio practice. The studies focus on audio and sound-based arts practices that are undertaken by artists and arts-led researchers in collaboration with (and from within) communities and groups. These practices include—applied audio drama, community engaged podcasting, sound and verbatim theatre, participatory sound art, community-led acoustic ecology, sound and media walks, digital storytelling, oral history and reminiscence, and radio drama in health and community development. The contributors interrogate the practical, political, and aesthetic potentialities of using sound and audio in community engaged arts practice, as well as its tensions and possibilities as an arts-led participatory research methodology. This book provides the first extensive analysis of what sound and audio brings to participatory, interdisciplinary, arts-led approaches, representing a vital resource for community arts, performance practice, and research in the digital age.
The Sonnets
by William Shakespeare John Hollander Stephen Orgel A. R. BraunmullerTogether with A Lover's Complaint' and little-known alternative versions of four of the sonnets. Edited with an introduction by Stanley Wells. ...the most beautifully printed text available.'
Sonnet's Shakespeare
by Sonnet L'AbbeBronwen Wallace Memorial Award-winning poet Sonnet L'Abbé returns with her third collection, in which a mixed-race woman decomposes her inheritance of Shakespeare by breaking open the sonnet and inventing an entirely new poetic form.How can poetry grapple with how some cultures assume the place of others? How can English-speaking writers use the English language to challenge the legacy of colonial literary values? In Sonnet's Shakespeare, one young, half-dougla (mixed South Asian and Black) poet tries to use "the master's tools" on the Bard's "house," attempting to dismantle his monumental place in her pysche and in the poetic canon.In a defiant act of literary patricide and a feat of painstaking poetic labour, Sonnet L'Abbé works with the pages of Shakespeare's sonnets as a space she will inhabit, as a place of power she will occupy. Letter by letter, she sits her own language down into the white spaces of Shakespeare's poems, until she overwhelms the original text and effectively erases Shakespeare's voice by subsuming his words into hers. In each of the 154 dense new poems of Sonnet's Shakespeare sits one "aggrocultured" Shakespearean sonnet--displaced, spoken over, but never entirely silenced. L'Abbé invented the process of Sonnet's Shakespeare to find a way to sing from a body that knows both oppression and privilege. She uses the procedural techniques of Oulipian constraint and erasure poetries to harness the raw energies of her hyperconfessional, trauma-forged lyric voice. This is an artist's magnum opus and mixed-race girlboy's diary; the voice of a settler on stolen Indigenous territories, a sexual assault survivor, a lover of Sylvia Plath and Public Enemy. Touching on such themes as gender identity, pop music, nationhood, video games, and the search for interracial love, this book is a poetic achievement of undeniable scope and significance.