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Southern Comforts
by Kathleen ClarkComedy / 1m, 1f / Interior / Some people need continuous change in order to feel vital and alive. Others are terrified of unsettling the peace that they have established. Two-time O'Neill Playwright's Conference participant Kathleen Clark uses her words to detail this tour-de-force journey of a widow and widower who meet later in life and find a way into each other's hearts. Southern Copmforts is a beautiful exploration of the intimate workings of all relationships. In a sprawling New Jersey Victorian, a taciturn Yankee widower and a vivacious grandmother from Tennessee find what they least expected - a second chance at love. Their funny, awkward, and enchanting romance is filled with sweet surprise and unpredictable tribulation. Told with warmth and perceptive humor, this off-Broadway success is an affecting, late-in-life journey of compromise and rejuvenation, of personal risk and the rewards of change.
Southern Promises
by Thomas BradshawDrama / Characters: 6m, 2f, with doubling / Simple Set / When the master of the plantation dies, he wills his slaves to be freed, but his wife doesn't think that good property should be squandered. Pandemonium ensues. The play is inspired by the true story of Henry Box Brown who escaped to the north by mailing himself in a box. Southern Promises provides a unique portrait of the old south. Bradshaw was named Playwright of the year by the theater blog KUL-That Sounds Cool and Southern Promises was named among the best performances of Stage and Screen for 2008 in The New Yorker. "Slowly, almost single-handedly, a twenty-eight-year-old black playwright named Thomas Bradshaw has been taking on the idea of race in the theatre. At the same time, he has sliced open the pretensions of the white avant-garde with a wittily glistening axe. In his new play, Southern Promises (at Performance Space 122), one can catch a glimpse of Bradshaw's anarchic gifts." -The New Yorker. "It's a striking, challenging piece that studies the abuse of power and the liquidity of morality." -NYTheatre.com. "Likely to leave you speechless"-The New York Times. "Thomas Bradshaw's deeply twisted, coolly brutal period drama Southern Promises" -Village Voice.
Sovereign Acts: Performing Race, Space, and Belonging in Panama and the Canal Zone
by Katherine A. ZienSovereign Acts explores how artists, activists, and audiences performed and interpreted sovereignty struggles in the Panama Canal Zone, from the Canal Zone’s inception in 1903 to its dissolution in 1999. In popular entertainments and patriotic pageants, opera concerts and national theatre, white U.S. citizens, West Indian laborers, and Panamanian artists and activists used performance as a way to assert their right to the Canal Zone and challenge the Zone’s sovereignty, laying claim to the Zone’s physical space and imagined terrain. By demonstrating the place of performance in the U.S. Empire’s legal landscape, Katherine A. Zien transforms our understanding of U.S. imperialism and its aftermath in the Panama Canal Zone and the larger U.S.-Caribbean world.
Sovereign Flower - Wilson Kni
by Wilson KnightFirst published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Sovereigns and Subjects in Early Modern Neo-Senecan Drama: Republicanism, Stoicism and Authority (Studies In Performance And Early Modern Drama Ser.)
by Daniel CadmanSovereigns and Subjects in Early Modern Neo-Senecan Drama examines the development of neo-Senecan drama, also known as ’closet drama’, during the years 1590-1613. It is the first book-length study since 1924 to consider these plays - the dramatic works of Mary Sidney, Samuel Daniel, Samuel Brandon, Fulke Greville, Sir William Alexander, and Elizabeth Cary, along with the Roman tragedies of Ben Jonson and Thomas Kyd - as a coherent group. Daniel Cadman suggests these works interrogate the relations between sovereigns and subjects during the early modern period by engaging with the humanist discourses of republicanism and stoicism. Cadman argues that the texts under study probe various aspects of this dynamic and illuminate the ways in which stoicism and republicanism provide essential frameworks for negotiating this relationship between the marginalized courtier and the absolute sovereign. He demonstrates how aristocrats and courtiers, such as Sidney, Greville, Alexander, and Cary, were able to use the neo-Senecan form to consider aspects of their limited political agency under an absolute monarch, while others, such as Brandon and Daniel, respond to similarly marginalized positions within both political and patronage networks. In analyzing how these plays illuminate various aspects of early modern political culture, this book addresses several gaps in the scholarship of early modern drama and explores new contexts in relation to more familiar writers, as well as extending the critical debate to include hitherto neglected authors.
Soviet Film Music (Contemporary Music Studies)
by Tatiana EgorovaFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
The Soviet Theater
by Mr Laurence Senelick Mr Sergei OstrovskyIn this monumental work, Laurence Senelick and Sergei Ostrovsky offer a panoramic history of Soviet theater from the Bolshevik Revolution to the eventual collapse of the USSR. Making use of more than eighty years' worth of archival documentation, the authors celebrate in words and pictures a vital, living art form that remained innovative and exciting, growing, adapting, and flourishing despite harsh, often illogical pressures inflicted upon its creators by a totalitarian government. It is the first comprehensive analysis of the subject ever to be published in the English language.
A Soviet Theatre Sketch Book (Routledge Revivals)
by Joseph MacleodFirst Published in 1951, A Soviet Theatre Sketch Book presents Joseph Macleod’s take on Russian Theatre in a semi-fictional way to show the effect of the productions upon different audiences. By using his pen as an artist uses his pencil, he gives, for the first time, an account of theatre audiences as composed of individual human beings and is able to paint the scenes vividly without neglecting the technical methods of the Soviet stage. By supple use of the sketch- book form, theatres, theatre-schools, actors, and actresses including some no longer appearing are painted into an all-over view of Russian and Ukrainian post-war life. In this book the author writes less immediately about the Soviet Union and does not depend on topicality or stop press news. Joseph Macleod and his wife visited the Soviet Union as the guests of the Russian and Ukrainian Societies for Cultural Relations with Foreign Countries. This book will be of interest to scholars and researchers of theatre, history of theatre, and performance studies.
Space, Drama, and Empire: Mapping the Past in Lope de Vega's Comedia (Campos Ibéricos: Bucknell Studies in Iberian Literatures and Cultures)
by Javier LorenzoSpanish poet, playwright, and novelist Félix Lope de Vega (1562–1635) was a key figure of Golden Age Spanish literature, second only in stature to Cervantes, and is considered the founder of Spain’s classical theater. In this rich and informative study, Javier Lorenzo investigates the symbolic use of space in Lope’s drama and its function as an ideological tool to promote an imagined Spanish national past. In specific plays, this book argues, historical landscapes and settings were used to foretell and legitimize the imperial present in Hapsburg Spain, allowing audiences to visualize and plot, as on a map, the country’s expansionist trajectory throughout the centuries. By focusing on connections among space, drama, and empire, this book makes an important contribution to the study of literature and imperialism in early modern Spain and equally to our understanding of the role and political significance of spatiality in Siglo de Oro comedia.
Space, Time and Ways of Seeing: The Performance Culture of Kutiyattam
by Mundoli NarayananThis volume explores the constitutive role played by space in the performance of Kutiyattam. The only surviving form of Sanskrit theatre, Kutiyattam is distinctive in terms of its performance conventions and its unique culture of extensive elaboration and interpretation. Drawing upon the concepts of phenomenology on the processes of perception, particularly on the works of Edmund Husserl, Martin Heidegger and Maurice Merleau-Ponty, it analyses the role of space in the communicative structures of performance of Kutiyattam and its contribution to the production of meaning in theatre, especially in the context of contemporary theatre. The book explores the theatrical event as a phenomenon that comes into existence through a triangular relationship among the ‘ways of being’ of the performers, the ‘ways of seeing’ of the audience, and the space which brings them together. Based on this formulation, Kutiyattam is approached as a ‘theatre of elaboration,’ made possible by the ‘intimate,’ ‘proximal’ ways of seeing of the audience, in the particular theatrical space of the kūttampalaṃs, the temple theatres, where Kutiyattam has customarily been performed for more than five centuries. This volume will be of great interest to scholars and researchers of cultural studies, theatre and performance studies, cultural anthropology, phenomenology and South Asian studies.
Spaceheadz Book #2! (Spaceheadz Ser. #2)
by Jon ScieszkaThe campaign to save the earth from being turned off is going well, but Michael K. must enlist fellow fifth-graders Venus and TJ to help hide the SPHDZ from Agent Umber, especially when they become involved in a school play.
The Spaces of Irish Drama
by Helen Heusner LojekLojek provides extensive analysis of space in plays by living Irish playwrights, applying practical understandings of staging and the insights of geographers and spatial theorists to drama in an era increasingly aware of space.
The Spamalot Diaries
by Eric Idle&“A rollicking account of the making of [the] Broadway musical Spamalot [and] an irresistible and unfiltered ode to the art of live theater. Fans will love this tantalizing glimpse behind the curtain.&”—Publishers Weekly (starred review)From comedy legend Eric Idle, the fascinating inside story of bringing Monty Python and the Holy Grail to Broadway as the unlikely theatrical hit Spamalot On March 17, 2005, Spamalot debuted on Broadway to rapturous reviews for its star-studded creative team, including creators Eric Idle and John du Prez, director Mike Nichols, and stars Hank Azaria, David Hyde Pierce, Sara Ramirez, Tim Curry, and more. But long before the show was the toast of Broadway and the winner of three Tony Awards, it was an idea threatening to fizzle out before it could find its way into existence. Now, in The Spamalot Diaries, Eric Idle shares original journal entries and raw email exchanges—all featuring his whip-smart wit—that reveal the sometimes bumpy, always entertaining path to the show&’s unforgettable run. In the months leading up to that opening night, financial anxieties were high with a low-ceiling budget and expectations that it would take two years to break even. Collaborative disputes put decades-long friendships to the test. And the endless process of rewriting was a task as passionate as it was painstaking. Still, there&’s nothing Idle would change about that year. Except for the broken ankle. He could do without the broken ankle. Chronicling every minor mishap and triumph along the way, as well as the creative tension that drove the show to new heights, The Spamalot Diaries is an unforgettable look behind the curtain of a beloved musical and inside the wickedly entertaining mind of one of our most treasured comic performers.
Spanish Film Policies and Gender (Routledge Focus on Media and Cultural Studies)
by Jara Fernández MenesesThis book provides a comprehensive cultural and historical account of the key film policies put into place by the Spanish state between 1980 and 2010 through a gendered lens, framing these policies within the wider context of European film legislation.Departing from the belief that there is no such thing as an objective and value-neutral approach to policy analysis because our society is organised around gender, this volume builds upon Pierre Bourdieu’s theory of field to propose that film policies do not emerge in a vacuum because they respond to different demands from those agents involved in the field of the Spanish cinema. By so doing, it critically assesses how these policies have come into being, by whom, in response to what interests, how they have shaped the Spanish film industry, and how far and in what ways they have tackled gender inequality in the Spanish film industry.This book will be of great interest to scholars and students of Spanish cinema, gender studies, film industry studies, film policy, and feminist film studies.
Spanish Theatre 1920-1995: Strategies in Protest and Imagination (1) (Contemporary Theatre Review Ser. #Vols. 7, Pts. 4)
by Maria M. DelgadoBeginning with a reassessment of the 1920s and 30s, this text looks beyond a consideration of just the most successful Spanish playwrights of the time, and discusses also the work of directors, theorists, actors and designers.
Spanish Theatre 1920 - 1995: Strategies in Protest and Imagination (2) (Contemporary Theatre Review Ser. #Vols. 7, Pts. 4)
by Maria M DelgadoBeginning with a reassessment of the 1920s and 30s, this text looks beyond a consideration of just the most successful Spanish playwrights of the time, and discusses also the work of directors, theorists, actors and designers.
The Spanish Tragedy
by Thomas KydThe freshly edited and annotated text comes with a full introduction and illustrative materials intended for student readers. The Spanish Tragedy was well known to sixteenth-century audiences, and its central elements--a play-within-a-play and a ghost bent on revenge--are widely believed to have influenced Shakespeare's Hamlet. This volume includes a generous selection of supporting materials, among them Kyd's likely sources (Virgil, Jacques Yver, and the anonymous "The Earl of Leicester Betrays His Own Servant"), Thomas Nashe's satiric criticism of Kyd, Michel de Montaigne and Francis Bacon on revenge, and "The Ballad of The Spanish Tragedy," which suggests the play's initial reception. "Criticism" is thematically organized to provide readers with a clear sense of the play's major themes. Contributors include Michael Hattaway, Jonas A. Barish, Donna B. Hamilton, G. K. Hunter, Lorna Hutson, Molly Smith, J. R. Mulryne, T. McAlindon, and Andrew Sofer. A Selected Bibliography is also included.
Sparkin'
by E. P. ConkleComedy / 1m, 3f / This is a delightful little comedy of small town Nebraska people and has to do with a timid young man who goes courting, but is unable to come to the point until Granny teaches him how to become a man.
Sparkles, No Sparkles
by Shannon McNeillAdorable animals go for a glittering night at the theater in this hilarious picture book, a perfect read-aloud tale for very young readers.A frog has no sparkle.A poodle has no sparkle.A pigeon has no sparkle.Not to worry! A cape has sparkle, a crown has sparkle and boots have sparkle.Some wily animals decide to hit the stage, leaving the actors without costumes. After the animals get their moment in the spotlight, chaos ensues . . . but luckily there are some chicks with sparkle to save the day.
Spatial Practices: Modes of Action and Engagement with the City
by Melanie DoddThis book explores ‘spatial practices’, a loose and expandable set of approaches that embrace the political and the activist, the performative and the curatorial, the architectural and the urban. Acting upon and engaging with the public realm, the field of spatial practices allows people to reconnect with their own sense of agency through engagement in space and place, exploring and prototyping alternative futures in the here and now. The 24 chapters contain essays, visual essays and interviews, featuring contributions from an international set of experimental practitioners including Jeanne van Heeswijk (Netherlands), Teddy Cruz (Estudio Teddy Cruz + Fonna Forman, San Diego), Hector (USA), The Decorators (London) and OOZE (Netherlands). Beautifully designed with full colour illustrations, Spatial Practices advances dialogue and collaboration between academics and practitioners and is essential reading for students, researchers and professionals in architecture, urban planning and urban policy.
The Spatiality of Emotion in Early Modern China: From Dreamscapes to Theatricality
by Ling Hon LamEmotion takes place. Rather than an interior state of mind in response to the outside world, emotion per se is spatial, at turns embedding us from without, transporting us somewhere else, or putting us ahead of ourselves. In this book, Ling Hon Lam gives a deeply original account of the history of emotions in Chinese literature and culture centered on the idea of emotion as space, which the Chinese call “emotion-realm” (qingjing).Lam traces how the emotion-realm underwent significant transformations from the dreamscape to theatricality in sixteenth- to eighteenth-century China. Whereas medieval dreamscapes delivered the subject into one illusory mood after another, early modern theatricality turned the dreamer into a spectator who is no longer falling through endless oneiric layers but pausing in front of the dream. Through the lens of this genealogy of emotion-realms, Lam remaps the Chinese histories of morals, theater, and knowledge production, which converge at the emergence of sympathy, redefined as the dissonance among the dimensions of the emotion-realm pertaining to theatricality.The book challenges the conventional reading of Chinese literature as premised on interior subjectivity, examines historical changes in the spatial logic of performance through media and theater archaeologies, and ultimately uncovers the different trajectories that brought China and the West to the convergence point of theatricality marked by self-deception and mutual misreading. A major rethinking of key terms in Chinese culture from a comparative perspective, The Spatiality of Emotion in Early Modern China develops a new critical vocabulary to conceptualize history and existence.
Speak of Me As I Am
by Sonia BelascoA moving story of grief, honesty, and the healing power of art — the ties that bind us together, even when those we love are gone.Melanie and Damon are both living in the shadow of loss. For Melanie, it's the loss of her larger-than-life artist mother, taken by cancer well before her time. For Damon, it’s the loss of his best friend, Carlos, who took his own life. As they struggle to fill the empty spaces their loved ones left behind, fate conspires to bring them together. Damon takes pictures with Carlos’s camera to try to understand his choices, and Melanie begins painting as a way of feeling closer to her mother. But when the two join their school’s production of Othello, the play they both hoped would be a distraction becomes a test of who they truly are, both together and on their own. And more than anything else, they discover that it just might be possible to live their lives without completely letting go of their sadness.Praise for Speak of Me As I Am:"Debut author Belasco adeptly captures the tribulations of high school life while also celebrating art's ability to help clarify and contextualize its joys and sorrows. . . . The novel's most intriguing character . . . is grief itself, which the author illuminates, examines, and dissects with a surgeon's precision and the gentle touch of an artist. A stirring account of the trials of adolescence." —Kirkus Reviews"A good purchase for realistic fiction collections and for readers looking for books about survivor’s guilt and healing." —School Library Journal "This book will undoubtedly be compared to Rainbow Rowell’s Eleanor & Park. . . . Teens seeking a quieter but no less moving story will find this book a perfect read." —Booklist
Speaking in Tongues: Languages at Play in the Theatre
by Marvin CarlsonCarlson (theater and comparative literature, City U. of New York--Graduate Center) suggests how linguistic theory and theater practice at the close of the 20th century challenge conventional thinking about theatrical language and the various ways that language can function in the theater. The macaronic stage, post-colonial heteroglossia, and post-modern language play are among his perspectives. Annotation ©2006 Book News, Inc., Portland, OR (booknews.com)
Speaking of Dance: Twelve Contemporary Choreographers on Their Craft
by Joyce MorgenrothSpeaking of Dance: Twelve Contemporary Choreographers on Their Craft delves into the choreographic processes of some of America's most engaging and revolutionary dancemakers. Based on personal interviews, the book's narratives reveal the methods and quests of, among others, Merce Cunningham, Meredith Monk, Bill T. Jones, Trisha Brown, and Mark Morris. Morgenroth shows how the ideas, craft, and passion that go into their work have led these choreographers to disrupt known forms and expectations. The history of dance in the making is revealed through the stories of these intelligent, articulate, and witty dance masters.