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Beckett's Intuitive Spectator: Me to Play (New Interpretations of Beckett in the Twenty-First Century)
by Michelle ChiangBeckett’s Intuitive Spectator: Me to Play investigates how audience discomfort, instead of a side effect of a Beckett pedagogy, is a key spectatorial experience which arises from an everyman intuition of loss. With reference to selected works by Henri Bergson, Immanuel Kant and Gilles Deleuze, this book charts the processes of how an audience member’s habitual way of understanding could be frustrated by Beckett’s film, radio, stage and television plays. Michelle Chiang explores the ways in which Beckett exploited these mediums to reconstitute an audience response derived from intuition.
Beckett's Late Stage: Trauma, Language, and Subjectivity (Samuel Beckett in Company #4)
by Rhys TranterBeckett's Late Stage reexamines the Nobel laureate's postwar prose and drama in the light of contemporary trauma theory. Through a series of sustained close readings, the study demonstrates how the comings and goings of Beckett's prose unsettles the Western philosophical tradition; it reveals how Beckett's live theatrical productions are haunted by the rehearsal of traumatic repetition, and asks what his ghostly radio recordings might signal for twentieth-century modernity. Drawing from psychoanalytic and poststructuralist traditions, Beckett's Late Stage explores how the traumatic symptom allows us to rethink the relationship between language, meaning, and identity after 1945.
Becoming Audible: Sounding Animality in Performance (Animalibus: Of Animals and Cultures #18)
by Austin McQuinnBecoming Audible explores the phenomenon of human and animal acoustic entanglements in art and performance practices. Focusing on the work of artists who get into the spaces between species, Austin McQuinn discovers that sounding animality secures a vital connection to the creatural.To frame his analysis, McQuinn employs Gilles Deleuze and Félix Guattari’s concept of becoming-animal, Donna Haraway’s definitions of multispecies becoming-with, and Mladen Dolar’s ideas of voice-as-object. McQuinn considers birdsong in the work of Beatrice Harrison, Olivier Messiaen, Céleste Boursier-Mougenot, Daniela Cattivelli, and Marcus Coates; the voice of the canine as a sacrificial lab animal in the operatic work of Alexander Raskatov; hierarchies of vocalization in human-simian cultural coevolution in theatrical adaptations of Franz Kafka and Eugene O’Neill; and the acoustic exchanges among hybrid human-animal creations in Harrison Birtwistle’s opera The Minotaur. Inspired by the operatic voice and drawing from work in art and performance studies, animal studies, zooarchaeology, social and cultural anthropology, and philosophy, McQuinn demonstrates that sounding animality in performance resonates "through the labyrinths of the cultural and the creatural," not only across species but also beyond the limits of the human.Timely and provocative, this volume outlines new methods of unsettling human exceptionalism during a period of urgent reevaluation of interspecies relations. Students and scholars of human-animal studies, performance studies, and art historians working at the nexus of human and animal will find McQuinn’s book enlightening and edifying.
Becoming Audible: Sounding Animality in Performance (Animalibus)
by Austin McQuinnBecoming Audible explores the phenomenon of human and animal acoustic entanglements in art and performance practices. Focusing on the work of artists who get into the spaces between species, Austin McQuinn discovers that sounding animality secures a vital connection to the creatural.To frame his analysis, McQuinn employs Gilles Deleuze and Félix Guattari’s concept of becoming-animal, Donna Haraway’s definitions of multispecies becoming-with, and Mladen Dolar’s ideas of voice-as-object. McQuinn considers birdsong in the work of Beatrice Harrison, Olivier Messiaen, Céleste Boursier-Mougenot, Daniela Cattivelli, and Marcus Coates; the voice of the canine as a sacrificial lab animal in the operatic work of Alexander Raskatov; hierarchies of vocalization in human-simian cultural coevolution in theatrical adaptations of Franz Kafka and Eugene O’Neill; and the acoustic exchanges among hybrid human-animal creations in Harrison Birtwistle’s opera The Minotaur. Inspired by the operatic voice and drawing from work in art and performance studies, animal studies, zooarchaeology, social and cultural anthropology, and philosophy, McQuinn demonstrates that sounding animality in performance resonates “through the labyrinths of the cultural and the creatural,” not only across species but also beyond the limits of the human.Timely and provocative, this volume outlines new methods of unsettling human exceptionalism during a period of urgent reevaluation of interspecies relations. Students and scholars of human-animal studies, performance studies, and art historians working at the nexus of human and animal will find McQuinn’s book enlightening and edifying.
Becoming Belle
by Nuala O'Connor'Luminous' SEBASTIAN BARRY'Incandescent characters and mellifluous prose' LISA CAREY'Reminiscent of Edith Wharton at her very best' LIZ NUGENT_________The true story of a woman ahead of her time . . . In 1887, Isabel Bilton is the eldest of three daughters of a middle-class military family, growing up in a small garrison town. By 1891 she is the Countess of Clancarty, dubbed "the peasant countess" by the press, and a member of the Irish aristocracy. Becoming Belle is the story of the four years in between, of Belle's rapid ascent and the people that tried to tear her down. Reimagined by a novelist at the height of her powers, Belle is an unforgettable woman. Set against an absorbing portrait of Victorian London, hers is a timeless rags-to-riches story a la Becky Sharpe._________Praise for BECOMING BELLE'Nuala O'Connor has the thrilling ability to step back nimbly and enter the deep dance of time. This is a hidden history laid luminously before us of an exultant Anglo-Irish woman navigating the dark shoals and the bright fields of a life' SEBASTIAN BARRY, award-winning author of The Secret Scripture and Days Without End'Becoming Belle is so mesmerizing you will be distraught when it ends.O'Connor has resurrected a fiery, inexorable woman who rewrites the script on a stage supposedly ruled by men. Sensual, witty, daring, and unapologetically forward.' Lisa Carey, author of The Stolen Child'Belle's determination to live her life on her own terms and in defiance of her times makes her a fascinating subject' Irish Central'Masterful storytelling! I was putty in Nuala O'Connor's hands. She made the unsinkable Belle Bilton and her down-to-earth sister Flo real to me, and brought 1880's London to my living room. Encore! Encore!' Lynn Cullen, bestselling author of Mrs. Poe'A glorious novel in which Belle Bilton and 19th century London are brought roaring to life with exquisite period detail' Hazel Gaynor, New York Times bestselling author of A Memory of Violets'Thoroughly engrossing and entertaining read' Liz Nugent'Thrillingly dramatic and achingly moving and profoundly resonant into this present era' Robert Olen Butler, author of A Good Scent from a Strange Mountain'O'Connor gently unfolds Belle's tale in a manner that is compelling and disarming. The ambience may be Victorian elegance but the sheer honesty of O'Connor's writing is sensual, authentic and earthy. A delight!' Rose Servitova, author of The Longbourn Letters
Becoming Belle
by Nuala O'Connor'Luminous' SEBASTIAN BARRY'Incandescent characters and mellifluous prose' LISA CAREY'Reminiscent of Edith Wharton at her very best' LIZ NUGENT_________The true story of a woman ahead of her time . . . In 1887, Isabel Bilton is the eldest of three daughters of a middle-class military family, growing up in a small garrison town. By 1891 she is the Countess of Clancarty, dubbed "the peasant countess" by the press, and a member of the Irish aristocracy. Becoming Belle is the story of the four years in between, of Belle's rapid ascent and the people that tried to tear her down. Reimagined by a novelist at the height of her powers, Belle is an unforgettable woman. Set against an absorbing portrait of Victorian London, hers is a timeless rags-to-riches story a la Becky Sharpe._________Praise for BECOMING BELLE'Nuala O'Connor has the thrilling ability to step back nimbly and enter the deep dance of time. This is a hidden history laid luminously before us of an exultant Anglo-Irish woman navigating the dark shoals and the bright fields of a life' SEBASTIAN BARRY, award-winning author of The Secret Scripture and Days Without End'Becoming Belle is so mesmerizing you will be distraught when it ends.O'Connor has resurrected a fiery, inexorable woman who rewrites the script on a stage supposedly ruled by men. Sensual, witty, daring, and unapologetically forward.' Lisa Carey, author of The Stolen Child'Belle's determination to live her life on her own terms and in defiance of her times makes her a fascinating subject' Irish Central'Masterful storytelling! I was putty in Nuala O'Connor's hands. She made the unsinkable Belle Bilton and her down-to-earth sister Flo real to me, and brought 1880's London to my living room. Encore! Encore!' Lynn Cullen, bestselling author of Mrs. Poe'A glorious novel in which Belle Bilton and 19th century London are brought roaring to life with exquisite period detail' Hazel Gaynor, New York Times bestselling author of A Memory of Violets'Thoroughly engrossing and entertaining read' Liz Nugent'Thrillingly dramatic and achingly moving and profoundly resonant into this present era' Robert Olen Butler, author of A Good Scent from a Strange Mountain'O'Connor gently unfolds Belle's tale in a manner that is compelling and disarming. The ambience may be Victorian elegance but the sheer honesty of O'Connor's writing is sensual, authentic and earthy. A delight!' Rose Servitova, author of The Longbourn Letters
Becoming Christian: Race, Reformation, and Early Modern English Romance
by Dennis Austin BrittonBecoming Christian argues that romance narratives of Jews and Muslims converting to Christianity register theological formations of race in post-Reformation England. The medieval motif of infidel conversion came under scrutiny as Protestant theology radically reconfigured how individuals acquire religious identities.Whereas Catholicism had asserted that Christian identity begins with baptism, numerous theologians in the Church of England denied the necessity of baptism and instead treated Christian identity as a racial characteristic passed from parents to their children. The church thereby developed a theology that both transformed a nation into a Christian race and created skepticism about the possibility of conversion. Race became a matter of salvation and damnation.Britton intervenes in critical debates about the intersections of race and religion, as well as in discussions of the social implications of romance. Examining English translations of Calvin, treatises on the sacraments, catechisms, and sermons alongside works by Edmund Spenser, John Harrington, William Shakespeare, John Fletcher, and Phillip Massinger, Becoming Christian demonstrates how a theology of race altered a nation’s imagination and literary landscape.
Becoming Criminal: Transversal Performance and Cultural Dissidence in Early Modern England
by Bryan ReynoldsIn this book Bryan Reynolds argues that early modern England experienced a sociocultural phenomenon, unprecedented in English history, which has been largely overlooked by historians and critics. Beginning in the 1520s, a distinct "criminal culture" of beggars, vagabonds, confidence tricksters, prostitutes, and gypsies emerged and flourished. This community defined itself through its criminal conduct and dissident thought and was, in turn,officially defined by and against the dominant conceptions of English cultural normality.Examining plays, popular pamphlets, laws, poems, and scholarly work from the period, Reynolds demonstrates that this criminal culture, though diverse, was united by its own ideology, language, and aesthetic. Using his transversal theory, he shows how the enduring presence of this criminal culture markedly influenced the mainstream culture's aesthetic sensibilities, socioeconomic organization, and systems of belief. He maps the effects of the public theater's transformative force of transversality, such as through the criminality represented by Shakespeare, Jonson, Middleton, and Dekker, on both Elizabethan and Jacobean society and the scholarship devoted to it.
Becomings: Pregnancy, Phenomenology, and Postmodern Dance (ISSN)
by Johanna KirkThis book explores postmodern choreographic engagements of pregnant bodies in the US over the last 70 years.Johanna Kirk discusses how choreographers negotiate identification with the look of their pregnant bodies to maintain a sense of integrity as artists and to control representations of their gender and physical abilities while pregnant. Across chapters, the artists discussed include Anna Halprin, Trisha Brown, Twyla Tharp, Sandy Jamrog, Jane Comfort, Jody Oberfelder, Jawole Willa Jo Zollar, Miguel Gutiérrez, Yanira Castro, Noémie LaFrance, and Meg Foley. By presenting their bodies in performance, these artists demonstrate how their experiences surrounding pregnancy intersect not only with their artform and its history but also with their personal experiences of race, gender, and sexual identification. In these pages, Johanna Kirk argues that choreography offers them tools that are alternative to medicine (or other forms of social representation) for understanding what/how pregnant bodies do and feel and what they can mean for individuals and their communities. The works within these chapters invite readers to see dancing bodies and pregnant bodies in new ways and for their potential to manifest new possibilities.This study will be of great interest to students and scholars exploring dance, theatre and performance, race, and gender.
The Bedford Companion to Shakespeare: An Introduction with Documents
by Russ McdonaldProviding a unique combination of well-written, up-to-date background information and intriguing selections from primary documents, The Bedford Companion to Shakespeare introduces students to the topics most important to the study of Shakespeare in their full historical and cultural context.
Bedrooms
by Renee TaylorRenee Taylor and Joseph Bologna Comedy. . Interior Set . Plays include: . Alan, Betty and Riva (1 male, 2 females) Alan gets his mistress Betty to agree to join him in a menage a trois with Riva, a hooker who calls herself a sex therapist. Betty gets cold feet and acquiesces only when Alan convinces her it will help him make the decision to finally leave his wife. Afterward, Betty is depressed and, when she realizes Alan still isn't going to leave his wife, she threatens suicide. . Bill and Laura (3 males, 3 females) Bill and Laura have recently separated. They show up at the same dinner party with dates and come face-to-face in the bedroom where the coats are being stored. They immediately begin fightng. They go out to the party, but soon return looking for their coats, which are now buried. The fight gets heated as they criticize each other's dates and lives as single people. The more they fight the more they realize that their lives apart have been miserable. In each other's arms, they lock the door and throw the coats off the bed. . David and Nancy (1 males, 1 females) David wakes up with an anxiety attack, rushes to his daughter's bedroom and wakes her, certain there is a prowler outside. After she convinces him no one is there, what is really upsetting him surfaces. She is getting married in the morning and he thinks she's making a horrendous mistake. He goes through all the reasons why she should not marry Martin, reasons so outrageous that Nancy just sits there letting him have his tantrum. His love for his daughter and sense of loss at her impending marriage that are the cause of his upset. . Mr. Lewis and Mrs. Wexel (1 male, 1 female) Mr. Lewis, a widower, invites Mrs. Wexel, a widow who lives in the same Florida senior citizen center, up to
Bedtime Stories
by Norm FosterA radio shock jock pays a couple to make love on the air. A woman visits a dying man she feels she hurt years ago. Two men rob a house and discover a shocking secret. An aging rock star is confronted by a groupie. An accident-prone stripper meets with her no-nonsense boss. A woman leaving her husband lectures the movers on the proper way to treat a lady. Six interconnected scenes about friendship, romance, and the true meaning of love.
Beethoven and the Lyric Impulse: Essays on Beethoven Song (Routledge Voice Studies)
by Amanda GlauertAmanda Glauert revisits Beethoven’s songs and studies his profound engagement with the aesthetics of the poets he was setting, particularly those of Herder and Goethe. The book offers readers a rich exploration of the poetical and philosophical context in which Beethoven found himself when composing songs. It also offers detailed commentaries on possible responses to specific songs, responses designed to open up new ways for performing, hearing and appreciating this provocative song repertoire. This study will be of great interest to researchers of Beethoven; German song; aesthetics of words and music.
Before the Parade Passes By: Gower Champion and the Glorious American Musical
by John Anthony GilveyDuring the Golden Age of the Broadway musical, few director-choreographers could infuse a new musical with dance and movement in quite the way Gower Champion could. From his earliest Broadway success with Bye Bye Birdie to his triumphant and bittersweet valedictory, 42nd Street, musicals directed by Champion filled the proscenium with life. At their best, they touched the heart and stirred the soul with a skillful blend of elegance and American showmanship. He began his career as one-half of "America's Youngest Dance Team" with Jeanne Tyler and later teamed with his wife, dance partner, and longtime collaborator, Marge Champion. This romantic ballroom duo danced across America in the smartest clubs and onto the television screen, performing story dances that captivated the country. They ultimately took their talent to Hollywood, where they starred in the 1951 remake of Show Boat, Lovely to Look At, and other films. But Broadway always called to Champion, and in 1959 he was tapped to direct Bye Bye Birdie. The rest is history. In shows like Birdie, Carnival, Hello, Dolly!, I Do! I Do!, Sugar, and 42nd Street, luminaries such as Chita Rivera, Dick Van Dyke, Carol Channing, Mary Martin, Robert Preston, Tony Roberts, Robert Morse, Tammy Grimes, and Jerry Orbach brought Champion's creative vision to life. Working with composers and writers like Jerry Herman, Michael Stewart, Charles Strouse, Lee Adams, and Bob Merrill, he streamlined the musical making it flow effortlessly with song and dance from start to finish.John Gilvey has spoken with many of the people who worked with Champion, and in Before the Parade Passes By he tells the life story of this most American of Broadway musical director-choreographers from his early days dancing with Marge to his final days spent meticulously honing the visual magic of 42nd Street. Before the Parade Passes By is the life story of one man who personified the glory of the Broadway musical right up until the moment of his untimely death. When the curtain fell to thunderous applause on the opening night of 42nd Street, August 25, 1980, legendary impresario David Merrick came forward, silenced the audience, and announced that Champion had died that morning. As eminent theatre critic Ethan Mordden has firmly put it, "the Golden Age was over." Though the Golden Age of the Broadway musical is over, John Gilvey brings it to life again by telling the story of Gower Champion, one of its most passionate and creative legends.
Befriending the Commedia dell'Arte of Flaminio Scala
by Natalie Crohn SchmittThe most important theatrical movement in sixteenth- and early seventeenth-century Europe, the commedia dell'arte has inspired playwrights, artists, and musicians including Molière, Dario Fo, Picasso, and Stravinsky. Because of its stock characters, improvised dialogue, and extravagant theatricalism, the commedia dell'arte is often assumed to be a superficial comic style. With Befriending the Commedia dell'Arte of Flaminio Scala, Natalie Crohn Schmitt demolishes that assumption.By reconstructing the commedia dell'arte scenarios published by troupe manager Flaminio Scala (1547-1624), Schmitt demonstrates that in its Golden Age the commedia dell'arte relied as much on craftsmanship as on improvisation and that Scala's scenarios are a treasure trove of social commentary on early modern daily life in Italy.In the book, Schmitt makes use of her intensive research into the social and cultural history of sixteenth-century Italy and the aesthetic principles of the period. She combines this research with her insights drawn from studying with contemporary commedia dell'arte performers and from directing a production of one of Scala's scenarios. The result is a new perspective on the commedia dell'arte that illuminates the style's full richness.
The Beggar's Opera (Dover Thrift Editions)
by John GayThe great lords and powerful public officials of early 18th century England are represented as highwaymen and thieves in this deliciously satirical ballad opera. In addition to its burlesque of the contemporary vogue for Italian operatic styles, John Gay's 1728 masterpiece ridicules a broad spectrum of political figures and social conventions -- marriage, lawyers, trade, and even Walpole, the prime minister. Depicting crime and vice at every level of society, The Beggar's Opera offers a witty and powerful indictment of greed, hypocrisy, and corruption in all social classes. When Peachum, a receiver of stolen goods, discovers that a notorious highwayman has eloped with his daughter, the wily old villain turns informer and collects the reward money as his prospective son-in-law is hauled off to prison. Events take an increasingly absurd turn as the dashing outlaw romances the jailer's daughter and effects an escape, only to return to the shadow of the gallows for a farcical climax that parodies the sentimental tragedy of the day. The Beggar's Opera is in the satirical tradition of Swift and Pope. Its enduring relevance was recognized two centuries later by Bertolt Brecht and Kurt Weill, who used it as the basis for their landmark musical, The Threepenny Opera. This attractive, inexpensive edition of an influential comic gem will be applauded by theater lovers, students of literature and history, and other readers.
The Beggar's Opera
by John GayThe tale of Peachum, thief-taker and informer, conspiring to send the dashing and promiscuous highwayman Macheath to the gallows, became the theatrical sensation of the eighteenth century.In THE BEGGAR'S OPERA, John Gay turned conventions of Italian opera riotously upside-down, instead using traditional popular ballads and street tunes, while also indulging in political satire at the expense of the Prime Minister, Sir Robert Walpole. Gay's highly original depiction of the thieves, informers, prostitutes and highwaymen thronging the slums and prisons of the corrupt London underworld proved brilliantly successful in exposing the dark side of a corrupt and jaded society.
The Beginner’s Guide to Opera Stage Management: Gathering the Tools You Need to Work in Opera
by Danielle RannoThe Beginner’s Guide to Opera Stage Management is the first book to cover theatrical stage management practices specifically for opera productions, providing an invaluable step-by-step guide. Beginning with a brief history of opera and detailing its difference from musical theatre, the book covers stage management best practices through prep, rehearsals, tech, performance, and wrap up. From the moment a manager accepts a contract, right through to archiving paperwork, this essential toolkit covers each step of a stage manager’s journey. Working with a score, reading music, working with singers, conductors, and musicians, basic duties of a stage manager versus an assistant stage manager, and other tasks specific to opera are also included in this comprehensive guide. This book is full of tips and tricks, as well as the good, bad, and ugly stories from opera stage managers, sharing both their experiences and mistakes. This is the perfect how-to book for the professional or emerging stage manager looking to work in opera, or to expand their existing stage management skillset.
A Beginner's Guide to Special Makeup Effects: Monsters, Maniacs and More
by Christopher PayneA Beginner's Guide to Special Makeup Effects: Monsters, Maniacs and More is an introduction to special effects makeup using cost-effective tools and materials that can be found in local stores. The book is divided into three sections – Simple Makeup, Advanced Materials and Techniques and Advanced Makeup – and features tutorials to create characters such as a pirate, vampire, ghost, robot, burn victim, witch, zombie and goblin. Each character is introduced with a full-page photograph of the finished makeup and illustrated with full-color, step-by-step photographs. The book also includes instructions on how to make fake teeth, apply bald caps, create gory wounds and injuries and make simple prosthetics. Each makeup tutorial is designed to progressively build on the techniques outlined in the preceding tutorial, guiding readers from the basics of foundation, highlight and shadow to creating advanced creature makeups. This is a beginner makeup book suited for students of Stage Makeup courses, as well as for the theatre technician working and training on their own.
A Beginner's Guide to Special Makeup Effects, Volume 2: Revenge of the Prosthetics
by Christopher PayneA Beginner’s Guide to Special Makeup Effects, Volume 2 builds on the foundations covered in A Beginner's Guide to Special Makeup Effects: Monsters, Maniacs and More, introducing more professional-level materials and techniques and preparing readers for the next steps in their career.This book is divided into two sections: Paint and Buildups and Prosthetics. The first section shows a variety of characters created using two-dimensional painting techniques and materials that can be built up right on the skin, while the second section teaches how to apply a variety of store-bought prosthetics. Foam latex, silicone and prosthetic transfers are all covered. Each character is introduced with a full-page photograph of the finished makeup and illustrated with full-color, step-by-step photographs. The makeup tutorials in this book are designed to build on the lessons learned in the previous chapters, allowing readers to gradually expand on their skill set. The book also includes instruction on airbrushing, applying fake tattoos, making bald caps, PAX paint, wig application and a variety of other materials and skills. Five appendices cover topics including building a makeup kit, photographing your work and getting jobs as a makeup artist.This is practical, easy-to-follow makeup book is suited for students of stage makeup courses, as well as for the theatre technician working and training on their own.
Beginning Drama 11–14
by Jonothan NeelandsThis guide explores the roles, skills and knowledge needed to become an effective drama teacher. It combines practical advice on planning, teaching and assessing with the best teaching practices. It also offers lesson plans for years 7-9 students to use intheir teaching.
Behind the Beautiful Forevers: A Play
by David HareA stage adaptation of Katherine Boo's National Book Award-winning study of life in a Mumbai slumIndia is surging with global ambition. But beyond the luxury hotels surrounding Mumbai airport lies a makeshift slum, Annawadi, full of people with plans of their own. Zehrunisa and her son Abdul aim to recycle enough rubbish to fund a proper house. Sunil, twelve and stunted, wants to eat until he's as tall as Kalu the thief. Asha seeks to steal government antipoverty funds to turn herself into a "first-class person," while her daughter Manju intends to become the slum's first female graduate. But their schemes are fragile; global recession threatens the garbage trade, and another slum dweller is about to make an accusation that will destroy herself and shatter the neighborhood. For Behind the Beautiful Forevers, journalist Katherine Boo spent three years in Annawadi recording the lives of its residents. From her uncompromising book, David Hare has fashioned a tumultuous play on an epic scale.
Behind the Scenes: Yeats, Horniman, and the Struggle for the Abbey Theatre (The New Historicism: Studies in Cultural Poetics #11)
by Adrian FrazierBehind the Scenes presents the story of Dublin's famous Abbey Theatre and its major creative personalities: W. B. Yeats, Annie Horniman, J. M. Synge, and Lady Gregory. Part history, part sociology, part biography, Frazier's work recreates the forces that shaped the Abbey stage, forces that involved the spirited participation of actors, audiences, press, and financiers as well as of the famous poet-playwright who was its co-director. His book unfolds an entertaining and suspenseful tale, centered on the undeniably autocratic personality of W.B. Yeats and with the political struggles of Ireland as a backdrop. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.
Beijing Opera Costumes: The Visual Communication of Character and Culture
by Alexandra B BondsBeijing Opera Costumes: The Visual Communication of Character and Culture illuminates the links between theatrical attire and social customs and aesthetics of China, covering both the theory and practice of stage dress. Distinguishing attributes include an introduction to the performance style, the delineation of the costume conventions, an analysis of the costumes through their historical precedents and theatrical modifications, and the use of garment shape, color, and embroidery for symbolic effect. Practical information covers dressing the performers and a costume plot, the design and creation of the make-up and hairstyles, and pattern drafts of the major garments. Photographs from live performances, as well as details of embroidery, and close-up photographs of the headdresses thoroughly portray the stunning beauty of this incomparable performance style. Presenting the brilliant colors of the elaborately embroidered silk costumes together with the intricate makeup and glittering headdresses, this volume embodies the elegance of the Beijing opera.