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The Human Touch: Redefining the Art of British Contemporary Improvisational Theatre (ISSN)
by Chloé ArrosThe Human Touch is a book focused on the creative processes at work in British contemporary improvisational theatre and how these processes draw on the humanity of the participants: their cognitive abilities, their lives, and their relationships to each other. Vulnerability is a main feature of both the book and of improvisational theatre, both part of the hurdles that improvisers face and a creative tool. Through a study of improvisation and vulnerability, the book teaches us both what makes improvisational theatre so human and opens the door to a reflection about how to use humanity and human emotions in performance. Most importantly, it delves into the cognitive and physiological processes at work in improvisation, a topic which is missing from most manuals and studies offered to students. This book is addressed to theatre students and provides both an important overview of the form’s history and a challenge to what is usually taught about improvisation.
The Humans
by Stephen Karam"A kind, warm, beautifully observed and deeply moving new play, a celebration of working-class familial imperfection and affection and a game-changing work for this gifted young playwright."-Chicago Tribune"Karam is in rare form here, showing a remarkable ear for the way families converse... For all the characters' woes, this is a warm, funny, sharply observed portrait of their abiding connections with one another." -Time Out ChicagoBreaking with tradition, Erik Blake has brought his Pennsylvania family to celebrate Thanksgiving at his daughter's apartment in lower Manhattan. Unfolding over a single scene, this "delirious tragicomedy" (Chicago Sun-Times) by acclaimed young playwright Stephen Karam "infuses the traditional kitchen-sink family drama with qualities of horror in his portentous and penetrating work of psychological unease" (Variety), creating an indelible family portrait.Stephen Karam's plays include Speech & Debate and Sons of the Prophet, a finalist for the 2012 Pulitzer Prize and the winner of the 2012 Drama Critics Circle, Outer Critics Circle, Lucille Lortel and Hull-Warriner awards for Best Play. Born and raised in Scranton, PA, he lives in New York City.
The Hunchback of Notre Dame (Adapted)
by Victor Hugo Malvina G. VogelThis novel has been adapted into 10 short chapters that will excite the reluctant reader as well as the enthusiastic one. Key words are defined and used in context. Multiple-choice questions require the student to recall specific details, sequence the events, draw inferences from story context, develop another name for the chapter, and choose the main idea. Let the Classics introduce Kipling, Stevenson, and H. G. Wells. Your students will embrace the notion of Crusoe's lonely reflections, the psychological reactions of a Civil War soldier at Chancellorsville, and the tragedy of the Jacobite Cause in 18th Century Scotland. In our society, knowledge of these Classics is a cultural necessity. Improves fluency, vocabulary and comprehension.
The Hutchinson Atlas of World War II Battle Plans: Before And After
by Stephen BadseyThis text contrasts 21 World War II battle plans with their actual outcome. Each in-depth battle essay is complemented by original maps, producing fresh insight into the technical aspects of warfare that drove the last worldwide conflict of the 20th century. An overall introduction gives a strategic overview of the whole of the war, and places the individual battles into context. The battles are presented in seven groups of three, and each group is introduced by a short essay on the common theme for the group.
The Hutchinson Dictionary of Ancient and Medieval Warfare
by HutchinsonFirst Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
The Ice Cream Dream
by Dianna Cleveland Patricia FineA Playbook® Multi-colored and Multi-leveled Role-play Reading Story / Script, A Playbook® Multi-colored and Multi-leveled Role-play Reading Story / Script,A Playbook® Multi-colored and Multi-leveled Role-play Reading Story / Script
The Iceman Cometh
by Eugene O'NeillEugene O'Neill mined the tragedies of his own life for this depiction of a seedy, skid row saloon in 1912, peopled by society's failures: drifters, whores, pimps, and informers.
The Iceman Cometh
by Eugene O'NeillEugene O’Neill was the first American playwright to win the Nobel Prize in Literature. He completed The Iceman Cometh in 1939, but he delayed production until after the war, when it enjoyed a long run of performances in 1946 after receiving mixed reviews. Three years after O'Neill's death, Jason Robards starred in a Broadway revival that brought new critical attention to O’Neill’s darkest and most nihilistic play. In the half century since, The Iceman Cometh has gained enormously in stature, and many critics now recognize it as one of the greatest plays in American drama. The Iceman Cometh focuses on a group of alcoholics and misfits who endlessly discuss but never act on their dreams, and Hickey, the traveling salesman determined to strip them of their pipe dreams.
The Iceman Cometh
by Eugene O'NeillA critical edition of O&’Neill&’s most complex and difficult play, designed for student readers and performers This critical edition of Eugene O&’Neill&’s most complex and difficult play helps students and performers meet the work&’s demanding cultural literacy. William Davies King provides an invaluable guide to the text, including an essay on historical and critical perspectives; extensive notes on the language used in the play, and its many musical and literary allusions; as well as numerous insightful illustrations. He also gives biographical details about the actual people the characters are based on, along with the performance history of the play, to help students and theatrical artists engage with this labyrinthine work.
The Idea of Audience: Artists and the Task of Audience Development in the Era of Creative Industries
by Simon PieningWhat sort of relationship do artists want with their audience? What kind of role do they imagine for the performing arts in their community?Under the “creative industries”, the audience relationship has been increasingly defined and shaped by marketing and/or institutional interests. Wedged between the competing needs of the market, and their belief in the power of art to positively impact their communities, many artists and arts workers are caught in what Julian Meyrick describes as a “confused intellectual terrain”. While much audience scholarship has focused on understanding the motivations of audience members engaging with the arts, there has been considerably less research into the motivations of arts professionals with respect to their relationship with the audience. The Idea of Audience is a critical examination of the current fields of audience development and arts marketing, and explores the relationship between artists and audiences from the perspective of the artists themselves.The book will be of most interest to students and academics of audience development/arts marketing, theatre/performance, and audience studies. It is hoped that the reader will gain greater insight into what artists actually mean when they talk about their audience.
The Idea of the Theater in Latin Christian Thought: Augustine to the Fourteenth Century
by Donnalee DoxMedieval thinkers did not construe drama as theatrical performances, Dox (performance studies, Texas A&M U. ) argues, because of how thought was organized beginning with the late classical transmitters and through the Scholastics. Theater as a performance practice and institutional institution was distinguished from poetry, rhetoric, reading, and writing until the height of the Scholastic period, early in the 14th century, when this categorical distinction began to break down. She says her conclusions complement rather than challenge others derived from the same material. Annotation ©2004 Book News, Inc. , Portland, OR (booknews. com)
The Ides of March: A Novel (Modern Classics Ser.)
by Jerome KiltyHistory / 9m, 6f, extras / Platform stage / The action spans the year before and up to Caesar's assassination, introducing us to Cleopatra on her visit to Rome. Caesar has given some strict proscriptions; but all the same he falls in love with her again. This infuriates a patrician woman of Rome. Her attempts to have Antony seduce Cleopatra pay off when Caesar discovers them together. He is preparing to leave on a tour the Ides of March, but that morning he receives twenty-three stab wounds, and dies untended on the street.
The Idiot Box
by Michael Elyanow6m, 4f / Comedy / Interior / THE IDIOT BOX tells the story of six sitcom characters whose lives are shaken when reality crashes into their perfect world. As the artifice of their lives unravels, each character discovers powerful truths about race, love, sexuality and the America outside they never knew existed - resulting in a theatrical experience that, according to The Hollywood Reporter, "is a glittering absurdist farce...with a sinister undertow that takes hold early and never lets go."
The Iliad, The Odyssey, and All Of Greek Mythology in 99 Minutes or Less
by John Hunter Jay HopkinsComedy / 3m, 2f / On a simple stage, with the clock ticking in front of everyone's eyes, the cast speeds through all of Greek Mythology. Its funny, updated and made easy to understand. The Gods walk the Red Carpet. The Creation of Mankind is a botched subcontractors job. Man and Pandora try settling down despite an ominous wedding gift. Love stories are a dating show and the Greek Tragedies are sports highlights! And don't forget the two greatest stories ever told, The Iliad and The Odyssey. Kidnap Helen of Troy and you've got a 10 year slap-fight of epic proportions with pouty Achilles, war-hungry Agamemnon and clever Odysseus, destined to wander the seas for 10 more years fighting giants, seductresses and the Gods themselves. All the silly decisions, the absurd destinies, and the goofy characters are presented lightning-bolt fast with hysterical results as the clock is stopped with only seconds to spare.
The Illuminated Theatre: Studies on the Suffering of Images
by Joe KelleherWhat sort of thing is a theatre image? How is it produced and consumed? Who is responsible for the images? Why do the images stay with us when the performance is over? How do we learn to speak of what we see and imagine? And how do we relate what we experience in the theatre to what we share with each other of the world? The Illuminated Theatre is a book about theatricality and spectatorship in the early twenty-first century. In a wide-ranging analysis that draws upon theatrical, visual and philosophical approaches, it asks how spectators and audiences negotiate the complexities and challenges of contemporary experimental performance arts. It is also a book about how European practitioners working across a range of forms, from theatre and performance to dance, opera, film and visual arts, use images to address the complexities of the times in which their work takes place. Through detailed and impassioned accounts of works by artists such as Dickie Beau, Wendy Houstoun, Alvis Hermanis and Romeo Castellucci, along with close readings of experimental theoretical and art writing from Gillian Rose to T.J. Clark and Marie-José Mondzain, the book outlines the historical, aesthetic and political dimensions of a contemporary ‘suffering of images.’
The Illusion
by Pierre Corneille Tony KushnerAlready a favorite of theatres throughout the country, Tony Kushner's free adaptation of Pierre Corneille's most original, theatrical comedy, L'Illusion Comique, blends magic and truth, obsession and caprice, romance and murder, into an enticing exploration of the greatest illusion--love.
The Illustrated Shakespeare, 1709-1875
by Stuart SillarsIllustrations have been an important element of many of the most extensively read editions of Shakespeare's plays, from the frontispieces to Nicholas Rowe's 1709 edition to the multiple images placed within the text of Victorian editions. Through symbols the illustrations have explored language and character; by allusion to earlier paintings they have offered critical readings; and by gesture, setting and costume they have redesigned the plays within the visual vocabulary of their own times. In all these ways they offer important exchanges with contemporary social, aesthetic and critical concerns, and, despite being largely ignored by scholars, are central to the plays' reception. Highly illustrated, including many images not previously reproduced, the book allows the reader to share the experience of early readers of the plays. Building on the author's earlier work in Painting Shakespeare it offers a fresh address to the tradition of visual criticism and assimilation of Shakespeare's plays.
The Imaginary Invalid
by Molière Henri Van LaunThe greatest writer of French classic comedy, the 17th-century playwright Molière was one of the most brilliant satirists in the history of literature. His keen observations and barbed wit deflated the pretensions of society in his day and focused a brilliant light on the universal frailties of humanity.The Imaginary Invalid, one of Molière's funniest and most incisive satires, is also among the most performed worldwide and perennially studied in world literature courses. In this entertaining gem, a hypochondriac, victimized by two pompous doctors, tests his daughter's loyalty and discovers the greed and contempt of his scheming wife.
The Imagineering Story: The Official Biography of Walt Disney Imagineering
by Leslie Iwerks Bruce C. Steele Mark CatalenaThe highly acclaimed and rated Disney+ documentary series, The Imagineering Story, becomes a book that greatly expands the award-winning filmmaker Leslie Iwerks' narrative of the fascinating history of Walt Disney Imagineering. The entire legacy of WDI is covered from day one through future projects with never-before-seen access and insights from people both on the inside and on the outside. So many stories and details were left on the cutting room floor--this book allows an expanded exploration of the magic of Imagineering. So many insider stories are featured. - Sculptor Blaine Gibson's wife used to kick him under the table at restaurants for staring at interesting-looking people seated nearby, and he'd even find himself studying faces during Sunday morning worship. "You mean some of these characters might have features that are based on people you went to church with?" Marty Sklar once asked Gibson of the Imagineer's sculpts for Pirates of the Caribbean. "He finally admitted to me that that was true." - In the early days, Walt Disney Imagineering was in one little building and everybody parked in the back and you came in through the model shop, and you could see everything that was going on,"" recalled Marty Sklar. "When we started on the World's Fair in 1960 and 1961, we had 100 people here. And so everybody knew everything about what was happening and the status of each project, so you really felt like you were part of the whole team, whether you were working on that project or not. And, you know, there was so much talent here.
The Immersive Theatre of GAle GAtes (Routledge Advances in Theatre & Performance Studies)
by Daniella Vinitski MooneyThis book focuses on experimental theatre company, GAle GAtes, credited as "the true innovator" of the contemporary immersive movement. The Immersive Theatre of GAle GAtes is a case-study of this little-known but visionary company, with a focus on its development and dramaturgy. Through rare archival and primary research, as well as historical context, the text chronicles company narrative and celebrates the artistic impulse. The book employs descriptive-narrative and dramaturgical analysis and is composed of historical research, rare archives, and primary source interviews. Chapters focus on the trajectory of the avant-garde leading up to the climate in which the company formed, company formative years, and major works and a discussion on the interdisciplinary and theoretical frameworks critical to its understanding. This study will be of great interest to students and scholars in theatre and performance studies and essential reading for theatre artist and historian alike, with a focus on the experimental theatre landscape.
The Importance of Being Earnest
by Oscar Wilde Terrence McnallyOscar Wilde created his final and most lasting play, comic masterpieces of all time, THE IMPORTANCE OF BEING EARNEST, in 1895. Considered one of the greatest THE IMPORTANCE OF BEING EARNEST is a farce, playing with love, religion, and truth as it tells the tale of two men. Jack Worthing and Algernon Moncrieff, who bend the truth in order to add excitement to their lives. Jack invents an imaginary brother, Ernest, whom he uses as an excuse to escape from his dull country home and gallavant in town. Meanwhile, Algernon follows Jack's scam, but his imaginary friend, Bumbury, provides a convenient method of adventuring in the country. However, their deceptions eventually cross paths, resulting in a series of crises that threaten to spoil their romantic pursuits. Hailed as the first modern comedy in England, THE IMPORTANCE OF BEING EARNEST is Wilde's most famous work. This collection also features two other plays that Wilde penned earlier in his career, LADY WINDERMERE'S FAN and AN IDEAL HUSBAND, that also display his ability to convey warmth and wit through his hilarious characters and their outlandish situations.
The Importance of Being Earnest
by Oscar WildeOscar WildeFull Length, Farce comedy . Charcters: 5 male, 4 female . Exterior Set and 2 Interior Sets . This masterpiece is probably the most famous of all comedies. It revolves wittily around the most ingenious case of "manufactured" mistaken identity ever put into a play.
The Importance of Being Earnest
by Oscar WildeA farcical comedy in which the protagonists maintain fictitious personæ to escape burdensome social obligations, this play is an unforgettable satire of Victorian ways. Wilde's notoriety caused the play, despite its early success, to be closed after 86 performances. This latest edition allows you to discover or enjoy once again the writing of one of history's great comedy and drama writers.
The Importance of Being Earnest
by Oscar WildeThe Importance of Being Earnest have made it for the high school curriculum for decades. Cecily Cardew and Gwendolen Fairfax are both in love with the same mythical suitor. Jack Worthing has wooed Gwendolen as Ernest, while Algernon has also posed as Ernest to win the heart of Jack's ward, Cecily. When all four arrive at Jack's country home on the same weekend, pandemonium breaks loose. Only a senile nursemaid and an old, discarded hand-bag can save the day.