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Stand-Up Comedy in Chicago
by Vince Vieceli Bill BradyTen years after Chicago saw its first full-time comedy club open, the landscape was decidedly different. "Stand-up comedy has exploded in the last couple of years," a club owner told the Chicago Tribune in 1985, "that's the only way to describe it: exploded." It was truly a comedy boom, with as many as 16 clubs operating at once, and it lasted nearly a decade before fading, taking with it some of Chicago's oldest comedy stages, including the Comedy Cottage, Comedy Womb, and Who's on First. Still, stalwarts like Barrel of Laughs (south) and Zanies (north) persevered. That part of the story is known; overlooked is the fact there was a comedy boom, period. To hear the story, it is as if stand-up comedy innately morphed from a dated nightclub scene to what one Chicago Sun-Times writer called "Chicago's atomic comedy blast."
Stanislavski: An Introduction, Revised and Updated (Performance Bks.)
by Jean BenedettiJean Benedetti's Stanislavski is the clearest and most succinct explanation of Stanislavski's writings and ideas, especially those in the Stanislavski's acting trilogy – An Actor Prepares, Building a Character, and Creating a Role – a staple of every actor's library. Now available in an attractive new edition, Stanislavski: An Introduction provides the perfect guide through the Master's writing.
Stanislavski: The Basics (The Basics)
by Rose WhymanStanislavski: The Basics is an engaging introduction to the life, thought and impact of Konstantin Stanislavski. Regarded by many as a great innovator of twentieth century theatre, this book examines Stanislavski's: life and the context of his writings major works in English translation ideas in practical contexts impact on modern theatre With further reading throughout, a glossary of terms and a comprehensive chronology, this text makes the ideas and theories of Stanislavski available to an undergraduate audience.
Stanislavski and the Actor: The Method of Physical Action (Performance Bks.)
by Jean BenedettiFirst published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Stanislavski in Practice: Exercises for Students
by Nick O'BrienStanislavski in Practice is an unparalleled step-by-step guide to Stanislavski’s system. Author Nick O’Brien makes this cornerstone of acting accessible to teachers and students alike through the use of practical exercises that allow students to develop their skills. This second edition offers more exercises for the actor, and also new sections on directing and devising productions. Each element of the system is covered practically through studio exercises and jargon-free discussion. Exercises are designed to support syllabi from Edexcel, Eduqas, OCR and AQA to the practice-based requirements of BTEC and IB Theatre. This is the perfect exercise book for students and a lesson planner for teachers at post-16 and first year undergraduate level. New to this edition: Thoroughly reorganized sections, including 'Work on the Actor', 'Work on a Role' and 'Developing your Practice'; A new chapter on using Stanislavski when devising with a series of exercises that will allow students to structure and create characters within the devising process; A new chapter, Directing Exercise Programme, which will be a series of exercises that allows the student to develop their skills as a director; New glossary with US and UK terms; New exercises developed since the publication of the first edition; A new chapter going beyond Stanislavski, exploring exercises from Michael Chekhov, Maria Knebel and Katie Mitchell.
Stanislavski in Rehearsal
by Vasily Osipovich ToporkovVasili Toporkov was one of the rare outsiders ever to be invited to join the Moscow Art Theatre. Although already an experienced and accomplished artist, he was forced to retrain as an actor under Stanislavski's rigorous guidance. This is Toporkov's account of this learning process, offering an insight into Stanislavski's legendary "system" and his method of rehearsal that became known as the method of physical action. Spanning ten years - from 1928 to 1938 - Toporkov charts the last crucial years of Stanislavski's work as a director. Toporkov reveals Stanislavski as a multi-faceted personality - funny, furious, kind, ruthless, encouraging, exacting - waging war against clichés and quick answers, inspiring his actors and driving to despair in his pursuit of artistic perfection. Jean Benedetti's new translation of Toporkov's invaluable record restores to us the vitality and insight of Stanislavski's mature thoughts on acting.
Stanislavski On Opera
by Constantin Stanislavski Pavel RumyantsevBest known for his fundamental work on acting, Stanislavski was deeply drawn to the challenges of opera. His brilliant chapters here on Russian classics--Boris Gudonov and The Queen of Spades among them--as well as La Boheme will amaze and delight lovers of opera. Also includes 12 musical examples.
Stanislavski's Legacy: A Collection Of Comments On A Variety Of Aspects Of An Actor's Art And Life
by Constantin StanislavskiFirst Published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.
Stanislavsky and Intimacy (Stanislavsky And...)
by Arp-Dunham, Joelle RéStanislavsky and Intimacy is the first academic edited book with a focus on how intimacy protocols, choreography, and theories intersect with the broad practices of Konstantin Stanislavsky’s ‘system’. As the basis for most Western theatre and film acting, Stanislavsky’s system centers on truthful performances. Intimacy direction and choreography insists on not only a culture of consent, but also specific, repeatable choreography for all staged intimate moments. These two practices have often been placed as diametric opposites, but this book seeks to dispel this argument. Each chapter discusses specific Stanislavskian principles and practices as they relate to staged sexually intimate moments, also opening the conversation to the broader themes and practices of other kinds of intimacy within the acting field. Stanislavsky And... is a series of multi-perspectival collections that bring the enduring legacy of Stanislavskian actor training into the spotlight of contemporary performance culture, making them ideal for students, teachers, and scholars of acting, actor training, and directing.
Stanislavsky and Pedagogy (Stanislavsky And...)
by Stefan AquilinaStanislavsky and Pedagogy explores current thinking around the pedagogical implications of Stanislavsky’s work. The volume depicts the voices of a number of practitioners, teachers, and scholars who are themselves journeying with Stanislavsky, and who in his work find a potent instigator for their own pedagogical practice and study. This book outlines instances in which updated interpretations of Stanislavsky’s pedagogy are adapted to cater for contemporary needs and scenarios. These include the theatre industry, new digital technologies, the need to develop playfulness, application to a broad repertoire, performance as pedagogy, university managerialism, and interdisciplinary crossovers with dance and opera. The pedagogies that emerge from these case-studies are marked by fluidity and non-fixity and help to underscore the malleability of Stanislavsky’s system. Stanislavsky And... is a series of multi-perspectival collections that bring the enduring legacy of Stanislavskian actor training into the spotlight of contemporary performance culture, making them ideal for students, teachers, and scholars of acting, actor training, and directing.
Stanislavsky and Race: Questioning the “System” in the 21st Century (Stanislavsky And...)
by Siiri Scott Paul SkeltonStanislavsky and Race is the first book to explore the role that Konstantin Stanislavsky’s “system” and its legacies can play in building, troubling and illuminating today’s anti-racist theatre practices. This collection of essays from leading figures in the field of actor training stands not only as a resource for a new area of academic enquiry, but also for students, actors, directors, teachers and academics who are engaged in making inclusive contemporary theatre. In seeking to dismantle the dogma that surrounds much actor training and replace it with a culturally competent approach that will benefit our entire community, the “system” is approached from a range of perspectives featuring the research, reflections and provocations of 20 different international artists interrogating Stanislavsky’s approach through the lens of race, place and identity. Stanislavsky and … is a series of multi-perspectival collections that bring the enduring legacy of Stanislavskian actor training into the spotlight of contemporary performance culture, making them ideal for students, teachers and scholars of acting, actor training and directing.
Stanislavsky and Yoga (Routledge Icarus)
by Sergei TcherkasskiThis book deals with one of the most important sources of the Stanislavsky System - Yoga, its practice and philosophy. Sergei Tcherkasski carefully collects records on Yoga in Stanislavsky's writings from different periods and discusses hidden references which are not explained by Stanislavsky himself due to the censorship in his day. Vivid examples of Yoga based training from the rehearsal practice of the Moscow Art Theatre and many of Stanislavsky's studios (the First Studio in 1910s, the Second Studio and Opera Studio of the Bolshoi Theatre in 1920s, Opera-Dramatic Studio in 1930s) are provided. The focus of Tcherkasski's research consists of a comparative reading of the Stanislavsky System and Yogi Ramacharaka's books, which were a main source for Stanislavsky. Accordingly, Tcherkasski analyzes elements of the System based on Yoga principles. Among them are: relaxation of muscles (muscular release), communication and prana, emission of rays and reception of rays, beaming of aura, sending of prana, attention, visualizations (mental images). Special attention is paid to the idea of the superconscious in Yoga, and in Ramacharaka's and Stanislavsky's theories. Tcherkasski's wide-ranging analysis has resulted in new and intriguing discoveries about the Russian master. Furthermore, he reveals the extent to which Stanislavsky anticipated modern discoveries in neurobiology and cognitive science. In this book Tcherkasski acts as a researcher, historian, theatre director, and experienced acting teacher. He argues that some forty per cent of basic exercises in any Stanislavsky based actor training program of today are rooted in Yoga. Actors, teachers, and students will find it interesting to discover that they are following in the footsteps of Yoga in their everyday Stanislavsky based training and rehearsals.
Stanislavsky in America: An Actor's Workbook
by Mel GordonStanislavsky in America explores the extraordinary legacy that Constantin Stanislavski’s system of actor-training has left on acting in the US. Mel Gordon outlines the journey of Stanislavski’s theories through twentieth century American history, from the early US tours of the Moscow Art Theatre to the ongoing impact of 'The System' on modern American acting. This fascinating study by a leading theatre critic and practitioner provides hundreds of original acting exercises, used by the pivotal US figures who developed his teachings, such as Lee Strasberg, Stella Adler and Bobby Lewis. By going back to these primary sources, Gordon cuts through the myths and misapprehensions which have built up over time. Part memoir and part practical guide, Stanislavsky in America is an essential resource for anyone wanting to understand Stanislavski’s work and his relationship with American theatre.
Stanislavsky in Focus: An Acting Master for the Twenty-First Century
by Sharon Marie CarnickeFirst published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Stanislavsky in Focus: An Acting Master for the Twenty-First Century
by Sharon Marie CarnickeStanislavsky in Focus brilliantly examines the history and actual premises of Stanislavsky’s 'System', separating myth from fact with forensic skill. The first edition of this now classic study showed conclusively how the 'System' was gradually transformed into the Method, popularised in the 1950s by Lee Strasberg and the Actor’s Studio. It looked at the gap between the original Russian texts and what most English-speaking practitioners still imagine to be Stanislavsky’s ideas. This thoroughly revised new edition also delves even deeper into: the mythical depiction of Stanislavsky as a tyrannical director and teacher yoga, the mind-body-spirit continuum and its role in the ‘System’ how Stanislavsky used subtexts to hide many of his ideas from Soviet censors. The text has been updated to address all of the relevant scholarship, particularly in Russia, since the first edition was published. It also features an expanded glossary on the System's terminology and its historical exercises, as well as more on the political context of Stanislavsky's work, its links with cognitive science, and the System's relation to contemporary developments in actor-training. It will be a vital part of every practitioner's and historian's library.
Star Bodies and the Erotics of Suffering (Contemporary Approaches to Film and Media Series)
by And Colleen Glenn Rebecca Bell-MetereauSuffering in cinema can be crucial to how stars are cast in roles and perceived by audiences, whether it is performed on the screen or weathered in the form of scandal, heartbreak, disfiguration, or aging in an actor's real life. In Star Bodies and the Erotics of Suffering, editors Rebecca Bell-Metereau and Colleen Glenn assemble thirteen scholars to consider fourteen stars whose careers have been defined by suffering on- or off-screen. Together, these essays question assumptions that an actor's ability to project an enduring image--both symbolic and physical--is necessary for box-office success, demonstrating instead that disruptions often shape and direct the star image. Contributors in this collection examine a wide range of stars from the last seventy years. Some essays deal with actors who have transformed temporarily for a role, or permanently, through aging or accident, such as Joaquin Phoenix, Daniel Day-Lewis, Mickey Rourke, Charlize Theron, and Hilary Swank. Other essays consider stars' attempts to conceal aspects of themselves from the public in order to maintain a palatable public image, including Rita Hayworth, Rock Hudson, and Michael Jackson. Some explore typecasting and audience expectations, noting how struggles with marriage, divorce, and aging intersect in the images of Natalie Wood, Marilyn Monroe, and Harrison Ford. A final set considers Sissy Spacek, Julia Roberts, and Halle Berry as women who reconfigure negative press and restrictive gender and racial expectations to their advantage, managing public perceptions of suffering in ways that flummox their critics. Star Bodies and the Erotics of Suffering offers film buffs, students, and scholars a fresh take on casting, method acting, audience reception, and the tensions at play in our fascination with an actor's dual role as private individual and cultural icon.
A Star Is Born: Judy Garland and the Film that Got Away (Turner Classic Movies)
by Lorna Luft Jeffrey VanceNew York Times bestselling author and daughter of Judy Garland tells the story of A Star Is Born -- at once the crowning achievement and greatest disappointment in her mother's legendary career. This is a vivid account of a film classic's production, loss, and reclamation.A Star Is Born -- the classic Hollywood tale about a young talent rising to superstardom, and the downfall of her mentor/lover along the way -- has never gone out of style. It has seen five film adaptations, but none compares to the 1954 version starring Judy Garland in her greatest role. But while it was the crowning performance of the legendary entertainer's career, the production turned into one of the most talked about in movie history.The story, which depicts the dark side of fame, addiction, loss, and suicide, paralleled Garland's own tumultuous life in many ways. While hitting alarmingly close to home for the fragile star, it ultimately led to a superlative performance -- one that was nominated for an Academy Award, but lost in one of the biggest upsets in Oscar history. Running far too long for the studio's tastes, Warner Bros. notoriously slashed extensive amounts of footage from the finished print, leaving A Star is Born in tatters and breaking the heart of both the film's star and director George Cukor.Today, with a director's cut reconstructed from previously lost scenes and audio, the 1954 A Star is Born has taken its deserved place among the most critically acclaimed movies of all time, and continues to inspire each new generation that discovers it. Now, Lorna Luft, daughter of Judy Garland and the film's producer, Sid Luft, tells the story of the production, and of her mother's fight to save her career, as only she could. Teaming with film historian Jeffrey Vance, A Star Is Born is a vivid and refreshingly candid account of the crafting, loss, and restoration of a movie classic, complemented by a trove of images from the family collection taken both on and off the set. The book also includes essays on the other screen adaptations of A Star Is Born, to round out a complete history of a story that has remained a Hollywood favorite for close to a century.
Star Song
by Florence RyersonChristmas Play / 4m, 5f / The scene is an inn on the way to Bethlehem on the night of Christ's birth. The inn's occupants are too busy with their squabbles and personal worries to sense the great, holy event occurring in a stable nearby. Only a slave and a little lame girl are prepared for this momentous occasion. It is a very dramatic, touching play. A good opportunity for singing clubs or choirs, but the music may be minimal if desired.
Starblast
by Barry HarmanAll Groups / Musical / 3 m., 2 f. minimum (can be done with up to 25 m. and f.) / This colorful musical demonstrates the importance of imagination in a world overwhelmed by technology. A young star voyager named P T III crashes his spacecraft on a bleak and forbidding world ruled by the dreaded and unseen Starblasters. He has 60 minutes to depart or he must face the Starblasters in mortal combat. His desperate search for help leads him to a nervous space dragon, a floating Moon Valley girl, two vaudevillian computer robots, some teen space greasers and finally, the awesome Mother Space. Each offers him advice but no help. Time is up and P T III faces the Starblasters. He is victorious at first, but the Starblasters re generate over and over until Peter Trenton III wakes up clutching his new Starblasters video game. Would be astronaut Peter stares out at the stars and knows it is fun to dream.
Stardust Lost: The Triumph, Tragedy, and Mishugas of the Yiddish Theater in America
by Stefan KanferInStardust Lost, Stefan Kanfer brings the colorful Yiddish stage roaring back to life. Born of ancient traditions stretching back to the drama of the Old Testament, the Yiddish theater was a vibrant part of the immigrant experience. Kanfer invokes the energy, belief, and purechutzpahit took to establish and run the thriving, influential theaters. He reveals the nightly drama and comedy that played out behind the scenes as well as onstage, and introduces all the players--actors, divas, playwrights, directors, and producers--who made it possible. A richly evocative chronicle of its brief but dazzling existence in America, this is both an elegy for and a tribute to Yiddish theater--lost, but not forgotten.
Starring Madame Modjeska: On Tour in Poland and America
by Beth HolmgrenIn 1876, Poland's leading actress, Helena Modrzejewska, accompanied by family and friends, emigrated to southern California to establish a utopian commune that soon failed. Within a year Modrzejewska made her debut in the title role of Adrienne Lecouvreur at San Francisco's California Theatre. She changed her name to Modjeska and quickly became a leading star on the American stage, where she reigned for the next 30 years. During this time, she established herself as America's most esteemed Shakespearean actress, playing opposite such celebrated actors as Edwin Booth and Maurice Barrymore. Starring Madame Modjeska traces Modjeska's fabulous life and career from her illegitimate birth in Krakow, to her successive reinventions of herself as a star in both Poland and America, and finally to her enduring legacy.
Stars and Spies: The story of Intelligence Operations…
by Christopher Andrew Julius GreenA vastly entertaining and unique history of the interaction between spying and showbiz, from the Elizabethan age to the Cold War and beyond.'A treasure trove of human ingenuity' The TimesWritten by two experts in their fields, Stars and Spies is the first history of the extraordinary connections between the intelligence services and show business.We travel back to the golden age of theatre and intelligence in the reign of Elizabeth I. We meet the writers, actors and entertainers drawn into espionage in the Restoration, the Ancien Régime and Civil War America. And we witness the entry of spying into mainstream popular culture throughout the twentieth century and beyond - from the adventures of James Bond to the thrillers of John le Carré and long-running TV series such as The Americans.'Thoroughly entertaining' Spectator'Perfect...read as you settle into James Bond on Christmas afternoon.' Daily Telegraph
Starting a Theatre Company: How to Become a Theatre Maker and Create Your Own Work
by Karl FalconerExploring everything from company incorporation and marketing, to legal, finance and festivals, Starting a Theatre Company is the complete guide to running a low-to-no budget or student theatre company. Written by an experienced theatre practitioner and featuring on-the-ground advice, this book covers all aspects of starting a theatre company with limited resources, including how to become a company, finding talent, defining a style, roles and responsibilities, building an audience, marketing, the logistics of a production, legalities, funding, and productions at festivals and beyond. The book also includes a chapter on being a sustainable company, and how to create a mindset that will lead to positive artistic creation. Each chapter contains a list of further resources, key terms and helpful tasks designed to support the reader through all of the steps necessary to thrive as a new organisation. An eResource page contains links to a wide range of industry created templates, guidance and interviews, making it even easier for you to get up and running as simply as possible. Starting a Theatre Company targets Theatre and Performance students interested in building their own theatre companies. This book will also be invaluable to independent producers and theatre makers.
Starting Drama Teaching
by Mike FlemingWhy teach drama? How can a newcomer teach drama successfully? How do we recognize quality in drama? Starting Drama Teaching is a comprehensive guide to the teaching of drama in schools. Exploring the aims and purposes of drama, it provides an insight into the theoretical perspectives that underpin practice alongside activities, example lesson plans and approaches to planning. Written in an accessible style, the book addresses such practical issues as setting up role play, how to inject depth into group drama, working with text, teaching playwriting, as well as common problems that arise in the drama classroom and how to avoid them. ?? This fourth edition has been updated to reflect the latest educational thinking and developments in policy and includes: a new chapter on researching drama; an extra section on digital technology and drama; guidance on different approaches to drama; advice on how teachers can achieve and recognize quality work in drama; a discussion of drama concepts including applied theatre, ensemble and rehearsal approaches. Acting on the growing interest in drama both as a separate subject and as a teaching methodology, this book is full of sensible, practical advice for teachers using drama at all levels and in all kinds of different school contexts. Written by an internationally recognized leading name in drama education, this book is valuable reading for trainee teachers who are new to drama and teachers who wish to update and broaden their range.
Starting Your Career as a Theatrical Designer: Insights and Advice from Leading Broadway Designers (Starting Your Career)
by Michael Mayer Michael J. RihaIn the first book of its kind to be published in twenty years, ten award-winning and current Broadway designers-five set designers, four lighting designers, and one projection designer-discuss the business aspects of the theatre world, sharing relevant insider information and strategies that will prove invaluable to aspiring and seasoned theatrical designers alike. Culled from years of experience, the information offered in these enlightening conversations will strengthen readers' understanding of how designing in the commercial theatre is different from designing in an academic setting or not-for-profit theatres. The conversations are accompanied by designer sketches, finished drawings, technical plates of drafting, photos of scale models, storyboards illustrating multi-scene productions and unique lighting looks, and photos from Broadway and regional theatre productions. If you've ever wondered what it really takes to make it in the world of theatre design, let these Broadway stars be your guide!