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Stage Makeup: Special Edition
by Richard Corson James Glavan Beverly Gore NorcrossWidely referred to as the "bible of stage makeup," the timely revision of this classic text addresses principles and techniques in the use of makeup for the contemporary performer. This extensive exploration of the application and use of stage makeup and makeup for a variety of performance venues covers all aspects in detail and contains over 1000 photographs, drawings, and diagrams demonstrating step-by-step procedures. Thoroughly updated and revised, this classic text remains accurate and comprehensive, providing information from which all readers – whether students new to the field or seasoned, professional makeup artists – will benefit. New to this edition: Updated full-color photography throughout Expanded information on makeup design and application 48 new step-by-step instructions in color Expanded chapter on modeling with highlights and shadows New chapter on cross-gender makeup New instruction on making dentures, noses, and face casting New instructions for creating zombies, animals, aging effects, and trauma Expanded information on makeup for television and film Up-to-date information on Special Effects makeup Up-to-date information on prosthetic makeup Updated chapters on facial hair and wigs Updated resources for products, advanced training, and health and safety
Stage Makeup: The Actor's Complete Step-by-Step Guide to Today's Techniques and Materials
by Laura ThudiumThis up-to-date, full-color makeup manual is designed to lie open on the makeup table as a guide for student, amateur, or professional performers.
Stage Management: A Gentle Art (Stage And Costume Ser.)
by Daniel BondThis popular book describes in detail a stage manager's job. It provides those just starting out in the profession with a solid grounding in theatre stage management practices and procedures. The disciplines of lighting, set design and sound are discussed but the main focus is the management of these elements and the processes and scheduling that go together to provide effective results. Chronologically following the production of a play, the book starts with pre-production planning and progresses to opening night. With easy reference checklists and a full glossary, it is the essential guide to stage management.
Stage Management
by Alice R. O'Grady Lawrence SternRevered as the authoritative resource for stage management, this text offers students a practical manual on how to stage manage in all theater environments. Rich with practical resources -- checklists, diagrams, examples, forms and step-by-step directions -- Stage Management eschews excessive discussion of philosophy and gets right to the essential materials and processes of putting on a production. In addition to sharing his own expertise, Stern has gathered practical advice from working stage managers of Broadway, off-Broadway, touring companies, regional, community, and 99-seat Equity waiver theaters.
Stage Management
by Lawrence Stern Jill GoldStage Management offers readers a practical manual on how to stage manage in all theatre environments. Revered as the authoritative resource for stage management, this text is rich with practical resources, including checklists, diagrams, examples, forms and step-by-step directions. In addition to sharing his own expertise, Stern has gathered practical advice from working stage managers of Broadway, off-Broadway, touring companies, regional, community, and 99-seat Equity waiver theaters. In its 11th edition, the book is now fully in color and updated to include new information on Equity contracts, social media applications in stage management, and working with high school productions.
Stage Management
by Lawrence Stern Jill GoldNow in its twelfth edition, Stage Management is the comprehensive go-to manual on stage management in all theatre environments. Revered as the authoritative resource for stage management, this text is rich with practical resources, including checklists, diagrams, examples, forms, and step-by-step directions. In addition to sharing their own expertise, Stern and Gold have gathered practical advice from working stage managers of Broadway, off-Broadway, touring companies, regional, community, and 99-seat Equity waiver theatres. This new edition has been fully updated with new technology and best practices, including: New websites for stage management tools and software Updated Equity rules Additional safety and emergency protocols New voices from practicing stage managers in text boxes and case studies scattered throughout the book. This practical guide is written for students of Stage Management in Theatre programs, as well as early career stage managers. The companion website features paperwork templates, downloadable checklists, suggested readings, a list of websites and apps with today’s cutting-edge stage management technology, and a list of over 500 internships and apprenticeships available across the United States.
Stage Management Basics: A Primer for Performing Arts Stage Managers
by Emily Roth Jonathan Allender-Zivic Katy McGlaughlinWithout assuming any intrinsic prior knowledge of the theatrical field and its associated, specialized terminology, Stage Management Basics covers every aspect of the stage management, from reading a script, meeting with a director and theatre staff, and auditioning, to constructing green digital scripts, communication best practices, and opening night protocol. Additionally, this book features multiple appendices containing stage management form templates, blank version of which are available on its companion website. This book touches on basic principles for stage management for theatre, dance, and opera productions.
Stage Management Basics: A Primer for Performing Arts Stage Managers
by Emily Roth Jonathan Allender-Zivic Katy McGlaughlinStage Management Basics, second edition, offers a deep dive into the basics of stage management for theatre, dance, and opera productions. Without assuming any intrinsic prior knowledge of the theatrical field and its associated, specialized terminology, this book covers every aspect of stage management, from reading a script, meeting with a director and theatre staff, and running auditions to communication best practices and opening night protocol. This new edition features brand new chapters on opera, dance, and unions, information on working with intimacy and fight directors, updated tips and tricks, and vibrant color images. Using simple language and detailed explanations, this book is the perfect primer for the beginning stage management student. The companion website contains blank form templates, chapter comprehension tests, a suggested reading list, glossary flashcards, and more.
The Stage Management Handbook
by Daniel A. IonazziA complete examination of the stage manager's job, explaining the manager's involvement with all aspects of theater work including interfacing with the playwright, director, producer and designer.
The Stage Management Handbook
by Daniel A. IonazziThe stage manager is the renaissance man of the theater. He or she must have a working knowledge of how the various technical aspects of the theater work (scenery, props, costumes, lights and sound), be part director, part playwright, part designer and part producer, and be prepared to act as confidant, counselor and confessor to everyone else in the company. This book addresses all of these considerations in detail and offers the reader–professional or amateur, veteran or beginner–helpful guidance and practical advice, supported by many forms and examples to illustrate the points covered in the text. The three phrases of mounting and performing a show are covered. Part I takes the reader through the pre-production phase–research, the script, planning and organization, and auditions. Part II covers the rehearsal process–rehearsal rules, blocking, cues, prompting, information distribution, technical and dress rehearsals. Part III discusses the performance phase–calling the show, maintaining the director's work, working with understudies and replacements, and more. Part IV provides insights into the organizational structure or some theaters and aspects of human behavior in those organizations. Many stage managers of long-running commercial productions believe that–once the show is up and running–only ten percent of their work is related to everything covered in Parts I, II and III. The other ninety percent is associated with issues in Part IV; i.e. "managing" human behavior and maintaining working relationships.
Stage Management Theory as a Guide to Practice: Cultivating a Creative Approach
by Lisa Porter Narda E. AlcornStage Management Theory as a Guide to Practice offers theory and methodology for developing a unique stage management style, preparing stage managers to develop an adaptive approach for the vast and varied scope of the production process, forge their own path, and respond to the present moment with care and creativity. This book provides tactile adaptive strategies, enabling stage managers to navigate diverse populations, venues, and projects. Experiential stories based on extensive experience with world-renowned artists exemplify the practices and provide frameworks for self-reflection, synthesis, and engagement with theory-guided practice. This book empowers stage managers to include the ‘How You’ with ‘How To’ by flexing collaborative muscles and engaging tools to guide any collaborative project to fruition with creativity, curiosity, and the drive to build connections. Exploring topics such as group dynamics, ethics, culture, conflict resolution, and strategic communication, Stage Management Theory as a Guide to Practice: Cultivating a Creative Approach is an essential tool for advanced stage management students, educators, and professionals.
Stage Management Theory as a Guide to Practice: Cultivating a Creative Approach
by Lisa Porter Narda E. AlcornStage Management Theory as a Guide to Practice, Second Edition offers theory and methodology for developing a unique and inclusive stage management style, preparing stage managers to develop an adaptive approach for the vast and varied scope of the production process, forge their own path, and respond to the present moment with care and creativity. This book provides tactile strategies, enabling stage managers to navigate different groups of collaborators, venues, and projects. Experiential stories based on extensive experience with world-renowned artists exemplify the practices and provide frameworks for self-reflection, synthesis, and engagement with theory-guided practice. This book empowers stage managers to guide any collaborative project to fruition by incorporating the "How You" with the "How To." This second edition has been expanded, and includes new experiential stories and a new chapter focused on inclusive processes that can be applied from pre-production through closing, as well as the full text of the HowlRound Theatre essay We Commit to Anti-Racist Stage Management Education. Exploring topics such as group dynamics, ethics, culture, and strategic communication, Stage Management Theory as a Guide to Practice is an essential tool for advanced stage management students, educators, and professionals.
Stage Manager: The Professional Experience—Refreshed
by Larry FazioStage Manager: The Professional Experience–Refreshed takes the reader on a journey through all aspects of the craft of stage management in theatre, including the technological advancements that have come to theatre and the stage manger’s job. Chapters are laid out to reflect the order in which stage managers experience and perform their work: what makes a good stage manager, seeking the job, building a resume, interviewing for the job, and getting the job (or not getting the job). Included are chapters on the chain of command, working relationships, tool and supplies, creating charts, plots, plans and lists, the rehearsal period, creating the prompt book, calling cues, and the run of the show. These are just some of the many topics covered in this book. In addition, the author uses interviews with stage management professionals in various stages of production, providing another view of how the stage manager is perceived and what is expected form the work of the stage manager. Fifteen years after the original publication of Stage Manager: The Professional Experience, this new and refreshed edition is now in color to help clarify and illustrate points in the text. It is fully updated to reflect the the world of computerized technology: smart phones, thinly designed laptops, tablets, use of email and text messaging, storing and sharing files and information in cloud-based apps. Then there are the innovations of automation–electronically moving scenery, scenic projections–casting images and patterns on the stage; moving lights; LED luminaires; lasers; and greater use of fog and haze machines. In addition, the extensive glossary of more than 600 terms and phrases had been extend to well over 700, providing and excellent professional vocabulary for anyone hoping to be a theatre stage manager or already working in the field.
The Stage Manager's Toolkit
by Laurie KincmanAs a Stage Manager, you are responsible for organizing rehearsals, running performances, and keeping everyone and everything on track and in sync. To do the job well, you need to be a communication wizard--able to collect a wide range of details and share them as effectively as possible. The Stage Manger's Toolkit is more than another overview book which generalizes how to be a Stage Manager. It presents the day-to-day duties in detail--discussing not only what to do but also why. Focusing on communication best practices, the book explores objectives, paperwork, and the questions that need to be asked in order to ensure a smooth production whether on Broadway, at a university, or somewhere in between. Introduces strategies for sharing information both in person and in writing Explores how document design can enhance the accessibility and effectiveness of your reports, charts, and lists Contains principles for web-based information sharing as well as hard-copy paperwork Provides customizable paperwork templates on the accompanying website, allowing you to put the ideas to work on your own show Other features: Organized based on the chronology of a typical theatre production: pre-production work, rehearsals, the tech period, performances, and post-production duties. In each section, the book outlines the objectives for the stage manager and the communication techniques that will ensure success. Provides examples of paperwork a stage manager commonly works with, including variations for plays and musicals, shortcuts for shows on an abbreviated time table, and strategies for maintaining consistency and legibility. The book highlights differences the stage manager may encounter when working on professional and academic productions.
The Stage Manager's Toolkit: Templates and Communication Techniques to Guide Your Theatre Production from First Meeting to Final Performance (The Focal Press Toolkit Series)
by Laurie KincmanThe Stage Manager’s Toolkit provides a comprehensive account of the role of the stage manager for live theatre with a focus on both written and verbal communication best practices. The book outlines the duties of the stage manager and assistant stage manager throughout a production, discussing not only what to do but why. The book identifies communication objectives for each phase of production, paperwork to be created, and the necessary questions to be answered in order to ensure success.
The Stage Manager's Toolkit: Templates and Communication Techniques to Guide Your Theatre Production from First Meeting to Final Performance (The Focal Press Toolkit Series)
by Laurie KincmanThe Stage Manager’s Toolkit, Third Edition provides a comprehensive account of the role of the stage manager for live theatre with a focus on both written and verbal communication best practices. The book outlines the duties of the stage manager and assistant stage manager throughout a production, discussing not only what to do but why. It also identifies communication objectives for each phase of production, paperwork to be created, and the necessary questions to be answered in order to ensure success. This third edition includes: an updated look at digital stage management tools including script apps, cloud storage, and social media practices; a new discussion on creating a healthy and safe rehearsal space; updated paperwork examples; new information on Equity practices for the student and early career stage managers. Written for the stage management student and early career stage manager, this book is a perfect companion to any university Stage Management course. A companion website hosts customizable paperwork templates, instructional video, links to additional information, teacher tools for each individual chapter, and a bonus chapter on teaching stage management.
The Stage Manager's Toolkit: Templates and Communication Techniques to Guide Your Theatre Production from First Meeting to Final Performance (The Focal Press Toolkit Series)
by Laurie KincmanThe Stage Manager’s Toolkit, Fourth Edition, provides a comprehensive account of the role of the stage manager for live theatre with a focus on both written and verbal communication best practices.The book outlines the duties of the stage manager and assistant stage manager throughout a production, discussing not only what to do but why. It also identifies communication objectives for each phase of production, paperwork to be created, and the necessary questions to be answered to ensure success. This fourth edition includes: a new chapter devoted to documenting movement which includes both intimacy choreography and stage combat; updated and expanded information on using technology and social media; expanded information on the digital prompt book and other digital and web-based tools; updated paperwork examples; more information on Equity practices for the student and early career stage managers. Written for the stage management student and early career stage manager, this book is a perfect addition to any university Stage Management course.A companion website hosts customizable paperwork templates, instructional videos, links to additional information, teacher tools for individual chapters, and a bonus section on teaching stage management. To access these resources, visit www.routledge.com/cw/kincman.
Stage-Play and Screen-Play: The intermediality of theatre and cinema
by Michael InghamDialogue between film and theatre studies is frequently hampered by the lack of a shared vocabulary. Stage-Play and Screen-Play sets out to remedy this, mapping out an intermedial space in which both film and theatre might be examined. Each chapter’s evaluation of the processes and products of stage-to-screen and screen-to-stage transfer is grounded in relevant, applied contexts. Michael Ingham draws upon the growing field of adaptation studies to present case studies ranging from Martin McDonagh’s The Cripple of Inishmaan and RSC Live’s simulcast of Richard II to F.W. Murnau’s silent Tartüff, Peter Bogdanovich’s film adaptation of Michael Frayn’s Noises Off, and Akiro Kurosawa’s Ran, highlighting the multiple interfaces between media. Offering a fresh insight into the ways in which film and theatre communicate dramatic performances, this volume is a must-read for students and scholars of stage and screen.
Stage Presence
by Jane GoodallFocusing on examples of live performance in drama, dance, opera and light entertainment, Jane Goodall explores a characteristic as compelling and enigmatic as the performers who demonstrate it. The mysterious quality of ‘presence’ in a performer has strong resonances with the uncanny. It is associated with primal, animal qualities in human individuals, but also has connotations of divinity and the supernatural, relating to figures of evil as well as heroism. Stage Presence traces these themes through theatrical history. This fascinating study also explores the blend of science and spirituality that accompanies the appreciation of human power. Performers display a magnetism of their audiences; they electrify them, exhibit mesmeric command, and develop chemistry in their communication. Case studies include: Josephine Baker, Sarah Bernhardt, Thomas Betterton, David Bowie, Maria Callas, Bob Dylan, David Garrick, Barry Humphries, Henry Irving, Vaslav Nijinsky and Paul Robeson.
The Stage Producer's Business and Legal Guide
by Charles GrippoThe entire range of individuals involved in entertainment-performers, writers, and directors to box office managers, theater board members, and theater owners-will find comprehensive answers to questions on every aspect of theater business and law. Written by attorney, producer, and playwright, this book reveals hundreds of insider strategies for minimizing legal costs, negotiating contracts, and licensing and producing plays. It also features expert, practical advice on such topics as tax risks and liabilities, safety regulations, organizing the theater company, financing, box office management, not-for-profit management, and much more. Plus everything is explained clearly, written without a lot of legal jargon.
The Stage Producer's Business and Legal Guide (Second Edition)
by Charles GrippoExpert, Practical Advice for Everyone in Show Business Now updated and expanded, this second edition of The Stage Producer’s Business and Legal Guide is the ultimate survival kit for anyone presenting live entertainment. The information contained in this handbook is essential for those working in Broadway, regional, stock, or university theater; concert halls; opera houses; and more. Attorney, producer, and playwright Charles Grippo provides comprehensive advice on every aspect of the theater business and the law, including: Crowdfunding Your ProductionNew Opportunities to Raise MoneySelf-ProductionLicensing and Producing PlaysDevised Theater and CollaborationsCreating Jukebox MusicalsOrganizing a Theater CompanyTheatrical InsuranceMaintaining a Harassment-Free EnvironmentNegotiating ContractsEssential Rules Every Board Member Must KnowManaging a Not-for-Profit Theater CompanyNavigating TaxesUsing Third-Party Intellectual PropertyAnd much, much more! The entire range of individuals involved in entertainment—producers, performers, writers, directors, managers, and theater owners—will find invaluable practical and legal advice in this handy guide.
Stage Writers Handbook
by Dana SingerDana Singer, Associate Director of America's foremost playwrights' association, the Dramatists Guild, gathers all the information and ideas stage writers need to conduct their careers in a businesslike manner, with all the protections the law provides. Includes chapters devoted to copyright, self-promotion, representation, production contracts, publishing and licensing agreements, underlying rights and collaboration.
Stagecraft Fundamentals
by Rita Kogler CarverStagecraft Fundamentals Second Edition tackles every aspect of theatre production with Emmy Award-winning author Rita Kogler Carver's signature witty and engaging voice. The history of stagecraft, safety precautions, lighting, costumes, scenery, career planning tips, and more are discussed, illustrated by beautiful color examples that display step-by-step procedures and the finished product. This second edition offers even more in-demand information on stage management, drawing and drafting (both by hand and CAD), lighting fixtures, and special effects. Also new to this edition are current articles from Lighting and Sound America, brand new diagrams that illustrate hard-to-grasp concepts, and a plethora of information on European conversions, standards, and practices, making the skills you learn applicable to stage jobs on either side of the ocean! The accompanying website, www.stagecraftfundamentals.com is bursting with additional material such as an instructor's manual, exercises and study questions that coincide with chapters from the book, CAD drawings, color theory, manufacturing information, and so much more to help you along the way as you learn all about the world of theatre production! Praise for the Book:Beautifully written! The author has succeeded in relaying technical theatre information without being too technical and putting the reader to sleep. I read three sentences and instantly knew this book was for me and the way I teach. When I think back on the insufferable intro to tech theatre books I had to read, I feel cheated I didn't have this one as a student. I will be using this text in my class! -- Rob Napoli, Designer and Technical Director at Penn State University, Berks Campus This text has temped me to return to teaching with a textbook for the first time in seven years. The language is both accessible and informal yet the text goes a long way in debunking some of the typical jargon that may alienate students just getting into the field, or trying it out for the first time. The illustrations (the text is full of them) coupled with the stories reinforce the fundamental information being conveyed. -- John Paul Devlin, Associate Professor of Theatre at Saint Michael's College What a great idea! Thank heavens someone is doing this for students at that impressionable age. That has been one of my mantras - education of teachers and students on the use of scenic materials. The teachers don't have enough time in college to learn and do everything they have to teach. Most get thrown into the theatre area by default and struggle with designing/building/painting the scenery. -- Jenny Knott, Rosco Stagecraft Fundamentals is beautifully illustrated throughout, and the pofusion of color on every page gives this textbook the appearance of a coffee table book. The writing is clear and personal, which should be very appealing to students. Rita Carver covers all aspects of theatre production from scenery, to lighting, to an actor's makeup. Her close ties to the New York theatre scene gives this book a special insight into the professional world, one that goes well beyond what is found in most college textbooks. -- John Holloway, Professor in the Theatre Department at the University of Kentucky and President of the International Association of Theatrical stage Employees (IATSE) Local 346. I can't thank you enough for Stagecraft Fundamentals. I have been teaching stagecraft since 1976 and you have saved me from the nightmare of writing a text to suit my class needs..After two semesters with your text, I have found that I had more time to develop the skills necessary within the classroom than before. The humor that you have infused in the book has enticed my students to read on. That alone makes this text invaluable.--Meta Lasch, Assistant Professor, West Liberty University
Stagecraft Fundamentals: A Guide and Reference for Theatrical Production
by Rita Kogler CarverStagecraft Fundamentals tackles every aspect of basic theatre production with Rita Kogler Carver’s signature wit and engaging voice. The history of stagecraft, safety precautions, lighting, costumes, scenery, career planning tips, and more are discussed, illustrated by beautiful color examples that both display step-by-step procedures and break with the traditionally boring black and white introductory theatre book. This third edition improves upon the last, featuring three new chapters on design for props, projection, and touring. Also included are new end-of-chapter questions and an expanded discussion on LED lighting, stage automation, digital technology, stage management, makeup, theatre management, and sound design. This is the must have introductory theatre production book.
Stagecraft Fundamentals: A Guide and Reference for Theatrical Production
by Rita Kogler CarverStagecraft Fundamentals, Fourth Edition, is an entry-level how-to guide and reference on backstage theatre, covering every aspect of basic theatre production. The history of stagecraft, safety precautions, lighting, costumes, scenery, special effects, career planning tips, and more are discussed, illustrated by beautiful full-color images that display step-by-step procedures. This fourth edition improves upon the last, featuring a new chapter on Costume Crafts, which includes information on millinery, shoes, fabric dyeing, fabric modification, distressing, masks, armor, body padding, and accessories. Also included is an expanded discussion on sound, props, rigging, safety, production management, and projection design, new information on digital theatre, new end of chapter exercises, additional information on US/UK standards, and an emphasis on diversity and inclusion. Each chapter features exercises, discussion questions, and study words to help the teacher and student review the content before moving on to the next topic. Stagecraft Fundamentals, Fourth Edition, is the must-have introductory theatre production book for Stagecraft, Technical Theatre, and Theatre Production courses. A companion website (www.StagecraftFundamentals.com) features additional articles and information, downloadable images and paperwork, chapter quizzes, and an instructor’s manual.