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The Member of the Wedding: A Play
by Carlos Dews Carson McCullers<p>Celebrated worldwide for her masterly novels, Carson McCullers was equally accomplished, and equally moving, when writing in other forms. <p>The play The Member of the Wedding (1950), adapted from her 1946 novel at the urging of her close friend Tennessee Williams is, like Thornton Wilder’s Our Town, a great American poem for the stage. <p>At its center is tomboy Frankie Addams, a motherless adolescent neglected by her father and utterly bored with life in small-town Georgia until romantic longing is ignited by her older brother’s wedding. A hit on Broadway, running for more than five hundred performances, it won the Drama Critics’ Circle Award and soon inspired a film.
The Memory Marketplace: Witnessing Pain in Contemporary Irish and International Theatre (Irish Culture, Memory, Place)
by Emilie PineWhat happens when cultural memory becomes a commodity? Who owns the memory? In The Memory Marketplace, Emilie Pine explores how memory is performed both in Ireland and abroad by considering the significant body of contemporary Irish theatre that contends with its own culture and history. Analyzing examples from this realm of theatre, Pine focuses on the idea of witnesses, both as performers on stage and as members of the audience. Whose memories are observed in these transactions, and how and why do performances prioritize some memories over others? What does it mean to create, rehearse, perform, and purchase the theatricalization of memory? The Memory Marketplace shows this transaction to be particularly fraught in the theatricalization of traumatic moments of cultural upheaval, such as the child sexual abuse scandal in Ireland. In these performances, the role of empathy becomes key within the marketplace dynamic, and Pine argues that this empathy shapes the kinds of witnesses created. The complexities and nuances of this exchange—subject and witness, spectator and performer, consumer and commodified—provide a deeper understanding of the crucial role theatre plays in shaping public understanding of trauma, memory, and history.
The Men in White
by Anosh IraniA finalist for the Governor General’s Award for Drama, The Men in White explores urgent themes surrounding the complexities of the modern immigrant experience, Islamophobia, and the unifying power of sport — the masterful playwright and novelist Anosh Irani at his finest.Eighteen-year-old Hasan Siddiqui lives in a bustling Muslim quarter of Bombay. He escapes the drudgery of his work at a chicken slaughterhouse by fostering two fervent dreams — to become a star in cricket, a sport at which he happens to excel, and to win the affections of Haseena, a fiercely intelligent young woman two years his junior. Half a world away in Vancouver, Hasan’s older brother, Abdul, has been working under the table at an Indian restaurant, attempting to set down roots with the hope of one day reuniting with his brother. For Abdul the immigrant dream shows little sign of materializing, but he finds solace in his amateur cricket team. When he and the team’s captain decide to take action to end their losing streak, they talk of recruiting the talented Hasan for the rest of the season. But bringing Hasan from India to Canada will take much more than just a plane ticket, and rising tensions demonstrate that not all members of the team agree with the high cost.
The Merchant of Venice
by William Shakespeare Stephen Orgel A. R. Braunmuller"I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation." (Patrick Stewart) The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged. Each volume features: * Authoritative, reliable texts * High quality introductions and notes * New, more readable trade trim size * An essay on the theatrical world of Shakespeare and essays on Shakespeare's life and the selection of texts
The Merchant of Venice
by William Shakespeare Stephen Orgel A. R. BraunmullerThe acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. From the Trade Paperback edition.
The Merchant of Venice
by William Shakespeare David Bevington David Scott KastanThis is one of Shakespeare's darkest comedies, for the romantic story of a young man, Bassanio, who has squandered his fortune and must borrow money to woo the wealthy lady he loves is set against the more disturbing story of the Jewish moneylender Shylock and his demand for the "pound of flesh" owed him by the Venetian merchant, Antonio. Here pathos and farce combine with moral complexity and romantic entanglement to display the extraordinary power and range of Shakespeare at his best.Each Edition Includes:* Comprehensive explanatory notes * Vivid introductions and the most up-to-date scholarship * Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English* Completely updated, detailed bibliographies and performance histories * An interpretive essay on film adaptations of the play, along with an extensive filmography.
The Merchant of Venice
by William ShakespeareShakespearean play with two subplots 1) Antonio defaults on a loan from Shylock the Jew, who demands his life as bond 2) Portia must marry the man who passes a test her father arranged.
The Merchant of Venice
by William ShakespeareANTONIO. In sooth, I know not why I am so sad. It wearies me; you say it wearies you; But how I caught it, found it, or came by it, What stuff 'tis made of, whereof it is born, I am to learn; And such a want-wit sadness makes of me That I have much ado to know myself. SALERIO. Your mind is tossing on the ocean; There where your argosies, with portly sail- Like signiors and rich burghers on the flood, Or as it were the pageants of the sea- Do overpeer the petty traffickers, That curtsy to them, do them reverence, As they fly by them with their woven wings.
The Merchant of Venice
by William Shakespeare"The Merchant of Venice" is the story of Antonio, the drama's title character, and his friend Bassanio. Bassanio is in need of money so that he may woo Portia, a wealthy heiress. Bassanio asks Antonio for a loan and Antonio agrees to this loan, however all his money is tied up in shipping ventures. Together the two go to Shylock, a Jewish moneylender, to request a loan for Bassanio to be guaranteed against Antonio's shipping ventures. Shylock agrees to the loan at no interest in the condition that if the debt is not repaid Shylock may collect a pound of Antonio's flesh. At the same time Portia, who is being wooed by various suitors, is upset over a curious stipulation in her father's will regarding the man that she may marry.
The Merchant of Venice
by William ShakespeareVenetian nobleman Antonio stands to lose a pound of flesh when he is unable to repay a loan due to the Jewish moneylender Shylock.
The Merchant of Venice
by William Shakespeare'The man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul' John DrydenAntonio, a Venetian merchant, wishes to help his friend get money to impress a rich heiress. But he is forced to borrow the sum from a cynical, abused Jewish moneylender, Shylock, and signs a chilling contract to honour the debt with a pound of his own flesh. An ambiguous, complex and controversial comedy, The Merchant of Venice explores prejudice, marriage, money and the true nature of justice in an unforgiving world.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by W. Moelwyn Merchant Introduction by Peter Holland
The Merchant of Venice (Folger Shakespeare Library)
by William Shakespeare Barbara A. Mowat Paul WerstineFolger Shakespeare Library The world's leading center for Shakespeare studies Each edition includes: Freshly edited text based on the best early printed version of the play Full explanatory notes conveniently placed on pages facing the text of the play Scene-by-scene plot summaries A key to famous lines and phrases An introduction to reading Shakespeare's language An essay by an outstanding scholar providing a modern perspective on the play Illustrations from the Folger Shakespeare Library's vast holdings of rare books Essay by Alexander Leggatt The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs.
The Merchant of Venice (SparkNotes Literature Guide Series)
by SparkNotesThe Merchant of Venice (SparkNotes Literature Guide) by William Shakespeare Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
The Merchant of Venice (The New Cambridge Shakespeare)
by William Shakespeare M. M. MahoodCharles Edelman focuses on the play's sexual politics and recent scholarship devoted to the position of Jews in Shakespeare's time in this new edition. He surveys the international scope of theatrical interpretations of The Merchant in the 1980s and 1990s as well as different ways of tackling the troubling figure of Shylock. First Edition Hb (1988): 0-521-22156-0 First Edition Pb (1988): 0-521-29371-5
The Merchant of Venice: Critical Essays (Shakespeare Criticism #26)
by John W. Mahon Ellen Macleod MahonThis volume is a collection of all-new original essays covering everything from feminist to postcolonial readings of the play as well as source queries and analyses of historical performances of the play. The Merchant of Venice is a collection of seventeen new essays that explore the concepts of anti-Semitism, the work of Christopher Marlowe, the politics of commerce and making the play palatable to a modern audience. The characters, Portia and Shylock, are examined in fascinating detail. With in-depth analyses of the text, the play in performance and individual characters, this book promises to be the essential resource on the play for all Shakespeare enthusiasts.
The Merchant of Venice: Critical Essays (Shakespearean Criticism)
by Thomas WheelerOriginally published in 1991. Essays here are arranged chronologically within sections: ‘The Play as Text’, ‘Shylock’ and ‘The Play in the Theatre.’ Collecting previously published important commentaries and scholarly articles, this volume in the Shakespearean Criticism set looks at one of the Bard’s most disturbing plays. These historical critical pieces give witness to the changing attitudes to the play and the characters and provide readers with a wide range of material relating both to performances and to textual readings.
The Merchant of Venice: With Contemporary Criticism (Ignatius Critical Editions)
by William ShakespeareThe Merchant of Venice is probably the most controversial of all Shakespeare's plays. It is also one of the least understood. Is it a comedy or a tragedy? What is the meaning behind the test of the caskets? Who is the real villain of the trial scene? Is Shylock simply vicious and venomous, or is he more sinned against than sinning? Can the play be described as anti-semitic? What exactly is the quality of mercy? Is Portia one of the great Christian heroines of western literature? And what of the comedy of the rings with which Shakespeare ends the play? These questions and many others are answered in this critical edition of one of the Bard's liveliest plays.
The Merchant of Venice: With The Extreme Cruelty Of Shylocke The Iew Towards The Saide Merchant, In Cutting An Iust Pound Of His Flesh; And The Obtaining Of Portia, By The Choyse Of Three Caskets (classic Reprint) (Dover Thrift Editions: Plays)
by William ShakespeareThe Merchant of Venice is an intriguing drama of love, greed, and revenge. At its heart, the play contrasts the characters of the maddened and vengeful Shylock, a Venetian moneylender, with the gracious, level-headed Portia, a wealthy young woman besieged by suitors. At the play's climax, Shylock insists on the enforcement of a binding contract that will cost the life of the merchant Antonio — inciting Portia to mount a memorable defense.In this richly plotted drama, Shylock, whom Shakespeare endowed with all of the depth and vitality of his greatest characters, is not alone in his villainy. In scene after scene, a large cast of ambitious and scheming characters demonstrates that honesty is a quality often strained where matters of love and money are concerned.The gravity and suspense of the play's central plot, together with its romance, have made The Merchant of Venice a favorite of audiences, and one of the most studied and performed of Shakespeare's plays. It is reprinted here from an authoritative text, complete with explanatory footnotes.
The Merchant of Venice: With The Extreme Cruelty Of Shylocke The Iew Towards The Saide Merchant, In Cutting An Iust Pound Of His Flesh; And The Obtaining Of Portia, By The Choyse Of Three Caskets (classic Reprint) (First Avenue Classics ™)
by William ShakespeareIn order to win the wealthy Portia's hand in marriage, Bassanio thinks he needs money to impress her. He goes to his friend Antonio for help, but Antonio's money is tied up in ships. Antonio brings him to Shylock, a Jewish moneylender. Shylock despises Antonio but agrees to lend Bassanio 3,000 ducats without interest...on one condition: that Antonio surrender a pound of flesh if Bassanio can't repay the loan. Set in Venice, this play addresses the problems that come from acting for one's own benefit, instead of out of love for others. This is an unabridged version of playwright William Shakespeare's dark comedy, first published in England in 1600.
The Merchant of Venice: With The Extreme Cruelty Of Shylocke The Iew Towards The Saide Merchant, In Cutting An Iust Pound Of His Flesh; And The Obtaining Of Portia, By The Choyse Of Three Caskets (classic Reprint) (Modern Library Classics)
by William ShakespeareANTONIO. In sooth, I know not why I am so sad. It wearies me; you say it wearies you; But how I caught it, found it, or came by it, What stuff 'tis made of, whereof it is born, I am to learn; And such a want-wit sadness makes of me That I have much ado to know myself. SALERIO. Your mind is tossing on the ocean; There where your argosies, with portly sail- Like signiors and rich burghers on the flood, Or as it were the pageants of the sea- Do overpeer the petty traffickers, That curtsy to them, do them reverence, As they fly by them with their woven wings.
The Merry Devil of Edmonton (Globe Quartos)
by AnonymousThe Merry Devil of Edmonton lay unperformed from the early seventeenth century until the 1980s. Dating from around 1604, it was first published in 1608 and was performed at the Globe Theatre by the King's Men. With its scenes of magic, deer poaching, and abduction from a nunnery, The Merry Devil of Edmonton combines romance and comedy in a highly entertaining way, and was a favorite production on the seventeenth century stage.
The Merry Wives of Windsor
by William Shakespeare Paul Werstine Dr Barbara MowatShakespeare's "merry wives" are Mistress Ford and Mistress Page of the town of Windsor. The two play practical jokes on Mistress Ford's jealous husband and a visiting knight, Sir John Falstaff. Merry wives, jealous husbands, and predatory knights were common in a kind of play called "citizen comedy" or "city comedy." In such plays, courtiers, gentlemen, or knights use social superiority to seduce citizens' wives. The Windsor wives, though, do not follow that pattern. Instead, Falstaff's offer of himself as lover inspires their torment of him. Falstaff responds with the same linguistic facility that Shakespeare gives him in the history plays in which he appears, making him the "hero" of the play for many audiences. The authoritative edition of The Merry Wives of Windsor from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play's famous lines and phrases -An introduction to reading Shakespeare's language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library's vast holdings of rare books -An annotated guide to further reading Essay by Natasha Korda The Folger Shakespeare Library in Washington, DC, is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.
The Merry Wives of Windsor
by William Shakespeare"The Merchant of Venice" is the story of Antonio, the drama's title character, and his friend Bassanio. Bassanio is in need of money so that he may woo Portia, a wealthy heiress. Bassanio asks Antonio for a loan and Antonio agrees to this loan, however all his money is tied up in shipping ventures. Together the two go to Shylock, a Jewish moneylender, to request a loan for Bassanio to be guaranteed against Antonio's shipping ventures. Shylock agrees to the loan at no interest in the condition that if the debt is not repaid Shylock may collect a pound of Antonio's flesh. At the same time Portia, who is being wooed by various suitors, is upset over a curious stipulation in her father's will regarding the man that she may marry.
The Merry Wives of Windsor
by William ShakespeareMistress Page and Mistress Ford set out to have some fun at the expense of John Falstaff, who courts both in the hopes of securing their fortunes.
The Merry Wives of Windsor
by William ShakespeareIn need of money, the fat and foolish Falstaff devises a scheme to seduce two married women and steal their husbands' wealth. By talking to each other, however, the wives soon discover his plan and begin to plot their own revenge. Relentlessly inventive, this comic humiliation of a foolish would-be seducer is a lively, compelling and ultimately joyous celebration of the all-conquering power of laughter.This book includes a general introduction to Shakespeare's life and the Elizabethan theatre, a separate introduction to Merry Wives of Windsor, a chronology, suggestions for further reading, an essay discussing performance options on both stage and screen, and a commentary.